Friday the 13th Part VII: The New Blood - crew, film crew
The entire team, the film crew of the film "Friday the 13th Part VII: The New Blood"
Friday the 13th Part VII: The New Blood (1988)
Timing:
1:28 (88 min)
5.48/10
1176
1176
5.29/10
6525
6525
5.2/10
41441
41441
Film crew
Director
Producer
Iain Paterson
Producer
Casting
Anthony Barnao
Casting
Editor
Maureen O'Connell
Editor
Martin Jay Sadoff
Editor
Barry Zetlin
Editor
Special Effects Supervisor
David Fletcher
Special Effects Supervisor
Eric Dressor
Special Effects Supervisor
Scott Prescott
Special Effects Supervisor
Martin Becker
Special Effects Supervisor
Lenny Dalrymple
Special Effects Supervisor
Costume Design
Jacqueline Johnson
Costume Design
Stunts
Bob Bragg
Stunts
Paula Moody
Stunts
Steve Hulin
Stunts
Paul E. Short
Stunts
Tracy Hutchinson
Stunts
Maria R. Kelly
Stunts
Alan Marcus
Stunts
John Sistrunk
Stunts
Tod Keller
Stunts
Karen Garrett
Stunts
Jeannie Malahni
Stunts
Production Design
Richard Lawrence
Production Design
Stunt Coordinator
Set Decoration
Woody Crocker
Set Decoration
Sound Re-Recording Mixer
Stanley Kastner
Sound Re-Recording Mixer
Wayne Heitman
Sound Re-Recording Mixer
Original Music Composer
Fred Mollin
Original Music Composer
Associate Producer
Barbara Sachs
Associate Producer
Thomas Irvine
Associate Producer
Set Dresser
Mark C. Haskins
Set Dresser
Second Assistant Director
Todd Amateau
Second Assistant Director
Director of Photography
Paul Elliott
Director of Photography
Camera Operator
Key Costumer
Donna Barrish
Key Costumer
Sound Effects Editor
Val Kuklowsky
Sound Effects Editor
Kini Kay
Sound Effects Editor
Holly Davis
Sound Effects Editor
Holly Davis
Sound Effects Editor
Property Master
Batia Grafka
Property Master
Supervising Sound Editor
Dane A. Davis
Supervising Sound Editor
Christopher Sheldon
Supervising Sound Editor
Script Supervisor
Suzan Lowitz
Script Supervisor
Electrician
Ali Farboud
Electrician
Oliver Peale
Electrician
Carl Johnson
Electrician
Robert Pugh
Electrician
Nick Nelson
Electrician
Special Effects Coordinator
Lou Carlucci
Special Effects Coordinator
Robin D’Arcy
Special Effects Coordinator
Still Photographer
Michael Ansell
Still Photographer
Sound Mixer
Jan Brodin
Sound Mixer
First Assistant Director
Francis R. Mahony III
First Assistant Director
Thanks
Lynn Booth
Thanks
Leslie Buzbee
Thanks
Charles Rawls
Thanks
Bob Gray
Thanks
Victoria Barney
Thanks
Gerald Redmon
Thanks
Driver
Michael Locke
Driver
David Walden
Driver
Kim Larsen
Driver
Janice Phelps
Driver
Tim Wright
Driver
Marvin Dials
Driver
Pam Hart
Driver
Arthur Smith
Driver
David Walden Sr.
Driver
Production Manager
John Foster
Production Manager
Rebecca Greeley
Production Manager
Boom Operator
Gail Dalton Brodin
Boom Operator
Costume Designer
Jacqueline Johnson
Costume Designer
Screenplay
Manuel Fidello
Screenplay
Daryl Haney
Screenplay
Construction Coordinator
Jaime Bird
Construction Coordinator
James Beggs
Construction Coordinator
Dialogue Editor
Greg Jacobs
Dialogue Editor
Assistant Editor
Lori Ball
Assistant Editor
Marcy Stoeven
Assistant Editor
Lauri Brown
Assistant Editor
Best Boy Grip
Anthony Caldwell
Best Boy Grip
Foley Editor
Joel Berkovitz
Foley Editor
Props
César Díez Álava
Props
Transportation Coordinator
Tony Mercier
Transportation Coordinator
Key Grip
Curtis Bradford
Key Grip
Grip
Monty Bass
Grip
Renton-Paul Medcalf
Grip
Chris Kiperman
Grip
Kevin Whitlow
Grip
Leadman
John Philpotts
Leadman
Set Production Assistant
Franklin A. Vallette
Set Production Assistant
Location Assistant
Loraina Drucker
Location Assistant
John Frassrand
Location Assistant
Assistant Set Decoration
Albert Cummings
Assistant Set Decoration
Terry Tubbs
Assistant Set Decoration
Painter
Francis N. 'Lucky' Costello
Painter
Larry Clark
Painter
Music Supervisor
Christopher Kennedy
Music Supervisor
Christopher Kennedy
Music Supervisor
Foley Mixer
Gary Gegan
Foley Mixer
Scott Ganary
Foley Mixer
Production Controller
Lynn Buechler
Production Controller
Production Accountant
Vikki Williams
Production Accountant
Connie Talley-Sherman
Production Accountant
Wig Designer
Karin Hanson
Wig Designer
Gaffer
John Drake
Gaffer
Assistant Director
David Ronan
Assistant Director
ADR Mixer
Gary Gegan
ADR Mixer
Scott Ganary
ADR Mixer
Makeup & Hair
Jerrie Werkman
Makeup & Hair
First Assistant Camera
Harry K. Garvin
First Assistant Camera
Edward Giovanni
First Assistant Camera
Special Effects Assistant
Jim Kundig
Special Effects Assistant
Other
Cary Howe
Other
Joe Podnar
Other
Greg Johnson
Other
Jennifer Martin
Other
Timothy Ralston
Other
Sheila Jackson
Other
Heidi Snyder
Other
Mecki Heussen
Other
Patrick Simmons
Other
Leslie Buzbee
Other
Production Assistant
Charles Salmon
Production Assistant
Curt Covert
Production Assistant
Jonathan Sachs
Production Assistant
William Mark Spencer
Production Assistant
Eddie Salmon
Production Assistant
Assistant Hairstylist
Maria Lupe de Caesar
Assistant Hairstylist
Assistant Makeup Artist
Maria Lupe de Caesar
Assistant Makeup Artist
Production Coordinator
Shalini Waran
Production Coordinator
Production Secretary
Ponina Ben-Daniel
Production Secretary
Line Producer
Local Casting
Mary Gaffney
Local Casting
ADR Editor
Cynthia Haagens
ADR Editor
Best Boy Electric
Don Cely
Best Boy Electric
Location Coordinator
Cary Howe
Location Coordinator
Greg Johnson
Location Coordinator
Assistant Production Coordinator
Pat Frazier
Assistant Production Coordinator
Sound Recordist
Matt Patterson
Sound Recordist
Mark 'Frito' Long
Sound Recordist
Jon Hussein
Sound Recordist
Wardrobe Supervisor
Marcy Graig
Wardrobe Supervisor
Debra L. Wright
Wardrobe Supervisor
Second Assistant Camera
Giles Dunning
Second Assistant Camera
Assistant Sound Editor
Lisa Davis
Assistant Sound Editor
Paul Wagner
Assistant Sound Editor
Pyrotechnic Supervisor
Joe Lombardi
Pyrotechnic Supervisor
Transportation Captain
Ella St. John Blakey
Transportation Captain
Shelba Travis
Transportation Captain
Swing
Gene Bishop
Swing
Les Godwin
Swing
Barton Hilliker
Swing
Sylvia Lawrence
Swing
Craft Service
Bruce Fahr
Craft Service
Cheryl Livingston
Craft Service
Ronnie Livingston
Craft Service
Negative Cutter
Alter Image
Negative Cutter
Foley
Joan Rowe
Foley
Jerry Trent
Foley
Production Consultant
Pam O'Har
Production Consultant
Contact Lens Designer
Richard Snell
Contact Lens Designer
Production Office Coordinator
Pamela Solomon
Production Office Coordinator
Underwater Camera
Wayne Baker
Underwater Camera
Peter Romano
Underwater Camera
Underwater Gaffer
Richard Mula
Underwater Gaffer
Animatronic and Prosthetic Effects
John Criswell
Animatronic and Prosthetic Effects
Dave Kindlen
Animatronic and Prosthetic Effects
Mechanical Designer
Jim Doyle
Mechanical Designer
What's left behind the scenes
- Director John Carl Buechler was so shocked by Kane Hodder eating live worms on the set of the thriller 'Prison' (Renny Harlin, 1987) that he persuaded Paramount Pictures to let him film Hodder as Jason. If it weren't for his persistence, the role would have gone to S.J. Graham again.
- Initially, this was intended to be the first film to feature a crossover between Jason Voorhees and Freddy Krueger from the 'Nightmare on Elm Street' franchise. However, Paramount Pictures and New Line Cinema, the owners of the 'Friday the 13th' and 'Nightmare on Elm Street' franchises respectively, failed to reach an agreement, so the script was rewritten and telekinetic Tina Shepard was introduced instead of Freddy.
- The Jason mask for this film was created using the same mold as the mask from Steve Miner’s 'Friday the 13th Part 3' (1982), but with minor alterations. The mask shows damage (from an axe and a screw), and its edges were also slightly trimmed to make the actor’s head appear smaller.
- Initially, John Carl Buechler wanted Paula Irvine to play the role of Tina, because she was 19 years old at the time and looked exactly as he envisioned the character. However, it turned out that Irvine was busy filming a horror film, 'Phantasm II' (1988), for Don Coscarelli. Time was running out, and Buechler couldn't find an actress of the appropriate age for the role of Tina, so he cast the older Lar Park-Lincoln (who was 26 at the time). The actress had to wear a lot of makeup to look a few years younger. The producers really liked that she resembled Sissy Spacek, who played Carrie in Brian De Palma’s film of the same name (1976).
- Screenwriter Daryl Heaney was fired after his agent called executive producer Frank Mancuso Jr. and claimed that Heaney was demanding a substantial increase in his fee (even though Heaney hadn’t even considered such a thing). A less well-known Manuel Fidelio finished working on the script.
- As the series creator and producer Rebecca Sugar revealed, the voice actors for the main characters were selected based on the sound of their singing voices.
- Kane Hodder later recounted that filming the scene of the girl’s murder in the sleeping bag proved difficult, as the sleeping bag with the dummy and fake blood inside was very heavy. The scene had to be reshot again and again. During the filming of one of the takes, he dropped the sleeping bag and kicked it in frustration, and it was that take that made it into the film. Hodder subsequently repeated this on the set of the horror film “Jason X” (James Isaac, 2000).
- The film set a record for the longest controlled continuous burn in a frame in Hollywood history. Hodder’s character burned for 40 seconds.
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