Pretty Woman - crew, film crew
The entire team, the film crew of the film "Pretty Woman"
Pretty Woman (1990)
Timing:
2:0 (120 min)
7.448/10
8916
8916
8.03/10
506374
506374
7.1/10
402000
402000
Film crew
Director
Producer
Steven Reuther
Producer
Executive Producer
Laura Ziskin
Executive Producer
Writer
Casting
Dianne Crittenden
Casting
Editor
Priscilla Nedd-Friendly
Editor
Art Direction
David M. Haber
Art Direction
Costume Design
Marilyn Vance
Costume Design
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Garrett Lewis
Set Decoration
Makeup Artist
Bob Mills
Makeup Artist
Original Music Composer
Co-Producer
Gary W. Goldstein
Co-Producer
Associate Producer
Orchestrator
Brad Dechter
Orchestrator
Set Dresser
Gary Isbell
Set Dresser
Second Assistant Director
Bettiann Fishman
Second Assistant Director
Stunt Double
Director of Photography
Charles Minsky
Director of Photography
Camera Operator
Philip Caplan
Camera Operator
Steadicam Operator
Randy Nolen
Steadicam Operator
Costume Supervisor
Daniel J. Lester
Costume Supervisor
Key Costumer
Elinor Bardach
Key Costumer
Property Master
Rick Young
Property Master
Supervising Sound Editor
Michael Hilkene
Supervising Sound Editor
Script Supervisor
Adell Aldrich
Script Supervisor
Set Costumer
Carlane Passman
Set Costumer
Supervising ADR Editor
Joseph A. Mayer
Supervising ADR Editor
Hairstylist
Carol A. O'Connell
Hairstylist
Special Effects Coordinator
Gary Zink
Special Effects Coordinator
Still Photographer
Ronald Batzdorff
Still Photographer
Sound Mixer
James E. Webb
Sound Mixer
First Assistant Director
Ellen H. Schwartz
First Assistant Director
Thanks
Barbara Marshall
Thanks
Chief Lighting Technician
Carl Boles
Chief Lighting Technician
Production Manager
Roger Joseph Pugliese
Production Manager
Boom Operator
Randall L. Johnson
Boom Operator
Set Designer
Antoinette J. Gordon
Set Designer
First Assistant Editor
Thomas R. Bryant
First Assistant Editor
Foley Artist
Jerry Trent
Foley Artist
Construction Coordinator
Ken Scaife
Construction Coordinator
Assistant Editor
Craig Conwell
Assistant Editor
Transportation Coordinator
Tom F. Thomas
Transportation Coordinator
Key Grip
Ben Beaird
Key Grip
Location Manager
George Herthel
Location Manager
Grip
Gary C. Beaird
Grip
Dolly Grip
Mike Schwake
Dolly Grip
Assistant Property Master
Mychael Bates
Assistant Property Master
Leadman
Mark Woods
Leadman
Assistant Location Manager
Wally Uchida
Assistant Location Manager
Set Production Assistant
Lennie Appelquist
Set Production Assistant
Construction Foreman
Donald G. Helderle
Construction Foreman
Foley Mixer
Troy Porter
Foley Mixer
Production Accountant
Allen E. Taylor
Production Accountant
Music Editor
Ellen Segal
Music Editor
First Assistant Camera
Tom Connole
First Assistant Camera
Standby Painter
Conductor
Marty Paich
Conductor
Post Production Supervisor
Angel Pine
Post Production Supervisor
Production Assistant
Wendy S. Hallin
Production Assistant
Unit Publicist
Katherine Ann Moore
Unit Publicist
Production Coordinator
Pat Chapman
Production Coordinator
ADR Editor
Chris Jargo
ADR Editor
Best Boy Electric
Anthony R. Collier
Best Boy Electric
Assistant Production Coordinator
Elyse Katz
Assistant Production Coordinator
Second Assistant Camera
Frank Del Boccio
Second Assistant Camera
Assistant Sound Editor
David Hagberg
Assistant Sound Editor
Executive In Charge Of Production
David Hoberman
Executive In Charge Of Production
Transportation Captain
Tom Briggs
Transportation Captain
Production Executive
Mario Iscovich
Production Executive
Title Designer
Robert Dawson
Title Designer
Sound Editor
Robert Fitzgerald
Sound Editor
First Assistant Accountant
Kim Wozniak
First Assistant Accountant
Aerial Camera
Michael Kelem
Aerial Camera
Color Timer
Ron Lambert
Color Timer
Assistant Camera
Maricella Ramirez
Assistant Camera
Aerial Coordinator
Robert 'Bobby Z' Zajonc
Aerial Coordinator
Theme Song Performance
Additional Casting
Dori Zuckerman
Additional Casting
Executive Assistant
Diane Frazen
Executive Assistant
Set Dressing Artist
Gary Isbell
Set Dressing Artist
Cableman
Harrison D. Marsh
Cableman
What's left behind the scenes
- The film poster only shows a portion of Julia Roberts. This is because Julia's head was superimposed onto Shelly Michelle's body. On the same poster, Richard Gere’s hair is chestnut brown, whereas in the film itself it is graying.
- The opera with which Edward charms Vivian is called La Traviata (Italian for “The Fallen Woman”). It tells the story of a courtesan who captivates wealthy men, but falls in love with a less affluent man.
- Richard Gere actually plays the piano. Moreover, he composed the musical piece he played himself.
- The sports car Edward borrows at the beginning of the film is a Lotus Esprit.
- In an early draft of the script, Vivian was using cocaine; part of the deal was that she had to abstain for a week. She needed the money to go to Disneyland. Edward eventually throws her out of the car and drives away. The script originally called for the film to end with Vivian and her prostitute friend riding a bus to Disneyland.
- At the very beginning of filming, Richard Gere eagerly embraced his role, but Garry Marshall took him aside and said, “No, no, no. Richard. One of you is acting in this movie. And the other one isn’t. Guess who that is?”
- The red jacket Vivian wears was bought for $30 on the street from a movie ticket taker shortly before filming began.
- In the final scene, Edward serenades Vivian along with a recording of an aria from La Traviata (Italian for 'The Fallen Woman'). The aria features a vocal solo accompanied by a string theme and a trumpet. This arrangement was not original to the opera, but was adapted for the film.
- The film Vivien is watching before going down to Edward is called "Charade" (1963).
- The car Edward picks up Vivien in belonged to producer Nancy Gross.
- The working title of the film was "$3,000".
- At the very beginning of the film, you can notice that some of the neon letters in the hotel where Vivien lives are burnt out. The only remaining illuminated letters are “HO” (from “hotel”; “ho” in English sounds like “whore”).
- The necklace that Vivien wears to the opera is actually worth $250,000. During filming, an armed security guard from the jewelry store stood behind the director at all times.
- Daryl Hannah declined the role of Vivian, suggesting that she would feel debased as a woman after playing it.
- Listeners of London's Capital FM radio station ranked this film fourth on their list of must-see movies.
- While filming the scene where Vivian lies on the floor in Edward's penthouse watching reruns of the 1951 television series "I Love Lucy", director Garry Marshall had to tickle Roberts' feet (naturally, this remained off-camera) to make her laugh so hysterically to achieve genuine laughter.
- During the pre-production of "Pretty Woman", Julia Roberts frequently spent time with Garry Marshall's wife, who ran a free clinic located on Hollywood Boulevard in Los Angeles.
- The director's cut of the film has a runtime of 125 minutes.
- The scene where Edward snaps Vivienne’s fingers with the necklace case was improvised by Gayer, and Roberts’s reaction (laughter) was completely natural. The filmmakers liked it so much that they decided to keep it.
- Filming took place from July 24 to October 18, 1989.
- The opera with which Edward charms Vivian is called La Traviata (Italian for “The Fallen Woman”). It tells the story of a courtesan who captivates wealthy men, and who falls in love with a less affluent man.
- At the very beginning of filming, Richard Gere eagerly threw himself into his role, but Garry Marshall took him aside and said, “No, no, no. Richard. One of you is acting in this movie. And the other one isn’t. Guess which one you are?”
- In the final scene, Edward serenades Vivian along with a recording of an aria from La Traviata (Italian for “The Fallen Woman”). The aria features a vocal solo accompanied by a string theme and a trumpet. This arrangement was not original to the opera, but was adapted for the film.
- The film Vivian is watching before going downstairs to Edward is called "Charade" (1963).
- While filming the scene where Vivian lies on the floor in Edward’s penthouse and watches reruns of the old series "I Love Lucy" (1951) to achieve genuine laughter, director Garry Marshall had to tickle Roberts’ feet (of course, this remained off-camera) to make her laugh so hysterically.
- During the pre-production of "Pretty Woman", Julia Roberts spent a lot of time with Garry Marshall’s wife, who ran a free clinic located on Hollywood Boulevard in Los Angeles.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
