Perfume: The Story of a Murderer - crew, film crew
The entire team, the film crew of the film "Perfume: The Story of a Murderer"
Perfume: The Story of a Murderer (2006)
Timing:
2:27 (147 min)
7.365/10
4885
4885
7.715/10
314384
314384
7.5/10
278000
278000
Film crew
Director
Producer
Executive Producer
Samuel Hadida
Executive Producer
Andreas Grosch
Executive Producer
Andreas Schmid
Executive Producer
Martin Moszkowicz
Executive Producer
Manuel Malle
Executive Producer
Julio Fernández
Executive Producer
Casting
Michelle Guish
Casting
Grace Browning
Casting
Pep Armengol
Casting
Béatrice Kruger
Casting
Anne Fremiot
Casting
Editor
Alexander Berner
Editor
Art Direction
Laia Colet
Art Direction
Hucky Hornberger
Art Direction
Costume Design
Pierre-Yves Gayraud
Costume Design
Stunts
Gregory Brossard
Stunts
Francesc Martinell
Stunts
Renato Camargos
Stunts
Anna García Cuartero
Stunts
Santi Franco
Stunts
Julia Schrodl
Stunts
Production Design
Stunt Coordinator
Volkhart Buff
Stunt Coordinator
Flora Álvarez
Stunt Coordinator
Lidia Titos
Stunt Coordinator
Set Decoration
Deborah Chambers
Set Decoration
Philippe Turlure
Set Decoration
Makeup Artist
Valli O'Reilly
Makeup Artist
Christiane Weber
Makeup Artist
Sound Re-Recording Mixer
Matthias Lempert
Sound Re-Recording Mixer
Michael Kranz
Sound Re-Recording Mixer
Original Music Composer
Johnny Klimek
Original Music Composer
Co-Producer
Gigi Oeri
Co-Producer
Second Assistant Director
Ulrike Schürhoff
Second Assistant Director
Sergi Ruiz
Second Assistant Director
Stunt Double
Harry Täschner
Stunt Double
Adrián de Cea
Stunt Double
Bianca Wendlinger
Stunt Double
Director of Photography
Frank Griebe
Director of Photography
Visual Effects Supervisor
Dennis Lowe
Visual Effects Supervisor
Sound Mixer
Roland Winke
Sound Mixer
First Assistant Director
Sebastian Fahr-Brix
First Assistant Director
Xavier Bernabeu
First Assistant Director
Production Manager
Silvia Tollmann
Production Manager
Screenplay
Novel
Patrick Süskind
Novel
Set Designer
Daniel Chour
Set Designer
Hair Designer
Waldemar Pokromski
Hair Designer
Makeup Designer
Waldemar Pokromski
Makeup Designer
Special Effects Makeup Artist
Barrie Gower
Special Effects Makeup Artist
ADR Mixer
Peter Gleaves
ADR Mixer
ADR Recordist
Robert Edwards
ADR Recordist
Digital Compositor
Michal Křeček
Digital Compositor
Conductor
Line Producer
Christine Rothe
Line Producer
Silvia Tollmann
Line Producer
Executive In Charge Of Production
Christine Rothe
Executive In Charge Of Production
Sound Editor
Matthias Lempert
Sound Editor
Sound Director
Roland Winke
Sound Director
Foley
Carsten Richter
Foley
Delegated Producer
Edmon Roch
Delegated Producer
What's left behind the scenes
- Tim Burton and Ridley Scott were both considered as potential directors for "Perfume."
- Among those who aspired to direct "Perfume," Martin Scorsese and Miloš Forman are noteworthy. Stanley Kubrick also considered adapting the novel for the screen, but ultimately concluded that Patrick Süskind's work was unfilmable.
- For many years, Patrick Süskind refused producer Bernd Eichinger's requests to acquire the film rights to the novel. It was only in 2001 that the parties were able to reach an agreement. The price was 10 million euros.
- As is well known, Patrick Süskind was extremely skeptical about the film adaptation of his cult novel. His experience dealing with Bernd Eichinger and other enterprising producers desperately trying to acquire the adaptation rights was depicted in the satirical film "Rossini" (1997). Süskind wrote the screenplay for this film himself, with the main character being the eccentric writer Jacob Windisch. The character of Oskar Reuter was modeled after Bernd Eichinger. Most of the other characters in "Rossini" are caricatures of representatives of the Munich media business.
- The film's budget (50 million euros) was the highest in the entire history of German cinema at that time.
- Top model Ruslana Korshunova, who tragically died later, auditioned for the role of the main character.
- In the scene of the prostitute's murder in Grace, we clearly see Jean-Baptiste cutting off her hair (which Drew later finds buried in the workshop), however, when the police remove the body in the morning, a clump of black hair is dangling from the stretcher.
- Among those who wanted to direct “Perfume” were Martin Scorsese and Miloš Forman. Stanley Kubrick also considered adapting the novel for the screen but ultimately came to the conclusion that Patrick Süskind’s work was not suitable for filming.
- For many years, Patrick Süskind refused producer Bernd Eichinger’s requests to acquire the film rights to the novel. It was only in 2001 that the parties were able to reach an agreement. The price was 10 million euros.
- Before settling on Spanish Barcelona, the film crew traveled through eight countries in search of a city that could pass for Paris in the 18th century.
- Scenes at the Fish Market were filmed in Barcelona's Gothic Quarter. 2.5 tons of fish and a ton of meat were brought in for the filming, and passersby complained about the stench even from a distance of almost 10 km from the Gothic Quarter.
- The orgy scene was filmed in Barcelona, and the shooting took over a week. The scene involved 750 people, who were assisted by 40 makeup artists, and 35 costume design assistants were constantly on hand.
- Director and screenwriter Tom Tykwer believed that the orgy scene needed to be carefully scripted and staged, so he invited the Spanish theater group «La Fura Dels Baus». He selected 50 principal performers from its members, who were positioned directly in front of the cameras, and then another 100 people for the background and periphery. Together with 600 extras, these 150 performers made up the total number involved in the scene – 750 people.
- Among those who wanted to direct “The Perfume” were Martin Scorsese and Miloš Forman. Stanley Kubrick also considered adapting the novel for the screen, but ultimately came to the conclusion that Patrick Süskind’s work was unfilmable.
- For many years, Patrick Süskind refused producer Bernd Eichinger’s request to acquire the rights to film the novel. It was only in 2001 that the parties were able to reach an agreement. The price was 10 million euros.
- Before giving the go-ahead for costume creation, Pierre-Yves Guero spent 15 weeks studying costumes from the corresponding historical period. A total of over 1,400 costumes were created. When they arrived from Bucharest, the costumes still needed to be “aged” and slightly dirtied (so they wouldn't look brand new). Tom Tykwer insisted that the actors and actresses actually wear the appropriate costumes and dresses and not take them off for several days in a row (and even sleep in them, as was customary in that era).
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