Let the Right One In - crew, film crew
The entire team, the film crew of the film "Let the Right One In"
Låt den rätte komma in (2008)
Timing:
1:55 (115 min)
7.549/10
3176
3176
6.935/10
39643
39643
7.8/10
239000
239000
Film crew
Director
Producer
Carl Molinder
Producer
John Nordling
Producer
Writer
Casting
Editor
Dino Jonsäter
Editor
Costume Design
Stunts
Lars Hjelm
Stunts
Per Dunder
Stunts
Pernilla Ribeiro Novais
Stunts
Production Design
Eva Norén
Production Design
Stunt Coordinator
Kimmo Rajala
Stunt Coordinator
Sound Re-Recording Mixer
Per Sundström
Sound Re-Recording Mixer
Original Music Composer
Johan Söderqvist
Original Music Composer
Set Dresser
Yvonne Swahn
Set Dresser
Lars Smedinge
Set Dresser
Stunt Double
Esmeralda Nikolajeff
Stunt Double
Director of Photography
Assistant Art Director
Anna Paulson
Assistant Art Director
Visual Effects Supervisor
Kaj Steveman
Visual Effects Supervisor
Supervising Sound Editor
Per Sundström
Supervising Sound Editor
Special Effects Coordinator
Jens Mårtensson
Special Effects Coordinator
Kalle Schröder
Special Effects Coordinator
Still Photographer
Visual Effects Producer
Claes Dietmann
Visual Effects Producer
Thomas Deutschmann
Visual Effects Producer
First Assistant Director
Animation
Staffan Linder
Animation
Cameron Scott
Animation
Janak Thakker
Animation
Novel
Set Designer
Adrien Giraux
Set Designer
Foley Artist
Ulf Olausson
Foley Artist
Richard Löthner
Foley Artist
Sound Designer
Jonas Jansson
Sound Designer
Christoffer Demby
Sound Designer
Mikael Brodin
Sound Designer
Maths Källqvist
Sound Designer
Construction Coordinator
Jens Munter
Construction Coordinator
Props
Henrik Andersson
Props
Lena P. Cederlund
Props
Emma Madsen
Props
Grip
Stefan Hencz
Grip
Kobie Kentkuran
Grip
Johan Wallin
Grip
Benny Broström
Grip
Oscar Hansson
Grip
Adrian Harkins-Wester
Grip
Jeiron Session
Grip
Location Assistant
Visual Effects Production Manager
John Thorstensson
Visual Effects Production Manager
Carpenter
Mårten Backman
Carpenter
Magnus Berglind
Carpenter
Painter
Cecilia Iversen
Painter
Jenny Klingwall
Painter
Special Effects
Hans Harnesk
Special Effects
Special Effects Technician
Robin Blick
Special Effects Technician
Karl-Johan Fröjd
Special Effects Technician
Victor Nilsson
Special Effects Technician
Makeup Designer
Special Effects Makeup Artist
Kaj Steveman
Special Effects Makeup Artist
Mattias Tobiasson
Special Effects Makeup Artist
Love Larson
Special Effects Makeup Artist
Mattias Berg
Special Effects Makeup Artist
Madelene Söderblom
Special Effects Makeup Artist
Oskar Wallroth
Special Effects Makeup Artist
Love Bergström
Special Effects Makeup Artist
Thomas Feuk
Special Effects Makeup Artist
Niklas Hermansson
Special Effects Makeup Artist
Karin Hässler
Special Effects Makeup Artist
Nina Lagnefeldt
Special Effects Makeup Artist
Esteban Mendoza
Special Effects Makeup Artist
Hanna Pettersson
Special Effects Makeup Artist
Emma Prieto
Special Effects Makeup Artist
Gaffer
Per Byrén
Gaffer
Music
Johan Söderqvist
Music
First Assistant Camera
Carl P. Rasmussen
First Assistant Camera
Daniel Kask
First Assistant Camera
Jan Pehrson
First Assistant Camera
Stand In
Nicole Grängshem
Stand In
Second Assistant Camera
Carl P. Rasmussen
Second Assistant Camera
Standby Property Master
Emil Eriksson
Standby Property Master
Britta Rehn
Standby Property Master
Sound Editor
Jonas Jansson
Sound Editor
Patrik Strömdahl
Sound Editor
Pyrotechnician
Johan Harnesk
Pyrotechnician
What's left behind the scenes
- The film is based on the novel by John Ajvide Lindqvist, "Let Me In" (Lat den ratte komma in, 2004).
- The title of the book and film alludes, to some extent, to a folk belief that a vampire can only enter a home after being invited.
- Although the story takes place in the Stockholm suburb of Blackeberg, filming took place almost entirely in the city of Luleå in the north of the country. This was due to the need to guarantee snowy and genuinely cold weather, which might not have been present in Stockholm, located further south.
- Due to the very cold winter weather, a number of scenes with close-ups of the actors that were supposed to take place outdoors had to be filmed in a studio.
- Long before the film's release in the American market, the independent studio Hammer Films acquired the rights to an English-language remake at the Tribeca Film Festival in April 2008.
- The American DVD and Blu-Ray release of the film in March 2009 sparked outrage among fans. The subtitles from the theatrical release were replaced with a simplified version, which many found completely unacceptable and capable of ruining the viewing experience. After numerous complaints, the distributor agreed to reissue the film with theatrical subtitles, stating that already released discs would not be exchanged.
- The Russian title of the film, “Let Me In,” is a translation of the English version “Let me in,” although the original Swedish title “Låt den rätte komma in” should correctly be translated into Russian as “Let the one who should come in.” When the novel was being prepared for release in America, American publishers asked Lindqvist to shorten the title because it did not fit the specified cover format. In Russia, the novel was also published under the shortened title.
- The rights to adapt the novel were acquired by producer John Nordling of the film company EFTI as early as late 2004. He initially contacted Lindqvist’s publishing house “Ordfront,” but was put on a waiting list at number 48, at which point Nordling called the author directly. Lindqvist liked Nordling’s vision, which coincided with his own.
- In one interview on Swedish television, the host asked Lina Leandersson if she had read the book by John Ajvide Lindqvist on which the film was based before starting filming. Lina replied that she hadn’t, as she was only 11 years old and the book was too mature for her.
- The jungle gym on the playground where many scenes about the relationship between Oskar and Eli unfold was built specifically for the film. Its design was developed to fit entirely within the overall shot of a widescreen frame, while real jungle gyms are very often elongated in height rather than width.
- The film was shot with a single Arriflex 535B camera, which was moved only on rails.
- In Lindqvist’s novel, Håkan was a pedophile, and Eli was a boy, Elias, castrated many years ago by a sadistic vampire and transformed into a girl. While this transformation is explained in detail in the novel, it is only briefly mentioned in the film. Despite this, Eli's low, androgynous voice was preserved, but it does not belong to Line Leandersson; she was dubbed over by actress Elif Seýlan.
- Tomas Alfredson did not want to shoot one of the key scenes in which Eli's skin begins to bleed because Oscar wouldn’t allow her to enter. The author of the book and the film's screenwriter, John Ajvide Lindqvist, insisted on filming this episode. Subsequently, many critics praised it, with Peter Bradshaw of The Guardian calling the moment “the hemophilia of rejection.”
- The scene in which Eli attacks Juke in the tunnel was filmed in the town of Rocksta, as the real tunnel in Blackeberg was too high for the intended image format. The scene in which Eli crawls along the hospital wall was filmed in Boden, with the wall of the city hall serving as the hospital wall.
- The film is based on the novel by John Ajvide Lindqvist, "Let the Right One In" (Lat den ratte komma in, 2004).
- The Russian title of the film, "Let Me In," is a translation of the English version, although the original Swedish title, "Lat den ratte komma in," should be correctly translated into Russian as "Let In the One Who Needs To." When the novel was being prepared for release in America, American publishers asked Lindqvist to shorten the title because it didn't fit the specified cover format. In Russia, the novel was also published under the shortened title.
- The rights to adapt the novel were acquired by producer John Nordling of the film company EFTI as early as late 2004. Initially, he contacted Lindqvist's publisher, "Ordfront," but was put on a waiting list at number 48, so Nordling called the author directly. Lindqvist liked Nordling's vision, which coincided with his own.
- Tomas Alfredson did not want to film one of the key scenes, in which Eli's skin begins to bleed because Oskar didn't let her in. The author of the book and the film's screenwriter, John Ajvide Lindqvist, insisted on filming this episode. Subsequently, many critics praised it, with Peter Bradshaw of The Guardian calling the moment "hemophilia of rejection."
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