Mongol: The Rise of Genghis Khan - crew, film crew

The entire team, the film crew of the film "Mongol: The Rise of Genghis Khan"
Монгол (2007)
Timing: 2:5 (125 min)
Mongol: The Rise of Genghis Khan - TMDB rating
6.786/10
657
Mongol: The Rise of Genghis Khan - Kinopoisk rating
7.193/10
158194
Mongol: The Rise of Genghis Khan - IMDB rating
7.2/10
51000

Film crew

Director

Producer

Photo Manuela Stehr #124925
Manuela Stehr
Producer
Photo Marcos Kantis #92145
Marcos Kantis
Producer
Anton Melnik
Producer
Alec Schulmann
Producer
Photo Ulli Neumann #123723
Ulli Neumann
Producer
Bob Berney
Producer

Writer

Arif Aliev
Writer

Casting

Han Wei Biao
Casting
Ui Ri Ji Tu
Casting

Editor

Valdís Óskarsdóttir
Editor
Zach Staenberg
Editor

Art Direction

Wang Min Kwa
Art Direction
Hai Ming Xiang
Art Direction
Photo Elena Zhukova #68140
Elena Zhukova
Art Direction

Costume Design

Karin Lohr
Costume Design

Production Design

Dashi Namdakov
Production Design

Stunt Coordinator

Oleg Korytin
Stunt Coordinator
Byung Joon Yoon
Stunt Coordinator
Yoon Jin-yul
Stunt Coordinator

Second Unit Director

Photo Gulshat Omarova #124926

Gulshat Omarova

Gulshat Omarova
Second Unit Director

Set Decoration

Xin Wei An
Set Decoration

Original Music Composer

Photo Tuomas Kantelinen #70458
Tuomas Kantelinen
Original Music Composer

Director of Photography

Photo Rogier Stoffers #72990

Rogier Stoffers

Rogier Stoffers
Director of Photography
Sergey Trofimov
Director of Photography
Photo Rafik Galeev #124927
Rafik Galeev
Director of Photography

Camera Operator

Alexey Solodov
Camera Operator

Steadicam Operator

Viktor Zubarev
Steadicam Operator

Costume Supervisor

Photo Huang Baorong #70940
Huang Baorong
Costume Supervisor

Sound Effects Editor

Hartmut Teschemacher
Sound Effects Editor
Thomas Knop
Sound Effects Editor
Guido Zettier
Sound Effects Editor

Assistant Art Director

Zhang Xiao Ming
Assistant Art Director
Jing Tao Zhao
Assistant Art Director

Property Master

Li Baotai
Property Master

Visual Effects Supervisor

Andrey Mesnyankin
Visual Effects Supervisor
Sergey Muravev
Visual Effects Supervisor
Dmitriy Tokoyakov
Visual Effects Supervisor
Arman Yakhin
Visual Effects Supervisor

Supervising Sound Editor

Stephan Konken
Supervising Sound Editor

Script Supervisor

Gulmira Karchalova
Script Supervisor

Special Effects Coordinator

Jianping Xia
Special Effects Coordinator

Still Photographer

Igor Vereshchagin
Still Photographer
Alexander Zabrin
Still Photographer

Sound Mixer

Bruno Tarrière
Sound Mixer

Visual Effects Producer

Aleksey Gusev
Visual Effects Producer

Screenplay

Set Designer

Zhi Xiang Shi
Set Designer

Location Manager

Wan Ding
Location Manager
Gau Ming Ku
Location Manager

Music

Photo Tuomas Kantelinen #70458
Tuomas Kantelinen
Music

Line Producer

Max Wang
Line Producer

Sound Recordist

Amedeo Malagia
Sound Recordist

Foley

Photo Martin Langenbach #66271
Martin Langenbach
Foley

What's left behind the scenes

  • Filming took place mostly in Kazakhstan and China. In China, it was organized in Inner Mongolia, an autonomous region in northern China with a larger population of Mongols than Mongolia itself.
  • Film director Sergei Bodrov and artist Dashi Namdakov specifically requested permission from the supreme shaman of Mongolia in the country's capital, Ulaanbaatar, to film a movie about Genghis Khan. He replied that many had spoken about filming such a movie, but they were the first to ask his permission.
  • Filming took 14 months. 400 people worked on the film (300 from China and 100 from Russia). Over 1,500 extras were involved. Due to the participation of representatives from so many nationalities (Germans, Mongols, Chinese, Japanese, Russians, Ukrainians, Kazakhs), a team of 30 translators was constantly present on set.
  • The film's epigraph is the Mongolian proverb, "Do not despise the weak cub, for he may turn out to be the son of a tiger."
  • Over 1,500 riders were involved in the final battle scene. Their arrival from Kazakhstan to Inner Mongolia, where filming took place, had to be organized. The riders were not actors, and it took 2 months to train them to work in front of the camera.
  • During breaks in filming, many extras consumed alcohol, which often led to quarrels between representatives of different nationalities. The filmmakers bought several soccer balls in the hope of distracting people from alcohol. This helped for a while, but soon the extras returned to the bottle. After that, the second assistant director came up with the idea of hiring singers and dancers. They were brought to the filming location, where they performed for the extras during breaks between shooting mass scenes. The problem was solved.
  • Prior to filming scenes with Temujin, played by Tadanobu Asano, and Borte, played by Khulan Chuluun, director Sergei Bodrov forbade the actors from seeing each other and deliberately kept them apart. Bodrov did not want the actors to feel too comfortable in each other's company, as their characters had lived apart for several years.
  • Some of the locations chosen for filming were in such remote areas that roads had to be built to transport the filming equipment.
  • The film was shot in such a remote location that daily work with the footage was simply impossible. Fresh material had to be sent to Hamburg, Germany for development, and then returned to China for viewing. This process took 3 weeks, whereas usually filmed material is developed and returned to the filmmakers within 24 hours.
  • Before appearing on screen as Borte, Khulan Chuluun studied to be a journalist and had never acted in a film before. Gulshat Omarova, responsible for casting, was tasked by director Sergei Bodrov with searching for a suitable actress in Mongolia. Her search for an actress for the role of Borte was unsuccessful. Disappointed, Omarova went to the Chinese embassy to extend her visa to return to China. It was at the embassy that she accidentally came across Chuluun and persuaded her to audition.
  • Before filming scenes involving Temujin (Tadanobu Asano) and Börte (Hulan Chuluun), director Sergei Bodrov prevented the actors from seeing each other and kept them apart, so they wouldn't feel too comfortable in each other's company, as their characters had lived apart for several years.
  • The film is prefaced with the Mongolian proverb, “Do not despise the weak cub, for he may turn out to be the son of a tiger.”
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