The Enigma of Kaspar Hauser - crew, film crew
The entire team, the film crew of the film "The Enigma of Kaspar Hauser"
Jeder für sich und Gott gegen alle (1974)
Timing:
1:49 (109 min)
7.4/10
303
303
Film crew
Director
Producer
Editor
Beate Mainka-Jellinghaus
Editor
Costume Design
Gisela Storch
Costume Design
Ann Poppel
Costume Design
Production Design
Henning von Gierke
Production Design
Makeup Artist
Susanne Schröder
Makeup Artist
Director of Photography
Camera Operator
Michael Gast
Camera Operator
Property Master
Christian Weisenborn
Property Master
Script Supervisor
Feli Sommer
Script Supervisor
Still Photographer
Gunter Freyse
Still Photographer
Production Manager
Walter Saxer
Production Manager
Screenplay
Sound Designer
Haymo Henry Heyder
Sound Designer
Location Manager
Christian Weisenborn
Location Manager
Assistant Director
Benedikt Kuby
Assistant Director
Music
Popol Vuh
Music
Lighting Supervisor
Dietmar Zander
Lighting Supervisor
Production Office Assistant
Joschi Arpa
Production Office Assistant
Second Unit
Sound Design Assistant
Peter van Anft
Sound Design Assistant
Editorial Production Assistant
Martha Lederer
Editorial Production Assistant
What's left behind the scenes
- The film was released on American screens under the title "The Enigma of Kaspar Hauser" (English: The Enigma of Kaspar Hauser).
- The film was shot in the small Bavarian town of Dinkelsbühl.
- Herzog intended to dedicate the film to Lotte Eisner, a prominent researcher of German Expressionism, who was living in Paris at the time. Upon learning of her serious illness, the director, after completing filming, walked 400 miles from Munich to Paris, with a map and compass in hand, "sleeping under bridges," in order to "redeem" her life with his sacrifice.
- Herzog offered the lead role in the film to Bruno S. – a non-professional actor who had spent ten years in an institution for the mentally disabled, although he was not actually disabled: "He looks like a schizophrenic and behaves like a schizophrenic because he was treated so terribly. He simply doesn’t know how to behave," the director believed. He was not deterred by the fact that Bruno was more than twice the age of the historical Kaspar: "What difference does Bruno’s age make? Even if he were 65, I would cast him in this role." Herzog paid Bruno for three months of work on the film, forcing him to open a bank account. After the film’s release, he stated that the actor deserved an "Oscar" and that it was a disgrace that awards went to "someone like John Wayne."
- German critics reproached the director for casting a person who did not fully perceive the world, accusing him of "exploiting" his physical disability.
- According to the director, Bruno S. "was perfectly aware that the film was not only about how society killed Kaspar Hauser, but also about how society destroyed him, Bruno." He even considered naming the film "The Story of Bruno Hauser."
Did you like the film?
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