Hellraiser III: Hell on Earth - crew, film crew
The entire team, the film crew of the film "Hellraiser III: Hell on Earth"
Hellraiser III: Hell on Earth (1992)
Timing:
1:37 (97 min)
5.65/10
712
712
6.012/10
10100
10100
5.5/10
38000
38000
Film crew
Director
Producer
Lawrence Mortorff
Producer
Executive Producer
Casting
Leonard Finger
Casting
Geno Havens
Casting
Editor
James D.R. Hickox
Editor
Art Direction
Tim Eckel
Art Direction
Costume Design
Leonard Pollack
Costume Design
Production Design
Steve Hardie
Production Design
Makeup Artist
Original Music Composer
Randy Miller
Original Music Composer
Unit Production Manager
Phil Smoot
Unit Production Manager
Co-Producer
Christopher Figg
Co-Producer
Associate Producer
Olive McQueen
Associate Producer
Orchestrator
Jon Kull
Orchestrator
Peter Tomashek
Orchestrator
Set Dresser
Jody Bergmann
Set Dresser
Director of Photography
Camera Operator
Property Master
Donna Fewell
Property Master
Supervising Sound Editor
Jonathan Miller
Supervising Sound Editor
Electrician
Chris Milani
Electrician
Special Effects Coordinator
Ray Bivins
Special Effects Coordinator
Still Photographer
Keith Payne
Still Photographer
Sound Mixer
Austin McKinney
Sound Mixer
Screenplay
Foley Artist
Sound Designer
Tim Gedemer
Sound Designer
Construction Coordinator
Calvin Workman
Construction Coordinator
Key Grip
Duane Journey
Key Grip
Talmadge Peace
Key Grip
Location Manager
Jim Goodman
Location Manager
Second Second Assistant Director
Paula M. Bass
Second Second Assistant Director
Carpenter
Rick Perryman
Carpenter
Painter
Michele Spadaro
Painter
Story
Characters
Music Supervisor
Carol Sue Baker
Music Supervisor
Production Accountant
Gary Weddington
Production Accountant
Assistant Director
Joseph Schultz
Assistant Director
Music Editor
Douglas M. Lackey
Music Editor
Carl Swartz
Music Editor
Conductor
Sergei Skripka
Conductor
Post Production Supervisor
Sherwood Jones
Post Production Supervisor
Assistant Makeup Artist
Herita Jones
Assistant Makeup Artist
Assistant Production Coordinator
Mark Dukes
Assistant Production Coordinator
Publicist
Brad Stephens
Publicist
Makeup Effects
Shaune Harrison
Makeup Effects
Steven Painter
Makeup Effects
Supervising Film Editor
Prosthetics Painter
Gary Bunn
Prosthetics Painter
What's left behind the scenes
- Hellraiser III was the first film in the series shot not in England, but in America.
- Pinhead was not depicted on the original American poster for the film, as officials stated that the character was 'too frightening' for American children.
- The film's producer, Lawrence Mortorff, played a homeless man who 'pushed' the statue of Pinhead onto the club owner.
- According to Clive Barker's original idea, as one of the film's executive producers, the events of the third part were to completely tell the backstory of the appearance of the 'hell puzzle' and unfold in a pyramid in ancient Egypt, which was the very first incarnation of the portal to Hell.
- Peter Jackson was considered as a director.
- The filming of the black mass caused a scandal in conservative North Carolina, where filming was taking place. Director Anthony Hickox was denied permission to film in a real church, so he used paintings as a backdrop on set. When he was pointed out the inappropriateness of such filming, he cited precedents – films produced by “Hammer Film Productions” about Dracula, in which the vampire played by Christopher Lee rampages in churches.
- Initially, Tony Randel was hired as the director of the film, but his services were soon rejected, deciding that the film would be too dark. Instead, Anthony Hickox was hired at the suggestion of one of the actors, who had worked with him in 1991 on the horror film “House of Wax 2”. Clive Barker did not like Hickox's previous work, believing that he made comedic horror films, which was not very suitable for the “Hellraiser” franchise, and he told Hickox this in a personal meeting, demanding that he take the project seriously. Hickox, a fan of the franchise, immediately agreed.
- Anthony Hickox was given six weeks for filming. Hickox was already known for shooting very quickly, but this invariably required long working hours and complete dedication from the actors involved in the project. According to Doug Bradley, he once filmed for 17 hours straight. The large number of scenes shot in a single workday meant there was little time to refine and film each scene. Furthermore, simultaneous filming on multiple sets was complicated by the fact that they were located almost directly next to each other, so sounds from one set carried over to the other.
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