Snatch - crew, film crew
The entire team, the film crew of the film "Snatch"
Snatch (2000)
Timing:
1:43 (103 min)
7.819/10
9874
9874
8.556/10
653176
653176
8.2/10
973000
973000
Film crew
Director
Producer
Executive Producer
Steve Tisch
Executive Producer
Stephen Marks
Executive Producer
Peter Morton
Executive Producer
Angad Paul
Executive Producer
Writer
Casting
Lucinda Syson
Casting
Editor
Special Effects Supervisor
Ken Lailey
Special Effects Supervisor
Art Direction
Julie Philpott
Art Direction
Costume Design
Verity Hawkes
Costume Design
Production Design
Hugo Luczyc-Wyhowski
Production Design
Stunt Coordinator
Tom Delmar
Stunt Coordinator
Second Unit Director
Mick Ward
Second Unit Director
Set Decoration
Linda Wilson
Set Decoration
Makeup Artist
Jean Ann Black
Makeup Artist
Fae Hammond
Makeup Artist
Belinda Parish
Makeup Artist
Nora Robertson
Makeup Artist
Key Makeup Artist
Pebbles
Key Makeup Artist
Sound Re-Recording Mixer
Mike Dowson
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Michael Dreyer
Co-Producer
Associate Producer
Sebastian Pearson
Associate Producer
Taha Ali Reza
Associate Producer
Second Assistant Director
Daniel Toland
Second Assistant Director
Stunt Double
Charles Jarman
Stunt Double
Mark Southworth
Stunt Double
Fight Choreographer
Tom Delmar
Fight Choreographer
Director of Photography
Tim Maurice-Jones
Director of Photography
Camera Operator
Peter Wignall
Camera Operator
Steadicam Operator
Peter Wignall
Steadicam Operator
Stuart Howell
Steadicam Operator
Costume Supervisor
Sharon Gilham
Costume Supervisor
Sound Effects Editor
Matthew Collinge
Sound Effects Editor
Assistant Art Director
Martin Foley
Assistant Art Director
Verena Khan
Assistant Art Director
Property Master
Tom Pleydell-Pearce
Property Master
Supervising Sound Editor
Danny Sheehan
Supervising Sound Editor
Script Supervisor
Mary Haddow
Script Supervisor
Electrician
Ray Bateman
Electrician
Frank Cox
Electrician
Chris Polden
Electrician
Hairstylist
Belinda Parish
Hairstylist
Fae Hammond
Hairstylist
Nora Robertson
Hairstylist
Still Photographer
Sebastian Pearson
Still Photographer
Daniel Smith
Still Photographer
Sound Mixer
Simon Hayes
Sound Mixer
Larry Hopkins
Sound Mixer
Armorer
Charles Bodycomb
Armorer
Jon Baker
Armorer
Rob Grundy
Armorer
First Assistant Director
David Reid
First Assistant Director
Chief Lighting Technician
Andy Duncan
Chief Lighting Technician
Driver
Fergus Cotter
Driver
Production Manager
Boom Operator
Arthur Fenn
Boom Operator
First Assistant Editor
Paul Swinburne
First Assistant Editor
Foley Artist
Jason Swanscott
Foley Artist
Diane Greaves
Foley Artist
Sound Designer
Matthew Collinge
Sound Designer
Construction Coordinator
Dennis Wilson
Construction Coordinator
Location Scout
Bill Twiston-Davies
Location Scout
Dialogue Editor
Danny Sheehan
Dialogue Editor
Assistant Editor
Peter Dansie
Assistant Editor
Foley Editor
Michael Redfern
Foley Editor
Props
Will Cann
Props
Campbell Mitchell
Props
Key Grip
Terry Williams
Key Grip
Location Manager
Pat Karam
Location Manager
Antony Frew
Location Manager
Grip
Terry Williams
Grip
Tony Fabian
Grip
Key Hair Stylist
Pebbles
Key Hair Stylist
Assistant Location Manager
Giles Edleston
Assistant Location Manager
Carpenter
Robert Park
Carpenter
Tom Martin
Carpenter
Danny O'Regan Jr.
Carpenter
Painter
John Roberts
Painter
Casting Assistant
Emma Engers
Casting Assistant
Special Effects Technician
Casper Lailey
Special Effects Technician
Alastair Vardy
Special Effects Technician
Gareth Wingrove
Special Effects Technician
Third Assistant Director
Mick Ward
Third Assistant Director
Tom Rye
Third Assistant Director
Production Accountant
Maurice Landsberger
Production Accountant
"A" Camera Operator
Peter Wignall
"A" Camera Operator
Music
Music Editor
Danny Sheehan
Music Editor
Focus Puller
Stuart Graham
Focus Puller
Jason Bulley
Focus Puller
Sam Barnes
Focus Puller
ADR Mixer
Darren McQuade
ADR Mixer
Storyboard Artist
Peter Wignall
Storyboard Artist
Camera Trainee
Elizabeth Hoar
Camera Trainee
Standby Painter
Tom Roberts
Standby Painter
Additional Music
Bibs Ekkel
Additional Music
Researcher
Willi Geiger
Researcher
Prosthetics Sculptor
Barrie Gower
Prosthetics Sculptor
Stand In
Bill Hickey
Stand In
Production Assistant
Sarah Gellately-Smith
Production Assistant
Tony Payne
Production Assistant
Carlos Peres
Production Assistant
Sam Stonehill
Production Assistant
Assistant Makeup Artist
Juliana Mendes
Assistant Makeup Artist
VFX Artist
Dan Duran
VFX Artist
Unit Publicist
Nevette Previd
Unit Publicist
Production Coordinator
Emma Pike
Production Coordinator
Scoring Mixer
Daniel L. Griffiths
Scoring Mixer
Visual Effects Coordinator
Stefan Drury
Visual Effects Coordinator
Animation Director
Ian Cross
Animation Director
ADR Voice Casting
Vanessa Baker
ADR Voice Casting
Rigging Gaffer
David Broadfoot
Rigging Gaffer
Art Department Production Assistant
Sandra Fattorre
Art Department Production Assistant
Assistant Production Coordinator
Debbie Ninnis
Assistant Production Coordinator
Security
David Lindsay
Security
Dialect Coach
Brendan Gunn
Dialect Coach
Costume Assistant
Nicki Varney
Costume Assistant
Action Director
Tom Delmar
Action Director
Standby Carpenter
Graham Cole
Standby Carpenter
Peter Johnson
Standby Carpenter
Transportation Captain
Simon Barker
Transportation Captain
Co-Editor
Les Healey
Co-Editor
Title Designer
Ian Cross
Title Designer
Clapper Loader
Jake Marcuson
Clapper Loader
Jon Mitchell
Clapper Loader
Tattoo Designer
Fae Hammond
Tattoo Designer
Head of Production
Michael Elson
Head of Production
Wardrobe Master
Caroline McCall
Wardrobe Master
Melina Fragkia
Wardrobe Master
Digital Colorist
Jean-Clement Soret
Digital Colorist
Color Timer
David Rees
Color Timer
Music Consultant
Ian Neil
Music Consultant
Dressing Prop
Peter Burden
Dressing Prop
Chris Cutler
Dressing Prop
Compositing Artist
Paul Conway
Compositing Artist
Gavin Digby
Compositing Artist
Ed Hawkins
Compositing Artist
Gregory Salter
Compositing Artist
Mark Stannard
Compositing Artist
Jelena Stojanovic
Compositing Artist
Tom Wood
Compositing Artist
Assistant Chief Lighting Technician
Richard Oxley
Assistant Chief Lighting Technician
Score Engineer
Daniel L. Griffiths
Score Engineer
Supervising Carpenter
Philip Smith
Supervising Carpenter
Digital Effects Producer
Kristin Emblem
Digital Effects Producer
Michael Elson
Digital Effects Producer
Cableman
James Harris
Cableman
Robin Johnson
Cableman
Standby Rigger
Gerry Higgins
Standby Rigger
What's left behind the scenes
- Brad Pitt is a big fan of the film "Lock, Stock and Two Smoking Barrels" (1998). After meeting Guy Ritchie, Brad asked him for a role in his next film. Pitt received the role of Mickey the Gypsy after it became clear he couldn't convincingly imitate a London accent.
- Ed, who played Tyrone, came to the film set looking for work as a security guard. After Guy Ritchie saw him, he immediately offered him the role of Tyrone.
- To maintain order on the set, Guy Ritchie introduced a peculiar system of fines, including penalties for ringing mobile phones, lateness, sleeping on the job, talking, and expressing dissatisfaction...
- Rumor has it that Guy Ritchie paid $1 million for the use of Madonna’s song “Lucky Star.”
- Almost all the idiotic situations that Sol, Vincent, and Tyrone get into are based on real events: Guy Ritchie borrowed them from documentary television programs about the most absurd crimes.
- In the US, they wanted to change the film's title to "Snatched" or "Snatch'd".
- The word "fuck" is said 153 times in the film.
- Due to the small budget, the producers couldn't afford to hire the necessary extras for the boxing match scene. Each time the camera changed angle, the extras had to move around to create the effect of a huge crowd at the match.
- A literal translation of the original title is "Robbery".
- The British version of the film is 104 minutes long, while the American version is 102 minutes long.
- Upon learning from Guy Ritchie that he was to play a boxer, Brad Pitt became worried. He had just finished filming David Fincher's "Fight Club" (1999), and the prospect of playing a similar role did not appeal to him at all. But Pitt was so eager to work with Guy Ritchie that he agreed anyway.
- The character played by Brad Pitt, and his unintelligible speech, were Guy Ritchie's response to critics who complained about the distinctly London accent of the characters in his first feature film, "Lock, Stock and Two Smoking Barrels" (1998). The director deliberately made the speech of 'Gypsy' Mickey so incomprehensible that he could not be understood by either the audience or even other characters in the film.
- According to commentary available on the DVD, it was very difficult to work with the first dog brought in for filming. During a scene with Vincent, Sol and Tyrone in the car, it attacked Lennie James and bit him in the groin, fortunately without any lasting consequences. After this incident, the dog was replaced.
- The role of Brick was initially offered to Sean Connery. The actor liked the script and even decided to watch "Lock, Stock and Two Smoking Barrels" (1998). Producer Matthew Vaughn urgently arranged a screening for Connery. Connery came, watched the film, and then said, "Good film." After which, in a tragic whisper, he added, "But you can't afford me." In the end, Alan Ford played Brick.
- Actor Jason Fleming jokingly said that the conditions on the set were so unbearable that activists from the human rights organization "Amnesty International" picketed Brad Pitt's trailer, claiming it was unfit for human habitation.
- One of the boxers is called Harris the Bomber. The same nickname was borne by Arthur Harris, head of Bomber Command of the Royal Air Force during World War II. A certain Colin 'Bomber' Harris, a man who fought himself, appeared in a special German edition of the British comedy group "Monty Python's Fliegender Zirkus" in 1971.
- Dave Courtney was offered the role of Brick.
- When Mickey tells Turkish about the new camper van for his mother, he particularly emphasizes that the trailer should be a pale blue color. In "Psycho" (1960), we learn that Norman Bates helped choose a dress of the same color for his dead mother. Mickey, like Norman, is also, albeit indirectly, responsible for his mother's death.
- In one scene, Vinnie Jones hits a man on the head with his car door. Tom Delmar, the stunt coordinator and stunt arranger, volunteered to play the role of the victim. He did the same in the film "Lock, Stock and Two Smoking Barrels" (1998), directed by Guy Ritchie.
- In one scene, Boris the Blade pulls a butcher's knife from under his jacket. Soap did the same in the film "Lock, Stock and Two Smoking Barrels" (1998).
- Guy Ritchie can be spotted in the bar when Doug the Head refuses to buy precious stones: the man reading a newspaper in the corner of the bar is Guy Ritchie.
- Tim Maurice-Jones (cinematographer) played the man whom Four-Fingers (Benicio Del Toro) hits on the head several times during the robbery scene. In “Lock, Stock and Two Smoking Barrels” (1998), where Tim was also the cinematographer, he played the man whom Barry the Baptist (Lenny McLean) drowns at the very beginning of the film.
- In Guy Ritchie’s previous film, “Lock, Stock and Two Smoking Barrels” (1998), there is a scene of conversation between Harry, Barry, and Chris. Barry says, “No, Harry, you can’t,” after which Chris repeats the same phrase, and then Chris and Barry repeat it together. A similar joke is found in “Snatch,” when Alex and Suzie first separately, and then together, repeat the phrase “yes, Dad, you told us.”
- Throughout the opening credits, the robbers discuss the Virgin Mary. This episode is very similar to the opening scene from “Reservoir Dogs” (1991), where the discussion revolved around Madonna's song “Like a Virgin.”
- During the phone call between Four-Fingers and Avi's cousin, Four-Fingers changes into four different outfits.
- Mully tells Tony that the bookmaker was robbed by Vinny and Sol, who own a pawn shop on Smith Street. This street is located in Chelsea, a luxurious district of London.
- The film's title is mentioned only once, when Vinny, handing a squeaky toy to a dog, says: “Don't Snatch!”
- When filming the scene where Vinny and Sol are sitting in a car near Brick Top’s betting shop, and Tony – with a bullet in his teeth – approaches them, Vinnie Jones was absent from the set because he was in a police station at that very time, due to a fight he’d started the night before filming.
- The following episodes were removed from the film: In a scene where, in the back room of the pawn shop, Benicio Del Toro’s character – Frankie Four Fingers – sits with a kettle cover on his head, he is allowed to take it off to open the case. He manages to briefly deceive three Black bandits by pulling a gun out of the case instead of a diamond. He falls along with the chair to which he was handcuffed and drops the gun. An episode in which Tony with a bullet in his teeth (Vinnie Jones) urinates on Errol, while Cousin Avi yells at Errol’s boss – Brick Top – about being given a fake instead of a real diamond.
- Lenny James, who played Sol, bruised his genitals from the recoil of a sawn-off shotgun while shooting at a wall. He finished the scene despite the pain, and those shots made it into the film.
- The film barely shows death. It almost always happens off-screen.
- As soon as the gong sounds, signaling the start of the fight between Mickey and the Bomber, the latter headbutts Mickey in the face. Mickey knocks his opponent to the floor with a single punch. This plot element was a tribute to Lenny McLean, nicknamed the Governor, who once knocked out 'Mad Gypsy' Bradshaw in a similar fashion. McLean played the role of Barry 'The Baptist' in Guy Ritchie's film *Lock, Stock and Two Smoking Barrels* (1998). He died at the age of 49, less than a month before the film's premiere.
- 26 people die in the film.
- Vinnie Jones chases a dog with a knife, which has swallowed a diamond. In Dominic Sena's *Gone in 60 Seconds* (2000), his character is prevented from cutting open the stomach of a dog that has swallowed the car keys.
- In the mise-en-scène where Tony asks for a pint of 'black,' the bartender hands him a half-empty glass. He was about to pour the customer a full pint, but noticed approaching robbers.
- Tyrone drives a Rover SD1 Vitesse, the fastest rear-wheel drive car in this model range with a 3.5-liter eight-cylinder engine. Its production began in 1976 and ended in 1986. The car used in the film had undergone some restyling. This vehicle was extremely popular with both police officers and criminals. Moreover, when the car was discontinued, some police officers bought used models for official use. Various engines were offered for it, including 2.3 and 2.6-liter six-cylinder engines, and also 2.4-liter turbocharged diesel engines (which were considered, as they say now, innovative in the 1980s). Eventually, the car was removed from the production line, and the design was sold to an Indian company. It was rebranded and reappeared on the market under the Standard 2000 brand.
- In the scene of Boris Britva's murder (in the corridor with the fire exit), no powder gases are visible emerging from the barrel of the Desert Eagle during the second shot, although the sound is present.
- In the scene of Boris Britva's murder, Tony fires 8 shots from the Desert Eagle through the wall, after which he runs out of ammunition. This is understandable given that he reloads. He then fires another 8 shots, and again runs out of ammunition on the ninth. However, later, in the scene with the dog, Avi, using Tony's pistol, manages to fire as many as 12 shots from it without reloading.
- Filming took place from October 18 to December 12, 1999.
- A literal translation of the original title is “Robbery”.
- Upon learning from Guy Ritchie that he was to play a boxer, Brad Pitt became worried. He had just finished filming David Fincher’s “Fight Club” (1999), and the prospect of playing a similar role didn’t appeal to him at all. But Pitt was so eager to work with Guy Ritchie that he agreed anyway.
- The personality of the character played by Brad Pitt, and his unintelligible speech, were Guy Ritchie’s response to critics who complained about the strong London accent of the characters in his first feature film, “Lock, Stock and Two Smoking Barrels” (1998). The director deliberately made the speech of Mickey “The Gypsy” so incomprehensible that neither the audience nor even other characters in the film could understand him.
- The role of Brick was initially offered to Sean Connery. The actor liked the script and even decided to watch “Lock, Stock and Two Smoking Barrels” (1998). Producer Matthew Vaughn urgently arranged a screening for Connery. Connery came, watched the film, and then said: “Good film.” After which, he added in a tragic whisper: “But you can’t afford me.” In the end, Alan Ford played Brick.
- Actor Jason Fleming jokingly said that the conditions on set were so unbearable that activists from the human rights organization “Amnesty International” picketed Brad Pitt’s trailer, claiming it was unfit for human habitation.
- One of the boxers is called Bomber Harris. The same nickname was borne by Arthur Harris, head of Bomber Command of the Royal Air Force during World War II. In a special German edition of the British comedy group “Monty Python’s Flying Circus” in 1971, there appeared a Colin “Bomber” Harris, a man who fought with himself.
- In one scene, Vinnie Jones hits a man on the head with his car door. Tom Delmar, the stunt coordinator and stunt arranger, volunteered to play the victim. He did the same in the 1998 film “Lock, Stock and Two Smoking Barrels” directed by Guy Ritchie.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
