Viva Maria ! - crew, film crew

The entire team, the film crew of the film "Viva Maria !"
Viva Maria ! (1965)
Timing: 2:0 (120 min)
Viva Maria ! - TMDB rating
5.995/10
104
Viva Maria ! - Kinopoisk rating
6.633/10
1063
Viva Maria ! - IMDB rating
6.3/10
4400

Film crew

Director

Producer

Óscar Dancigers
Producer

Editor

Photo Kenout Peltier #142063
Kenout Peltier
Editor
Suzanne Baron
Editor

Costume Design

Ghislain Uhry
Costume Design

Production Design

Photo Bernard Evein #113313

Bernard Evein

Bernard Evein
Production Design

Makeup Artist

Photo Odette Berroyer #115070
Odette Berroyer
Makeup Artist
Simone Knapp
Makeup Artist

Original Music Composer

Photo Georges Delerue #1429

Georges Delerue

Georges Delerue
Original Music Composer

Set Dresser

Rafael Suárez
Set Dresser

Director of Photography

Photo Henri Decaë #110611

Henri Decaë

Henri Decaë
Director of Photography

Camera Operator

Alain Douarinou
Camera Operator

Costumer

Georgette Somohano
Costumer

Script Supervisor

Jacqueline Decaë
Script Supervisor

Hairstylist

Pierre Berroyer
Hairstylist

Still Photographer

Jicky Dussart
Still Photographer
John R. Hamilton
Still Photographer

Screenplay

Assistant Editor

Claudine Merlin
Assistant Editor
Claude Le Gallou
Assistant Editor

Special Effects

Lee Zavitz

Lee Zavitz
Special Effects

Assistant Director

Manuel Muñoz 'Torito'
Assistant Director

Sound

José B. Carles
Sound

Administration

Georges Gillet
Administration

Production Director

Alain Quefféléan
Production Director
Pascual Aragonés
Production Director

What's left behind the scenes

  • This film was the subject of two cases before the U.S. Supreme Court, ultimately leading to the creation of the American Film Association's rating system. Upon the film's release in the United States, censorship in the city of Dallas, Texas, banned its screening within the city limits based on its allegedly overtly racist nature. The film's distributor sued the censors (the court hearing took place on April 22, 1968) and won the case. The Supreme Court ruled that censorship regarding minors was permissible, while its application to adults was inadmissible. On the same day, the Supreme Court issued a ruling in another case, stating that in matters of censorship, adulthood was considered to be reached at the age of 17. This case involved a certain Sam Ginsberg, a diner owner in New York, who sold a magazine called 'Playbay' to a 16-year-old boy. The Supreme Court ruled that since the boy was already 17, Ginsberg had not committed any offense by selling him the magazine. As a result of these two rulings, the Supreme Court created a precedent stating that there is nothing objectionable about a viewer under the age of 17 watching adult films, provided they are accompanied by a parent or guardian.
  • This film was the subject of two cases before the US Supreme Court, which ultimately led to the creation of the American Film Association's rating system. Upon the film's release in the United States, censorship in the city of Dallas, Texas, banned the film from being shown within the city limits based on its allegedly overtly racist nature. The film's distributor sued the censors (the court hearing took place on April 22, 1968) and won the case. The Supreme Court ruled that censorship could be applied to minors, but not to adults. On the same day, the Supreme Court issued a ruling in another case, stating that the age of majority for censorship purposes was 17 years old. This case involved a Sam Ginsberg, owner of a diner in New York, who sold a 16-year-old boy a copy of "Playbay" magazine. The Supreme Court ruled that, since the boy was already 17, Ginsberg had not committed any offense by selling him the magazine. As a result of these two rulings, the Supreme Court created a precedent stating that there is nothing wrong with a viewer under the age of 17 seeing adult films, provided they are accompanied by a parent or guardian.
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