The Third Man - crew, film crew

The entire team, the film crew of the film "The Third Man"
The Third Man (1949)
Timing: 1:45 (105 min)
The Third Man - TMDB rating
7.903/10
2073
The Third Man - Kinopoisk rating
7.612/10
9246
The Third Man - IMDB rating
8.1/10
178726

Film crew

Director

Producer

Executive Producer

Photo Alexander Korda #103258

Alexander Korda

Alexander Korda
Executive Producer

Editor

Oswald Hafenrichter
Editor

Makeup Artist

George Frost
Makeup Artist

Original Music Composer

Anton Karas

Anton Karas
Original Music Composer

Associate Producer

Hugh Perceval
Associate Producer

Additional Photography

John Wilcox

John Wilcox
Additional Photography
Stanley Pavey
Additional Photography

Director of Photography

Robert Krasker

Robert Krasker
Director of Photography

Musician

Camera Operator

Edward Scaife
Camera Operator
Denys N. Coop
Camera Operator

Assistant Art Director

Ferdinand Bellan
Assistant Art Director
James Sawyer
Assistant Art Director

Production Manager

T.S. Lyndon-Haynes
Production Manager

Screenplay

Set Designer

Assistant Editor

Peter Taylor
Assistant Editor

Book

Third Assistant Director

Jack N. Green
Third Assistant Director

Assistant Director

Photo Guy Hamilton #79682Photo Guy Hamilton #79683

Guy Hamilton

Guy Hamilton
Assistant Director

Sound Recordist

Red Law
Sound Recordist
Bert Ross
Sound Recordist

Wardrobe Supervisor

Ivy Baker
Wardrobe Supervisor

Sound Supervisor

John Cox
Sound Supervisor

Hairdresser

Joe Shear
Hairdresser

Sound Editor

Jack Drake
Sound Editor

Editorial Staff

Noreen Best
Editorial Staff

Continuity

Peggy McClafferty
Continuity

Technical Advisor

Elizabeth Montagu
Technical Advisor

Assistant Set Designer

Photo John Hawkesworth #103260
John Hawkesworth
Assistant Set Designer

Joseph Bato

Joseph Bato
Assistant Set Designer

What's left behind the scenes

  • The film is based on the novel of the same name by Graham Greene.
  • Filming in Vienna took place from October 22 to December 11, 1948.
  • 11 minutes were cut from the film for its American release, including the introduction in which the narrator (Carol Reed) explained to viewers what life was like in an occupied city and what it was like to make a living on the black market. This segment was restored in the DVD release.
  • Wells had a choice – to receive a fixed payment for filming or a percentage of the profits. Wells chose a fixed payment and lost out badly.
  • In Greene's original screenplay, the story is narrated by a British policeman (Major Calloway); the film presents the same events from the perspective of Holly Martins.
  • The prototype for Harry Lime in Greene’s novella is Kim Philby, at that time still a respectable agent of Her Majesty and a mentor to Graham Greene. The name of Harry Lime itself is a calque of Graham Greene’s name.
  • Anton Carras, the author and performer of the main musical theme, played it on a zither.
  • The actors wearing military uniforms in the film actually wore brightly colored costumes to stand out as much as possible from real soldiers. The difference was smoothed over by the black-and-white film.
  • At the traditional Viennese cinema “Burgkino” on the Ringstrasse, “The Third Man” is still shown three times a week: on Tuesdays, Fridays, and Sundays.
  • There are currently several tour operators in Vienna offering tourists “The Third Man” location tours. — However, these should not be confused with a department of the Vienna magistrate responsible for the city’s sewer system, whose slogan is also “In the footsteps of the Third Man”.
  • Despite its British origins, "The Third Man" is considered one of the classic films noir and was even recognized by the American Film Institute as "one of the greatest American detective stories" in history. The protagonist finds himself in the role of a private detective and, in the course of the investigation, not only becomes convinced of the relativity of generally accepted opinions and moral guidelines, but also finds himself in a situation where he is forced to choose between feeling and duty.
  • In 1999, the British Film Institute named "The Third Man" the best British film of all time.
  • Orson Welles refused to film in the sewer tunnel. In the scene where (allegedly) Welles' character grabs onto the sewer grate, the director, Carol Reed, filmed it himself.
  • During filming, the "Mozart" café – where the meeting between Martens and Baron Kurtz was supposed to take place – refused to be used as a set, fearing losses, so the meeting scene was filmed on a nearby square, simply setting up tables there. Currently, the "Mozart" café actively promotes itself as one of the locations of "The Third Man".
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