Commando - crew, film crew
The entire team, the film crew of the film "Commando"
Commando (1985)
Timing:
1:30 (90 min)
6.69/10
3051
3051
7.361/10
85124
85124
6.7/10
187000
187000
Film crew
Director
Producer
Casting
Jackie Burch
Casting
Editor
John F. Link
Editor
Glenn Farr
Editor
Additional Second Assistant Director
Brad Yacobian
Additional Second Assistant Director
Stunts
Richard E. Butler
Stunts
Bruce Paul Barbour
Stunts
Jophery C. Brown
Stunts
Joel Kramer
Stunts
Tony Brubaker
Stunts
Diamond Farnsworth
Stunts
Simone Boisseree
Stunts
Bob Yerkes
Stunts
Roger Callard
Stunts
Jeff Jensen
Stunts
Spiro Razatos
Stunts
Ronnie Rondell Jr.
Stunts
Mario Roberts
Stunts
Bob Harris
Stunts
Justin De Rosa
Stunts
Richard L. Duran
Stunts
Jeff Ramsey
Stunts
Michael Adams
Stunts
Jerry Wills
Stunts
Michael M. Vendrell
Stunts
Tom Morga
Stunts
Lane Leavitt
Stunts
John Sherrod
Stunts
Ben Scott
Stunts
George Fisher
Stunts
May Boss
Stunts
Jerry Brutsche
Stunts
Harold Jones
Stunts
David LeBell
Stunts
Mike Johnson
Stunts
Ceci Vendrell
Stunts
Rick Sawaya
Stunts
Johnny Hock
Stunts
Larry Randles
Stunts
Doc Elliot
Stunts
Frank James Sparks
Stunts
William T. Lane
Stunts
Buddy Gilyard
Stunts
Kimberly King
Stunts
Production Design
John Vallone
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Robert Gould
Set Decoration
Makeup Artist
William Turner
Makeup Artist
Joe McKinney
Makeup Artist
Sound Re-Recording Mixer
Don J. Bassman
Sound Re-Recording Mixer
Richard Overton
Sound Re-Recording Mixer
Kevin F. Cleary
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Larry Kostroff
Unit Production Manager
Associate Producer
Robert Kosberg
Associate Producer
Stephanie Brody
Associate Producer
Orchestrator
Greig McRitchie
Orchestrator
Set Dresser
Douglas Forsmith
Set Dresser
Craig Baron
Set Dresser
Second Assistant Director
K.C. Colwell
Second Assistant Director
Stunt Double
Jophery C. Brown
Stunt Double
Joel Kramer
Stunt Double
Peter Kent
Stunt Double
Jeff Ramsey
Stunt Double
George Fisher
Stunt Double
Fight Choreographer
Michael M. Vendrell
Fight Choreographer
Director of Photography
Matthew F. Leonetti
Director of Photography
Pilot
Ross Reynolds
Pilot
Peter McKernan
Pilot
Michael Tamburro
Pilot
Peter McKernan Sr.
Pilot
Herb Johnson
Pilot
Musician
Michael Boddicker
Musician
Ralph Grierson
Musician
Ian Underwood
Musician
Camera Operator
Michael St. Hilaire
Camera Operator
Steadicam Operator
Joseph F. Valentine
Steadicam Operator
Costumer
Enid Harris
Costumer
Kathie Gale
Costumer
Louis Infante
Costumer
Costume Supervisor
Robert B. Harris
Costume Supervisor
Property Master
Douglas E. Madison
Property Master
Visual Effects Supervisor
Alan G. Markowitz
Visual Effects Supervisor
Script Supervisor
Marion Tumen
Script Supervisor
Supervising ADR Editor
Hank Salerno
Supervising ADR Editor
Hairstylist
Joy Zapata
Hairstylist
Special Effects Coordinator
Henry Millar
Special Effects Coordinator
Still Photographer
Bruce McBroom
Still Photographer
First Assistant Director
Beau Marks
First Assistant Director
Driver
Tim Sisson
Driver
Ken Bellanca
Driver
Cary Kelley
Driver
Boom Operator
Jules Strasser
Boom Operator
Screenplay
Set Designer
Daniel Maltese
Set Designer
Foley Artist
Gail Ganley
Foley Artist
Evelyn Dutton
Foley Artist
Propmaker
Bruce DiValerio
Propmaker
Construction Coordinator
Cal DiValerio
Construction Coordinator
Assistant Editor
Joseph Guresky
Assistant Editor
Paul Anderson
Assistant Editor
Carrie Ellison
Assistant Editor
First Assistant "B" Camera
Tony Rivetti
First Assistant "B" Camera
Transportation Coordinator
Whitey Ellison
Transportation Coordinator
Key Grip
John J. Linder
Key Grip
Location Manager
John Panzarella
Location Manager
Robert C. Decker
Location Manager
Dolly Grip
Dave Wachtman
Dolly Grip
Mark Averill
Dolly Grip
Assistant Property Master
Tom Shaw Jr.
Assistant Property Master
John M. Schenk
Assistant Property Master
David Q. Quick
Assistant Property Master
Leadman
William D. Derham
Leadman
Assistant Location Manager
Camera Technician
Ryne Niner
Camera Technician
Construction Foreman
William Boyd
Construction Foreman
Painter
Jaymes Hinkle
Painter
Special Effects
Jay King
Special Effects
Rick Thompson
Special Effects
Gary L. King
Special Effects
Doug Hubbard
Special Effects
Roger Lifsey
Special Effects
John Peyser
Special Effects
Bill Mattox
Special Effects
Mike Millar
Special Effects
Story
Casting Assistant
Billy DaMota
Casting Assistant
Production Accountant
Larry Hand
Production Accountant
Songs
Casting Associate
David Gonzales
Casting Associate
Music Editor
Ken Runyon
Music Editor
Production Sound Mixer
Donald F. Johnson
Production Sound Mixer
ADR Mixer
Kevin E. Carpenter
ADR Mixer
ADR Recordist
Vic Zaslav
ADR Recordist
"B" Camera Operator
Joseph F. Valentine
"B" Camera Operator
First Assistant Camera
Conductor
Production Assistant
Anthony Blake Brand
Production Assistant
Steve McNichols
Production Assistant
Greensman
Mark Lapotsky
Greensman
Production Coordinator
Richard Liebegott
Production Coordinator
Assistant Director Trainee
Scoring Mixer
Dan Wallin
Scoring Mixer
Production Secretary
Lisa Meechan
Production Secretary
ADR Editor
Ronald Sinclair
ADR Editor
Glad Pickering
ADR Editor
Extras Casting
Jim Green
Extras Casting
Carl Joy
Extras Casting
Best Boy Electric
Bob Ellis
Best Boy Electric
Edward R. Thompson Jr.
Best Boy Electric
Generator Operator
David G. Todd
Generator Operator
Sound Recordist
Craig Heath
Sound Recordist
Tim Webb
Sound Recordist
Second Assistant Camera
Douglas E. Beal
Second Assistant Camera
Assistant Sound Editor
Michelle Pleis
Assistant Sound Editor
Supervising Editor
Howard Kunin
Supervising Editor
Matte Painter
Jim Danforth
Matte Painter
Transportation Captain
Wayne Morris
Transportation Captain
Sound Editor
Pieter Hubbard
Sound Editor
William Hartman
Sound Editor
David M. Ice
Sound Editor
Richard Corwin
Sound Editor
Michael O'Corrigan
Sound Editor
Music Producer
Jay Gruska
Music Producer
Foley Recordist
Gary Bolger
Foley Recordist
Martial Arts Choreographer
Michael M. Vendrell
Martial Arts Choreographer
Dolby Consultant
Jim Fitzpatrick
Dolby Consultant
Color Timer
Jim Passon
Color Timer
Jim Schurmann
Color Timer
Negative Cutter
Jack Hooper
Negative Cutter
Music Consultant
Danny Goldberg
Music Consultant
Special Effects Manager
Robert W. King
Special Effects Manager
Production Illustrator
Nikita Knatz
Production Illustrator
Second Company Grip
John Donnelly
Second Company Grip
Cableman
Brent Johnson
Cableman
Special Sound Effects
Fred J. Brown
Special Sound Effects
What's left behind the scenes
- The song playing at the end is "We Fight for Love" (sometimes also referred to as "Somewhere, Somehow, Someone's Gotta Pay") by The Power Station.
- Actor Bill Paxton worked as the radar operator.
- The director's cut of the film reveals that Jenny's mother died in childbirth.
- Arnold agreed to play the lead role, stating that it was the first script since the success of "The Terminator" where he wasn't offered to play a robot again.
- Vernon Wells was a very charming and pleasant guy off-camera, which made his transformation into the degenerate Bennett all the more surprising. Once, after filming a knife fight scene, Schwarzenegger said the following: 'Cut. And keep Bennett away from me.'
- In 1986, Steven E. de Souza wrote a sequel, reworked by Frank Darabont, with John McTiernan in mind for the director's chair. The script was based on Roderick Thorpe's novel 'Nothing Lasts Forever' (1979). Schwarzenegger was not interested in returning to the role of Matrix, after which the script was rewritten and became the basis for 'Die Hard' (1988).
- Another actor was originally cast as Bennett, although Vernon Wells also auditioned. However, on the very first day, director Mark L. Lester fired that actor and gave the role to Wells. This is why the clothes fit Bennett so tightly: Wells was larger than the original actor, and the costume designers didn't have time to find him new clothes. Over the years, a rumor arose that Wells originally auditioned for the role of Matrix, but this proved false.
- Arnold Schwarzenegger and Vernon Wells remained close friends after working on the film. Martial arts expert and fight choreographer Michael M. Vendrell worked on the film with Arnold Schwarzenegger and, by the end of filming, assessed the actor's combat skills as equivalent to a second-dan black belt.
- The scrape visible on Arnold Schwarzenegger's forehead at the beginning of the film was real.
- According to Alyssa Milano, Arnold Schwarzenegger acted like a concerned father towards her on set, and "even helped with algebra homework".
- The end credits list 54 stunt performers, 17 more than the cast.
- In the plot, Arius (Dan Hedaya) plays the overthrown dictator Valverde. Valverde is a fictional country in South or Central America used by Hollywood filmmakers to depict a Spanish-speaking country similar to Cuba or Nicaragua, in order to avoid diplomatic misunderstandings. Valverde is also mentioned in "Predator" (1987), "Die Hard 2" (1990), and the pilot episode of the series "Supercarrier" (1988).
- This is director Mark L. Lester's favorite film of all his work.
- Despite the fact that Arnold Schwarzenegger could bench press over 200 kg, the phone booth was still made of balsa wood.
- Arnold Schwarzenegger and Rae Dawn Chong filmed a love scene, but it was so unconvincing that it had to be cut.
- Filming took 45 days.
- Alyssa Milano began filming the movie after completing work on the first season of 'Who's the Boss?' (1984).
- Screenwriter Jeff Loeb originally wrote the script with Gene Simmons as Matrix, but Simmons turned down the offer early in the project's development. Loeb then rewrote the script for Nick Nolte.
- This is the second of three films in which Arnold Schwarzenegger and Bill Paxton appeared together. The other two are 'The Terminator' (1984) and 'True Lies' (1994).
- Arnold Schwarzenegger insisted on performing all the stunts himself, as he said it was impossible to find a stunt double with a similar physique. Even for filming a close-up of the Matrix's hand sheathing a knife, Arnie insisted on using his "unique" hand. As a result, the actor cut his hand and was taken to the hospital.
- The old terminal building at Long Beach Airport was used for filming the airport scenes in Valverde.
- Actors Arnold Schwarzenegger and Bill Duke, and producer Joel Silver, collaborated again on the film "Predator" (1987).
- Initially, studio executives didn't want Arnold Schwarzenegger to speak at all in this film.
- Director Mark L. Lester initially wanted to cast Raúl Julia for the role of Arius, but producer Joel Silver insisted on choosing Dan Hedaya.
- Neo wears a genuine load-bearing vest used by the US Air Force's airborne units. The vest was manufactured by Group 5, a Texas-based combat gear company that does not sell its products to civilians.
- Arnold Schwarzenegger received $1.5 million for his role in the film.
- After appearing in the film with Arnold Schwarzenegger, Alyssa Milano was nicknamed "Conan" by her friends.
- Principal photography of the film began on April 22, 1985.
- During filming, Arnold Schwarzenegger ran three to five miles daily and, of course, spent an hour "pumping iron".
- Chelsea Field's debut role was a small part as a flight attendant. The actress later starred as Tylla in "Masters of the Universe" (1987) alongside Dolph Lundgren and played Joe Hallenbeck's (Bruce Willis') wife in "Last Boy Scout" (1991).
- One terminal of Los Angeles International Airport was completely closed for filming.
- The motel was built 'from scratch' specifically for the film on the side of a highway along the Pacific coast.
- Director Mark L. Lester called his film "the quintessence of all 80s action films" and "the grandfather" of the action genre.
- Director Mark L. Lester never met the original screenwriters, Jeff Loeb and Matthew Wiseman, personally, as Steven E. de Souza had already taken their place when he took the director's chair.
- Dan Hedaya was afraid to fire a gun, even when using blanks.
- Of all the properties on the California coast, only the Hearst Castle National Historic Landmark granted permission for the film crew to build, and then blow up, a military camp on its grounds.
- Four actors from this film also appeared in "Action Jackson" (1988): Bill Duke, Bob Minor, Branscombe Richmond, and Charles Meshack.
- This is the second film after "Conan the Barbarian" (1982) in which Arnold Schwarzenegger applies paint to his body.
- The miniature red car belonging to the character Ray Don Chong is a Sunbeam Alpine sports car that was manufactured in the United Kingdom in the 1960s.
- When Arnold Schwarzenegger heard the pitch from screenwriter Steven E. de Souza, he said: "I like this role. Here I am not a robot from the future, not a caveman from the past. I wear ordinary clothes and have a family. It's a role that John Wayne could have played. I agree to star in the film."
- Many actresses auditioned for the lead female role, including Sharon Stone, with whom Arnie later starred in 'Total Recall' (1990), and Brigitte Nielsen – the actor’s co-star in 'Red Sonja' (1985).
- Raye Don Chong recounts how she was cast as Cindy: "The role was written for an actress of European appearance. In the first audition, Arnold and I had to play a strange scene where he pulled a dildo out of my purse. I know that other actresses found this scene difficult, as Cindy was supposed to shrug and say: 'I get lonely on the road.' I found this line awkward and banal, so when my turn came, I screamed: 'It's not mine!' That's how I got the role."
- According to Vernon Wells, who played Bennett, Schwarzenegger constantly played pranks on him. "Sometimes when I tried to talk to him, he just ignored me, sometimes he started speaking with a very strong accent, so I didn't understand a single word. And once he and his friends pulled all the supports out from under the back of my trailer, and when I sat down on the sofa, the trailer just flipped over."
- During the filming of the scene where Matrix (Arnold Schwarzenegger) with his daughter (Alyssa Milano) in his arms takes cover from the fire of bandits and runs into his house, Arnie tripped and fell on the actress, breaking her rib.
- The script had more plausibility: a dictator lives on a private island and has about ten bodyguards. However, during filming, director Mark L. Lester watched “Rambo: First Blood Part II” (1985) and saw how many people were killed in it. He said: “We need to outdo ‘Rambo’. We need to kill more people.” The number of extras playing ‘cannon fodder’ increased to 150 after that.
- To film the large-scale battle scene in the finale, many stunt performers played multiple roles. To avoid continuity errors, they were redressed and their appearance was changed with mustaches and wigs.
- According to the director, in one African country, children are shown “Commando” to psychologically prepare them for battle.
- The film became such a hit in Japan that the head of one Japanese record label offered Alyssa Milano a contract for five albums, for some reason assuming that the actress could sing. She found this offer so unusual that she agreed, and all five albums went ‘platinum’.
- The spacious Sherman Oaks Galleria supermarket, where Schwarzenegger's hero flew like Tarzan, was later used in another of his films – “Terminator 2”.
- The house where the final shootout between Matrix and Arius takes place is the same house used for the concluding shootout between Foley and Maitland in 'Beverly Hills Cop'.
- Arnold insisted on performing all the stunts himself, without a stunt double, even in the famous scene where he had to hang onto the landing gear of a plane while traveling at 65 miles per hour. The cost? A dislocated shoulder and several stitches on his hand and elbow.
- The director wanted Arnold Schwarzenegger to genuinely hold David Patrick Kelly by the leg over the cliff without any assistance, to which Arnie replied, “Are you out of your mind?” After that, a crane was used to film the scene.
- The scene of Matrix emerging from the forest with close-ups of his boots, chest, biceps, etc., was shot and edited in the style of fascist propaganda films by Leni Riefenstahl. According to director Mark L. Lester, he wanted to convey the idea of an invincible man of the earth appearing from the forest, a kind of 'unstoppable force of nature'.
- For the final battle, Matrix sets off with a Valmet M78 machine gun, an Uzi submachine gun, a Remington 870 combat shotgun, and a Desert Eagle self-loading pistol. During the battle, he also gets his hands on an M60E3 belt-fed machine gun and an M16A1 rifle.
- At the beginning of the film, Bennett climbs into a boat in the harbor, and one of the fishermen greets him: “What’s new, Vez?” That was the nickname of the iconic character Vernon Wells in the film “Mad Max 2: The Road Warrior” (1981).
- The idea of Matrix escaping from the plane came to screenwriter Stephen E. de Souza when he saw a flight attendant using an elevator.
- A US military consultant present on set demonstrated to Arnold Schwarzenegger a technique for silently killing Enriques in the airplane seat.
- Ray Don Chong's reaction to the motel fight was filmed separately and was completely improvised by the actress.
- Arious's death almost duplicates the death of Tony Montana in the film “Scarface” (1983).
- This is one of two films featuring a scene where Arnold Schwarzenegger's character is "knocked out" with the butt of a rifle to the face, filmed from his point of view. The second film is "The Running Man" (1987).
- Number of deaths: 109 (102 of whom die at the hands of Schwarzenegger's hero).
- In the barn scene after Matrix cuts off a soldier's arm, he was originally supposed to hit his victim with the severed limb and ask, “Need a hand?” (literally, “Do you need a hand?”). However, this scene was never filmed, as it was considered excessively violent. Nevertheless, in 2007, a director's cut of the film was released, which included several seconds of original footage in which Matrix casually throws the severed arm at the wounded soldier.
- During the film, the protagonist manages to change his watch from digital to mechanical with hands, and in the scene arriving on the island by boat, he changes his underwear from gray to black in a second.
- After Sally's Porsche flips onto its side, John flips the car back to its normal position — dents and scratches are visible, and then, when he and Cindy drive away, the car is already whole.
- In some older copies of the film, a cable suspending John Matrix by his foot is visible during the moment he holds Sally over the chasm. In later edits, including those for DVD and Blu-ray, the edge of the screen with the cable was partially cropped, and the remaining part of the cable was retouched.
- After bursting out of the garden shed and taking down the soldiers, John grabs a machine gun and opens fire, holding it in his right hand. In the next shot (where the torso is shown in close-up), the machine gun is already in his left.
- The song playing at the end is "We Fight for Love" (sometimes also referred to as "Somewhere, Somehow, Someone's Gotta Pay") by The Power Station.
- In 1986, Steven E. de Souza wrote a sequel, reworked by Frank Darabont, with John McTiernan in mind for the director's chair. The script was based on Roderick Thorpe's novel "Nothing Lasts Forever" (1979). Schwarzenegger was not interested in returning to the role of Matrix, after which the script was rewritten and became the basis for "Die Hard" (1988).
- Filming took place from April 22 to June 6, 1985. There were a total of 45 shooting days.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
