Secondhand Lions - crew, film crew

The entire team, the film crew of the film "Secondhand Lions"
Secondhand Lions (2003)
Timing: 1:51 (111 min)
Secondhand Lions - TMDB rating
7.2/10
821
Secondhand Lions - Kinopoisk rating
7.752/10
12585
Secondhand Lions - IMDB rating
7.5/10
60454

Film crew

Director

Producer

Photo David Kirschner #70985
David Kirschner
Producer

Executive Producer

Photo Toby Emmerich #4730Photo Toby Emmerich #327099Photo Toby Emmerich #327100

Toby Emmerich

Toby Emmerich
Executive Producer
Mark Kaufman
Executive Producer

Writer

Casting

Photo Emily Schweber #12357
Emily Schweber
Casting
Ed Johnston
Casting

Editor

David Moritz
Editor

Art Direction

John R. Jensen
Art Direction

Costume Design

Gary Jones

Gary Jones
Costume Design

Stunts

Víctor Quintero
Stunts
Tony Lee Boggs
Stunts
Ramon Frank
Stunts
David Efron
Stunts
Austin Anderson
Stunts
Photo Ann Scott #73686
Ann Scott
Stunts
Will Cascio
Stunts
Diane Towery
Stunts
R.L. Tolbert
Stunts
Joey Hamlin
Stunts

Production Design

David J. Bomba
Production Design

Stunt Coordinator

Photo Walter Scott #1719

Walter Scott

Walter Scott
Stunt Coordinator

Set Decoration

James Edward Ferrell Jr.
Set Decoration

Makeup Artist

Manlio Rocchetti
Makeup Artist
Pamela S. Westmore
Makeup Artist
Diane Hardin
Makeup Artist
Darylin Nagy
Makeup Artist
Robin Beauchesne
Makeup Artist
Troy Breeding
Makeup Artist

Key Makeup Artist

Carla Palmer
Key Makeup Artist

Original Music Composer

Photo Patrick Doyle #11431

Patrick Doyle

Patrick Doyle
Original Music Composer

Second Assistant Director

Jonathan McGarry
Second Assistant Director

Stunt Double

Jessica Schwartz
Stunt Double

Additional Photography

Photo Robert D. Yeoman #66042

Robert D. Yeoman

Robert D. Yeoman
Additional Photography

Utility Stunts

Payson Burt
Utility Stunts

Director of Photography

Jack N. Green
Director of Photography

Hair Department Head

Bridget Cook
Hair Department Head

Hairstylist

Melizah Anguiano Wheat
Hairstylist
Terri Ewton
Hairstylist
Manlio Rocchetti
Hairstylist

Special Effects Coordinator

R. Bruce Steinheimer
Special Effects Coordinator

First Assistant Director

William M. Connor
First Assistant Director

Key Hair Stylist

Claude Díaz
Key Hair Stylist

Special Effects Makeup Artist

Paul Salamoff
Special Effects Makeup Artist

Gaffer

Colin J. Campbell
Gaffer

Music

Animal Wrangler

Austin Anderson
Animal Wrangler

What's left behind the scenes

  • After negative feedback on test screenings of the film's finale, it was reshot. $600,000 was spent on the reshoots. The original version of the finale is available on the DVD release of the film.
  • During filming, Haley Joel Osment was attacked by a pig. The trainers were focusing on the lion at the time, as no one thought to be wary of this seemingly peaceful animal.
  • Haley Joel Osment signed a contract to appear in the film without being informed which studio would produce it or who would play the other leading roles. This went against established Hollywood practice and initially surprised Eugene Osment, the young actor's father and manager. However, he gave his consent, as he was confident that his son's famous name would attract worthy co-stars and a reputable studio to the project.
  • Haley Joel Osment really wanted to film scenes with a live lion, but he was not allowed to. Therefore, for close-ups of Walter playing with the lioness, a stuffed lion was used. In wide shots, when Walter appears to be wrestling with Jasmine, Osment was replaced by animal trainer Mary Reeves.
  • In addition to the human actors, animal actors play an important role in the film—five dogs of different breeds, piglets, lions, and even a giraffe. Four pigs participated in the filming, but scenes primarily featured a piglet named Norton, who the crew nicknamed... "Brad Pitt of the pig actors' association" for his acting talent. Three African lions—2-year-old lionesses Pasha and Toreg, and 3-year-old lion Kenny—played the role of the lioness Jasmine.
  • To bring as much realism as possible to the relationship between Walter, played by Haley Joel Osment, and his uncles, director Tim McCanlies made an important decision – to shoot all the scenes in the order they would appear in the film.
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