Quills - crew, film crew
The entire team, the film crew of the film "Quills"
Quills (2000)
Timing:
2:4 (124 min)
7.131/10
620
620
7.542/10
18952
18952
7.2/10
59000
59000
Film crew
Director
Producer
Julia Chasman
Producer
Peter Kaufman
Producer
Executive Producer
Des McAnuff
Executive Producer
Sandra Schulberg
Executive Producer
Rudolf G. Wiesmeier
Executive Producer
Casting
Donna Isaacson
Casting
Editor
Peter Boyle
Editor
Art Direction
Steven Lawrence
Art Direction
Supervising Art Director
Mark Raggett
Supervising Art Director
Costume Design
Stunts
Neil Finnighan
Stunts
Jazzer Jeyes
Stunts
Sarah Franzl
Stunts
Richard Bradshaw
Stunts
Tracey Eddon
Stunts
Production Design
Stunt Coordinator
Andy Bradford
Stunt Coordinator
Nrinder Dhudwar
Stunt Coordinator
Jim Dowdall
Stunt Coordinator
Richard Hammatt
Stunt Coordinator
Second Unit Director
Set Decoration
Jill Quertier
Set Decoration
Key Makeup Artist
Nuala Conway
Key Makeup Artist
Sound Re-Recording Mixer
Lora Hirschberg
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Second Assistant Director
Olivia Lloyd
Second Assistant Director
Director of Photography
Steadicam Operator
Vince McGahon
Steadicam Operator
John Ward
Steadicam Operator
Sound Effects Editor
Robert Shoup
Sound Effects Editor
Assistant Art Director
Gavin Fitch
Assistant Art Director
Property Master
Barry Wilkinson
Property Master
Visual Effects Supervisor
Tim Field
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Sally Jones
Script Supervisor
Electrician
Ronnie Phillips
Electrician
Tony Burns
Electrician
Robert Brock
Electrician
Dean Wilkinson
Electrician
John Turner
Electrician
Special Effects Coordinator
Stuart Brisdon
Special Effects Coordinator
Still Photographer
Sound Mixer
John Midgley
Sound Mixer
First Assistant Director
Deborah Saban
First Assistant Director
Assistant Costume Designer
Boom Operator
June Prinz
Boom Operator
Screenplay
First Assistant Editor
Liz Roe
First Assistant Editor
Construction Coordinator
Michael Redding
Construction Coordinator
Dialogue Editor
Bruce Lacey
Dialogue Editor
Art Department Assistant
Jessie Hepple
Art Department Assistant
Katy Harvey
Art Department Assistant
Foley Editor
John Verbeck
Foley Editor
Location Manager
Rachel Neale
Location Manager
Grip
Gary Hutchings
Grip
Key Hair Stylist
Nuala Conway
Key Hair Stylist
Second Second Assistant Director
Toby Hefferman
Second Second Assistant Director
Special Effects Technician
John Van Der Pool
Special Effects Technician
Mark Haddenham
Special Effects Technician
Hair Designer
Peter Swords King
Hair Designer
Makeup Designer
Peter Swords King
Makeup Designer
Third Assistant Director
Matthew Penry-Davey
Third Assistant Director
Mari Roberts
Third Assistant Director
Sculptor
John Blakeley
Sculptor
Standby Art Director
Frances Bennett
Standby Art Director
Focus Puller
Jasper Fforde
Focus Puller
Makeup & Hair
Jeremy Woodhead
Makeup & Hair
Kate Lee
Makeup & Hair
Storyboard Artist
Martin Asbury
Storyboard Artist
Camera Trainee
Sophie Wilson
Camera Trainee
Standby Painter
Ray Campbell
Standby Painter
Unit Publicist
Susan d'Arcy
Unit Publicist
Production Coordinator
Elaine Burt
Production Coordinator
Scenic Artist
Brian Bishop
Scenic Artist
Doug Bishop
Scenic Artist
Post Production Accountant
Sophie Dasic
Post Production Accountant
ADR Editor
Sue Fox
ADR Editor
ADR Voice Casting
Louis Elman
ADR Voice Casting
Rigging Gaffer
Kevin Edland
Rigging Gaffer
Assistant Production Coordinator
Emily Lascelles
Assistant Production Coordinator
Construction Buyer
Richard Lyon
Construction Buyer
Wardrobe Supervisor
Suzi Turnbull
Wardrobe Supervisor
Standby Carpenter
Stephen Eels
Standby Carpenter
Transportation Captain
Gary Birmingham
Transportation Captain
Second Unit First Assistant Director
Richard Styles
Second Unit First Assistant Director
Draughtsman
Alastair Bullock
Draughtsman
Matthew Gray
Draughtsman
Patricia Johnson
Draughtsman
Patricia Johnson
Draughtsman
Clapper Loader
Sam Barnes
Clapper Loader
Wardrobe Master
Anthony Brookman
Wardrobe Master
Wardrobe Assistant
Helen Mattocks
Wardrobe Assistant
Genetator Operator
Alan Grosch
Genetator Operator
Floor Runner
Nicholas Du Boulay
Floor Runner
Charles Vaughan
Floor Runner
Prosthetic Supervisor
Conor O'Sullivan
Prosthetic Supervisor
Assistant Dialogue Editor
Michael Axinn
Assistant Dialogue Editor
Standby Rigger
Ian Rolfe
Standby Rigger
What's left behind the scenes
- The text presented in the film as works by the Marquis de Sade was actually written by the screenwriter, Dag Wright.
- A committed vegetarian, Joaquin Phoenix refused to wear leather items during filming. Therefore, his shoes were made from artificial leather.
- Geoffrey Rush himself directed the play performed by the psychiatric hospital patients in the film.
- The actors who played the patients at Charenton all received detailed consultations from a professional psychiatrist regarding the precise diagnosis of their characters' mental disorders.
- The props department requested details about the Marquis de Sade's meals in order to determine the composition of the "ink" mixture in the final episode.
- Luton Hoo (Luton, Bedfordshire, England), a famous castle, stood in for Charanton.
- The melody that the Marquis de Sade hums throughout the film is that of the French children's song "In the Moonlight." Its second line becomes increasingly relevant to the character as the film progresses: "Give me a pen so I can write a word."
- During the performance staged by Charanton's patients, a mask identical to the one worn by Robert Merivel (Robert Downey Jr.) in the film "Restoration" (1995) lies backstage.
- The real Marquis de Sade was extremely obese in the later period of his life.
- The real Abbé de Coulmier was a hunchback, standing 4 feet (1.22 meters) tall.
- In fact, the Marquis de Sade's second wife, Marie-Constance Quesnet, lived with him in Charanton – she managed to obtain a room located next to her lover's cell. Their daughter lived there as well.
- The real Madeleine Le Clerk was only 13 years old during her 'prison romance' with the Marquis de Sade.
- The literal translation of the original title is 'Feathers'.
- At the beginning of the film, a wax head of Queen Marie Antoinette, provided by the London Madame Tussauds wax museum, can be noticed in a basket with severed aristocratic heads.
- All the lines from the original screenplay that were cut during the film's production nevertheless found their place in it – being written on the clothes, sheets, and walls of the Marquis de Sade's cell.
- Abbot Du Coulmier’s maniacal desire to silence the Marquis de Sade, the abbot’s punitive measures against the Marquis, including the cutting out of his tongue, and Du Coulmier’s love for Madeleine Le Clerc – all of this is purely fictional, as is the Marquis de Sade’s suicide.
- The props department requested details about food favored by the Marquis de Sade in such a way as to obtain the composition of the “ink” mixture in the final episode.
- Luton Hoo (Luton, Bedfordshire, England), a famous castle, stood in for "Sharanton".
- The melody that the Marquis de Sade hums throughout the film is that of the French children's song "Au clair de la lune." Its second line becomes increasingly relevant to the character as the film progresses: "Give me a pen to write a word."
- During the performance staged by the patients of Sharanton, a mask identical to the one worn by Robert Merivel (Robert Downey Jr.) in the film "Restoration" (1995) lies backstage.
- The real Madeleine LeClerc was only 13 years old during her "prison romance" with the Marquis de Sade.
- The original title translates to "Feathers."
- Filming took place in England from August 5 to October 29, 1999.
Did you like the film?
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