Rollerball - crew, film crew

The entire team, the film crew of the film "Rollerball"
Rollerball (1975)
Timing: 2:5 (125 min)
Rollerball - TMDB rating
6.214/10
497
Rollerball - Kinopoisk rating
5.992/10
1184
Rollerball - IMDB rating
6.5/10
32000

Film crew

Director

Producer

Editor

Costume Design

Photo Julie Harris #88287

Julie Harris

Julie Harris
Costume Design

Stunts

Photo Tony Brubaker #33739
Tony Brubaker
Stunts
Photo Jimmy Nickerson #14544
Jimmy Nickerson
Stunts
Chuck Parkison Jr.
Stunts

Production Design

John Box
Production Design

Stunt Coordinator

Photo Max Kleven #35429
Max Kleven
Stunt Coordinator

Original Music Composer

Photo André Previn #108100

André Previn

André Previn
Original Music Composer

Associate Producer

Patrick J. Palmer
Associate Producer

Director of Photography

Photo Douglas Slocombe #71485

Douglas Slocombe

Douglas Slocombe
Director of Photography

First Assistant Director

Kip Gowans

Kip Gowans
First Assistant Director

Screenplay

Casting Director

Short Story

What's left behind the scenes

  • The film's director, Norman Jewison, cast James Caan in the role of the rollerball champion after seeing him in the TV movie "Brian's Song" (1971), where he convincingly portrayed the famous American football player Brian Piccolo.
  • Rollerball was so realistic that the actors, stuntmen, and extras played it during breaks in filming.
  • Norman Jewison used certain techniques (frequent use of zoom, classical music, and modern (glass and concrete) architecture) in this film, influenced by Stanley Kubrick's "A Clockwork Orange" (1971).
  • Contrary to rumors, no one died during filming.
  • This was the first film to credit all stunt performers in the credits. Juiyson was so impressed with their work that he decided to break with the established tradition of keeping the names of the stunt performers off-screen. Juiyson's innovation took hold, and since then, stunt performers have always been credited in the end credits.
  • The film is based on a story by William Harrison.
  • The film's director, Norman Jewison, cast James Caan in the role of the rollerball champion after seeing him in the television film "The Brian Song" (1971), where he convincingly portrayed the famous American football player Brian Piccolo.
  • Norman Jewison employed several techniques in this film – frequent use of zoom, classical music, and modern architecture (made of glass and concrete) – inspired by Stanley Kubrick’s "A Clockwork Orange" (1971).
  • This was the first film to credit all stunt performers in the credits. Jewison was so impressed with their work that he decided to break the established tradition of keeping the names of stunt performers off-screen. Jewison's innovation took hold, and stunt performers have been credited in the end credits ever since.
  • The game scenes were filmed at the Olympic sports complex in Munich, West Germany. Local residents were invited to attend the games as spectators. Director Norman Jewison hoped to convey the idea that violence is unacceptable with his film, but the audience enjoyed the game so much that, to Jewison's dismay, talk of forming rollerball leagues arose after the film's release.
  • Initially, there were concerns about the extras needed for scenes supposedly set in Tokyo. The filmmakers left flyers and invitations to participate in the shooting at local hotels, and on the appointed day, 150 Asians gathered near the set.
  • Many of the extras involved in the film were paid extra to cut their long, fashionable hair into short styles. This was necessary to avoid associating the events in the film with the time period in which it was being shot.
  • Film director Norman Jewison cast James Caan as the rollerball champion after seeing him in the television film “Brian’s Song” (1971), where he convincingly portrayed the famous American football player Brian Piccolo.
  • Rollerball was so realistic that the actors, stunt performers, and extras played it during breaks between filming.
  • Norman Jewison employed certain techniques (frequent use of zoom, classical music, and modern architecture made of glass and concrete) in this film, inspired by Stanley Kubrick’s 'A Clockwork Orange' (1971).
  • This was the first film to credit all stunt performers in the credits. Jewison was so impressed with their work that he decided to break with the established tradition of keeping the names of stunt performers off-screen. Jewison’s innovation took hold, and stunt performers have been credited in the end credits ever since.
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