The Howling - crew, film crew
The entire team, the film crew of the film "The Howling"
The Howling (1981)
Timing:
1:31 (91 min)
6.583/10
864
864
6.508/10
5961
5961
6.5/10
44000
44000
Film crew
Director
Producer
Michael Finnell
Producer
Jack Conrad
Producer
Executive Producer
Steven A. Lane
Executive Producer
Daniel H. Blatt
Executive Producer
Casting
Susan Arnold
Casting
Judith Weiner
Casting
Editor
Art Direction
Robert A. Burns
Art Direction
Costume Design
Jack Buehler
Costume Design
Stunt Coordinator
Roger Creed
Stunt Coordinator
Original Music Composer
Pino Donaggio
Original Music Composer
Associate Producer
Utility Stunts
Director of Photography
John Hora
Director of Photography
Property Master
Ivo Cristante
Property Master
Script Supervisor
Jeanne Rosenberg
Script Supervisor
Still Photographer
Laurel Moore
Still Photographer
First Assistant Director
Jack Cummins
First Assistant Director
Production Manager
David C. Thomas
Production Manager
Boom Operator
Douglas Vaughan
Boom Operator
Screenplay
Terence H. Winkless
Screenplay
Novel
Gary Brandner
Novel
Set Designer
Steven Legler
Set Designer
Key Grip
Kurt Young
Key Grip
Special Effects
Roger George
Special Effects
Special Effects Makeup Artist
Greg Cannom
Special Effects Makeup Artist
Margaret Prentice
Special Effects Makeup Artist
Joe Beserra
Special Effects Makeup Artist
Gaffer
John Murray
Gaffer
Makeup & Hair
Gigi Williams
Makeup & Hair
First Assistant Camera
Norman Cattell
First Assistant Camera
Conductor
Natale Massara
Conductor
Assistant Makeup Artist
Bill Davis
Assistant Makeup Artist
Visual Effects
Peter Kuran
Visual Effects
David Allen
Visual Effects
Best Boy Electric
Roger Sassen
Best Boy Electric
Wardrobe Supervisor
Nancy G. Fox
Wardrobe Supervisor
Wigmaker
Josephine Turner
Wigmaker
Makeup Effects Designer
What's left behind the scenes
- Many of the characters in the film were named after directors of werewolf movies (George Waggner, Roy William Neill, Terence Fisher, etc.).
- Initially, the film was to be directed by Jack Conrad.
- Thanks to their work on this film, Joe Dante and Michael Finnell were given the opportunity to make 'Gremlins' (1984).
- This film and 'Wolf 4' (1988) are based on the same novel by Gary Brandner. Interestingly, 'Wolf 4' is actually a more faithful adaptation of the book than this film.
- Gary Brandner, who wrote the novel on which this film was based, wrote the screenplay for the film "Howling II: Stirba – Bitch Werewolf" (1985) – the only contribution to the "Howling" film series that he scripted.
- Terry and Chris are watching "The Wolf Man" (1941) on television when the phone rings.
- Roger Corman made a cameo appearance at the beginning of the film. His character enters a phone booth and begins searching for change in the coin return. This small joke reflects the fact that Corman is known as a very "frugal" director.
- In the scene where Terry calls Christopher from Dr. Wagner's office, a portrait of Lon Chaney Jr. can be seen. Chaney Jr. starred in the original "The Wolf Man" (1941) and in four of its sequels.
- Dee Wallace was very uncomfortable during the scene in the porn shop. Her discomfort is clearly visible on her face.
- The final transformation had to be filmed in close-up because the project had already exceeded its budget, and the film crew was forced to shoot this scene in director Joe Dante's office, as there was no longer any money for filming in the pavilions with sets.
- Initially, Rick Baker was in charge of the special effects, but he left the project for John Landis's horror film 'An American Werewolf in London' (1981), and his assistant, Rob Bottin, remained on 'The Howling' instead. Both films were released practically simultaneously, and the quality of the special effects in both was noted by film critics.
- According to Joe Dante, Rob Bottin turned out to be a perfectionist. For example, Robert Picardo, who was transforming, spent the entire first day of filming in the makeup chair, while the rest of the film crew had to be sent home to avoid paying overtime. This meant that Picardo had to spend that night in makeup to start filming early the next morning.
- The idea to make Karen White look different from other werewolves was suggested by the actress herself, Dee Wallace-Stone. She told the film crew that she didn’t want to be an ugly werewolf, but rather have her werewolf be attractive and somewhat feminine. This presented Rob Bottin with a difficult task, and the werewolf portrayed by Wallace-Stone ultimately resembled a female Wookiee (a Wookiee is a sentient bipedal furry humanoid species from the Star Wars franchise).
- Terry and Chris are watching 'The Wolf Man' (1941) on television when the phone rings.
- In the scene where Terry calls Christopher from Dr. Wagner's office, a portrait of Lon Chaney Jr. can be seen. Chaney Jr. starred in the original 'The Wolf Man' (1941) and four of its sequels.
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