From Here to Eternity - crew, film crew
The entire team, the film crew of the film "From Here to Eternity"
From Here to Eternity (1953)
Timing:
1:58 (118 min)
7.304/10
601
601
7.132/10
3449
3449
7.6/10
54000
54000
Film crew
Director
Producer
Casting
Maxwell Arnow
Casting
Editor
William A. Lyon
Editor
Art Direction
Cary Odell
Art Direction
Costume Design
Set Decoration
Makeup Artist
Robert J. Schiffer
Makeup Artist
Newt Jones
Makeup Artist
Original Music Composer
Orchestrator
Stunt Double
Director of Photography
Supervising Sound Editor
Script Supervisor
Charlsie Bryant
Script Supervisor
Hairstylist
Rhoda Donaldson
Hairstylist
Cinematography
Floyd Crosby
Cinematography
Screenplay
Daniel Taradash
Screenplay
Novel
Props
Charles Granucci
Props
Stuart Stevenson
Props
Assistant Director
Jim Hogan
Assistant Director
Sound Engineer
Lodge Cunningham
Sound Engineer
Sound Recordist
Harold Lee
Sound Recordist
Assistant Camera
Val O'Malley
Assistant Camera
Music Director
Technical Advisor
Kendall J. Fielder
Technical Advisor
What's left behind the scenes
- The film is based on the bestselling novel (1951) of the same name by James Jones.
- In 2002, the film was included in the National Film Registry.
- Italian-American Frank Sinatra, after reading James Jones' novel, was very eager to play the role of the Italian-American Maggio. He bombarded the studio and the head of “Columbia Pictures,” Harry Cohn, with telegrams signed “Maggio,” but Cohn was afraid to cast a non-professional actor who “danced and sang with Gene Kelly” in a serious drama. Ava Gardner, who was acquainted with Cohn's wife, Joanna, asked her to intervene and allow her husband to audition. Although Eli Wallach was approved for the role after all the auditions, he later turned it down, trading it for the Broadway production of “Camino Real.” Despite receiving only $8,000 for the role (compared to $130,000 for his role eight years earlier in “Anchors Aweigh”), the Academy Award allowed him to triumphantly return to show business and revive his career, which had been steadily declining.
- Joan Fontaine was considered for the role of Karen Holmes, but she declined due to family circumstances. Later, Joan deeply regretted this decision, as her career soon began to decline. Joan Crawford's services had to be declined after she stated that only the cinematographer she had worked with on her previous film could capture her beauty. Ultimately, Deborah Kerr and Donna Reed were approved for the female roles.
- Montgomery Clift was completely unable to box and refused to take boxing lessons before filming, so a stunt double replaced him in all the fight scenes, which is noticeable upon careful viewing of the film.
- Italian-American Frank Sinatra, after reading James Jones's novel, very much wanted to play the role of the Italian-American Maggio. He flooded the studio and the head of Columbia Pictures, Harry Cohn, with telegrams signed "Maggio", but Cohn was afraid to cast a non-professional actor who "danced and sang with Gene Kelly" in a serious drama. Ava Gardner, who was acquainted with Cohn's wife, Joanna, asked her to intervene and allow her husband to audition. Although Eli Wallach was approved for the role after all the auditions, he later turned it down, trading it for the Broadway production of "Camino Real". Despite the fact that Frank Sinatra received only $8,000 for this role (compared to $130,000 for his own role eight years earlier in "Anchors Aweigh"), the Academy Award allowed him to triumphantly return to show business and revive his career, which had been steadily declining.
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