The Ghost and the Darkness - crew, film crew

The entire team, the film crew of the film "The Ghost and the Darkness"
The Ghost and the Darkness (1996)
Timing: 1:49 (109 min)
The Ghost and the Darkness - TMDB rating
6.823/10
1111
The Ghost and the Darkness - Kinopoisk rating
7.603/10
39017
The Ghost and the Darkness - IMDB rating
6.8/10
70000

Film crew

Director

Producer

A. Kitman Ho
Producer
Paul B. Radin
Producer

Executive Producer

Steven Reuther
Executive Producer
Photo Michael Douglas #8863Photo Michael Douglas #8864Photo Michael Douglas #8865Photo Michael Douglas #8866

Michael Douglas

Michael Douglas
Executive Producer

Casting

Sarah Trevis
Casting

Editor

Robert Brown
Editor
Roger Bondelli
Editor

Special Effects Supervisor

Photo Chris Corbould #10921
Chris Corbould
Special Effects Supervisor

Art Direction

Giles Masters
Art Direction
Malcolm Stone
Art Direction

Supervising Art Director

Photo Steve Saklad #70641
Steve Saklad
Supervising Art Director
George Richardson
Supervising Art Director

Costume Design

Production Design

Stuart Wurtzel
Production Design

Stunt Coordinator

Danny Baldwin
Stunt Coordinator

Second Unit Director

Photo Josh McLaglen #12342
Josh McLaglen
Second Unit Director

Set Decoration

Hilton Rosemarin
Set Decoration

Makeup Artist

Meg Speirs
Makeup Artist
Tom Lucas
Makeup Artist

Key Makeup Artist

Paul Engelen
Key Makeup Artist

Sound Re-Recording Mixer

Donald O. Mitchell
Sound Re-Recording Mixer
Frank A. Montaño
Sound Re-Recording Mixer
Rick Hart
Sound Re-Recording Mixer

Original Music Composer

Photo Jerry Goldsmith #20734

Jerry Goldsmith

Jerry Goldsmith
Original Music Composer

Unit Production Manager

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Unit Production Manager

Co-Producer

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Co-Producer

Production Supervisor

Michael L. Games
Production Supervisor

Second Assistant Director

Matt Rebenkoff
Second Assistant Director
David H. Venghaus Jr.
Second Assistant Director

Jamie Christopher

Jamie Christopher
Second Assistant Director
Patrick Kinney
Second Assistant Director

Director of Photography

Photo Vilmos Zsigmond #74868Photo Vilmos Zsigmond #74869Photo Vilmos Zsigmond #74870

Vilmos Zsigmond

Vilmos Zsigmond
Director of Photography

Key Costumer

Leigh Bishop
Key Costumer
Dan Grace
Key Costumer

Sound Effects Editor

Lance Brown
Sound Effects Editor
Kim Secrist
Sound Effects Editor
Gary Mundheim
Sound Effects Editor
Donald L. Warner Jr.
Sound Effects Editor
Gordon Ecker
Sound Effects Editor
Steve Mann
Sound Effects Editor
Glenn Hoskinson
Sound Effects Editor
Steve Nelson
Sound Effects Editor
Richard E. Yawn
Sound Effects Editor

Property Master

Philip McDonald
Property Master

Visual Effects Supervisor

Photo Tim McGovern #13589
Tim McGovern
Visual Effects Supervisor
Stuart Robertson
Visual Effects Supervisor

Supervising Sound Editor

Bruce Stambler
Supervising Sound Editor

Script Supervisor

Nikki Clapp
Script Supervisor

Supervising ADR Editor

Becky Sullivan
Supervising ADR Editor

Hairstylist

Vera Mitchell
Hairstylist

Still Photographer

Frank Connor
Still Photographer

Associate Editor

Sean Hubbert
Associate Editor

Sound Mixer

Simon Kaye
Sound Mixer

First Assistant Director

Photo José Luis Escolar #71249
José Luis Escolar
First Assistant Director

Assistant Costume Designer

Michael Dennison
Assistant Costume Designer

Boom Operator

Tommy Staples
Boom Operator

Screenplay

Novel

John Henry Patterson
Novel

Foley Artist

Hilda Hodges
Foley Artist

Construction Coordinator

Rodney Armanino
Construction Coordinator

Dialogue Editor

Mildred Iatrou
Dialogue Editor
Kimberly Lowe Voigt
Dialogue Editor
Marshall Winn
Dialogue Editor
John Leveque
Dialogue Editor

Foley Editor

Bob Beher
Foley Editor
Mark Pappas
Foley Editor
Shawn Sykora
Foley Editor

First Assistant "B" Camera

Carlos De Carvalho
First Assistant "B" Camera

First Assistant "A" Camera

Dennis Seawright
First Assistant "A" Camera

Location Manager

Kevin De La Noy
Location Manager

Dolly Grip

Guy Micheletti
Dolly Grip

Key Hair Stylist

Suzanne Stokes-Munton
Key Hair Stylist

Second Second Assistant Director

Javier Chinchilla
Second Second Assistant Director

Construction Foreman

Alan Allinger
Construction Foreman

Foley Supervisor

Michael Dressel
Foley Supervisor

Foley Mixer

Mary Jo Lang
Foley Mixer

Production Accountant

Marge Rowland
Production Accountant

"A" Camera Operator

Neal Norton
"A" Camera Operator

Music Editor

Sally Boldt
Music Editor

ADR Mixer

Thomas J. O'Connell
ADR Mixer

ADR Recordist

Rick Canelli
ADR Recordist

Second Unit Director of Photography

Photo Gabriel Beristain #11260

Gabriel Beristain

Gabriel Beristain
Second Unit Director of Photography

"B" Camera Operator

Joseph D. Urbanczyk
"B" Camera Operator

Unit Publicist

Stuart Fink
Unit Publicist

Visual Effects Coordinator

Ryan Berg
Visual Effects Coordinator

Second Assistant "A" Camera

Lars Cox
Second Assistant "A" Camera

ADR Editor

Joe Dorn
ADR Editor

ADR Voice Casting

Photo Barbara Harris #1681

Barbara Harris

Barbara Harris
ADR Voice Casting

Supervising Music Editor

Kenneth Hall
Supervising Music Editor

Assistant Sound Editor

Paul Aulicino
Assistant Sound Editor
Dana LeBlanc Frankley
Assistant Sound Editor
Jeff Cranford
Assistant Sound Editor

Foley Recordist

Carolyn Tapp
Foley Recordist

Dolby Consultant

Thom 'Coach' Ehle
Dolby Consultant

Color Timer

Bob Kaiser
Color Timer

Negative Cutter

Mo Henry
Negative Cutter

First Company Grip

Mike Miller
First Company Grip

What's left behind the scenes

  • Completely different actors were considered for the role of Colonel Patterson, namely Mel Gibson, Tom Cruise, and Kevin Costner.
  • Paramount Pictures, which released the film 'The Ghost and the Darkness,' initially wanted to film most of the movie in Kenya, where the events actually took place. However, the political situation in the country at that time was far from hospitable, which forced the production to move filming to South Africa.
  • The film's title originates from a legend about two monstrous lions endowed with such intelligence and mystical power that the Masai gave them the names 'Ghost' and 'Darkness'.
  • A lot of money was spent creating special effects to generate animated lions, but the producers concluded that they would have to include live lions in most scenes. Five lions were used for the filming: Bongo and Caesar from Canada, who filmed together without any issues (lions of the same sex generally instinctively attack each other); two from France: Voltan and Roman (they were filmed separately, confirming the aforementioned rule); and 12-year-old screen veteran Sudan from California, capable of acting like a real performer – simulating an attack without harming a person, which is extremely rare among domesticated animals, especially lions.
  • The heroes' weapons were chosen quite carefully – they correspond to their time. Colonel Patterson arrived in Africa with a “Lee-Metford Mk.II” carbine, in a hunting version with a sporting stock and a shortened 6-round magazine. Incidentally, Patterson fired exactly that many times on his bridge at the end of the film. Professional hunter Remington, as befits a professional of those years, hunted with a “Holland & Holland”.
  • Although both lions are depicted with manes in the film, the real man-eating lions of Tsavo were completely devoid of manes.
  • The location of the historical bridge construction where the described events took place is Tsavo National Park in Kenya, a place with coordinates 2.993558°S 38.461458°E.
  • There is only one scene using an animatronic lion. All other scenes were filmed using two real lions – Bongo and Caesar. The same lions also appeared in the film “George of the Jungle” (1997).
  • After the lions were killed, their skins were used by Colonel Patterson as rugs. In 1924, Patterson sold them to the Field Museum of Natural History in Chicago for $5000.
  • According to the book 'The Devil's Candy,' Brian De Palma was attached to direct the film in 1990. He was removed by the studio after the failure of 'The Bonfire of the Vanities' (1990). Kenneth Branagh was later briefly associated with the project following the success of 'Henry V' (1989).
  • Director Stephen Hopkins wanted his longtime collaborator Peter Levy to be the film's cinematographer, but he was rejected by the studio, which wanted to hire Vilmos Zsigmond.
  • The figure of hunter Remington is entirely fictional from a historical point of view. In reality, Patterson killed both lions on his own.
  • A great deal of money was spent creating special effects for animated lions, but the producers concluded that they would have to introduce live lions into most of the scenes. Five lions were used for filming: Bongo and Caesar from Canada, who filmed together without any issues (lions of the same sex instinctively attack each other, as a rule); two from France: Voltan and Roman (they were filmed separately, confirming the aforementioned rule); and 12-year-old screen veteran Sudan from California, capable of acting like a real actor – mimicking attacks without harming humans, which is extremely rare among trained animals, especially lions.
  • There is only one scene using an animatronic lion. All other scenes were filmed using two real lions – Bongo and Caesar. The same lions also appeared in the film “George of the Jungle” (1997).
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