Alatriste - crew, film crew
The entire team, the film crew of the film "Alatriste"
Alatriste (2006)
Timing:
2:25 (145 min)
5.9/10
245
245
7.04/10
52994
52994
6.1/10
15000
15000
Film crew
Director
Producer
Antonio Cardenal
Producer
Álvaro Augustin
Producer
Executive Producer
Belén Atienza
Executive Producer
Íñigo Marco
Executive Producer
Writer
Casting
Luis San Narciso
Casting
Boros Mária
Casting
Editor
José Salcedo
Editor
Special Effects Supervisor
Reyes Abades
Special Effects Supervisor
Art Direction
Costume Design
Francesca Sartori
Costume Design
Teresa Goikoetxea
Costume Design
Stunts
Antonio Arnalte
Stunts
Production Design
Emilio Ardura
Production Design
Stunt Coordinator
Jordi Casares
Stunt Coordinator
Key Makeup Artist
Carmen Fraile
Key Makeup Artist
Sound Re-Recording Mixer
Christophe Vingtrinier
Sound Re-Recording Mixer
Original Music Composer
Roque Baños
Original Music Composer
Unit Production Manager
Paloma Molina
Unit Production Manager
Set Dresser
Gonzalo Ansó
Set Dresser
Second Assistant Director
Francisco Barrionuevo
Second Assistant Director
Stunt Double
Ángel Solo
Stunt Double
Director of Photography
Camera Operator
Jaime Rebato
Camera Operator
Steadicam Operator
Alessandro Brambilla
Steadicam Operator
Costumer
Pepo Ruiz Dorado
Costumer
Costume Supervisor
Marco Scotti
Costume Supervisor
Makeup Department Head
José Luis Pérez
Makeup Department Head
Assistant Art Director
Alejandro Fernández
Assistant Art Director
Property Master
Tino Torrescusa
Property Master
Visual Effects Supervisor
Rafa Solórzano
Visual Effects Supervisor
Script Supervisor
Eugenia Cuesta
Script Supervisor
Electrician
Miguel Cano
Electrician
Still Photographer
José Haro
Still Photographer
Visual Effects Producer
Úrsula García
Visual Effects Producer
First Assistant Director
Charlie Lázaro
First Assistant Director
Assistant Costume Designer
Tim Aslam
Assistant Costume Designer
Production Manager
Cristina Zumárraga
Production Manager
Boom Operator
Bernard Chaumeil
Boom Operator
Novel
Location Scout
Dan Uneken
Location Scout
Dialogue Editor
Raúl Lasvignes
Dialogue Editor
Lighting Technician
Francisco Izaguirre
Lighting Technician
Props
Sergio Ardura
Props
Key Grip
Edmundo Sanz
Key Grip
Grip
Anselmo Villalba
Grip
Seamstress
Yolanda Urquiza
Seamstress
Characters
Carlota Pérez-Reverte
Characters
Casting Assistant
Andrés Cuenca
Casting Assistant
Special Effects Technician
Carlos Ortega
Special Effects Technician
Production Accountant
María Jesús Ezcurra
Production Accountant
Video Assist Operator
Celia Abraira
Video Assist Operator
ADR Recordist
Nicolás de Poulpiquet
ADR Recordist
First Assistant Camera
Ramiro Sabell hijo
First Assistant Camera
Post Production Coordinator
Javier Ugarte
Post Production Coordinator
Post Production Supervisor
Fernando Victoria de Lecea
Post Production Supervisor
Production Assistant
Javier Rubio
Production Assistant
Assistant Makeup Artist
Cecilia Escot Mangas
Assistant Makeup Artist
Production Coordinator
Sara Ramírez
Production Coordinator
Scoring Mixer
Simon Rhodes
Scoring Mixer
Sound
Pierre Gamet
Sound
Extras Casting
Mari Franç Torres
Extras Casting
Sound Recordist
Loïc Gourbe
Sound Recordist
Second Assistant Camera
Eva Aycart
Second Assistant Camera
Assistant Sound Editor
Benjamin Rosier
Assistant Sound Editor
Costume Assistant
Mar Alonso
Costume Assistant
Transportation Captain
Cristina San Cayo
Transportation Captain
Assistant Production Manager
Ariel Alcalde
Assistant Production Manager
Title Designer
Lucía Valdivieso
Title Designer
Sound Editor
Stephane Rabeau
Sound Editor
Music Producer
Queti Pazos
Music Producer
Wardrobe Assistant
Cristina Vergara Catherineau
Wardrobe Assistant
Assistant Camera
Ramiro Sabell
Assistant Camera
What's left behind the scenes
- Several years before the film's release, the project had almost received the green light. Antonio Banderas was to direct and play the main role, with Enrique Urbizu as the screenwriter.
- Gael García Bernal was initially considered for the role of Inigo Balboa, which ultimately went to Unax Ugalde.
- Leonor Watling was offered one of the roles in the project, but she declined.
- The role of Martín Saldaña was to be played by Antonio Resines, but unfortunately, a few weeks before filming began, the actor was involved in a car accident. He was forced to use crutches for a long time, and a replacement had to be found urgently. As compensation, Antonio Resines was given the opportunity to appear in the film in a small role as a musketeer officer in the final battle.
- The film is based on a series of novels by Spanish writer Arturo Pérez-Reverte. The idea of writing books on this topic came to him when he noticed that his daughter Carlota's history textbook devoted only one page to the 16th-17th centuries, a period when Spain was a dominant superpower. Carlota, who was then 12 years old, helped her father with historical research on this period, and the first novel in the Captain Alatriste series, published in 1996, was released with Arturo and Carlota Pérez-Reverte listed as co-authors. By the time the film was released, five novels had been published, and the film included the most notable episodes from each of them. On the other hand, according to the author, the film served as a source of inspiration for his future works in the series.
- Spanish composer Roque Baños wrote the music for the film, however, a fragment of it that was supposed to be heard during the final scene was replaced by a funeral march called “La madruga” written by Colonel Abel Moreno. This march is often used during Easter processions in Spain and was intended to give the scene an atmosphere of suffering, inevitable defeat, and the end of life’s journey. This decision caused considerable dissatisfaction on the part of the composer, although the music he had written was included in the film's soundtrack.
- With a budget of 24 million euros (approximately $30 million at the time), “Captain Alatriste” became the most expensive Spanish film in history. According to the film's director, Agustín Díaz Yanes, this amount was sufficient to shoot the largest European project, although in America it would have been enough for complete nonsense.
- A woman, experienced Spanish actress Blanca Portillo, was invited to play the role of Inquisitor Emilio Bocanegra. This decision caused quite a controversy not so much because it could be considered disrespectful to the church, but because many moviegoers saw no sense in it. The director later admitted that this idea had occurred to him from the very beginning, as he found the role of the “Grand Inquisitor” too cliché and wanted to introduce a fresh, less recognizable element into it. As a result, in the actress's next film, Pedro Almodóvar’s “Volver” (2006), Blanca Portillo was forced to wear very short hair, as it had been cut for this role.
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