The 400 Blows - crew, film crew
The entire team, the film crew of the film "The 400 Blows"
Les Quatre Cents Coups (1959)
Timing:
1:39 (99 min)
8.018/10
2288
2288
8.062/10
29108
29108
8/10
134000
134000
Film crew
Director
Producer
Editor
Set Decoration
Original Music Composer
Second Assistant Director
Robert Bober
Second Assistant Director
Alain Jeannel
Second Assistant Director
Francis Cognany
Second Assistant Director
Director of Photography
Camera Operator
Script Supervisor
Jacqueline Parey
Script Supervisor
Still Photographer
André Dino
Still Photographer
Thanks
Claire Mafféi
Thanks
Claude Vermorel
Thanks
Fernand Deligny
Thanks
Suzanne Lipinska
Thanks
Jacques Josse
Thanks
Production Manager
Georges Charlot
Production Manager
Screenplay
Assistant Editor
Cécile Decugis
Assistant Editor
Michèle de Possel
Assistant Editor
Assistant Director
Assistant Unit Manager
Robert Lachenay
Assistant Unit Manager
Sound Assistant
Jean Labussière
Sound Assistant
Sound
Jean-Claude Marchetti
Sound
Production Secretary
Luce Deuss
Production Secretary
Unit Manager
Jean Lavie
Unit Manager
Administration
Roland Nonin
Administration
Adaptation
Dialogue
Assistant Camera
Alain Levent
Assistant Camera
What's left behind the scenes
- François Truffaut's feature film debut.
- The French expression “faire les 400 coups” means “to behave outrageously, to violate moral norms.” Specifically, when referring to childish mischief or hooliganism. In Russian, this idiom is approximately equivalent to the expressions “walking disaster,” or “33 misfortunes.” The expression originates from the siege of Montauban by Louis XIII in 1621, when the French king ordered 400 cannon shots to be fired at the city (“400 coups de canon”), hoping to instill terror in the ranks of the Protestant defenders.
- The film is dedicated to André Bazin.
- It is usually said that this was Jean-Pierre Léaud’s first role in film. The 14-year-old boy ended up on the set after responding to an advertisement, and Truffaut cast him, struck by his resemblance to himself at the same tender age. However, Jean-Pierre already had some experience in film – he played a small role in Georges Lampin’s adventure film “Beware of the Tourists!” (1958).
- When Antoine and René walk through the city, they pass a wall covered with posters and advertisements. One of the posters features Harriet Andersson in Ingmar Bergman’s “Summer with Monika” (1953). That film also tells the story of two young runaways.
- François Truffaut continued the story of Antoine Doinel in several more films, tracking his fate at different stages of life – in “Antoine and Colette” (1962), “Stolen Kisses” (1968), “Bed and Board” (1970), and “Love on the Run” (1979). And Jean-Pierre Léaud appeared with Truffaut two more times in the roles of other characters – in “Two English Girls and the Continent” (1971) and “American Night” (1973).
- Director François Truffaut did not require his young actors to memorize their lines and encouraged improvisation.
- Among the considered titles for the film were: “Antoine’s Escape,” “Four Thursdays,” “Little Angry Ones,” “School of the Street,” “Wandering Life,” “Children of Paris,” “Little Idlers,” “Little Friends,” “Wild Foxes,” and “Little Soldiers.”
- The film was shot in 46 days. Work began in November and continued with one day off in the first six weeks and three in the last two weeks until the end of December. Subsequently, the director would adopt a rule of making films in this way, using a “lightning strike” strategy.
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