The Relic - crew, film crew
The entire team, the film crew of the film "The Relic"
The Relic (1997)
Timing:
1:50 (110 min)
6.013/10
584
584
5.893/10
2133
2133
5.8/10
29690
29690
Film crew
Director
Producer
Sam Mercer
Producer
Executive Producer
Gary Levinsohn
Executive Producer
Mark Gordon
Executive Producer
Casting
Penny Perry
Casting
Editor
Steven Kemper
Editor
Special Effects Supervisor
Garry Elmendorf
Special Effects Supervisor
Art Direction
James J. Murakami
Art Direction
Eric W. Orbom
Art Direction
Costume Design
Daniel J. Lester
Costume Design
Stunts
Richard E. Butler
Stunts
Jophery C. Brown
Stunts
Dean Raphael Ferrandini
Stunts
Danny Lima
Stunts
Rick LeFevour
Stunts
Paul E. Short
Stunts
Michael Cassidy
Stunts
John Branagan
Stunts
Tim Gallin
Stunts
May Boss
Stunts
P.K. West
Stunts
Carol Neilson
Stunts
David Walling
Stunts
Kay Whipple
Stunts
Linda Perlin
Stunts
Mark Harper
Stunts
Linda Fetters Howard
Stunts
Sunnie Merrill
Stunts
Chere Rae
Stunts
Production Design
Philip Harrison
Production Design
Stunt Coordinator
Set Decoration
Stunt Driver
Carl Paoli
Stunt Driver
Key Makeup Artist
Stephen Abrums
Key Makeup Artist
Original Music Composer
Additional Editing
Jeff Gullo
Additional Editing
Orchestrator
Frank Bennett
Orchestrator
Second Assistant Director
David Michael Katz
Second Assistant Director
Stunt Double
Dana Freitag
Stunt Double
Utility Stunts
Mitchell Dean
Utility Stunts
Director of Photography
Camera Operator
George Kohut
Camera Operator
Steadicam Operator
Stephen S. Campanelli
Steadicam Operator
Costumer
Nancy Takehara
Costumer
Costume Supervisor
Elinor Bardach
Costume Supervisor
Sound Effects Editor
Peter J. Lehman
Sound Effects Editor
Assistant Art Director
Gary Baugh
Assistant Art Director
Property Master
David J. Chamerski
Property Master
Visual Effects Supervisor
Gregory L. McMurry
Visual Effects Supervisor
Supervising Sound Editor
Glenn T. Morgan
Supervising Sound Editor
Script Supervisor
Barbara Thaxton
Script Supervisor
Electrician
Ronald J. Pure Jr.
Electrician
Set Costumer
Joyce Kogut
Set Costumer
Hairstylist
Susan Schuler-Page
Hairstylist
Character Designer
Mark 'Crash' McCreery
Character Designer
Still Photographer
Richard Foreman Jr.
Still Photographer
Digital Effects Supervisor
John 'D.J.' Des Jardin
Digital Effects Supervisor
Sound Mixer
Gene S. Cantamessa
Sound Mixer
Visual Effects Producer
Jennifer Bergman
Visual Effects Producer
First Assistant Director
Jack Frost Sanders
First Assistant Director
Chief Lighting Technician
Mark R. Lindberg
Chief Lighting Technician
Boom Operator
Raul A. Bruce
Boom Operator
Screenplay
John Raffo
Screenplay
Novel
Douglas Preston
Novel
Lincoln Child
Novel
Set Designer
Linda A. King
Set Designer
Foley Artist
Ken Dufva
Foley Artist
Sound Designer
Construction Coordinator
Terry Scott
Construction Coordinator
Dialogue Editor
Neal J. Anderson
Dialogue Editor
Assistant Editor
Chris Jackson
Assistant Editor
First Assistant Sound Editor
Robert Batha
First Assistant Sound Editor
Lighting Technician
Norman Ash
Lighting Technician
Foley Editor
Bob Beher
Foley Editor
Transportation Coordinator
Robert Neilson
Transportation Coordinator
Location Manager
Paul Pav
Location Manager
Grip
David French
Grip
Dolly Grip
John S. Robertson
Dolly Grip
Assistant Property Master
Frank L. Brown
Assistant Property Master
Key Hair Stylist
Judith A. Cory
Key Hair Stylist
Leadman
Nigel A. Boucher
Leadman
Assistant Location Manager
Bonnie Bott
Assistant Location Manager
Camera Technician
David Norris
Camera Technician
Location Assistant
Kristin Dehnert
Location Assistant
Second Second Assistant Director
Scott H.C. Delsner
Second Second Assistant Director
Carpenter
Bruce Richter
Carpenter
Construction Foreman
Ciro Vuoso
Construction Foreman
Painter
Lee J. Jashinsky
Painter
Casting Assistant
Shaunda G. Jones
Casting Assistant
Special Effects Technician
John J. Downey
Special Effects Technician
Foley Mixer
Nerses Gezalyan
Foley Mixer
Sculptor
Christoph Rittershausen
Sculptor
Music Editor
Thomas A. Carlson
Music Editor
ADR Mixer
Bob Baron
ADR Mixer
Video Assist Operator
Cara Latzel
Video Assist Operator
Storyboard Artist
Tom Jung
Storyboard Artist
First Assistant Camera
Jeff Hand
First Assistant Camera
Conductor
Post Production Supervisor
Sean T. Stratton
Post Production Supervisor
Stand In
Jeff Bruno
Stand In
Production Assistant
Debbie Silverman
Production Assistant
Greensman
Jeffrey Thomas
Greensman
Production Coordinator
Stiles White
Production Coordinator
Visual Effects Coordinator
Paul Taglianetti
Visual Effects Coordinator
Scenic Artist
Michael Denering
Scenic Artist
Visual Effects Editor
Clark Campbell
Visual Effects Editor
Visual Effects
Rhonda C. Gunner
Visual Effects
Payroll Accountant
Michael Roccuzzo
Payroll Accountant
ADR Editor
Christopher Assells
ADR Editor
ADR Voice Casting
Assistant Accountant
Michael Bilog
Assistant Accountant
Second Assistant Accountant
Jason S. Gondek
Second Assistant Accountant
Sound Recordist
Alison Sanford
Sound Recordist
Second Assistant Camera
Jennifer Bell
Second Assistant Camera
Choreographer
John Alexander
Choreographer
Publicist
Amanda Brand
Publicist
Modeling
James Bancroft
Modeling
Transportation Captain
Keith Dillin
Transportation Captain
Animal Coordinator
Jim Brockett
Animal Coordinator
Foley Recordist
Matt Colleran
Foley Recordist
Color Timer
Phil Hetos
Color Timer
Craft Service
Ronald E. Hairston
Craft Service
Negative Cutter
Theresa Repola Mohammed
Negative Cutter
Assistant Camera
Jeffrey P. Ackil
Assistant Camera
Extras Casting Assistant
Johnny White
Extras Casting Assistant
Aerial Coordinator
Assistant Chief Lighting Technician
John 'Fest' Sandau
Assistant Chief Lighting Technician
2D Supervisor
Cheryl Budgett
2D Supervisor
3D Animator
Mike Amron
3D Animator
Technical Supervisor
Josh Kirschenbaum
Technical Supervisor
Digital Compositors
Gregory Elwood
Digital Compositors
CG Animator
Ido Gondelman
CG Animator
Set Dressing Artist
Mark Boucher
Set Dressing Artist
Production Illustrator
Donna Cline
Production Illustrator
First Company Grip
Morgan Michael Lewis
First Company Grip
Extras Casting Coordinator
Regina Prokop
Extras Casting Coordinator
Creature Effects Technical Director
What's left behind the scenes
- The role of Vincent D’Agostino was originally offered to Harrison Ford.
- In the novel of the same name (1995) by Douglas Preston and Lincoln Child, which served as the literary basis for the film, the administration of the American Museum of Natural History in New York was depicted in a less than favorable light, so the filmmakers were not granted permission to shoot at the museum. Paramount Pictures offered a seven-figure sum for permission, but the administration refused, fearing that filming a movie about monsters would harm the museum's reputation. The filmmakers found themselves in a difficult situation, as only museums in Chicago and Washington could boast similarities to the New York museum. Fortunately for them, the administration of the Chicago museum liked the script and gave the go-ahead for filming.
- During filming, Paramount Pictures kept the creature created by Stan Winston (1946-2008) secret – just as Universal Studios did in 1993 during filming of Steven Spielberg’s blockbuster “Jurassic Park” – so no one involved in the project was allowed to talk about the filming or the creature specifically.
- Visual and technical special effects specialist Stan Winston and his team created three creatures, each controlled by two people, while several others operated electronic equipment responsible for the movements of hands, claws, jaws, etc. Director Peter Hyams looked at Winston’s early sketches, only requesting that the creature be made even more terrifying. A computer model was used in scenes where the creature runs or jumps.
- The character of Lieutenant Vincent D’Agosta, played by Tom Sizemore, is actually a composite image combining two characters from the original novel. These are D’Agosta himself and FBI agent Pendergast, the main hero of the sequel and many subsequent books.
- The enormous head of the creature, which framed the entrance to the museum exhibition, is a life-size replica of the gates at the Park of Monsters in Bomarzo (Italy). The words “Lasciate ogni speranza voi ch'entrate,” or “Abandon hope, all ye who enter here,” are carved above the entrance. According to the author of the “Divine Comedy” (1306-1321), Dante Alighieri (1265-1321), the same words are inscribed above the gates of Hell.
- Creating a monster unlike any seen on screen before proved to be no easy task. Artist Mark “Crash” McCreery depicted several versions of the creature based on a rather fragmented description in the original novel by Douglas Preston and Lincoln Child, and director Peter Hyams chose the concept he liked best. The result was a creature with a spider-like head and a five-meter torso, hinting at the features of a lion, alligator, and horse, covered in scales, with tufts of fur protruding along its spine.
- Filming took place not only in Chicago. Another set was built in Los Angeles, depicting a flooded tunnel. Tom Sizemore fell ill with the flu twice during filming because he was constantly cold and soaked through. Work on the film even had to be temporarily suspended when director Peter Hyams became ill.
- The creature appeared on screen in the second half of the film because its production took too long, and for this reason, the film was only released in the winter of 1996/1997.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
