Honey, I Blew Up the Kid - crew, film crew

The entire team, the film crew of the film "Honey, I Blew Up the Kid"
Honey, I Blew Up the Kid (1992)
Timing: 1:29 (89 min)
Honey, I Blew Up the Kid - TMDB rating
5.2/10
1127
Honey, I Blew Up the Kid - Kinopoisk rating
6.104/10
15163
Honey, I Blew Up the Kid - IMDB rating
4.9/10
49000

Film crew

Director

Producer

Dawn Steel
Producer
Edward S. Feldman
Producer

Executive Producer

Photo Stuart Gordon #84819Photo Stuart Gordon #84820

Stuart Gordon

Stuart Gordon
Executive Producer
Photo Albert Band #84828

Albert Band

Albert Band
Executive Producer

Casting

Renee Rousselot
Casting

Editor

Michael A. Stevenson
Editor
Harry Hitner
Editor

Art Direction

Ed Verreaux
Art Direction

Costume Design

Tom Bronson
Costume Design

Stunts

Richard E. Butler
Stunts
Lynn Salvatori
Stunts
Dennis Deveaugh
Stunts
Jeff Jensen
Stunts
Photo Tracy Keehn-Dashnaw #15711
Tracy Keehn-Dashnaw
Stunts
Tom Bahr
Stunts
Bennie Moore
Stunts
Billy Hank Hooker
Stunts
Cindy Folkerson
Stunts

Production Design

Leslie Dilley
Production Design

Stunt Coordinator

Bobby J. Foxworth
Stunt Coordinator

Second Unit Director

Leslie Dilley
Second Unit Director

Set Decoration

Dorree Cooper
Set Decoration

Sound Re-Recording Mixer

David E. Campbell
Sound Re-Recording Mixer
Gregg Rudloff
Sound Re-Recording Mixer
John T. Reitz
Sound Re-Recording Mixer

Original Music Composer

Photo Bruce Broughton #72406

Bruce Broughton

Bruce Broughton
Original Music Composer

Additional Editing

Photo Tina Hirsch #74479

Tina Hirsch

Tina Hirsch
Additional Editing

Unit Production Manager

Whitney Green
Unit Production Manager

Co-Producer

Dennis E. Jones
Co-Producer

Second Assistant Director

Jeffrey Wetzel
Second Assistant Director

Director of Photography

Photo John Hora #74478
John Hora
Director of Photography

Camera Operator

William L. Asman
Camera Operator

Assistant Art Director

Edward T. McAvoy
Assistant Art Director

Supervising Sound Editor

Emile Razpopov
Supervising Sound Editor
Dessie Markovsky
Supervising Sound Editor

Script Supervisor

Marilyn Giardino
Script Supervisor

Set Costumer

Joseph T. Mastrolia
Set Costumer

Hairstylist

Laura Lee Grubich
Hairstylist

First Assistant Director

Frank Capra III
First Assistant Director
Doug Metzger
First Assistant Director

Chief Lighting Technician

Randy Glass
Chief Lighting Technician

Boom Operator

Jack M. Nietzsche Jr.
Boom Operator

Screenplay

Photo Garry Goodrow #84818
Garry Goodrow
Screenplay
Photo Peter Elbling #44021
Peter Elbling
Screenplay

Set Designer

Gina B. Cranham
Set Designer
John Berger
Set Designer

Sound Designer

Emile Razpopov
Sound Designer
Dessie Markovsky
Sound Designer

Construction Coordinator

John Villarino
Construction Coordinator

Assistant Editor

Scot Scalise
Assistant Editor
Gail DuFosse
Assistant Editor
Jim Suhy
Assistant Editor

Best Boy Grip

Gregory Romero
Best Boy Grip
Ronald Viveros
Best Boy Grip

Key Grip

Peter Wagner
Key Grip

Dolly Grip

Carlos M. Gallardo
Dolly Grip

Assistant Property Master

Bill Cancienne
Assistant Property Master

Characters

Ed Naha
Characters

Foley Mixer

David Gertz
Foley Mixer

Music Editor

Patricia Carlin
Music Editor

Production Sound Mixer

Roger Pietschmann
Production Sound Mixer

ADR Mixer

Photo Doc Kane #5958

Doc Kane

Doc Kane
ADR Mixer
David Gertz
ADR Mixer

Second Unit Director of Photography

Allen D. Easton
Second Unit Director of Photography

First Assistant Camera

Norman Cattell
First Assistant Camera

Co-Executive Producer

Photo Deborah Brock #84830

Deborah Brock

Deborah Brock
Co-Executive Producer

Greensman

Frank McEldowney
Greensman

Visual Effects Editor

Juliette Yager
Visual Effects Editor

Best Boy Electric

Rick Wilhoit
Best Boy Electric
Michael J. Spehar
Best Boy Electric

Assistant Sound Editor

Marc Deschaine
Assistant Sound Editor

Second Unit First Assistant Director

Jeffrey Wetzel
Second Unit First Assistant Director

Title Designer

Photo Penelope Gottlieb #75076
Penelope Gottlieb
Title Designer

Sound Editor

William Hooper
Sound Editor
Bobbi Banks
Sound Editor
Edmund J. Lachmann
Sound Editor
Marty Stein
Sound Editor
Michael Hoskinson
Sound Editor

Color Timer

Bob Kaiser
Color Timer

Craft Service

Jeff Winn
Craft Service

Negative Cutter

Theresa Repola Mohammed
Negative Cutter

What's left behind the scenes

  • Initially, the film was not intended to be a sequel at all. Its working title was "Big Baby" and the plot centered around an infant who grew to enormous size after accidentally being hit by an enlarging ray and then terrorizing nighttime Las Vegas. Disney saw a favorable opportunity to turn the film into a continuation of its hit, and the script was rewritten.
  • In the secret storage of the laboratory, one can notice such unusual items as Charles Kane's sled from the film "Citizen Kane" (1941) and the Ark of the Covenant from the film "Indiana Jones and the Raiders of the Lost Ark" (1981).
  • The film debut of fifteen-year-old Kerry Russell at the time.
  • Amy Zalinski, who was one of the main characters in the original film, received so little screen time due to the initial script concept, which envisioned only one key female role – Adam's nanny. The creators resolved this by showing her leaving the house and going to college at the very beginning of the film. For the same reason, none of the Thompson family appeared in the sequel.
  • The scene where the giant Adam is about to put a car in his mouth, and Nick shouts to him, "Adam, don't eat us," serves as a kind of reference to a similar episode in the original film. In it, Nick, in the same situation but with his father, said, "Dad, don't eat me."
  • After the film's release, Disney received a lawsuit accusing it of plagiarism from one of the leading television shows, whose creator came up with the idea of a baby enlarged many times over while watching his little granddaughter destroy structures made of building blocks. He wrote a script that was later revised but remained unused. The studio preferred to settle the matter amicably.
  • Filming period: June 17th – October 4th, 1991.
  • Initially, the film was not intended to be a sequel at all. The working title was "Big Baby," and the plot centered on an infant who grew to enormous size after accidentally falling into a growth ray field and then terrorizing nighttime Las Vegas. Disney saw a favorable opportunity to make the film a continuation of its hit, and the script was rewritten.
  • In the secret storage facility of the laboratory, one can notice such unusual items as Charles Kane's sled from "Citizen Kane" (1941) and the Ark of the Covenant from "Raiders of the Lost Ark" (1981).
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