Cronos - crew, film crew
The entire team, the film crew of the film "Cronos"
Cronos (1993)
Timing:
1:34 (94 min)
6.684/10
732
732
6.355/10
8321
8321
6.7/10
36000
36000
Film crew
Director
Producer
Bertha Navarro
Producer
Arthur Gorson
Producer
Editor
Raúl Dávalos
Editor
Art Direction
Brigitte Broch
Art Direction
Costume Design
Genoveva Petitpierre
Costume Design
Production Design
Tolita Figueroa
Production Design
Makeup Artist
M. Carrajal
Makeup Artist
Original Music Composer
Javier Álvarez
Original Music Composer
Co-Producer
Alejandro Springall
Co-Producer
Bernard L. Nussbaumer
Co-Producer
Francisco Murguía
Co-Producer
Associate Producer
Jorge Sánchez
Associate Producer
Rafael Cruz
Associate Producer
Director of Photography
Sound Effects Editor
Eric A. Norris
Sound Effects Editor
Thanks
Emilio Echevarría
Thanks
Screenplay
Special Effects
Laurencio Cordero
Special Effects
Special Effects Makeup Artist
Rigo Mora
Special Effects Makeup Artist
Sound Engineer
Fernando Cámara
Sound Engineer
What's left behind the scenes
- All the "magical" devices made for the film were stolen after filming ended. Those currently held by director Guillermo del Toro are simply copies.
- The role of Jesus Gris was originally written for Max von Sydow.
- The plot stipulated that the Angel was to speak fluent Spanish. It turned out, however, that the actor playing the role could speak Spanish, but his speech could not be used in the film, so the script was rewritten and the character was made a US emigrant who hates Mexico and his own presence there so much that he deliberately speaks poor Spanish – a language he barely knows.
- Two guards were deliberately made somewhat caricatured. Guillermo del Toro later said he did this in retaliation for numerous Hollywood films in which Mexicans are depicted schematically and stereotypically.
- The Alchemist at the beginning of the film bears the surname Fulcanelli. Under this name lived one of the most famous alchemists of the late 19th – early 20th centuries, who mysteriously disappeared without a trace in the 1940s and was never seen again.
- The filmmakers were allocated a budget of $1.5 million, but they exceeded it, and the budget reached $2 million (at that time this was the most expensive Mexican film in production). The director, Guillermo del Toro, scraped together half a million himself by taking out loans, Ron Perlman agreed to a significant reduction in his fee for filming, and since then Perlman and del Toro have become close friends who have repeatedly worked together.
- At the beginning of the film, the viewer sees a 'No Parking' sign. These signs with inscriptions in Chinese, Spanish, English, Arabic, and Russian were created specifically for the 1980 Moscow Olympics. The text refers to Eje Central Lazaro Cardenas, one of the central streets of Mexico City, where the Palace of Fine Arts and the national bank are located.
- All the 'magical' devices made for the film were stolen after filming ended. Those currently kept by director Guillermo del Toro are simply copies.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
