A Nightmare on Elm Street 4: The Dream Master - crew, film crew

The entire team, the film crew of the film "A Nightmare on Elm Street 4: The Dream Master"
A Nightmare on Elm Street 4: The Dream Master (1988)
Timing: 1:33 (93 min)
A Nightmare on Elm Street 4: The Dream Master - TMDB rating
5.864/10
1560
A Nightmare on Elm Street 4: The Dream Master - Kinopoisk rating
6.544/10
21316
A Nightmare on Elm Street 4: The Dream Master - IMDB rating
5.6/10
68000

Film crew

Director

Producer

Executive Producer

Sara Risher
Executive Producer
Stephen Diener
Executive Producer

Casting

Annette Benson
Casting

Editor

Michael N. Knue
Editor
Chuck Weiss
Editor
Jack Tucker
Editor

Art Direction

Thomas A. O'Conor
Art Direction

Stunts

Photo Dean Raphael Ferrandini #72169
Dean Raphael Ferrandini
Stunts
Doc D. Charbonneau
Stunts
Debbie Lynn Ross
Stunts
Photo Paula Moody #73392
Paula Moody
Stunts
Geoff Brewer
Stunts
Photo Noon Orsatti #327332
Noon Orsatti
Stunts
Lane Leavitt
Stunts
John Sherrod
Stunts
Photo Paul M. Lane #23369
Paul M. Lane
Stunts
Maria R. Kelly
Stunts
Kimberly L. Ryusaki
Stunts
Rick Kahana
Stunts
William R. Perry
Stunts
Photo Lisa McCullough #72547
Lisa McCullough
Stunts
Photo Gregg Dandridge #56182
Gregg Dandridge
Stunts

Production Design

Mick Strawn
Production Design
C.J. Strawn
Production Design

Stunt Coordinator

Photo Rick Barker #28530

Rick Barker

Rick Barker
Stunt Coordinator

Set Decoration

James R. Barrows
Set Decoration

Key Makeup Artist

Suzanne Parker Sanders
Key Makeup Artist

Original Music Composer

Photo Craig Safan #89693
Craig Safan
Original Music Composer

Production Supervisor

Deborah Moore
Production Supervisor

Associate Producer

Karen Koch
Associate Producer

Set Dresser

Bradford Johnson
Set Dresser

Director of Photography

Steven Fierberg
Director of Photography

Steadicam Operator

Jeff Mart
Steadicam Operator

Sound Effects Editor

Photo James Bryan #81637

James Bryan

James Bryan
Sound Effects Editor
Ed Callahan
Sound Effects Editor
Ed Fassl
Sound Effects Editor
Fred Wasser
Sound Effects Editor

Assistant Art Director

Rebecca Carriaga
Assistant Art Director

Property Master

Paul Byers
Property Master

Supervising Sound Editor

Robert Fitzgerald
Supervising Sound Editor
Hari Ryatt
Supervising Sound Editor

Script Supervisor

Annette Haywood-Carter
Script Supervisor

Hairstylist

Jay Wellington
Hairstylist

Still Photographer

Gary Farr
Still Photographer
Rory Flynn
Still Photographer

First Assistant Director

Mary Ellen Woods
First Assistant Director

Driver

Ronald Stinton
Driver

Production Manager

Karen Koch
Production Manager

Boom Operator

Douglas J. Schulman
Boom Operator

Costume Designer

Audrey M. Bansmer
Costume Designer

Screenplay

Jim Wheat
Screenplay
Ken Wheat
Screenplay

Foley Artist

Ellen Heuer
Foley Artist

Dialogue Editor

Simon Coke
Dialogue Editor
Linda Moss
Dialogue Editor
Christine Danelski
Dialogue Editor

Assistant Editor

Harry Hitner
Assistant Editor

Transportation Coordinator

Griff Ruggles
Transportation Coordinator

Key Grip

Phillip Tuck
Key Grip
Donne Daniels
Key Grip

Location Manager

Mark Zetler
Location Manager

Grip

Cobie Fair
Grip

Assistant Property Master

Jim Landis
Assistant Property Master

Assistant Location Manager

Lisa W. Strout
Assistant Location Manager

Carpenter

Ella St. John Blakey
Carpenter

Special Effects

Martin Becker
Special Effects

Story

William Kotzwinkle
Story

Characters

Foley Mixer

Dean Drabin
Foley Mixer

Special Effects Makeup Artist

Screaming Mad George

Screaming Mad George
Special Effects Makeup Artist
Scott Coulter
Special Effects Makeup Artist

Production Accountant

Dixie Jones
Production Accountant

Gaffer

Bruce McCleery
Gaffer

Music Editor

Earl Ghaffari
Music Editor

"B" Camera Operator

Krishna Rao
"B" Camera Operator

Post Production Supervisor

Joe Fineman
Post Production Supervisor

Production Assistant

Eric Clarke
Production Assistant

Assistant Makeup Artist

Laura Gorman
Assistant Makeup Artist

Unit Publicist

Andy Marx
Unit Publicist

Production Coordinator

Eric McLeod
Production Coordinator

ADR Editor

Bruce Stubblefield
ADR Editor
Earl Watson
ADR Editor
Barbara Barnaby
ADR Editor

Assistant Sound Editor

Bobbi Banks
Assistant Sound Editor

Production Executive

Photo Michael De Luca #14153
Michael De Luca
Production Executive

Title Designer

Photo Dan Perri #66569

Dan Perri

Dan Perri
Title Designer

Theme Song Performance

Photo Tuesday Knight #89689

Tuesday Knight

Tuesday Knight
Theme Song Performance

Special Sound Effects

Joel Valentine
Special Sound Effects

What's left behind the scenes

  • When Alice enters the cinema, posters for the films "Reefer Madness 2: The True Story" (1985), "Hairspray" (1988), and "Jailhouse Rock" (1987) can be seen.
  • The name of the diner where Alice works is "Crave Inn," which is a reference to Freddy Krueger creator Wes Craven.
  • Renny Harlin can be spotted among the students in the classroom.
  • Tuesday Knight not only played a role in the film, but also performed the film's title song.
  • Alice and other students are listening to a lecture on the philosophy of dreams. Robert Shaye, the producer of the Freddy Krueger films, played the lecturer.
  • When Dan and Alice are in the hospital, an announcement can be heard over the loudspeaker stating that Dr. Shaye is needed in a specific room. This is a reference to producer Robert Shaye.
  • Originally, Wes Craven and Bruce Wagner came up with a plot that revolved around time travel through dreams. However, producers Robert Shaye and Sarah Richardson felt that this storyline was incorrect and contradicted the concept created in the first film.
  • Ellie Cornell auditioned for the role of Alice.
  • Initially, Tibor Takács was offered the direction, but he declined to join the project two weeks before filming began.
  • In the cemetery, behind the graves of Kristen Parker and Roland Kincaid, you can notice two tombstones engraved with the names of Donald and Nancy Thompson, characters from the films “A Nightmare on Elm Street” (1984) and “A Nightmare on Elm Street 3: Dream Warriors” (1987).
  • Wes Craven declined an offer from New Line Cinema representatives to rework the screenplay they had written and film it.
  • Renny Harlin became the film's director solely due to his persistence. Chuck Russell's "A Nightmare on Elm Street 3: Dream Warriors" (1987) was extremely successful at the box office, and the studio enthusiastically embraced the idea of a sequel, planned for release in August 1988. Harlin, a huge fan of the franchise, repeatedly expressed his desire to direct the future installment. He came to the New Line Cinema office every day and insisted on a personal meeting with producer Robert Shaye. The studio decided not to sign contracts with any of the other potential directors they had been in negotiations with for "A Nightmare on Elm Street 4: The Dream Master," and Shaye finally agreed to meet with Harlin, as he was constantly present. However, studio management was skeptical of the "young upstart," especially since he only had experience directing two films that had gone unnoticed. Shaye himself later admitted that he also hesitated about handing the direction of an American horror film to a Finn with highly questionable ideas about the future project. Harlin’s persistence eventually prevailed, and he was also running desperately low on funds. Shaye jokingly claimed that Harlin was hired as director so he could buy new clothes. There was also another reason – with less than a year remaining until the planned release date, Shaye simply couldn't afford to delay the start of filming, and Harlin seemed like someone who could withstand the race against time and meet the tight shooting schedule.
  • Brian Helgeland was hired as the screenwriter after being recommended by Robert Englund, as Helgeland had worked on the screenplay for his directorial debut, "976-Evil II" (1988). The film's release date had already been set, but the future project still lacked a screenwriter and director, and Helgeland was hired with the condition that he deliver a script within seven days. Robert Shaye from New Line Cinema told him that there were only seven days to write the script – and not a day more. Helgeland flew home to Massachusetts for Christmas and wrote the script at home in the kitchen, then sent it to Los Angeles by courier. He met the deadline.
  • Lisa Wilcox was cast as Alice while on her honeymoon, so she had to cut it short and urgently return to filming in Los Angeles. Additionally, the blonde Wilcox had to dye her hair red so she wouldn't resemble Tuesday Knight, who played Kristen, too much.
  • As soon as a contract with Renny Harlin was signed, the 1988 Writers Guild strike began. Less than 7 months remained until the end of filming, and the special effects artists had already begun work on the project (even before the project had a director). Harlin had only 7 weeks for pre-production, and he considered the script raw. Due to the strike, he had to rework the script himself and independently work on storyboards based on incomplete scene descriptions (they hadn't been fully fleshed out yet) and his own imagination. The final version of the script was written in collaboration with Rachel Talalay and Michael De Luca, and some plotlines and dialogue were added during filming.
  • When Alice enters the cinema, posters for the films "Reefer Madness 2" (1985), "Hairspray" (1988), and "Prison" (1987) can be seen.
  • The diner where Alice works is called “Crave Inn,” which is a reference to Freddy Krueger creator Wes Craven.
  • When Dan and Alice are in the hospital, an announcement can be heard over the loudspeaker requesting Dr. Shay to report to a specific room. This is a reference to producer Robert Shay.
  • In the cemetery, behind the graves of Kristen Parker and Roland Kincaid, two tombstones can be seen engraved with the names Donald and Nancy Thompson, characters from the films “A Nightmare on Elm Street” (1984) and “A Nightmare on Elm Street 3: Dream Warriors” (1987).
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