Network - crew, film crew

The entire team, the film crew of the film "Network"
Network (1976)
Timing: 2:2 (122 min)
Network - TMDB rating
7.8/10
1982
Network - Kinopoisk rating
7.691/10
11603
Network - IMDB rating
8.1/10
185000

Film crew

Director

Producer

Fred C. Caruso
Producer
Howard Gottfried
Producer

Writer

Casting

Photo Juliet Taylor #27891
Juliet Taylor
Casting

Editor

Costume Design

Production Design

Philip Rosenberg
Production Design

Set Decoration

Edward Stewart
Set Decoration

Makeup Artist

Lee Harman
Makeup Artist
John Alese
Makeup Artist

Sound Re-Recording Mixer

Dick Vorisek
Sound Re-Recording Mixer

Original Music Composer

Elliot Lawrence
Original Music Composer

Associate Producer

Fred C. Caruso
Associate Producer

Set Dresser

Second Assistant Director

Ralph S. Singleton
Second Assistant Director

Director of Photography

Photo Owen Roizman #65226

Owen Roizman

Owen Roizman
Director of Photography

Camera Operator

Fred Schuler
Camera Operator

Costumer

George Newman
Costumer
Marilyn Putnam
Costumer

Property Master

Connie Brink
Property Master

Script Supervisor

Kay Chapin
Script Supervisor

Hairstylist

Philip Leto
Hairstylist
Susan Germaine
Hairstylist

Still Photographer

Michael Ginsburg
Still Photographer

Sound Mixer

James Sabat
Sound Mixer

First Assistant Director

Alan Hopkins
First Assistant Director
Peter R. Scoppa
First Assistant Director

Screenplay

Assistant Editor

Michael Jacobi
Assistant Editor

Key Grip

Kenneth Goss
Key Grip

Grip

Tom Prate
Grip

Carpenter

Jules Wollock
Carpenter

Gaffer

Norman Leigh
Gaffer

ADR Recordist

Mel Zelniker
ADR Recordist

Conductor

Elliot Lawrence
Conductor

Production Assistant

Susan B. Landau
Production Assistant

Construction Grip

Walter Way
Construction Grip

Scenic Artist

Eugene Powell
Scenic Artist

Location Coordinator

John H. Starke
Location Coordinator

Second Assistant Camera

Gary Muller
Second Assistant Camera

Assistant Sound Editor

Louis Cerborino
Assistant Sound Editor

Publicist

Howard Newman
Publicist

Transportation Captain

James Giblin
Transportation Captain

Title Designer

Stephen Frankfurt
Title Designer

Sound Editor

Jack Fitzstephens
Sound Editor
Sanford Rackow
Sound Editor
Marc Laub
Sound Editor

Color Timer

Don Dittmar
Color Timer

Assistant Camera

Tom Priestley Jr.
Assistant Camera

Daily Makeup & Hair

Barbie Palmer
Daily Makeup & Hair

What's left behind the scenes

  • MGM agreed to produce "Network" to resolve a conflict with Paddy Chayefsky that arose over money owed to him for the screenplay of the black comedy "Hospital".
  • While working on the film, Chayefsky was on set daily.
  • After viewing a rough cut of the film, MGM executives sent Paddy Chayefsky a letter listing all instances of coarse and vulgar language in the picture. Chayefsky ignored the letter, stating that this is how people communicate on television. Much later, the screenwriter regretted not removing some of the unprintable expressions, as there were indeed too many of them.
  • Henry Fonda refused the role of Howard Beale, calling it "too hysterical."
  • In 2000, the Library of Congress recognized the film as "culturally significant" and included it in the National Film Registry.
  • Sidney Lumet initially suggested casting Vanessa Redgrave in the film, considering her the best English-speaking actress, but Paddy Chayefsky was vehemently opposed to this, as she supported the Palestine Liberation Organization, which he found unacceptable.
  • On July 15, 1974, Christine Chubbuck, a Florida WTXL-TV news anchor suffering from depression, shot herself on live television. It is believed that Paddy Chayefsky based his script on this story.
  • In the scene discussing the new show in Diana's office, the door is closed, but after half a minute, Diana approaches the already open door and closes it again.
  • MGM agreed to produce “Network” to resolve a conflict with Paddy Chayefsky, which arose over money owed to him for the screenplay of the black comedy “Hospital”.
  • Henry Fonda refused the role of Howard Beale, calling it “too hysterical”.
  • In 2000, the Library of Congress recognized the film as "culturally significant" and included it in the National Film Registry.
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