Kingdom of Heaven - crew, film crew
The entire team, the film crew of the film "Kingdom of Heaven"
Kingdom of Heaven (2005)
Timing:
2:24 (144 min)
7.021/10
4859
4859
7.669/10
236890
236890
7.3/10
351000
351000
Film crew
Director
Producer
Executive Producer
Branko Lustig
Executive Producer
Terry Needham
Executive Producer
Lisa Ellzey
Executive Producer
Casting
Editor
Dody Dorn
Editor
Special Effects Supervisor
Andy Williams
Special Effects Supervisor
Alistair Williams
Special Effects Supervisor
Art Direction
Robert Cowper
Art Direction
Ivo Hušnjak
Art Direction
John King
Art Direction
Carlos Bodelón
Art Direction
Alessandro Alberti
Art Direction
Supervising Art Director
Marco Trentini
Supervising Art Director
Costume Design
Louis Joon
Costume Design
Stunts
Gonzalo Hernández
Stunts
Rachid Abbad
Stunts
Massimiliano Bianchi
Stunts
Production Design
Stunt Coordinator
Gustáv Kyselica
Stunt Coordinator
Second Unit Director
Set Decoration
Sonja Klaus
Set Decoration
Makeup Artist
Mariam Lee Abounouom
Makeup Artist
Hamdan Malika
Makeup Artist
Original Music Composer
Unit Production Manager
Branko Lustig
Unit Production Manager
Co-Producer
Thierry Potok
Co-Producer
Mark Albela
Co-Producer
Denise O'Dell
Co-Producer
Bruce Devan
Co-Producer
Production Supervisor
Kimberley Ann Berdy
Production Supervisor
Associate Producer
Teresa Kelly
Associate Producer
Ty Warren
Associate Producer
Second Assistant Director
Ian Stone
Second Assistant Director
Stunt Double
Menyhért René Balog-Dutombé
Stunt Double
Fight Choreographer
C.C. Smiff
Fight Choreographer
Utility Stunts
Oleg Botin
Utility Stunts
Director of Photography
Camera Operator
Martin Hume
Camera Operator
Massimiliano Trevis
Camera Operator
Daniele Massaccesi
Camera Operator
Steadicam Operator
Daniele Massaccesi
Steadicam Operator
Costumer
Mohammed Boukhouima
Costumer
Costume Supervisor
Clare Spragge
Costume Supervisor
Sound Effects Editor
Bryan Bowen
Sound Effects Editor
Assistant Art Director
Abdellah Baadil
Assistant Art Director
Property Master
Graeme Purdy
Property Master
Visual Effects Supervisor
Peter Chiang
Visual Effects Supervisor
William Skellorn
Visual Effects Supervisor
William Foxwell
Visual Effects Supervisor
William Foxwell
Visual Effects Supervisor
Angela Magrath
Visual Effects Supervisor
Lisa Gonzalez
Visual Effects Supervisor
Tom Wood
Visual Effects Supervisor
Supervising Sound Editor
Per Hallberg
Supervising Sound Editor
Script Supervisor
Anna Worley
Script Supervisor
Electrician
Sam Horsefield
Electrician
Set Costumer
Gabi Brown
Set Costumer
Aerial Director of Photography
John Marzano
Aerial Director of Photography
Hairstylist
Marcelle Genovese
Hairstylist
Special Effects Coordinator
Mark Meddings
Special Effects Coordinator
Still Photographer
Juliana Malucelli
Still Photographer
Associate Editor
Keith Brachmann
Associate Editor
Sound Mixer
David Stephenson
Sound Mixer
Visual Effects Producer
Armorer
Brian Bero
Armorer
Textile Artist
Jessica Scott-Reed
Textile Artist
Assistant Costume Designer
Andrea Cripps
Assistant Costume Designer
Driver
Diego Campos
Driver
Production Manager
Bruce Devan
Production Manager
Boom Operator
Gary Dodkin
Boom Operator
Screenplay
William Monahan
Screenplay
Set Designer
Iñigo Navarro
Set Designer
Foley Artist
Andie Derrick
Foley Artist
Construction Coordinator
Alain Brochu
Construction Coordinator
Art Department Coordinator
Francesca Birri
Art Department Coordinator
Dialogue Editor
Simon Chase
Dialogue Editor
Assistant Editor
Andrew Haigh
Assistant Editor
Best Boy Grip
Phil Murray
Best Boy Grip
Art Department Assistant
Saida Elidrissi
Art Department Assistant
Lighting Technician
Fred Brown
Lighting Technician
Foley Editor
Harry Barnes
Foley Editor
Rigging Grip
Emanuele Salvatore
Rigging Grip
Transportation Coordinator
Brian Baverstock
Transportation Coordinator
Compositing Supervisor
Ed Hawkins
Compositing Supervisor
Location Manager
Gonzalo Cañellas
Location Manager
Grip
David Appleby
Grip
Dolly Grip
Claudio Del Gobbo
Dolly Grip
Assistant Location Manager
Toufiq Abouobayd
Assistant Location Manager
Set Production Assistant
Topaz Adizes
Set Production Assistant
Second Second Assistant Director
Akrame El Meziane
Second Second Assistant Director
Visual Effects Production Manager
Natalie Lovatt
Visual Effects Production Manager
Compositor
Cathy Burrow
Compositor
Carpenter
Robert Capan
Carpenter
Construction Foreman
Damir Gabelica
Construction Foreman
Painter
Giancarlo Di Fusco
Painter
Music Supervisor
Casting Assistant
Mourad Barouche
Casting Assistant
Foley Supervisor
Alex Joseph
Foley Supervisor
Special Effects Technician
Edward Barton
Special Effects Technician
Julio Navarro
Special Effects Technician
Makeup Designer
Paul Engelen
Makeup Designer
Foley Mixer
Ed Colyer
Foley Mixer
Third Assistant Director
Tarik Ait Ben Ali
Third Assistant Director
William Dodds
Third Assistant Director
Special Effects Makeup Artist
Nathaniel De'Lineadeus
Special Effects Makeup Artist
Production Accountant
Giorgio Catalano
Production Accountant
Casting Associate
Tannis Vallely
Casting Associate
Accountant
Mark Birmingham
Accountant
Sculptor
Colin Jackman
Sculptor
Travel Coordinator
Trilby Norton
Travel Coordinator
Gaffer
Chuck Finch
Gaffer
Assistant Director
Adil Abdelwahab
Assistant Director
Alex Kirby
Assistant Director
Standby Art Director
Peter James
Standby Art Director
Focus Puller
Simon Hume
Focus Puller
ADR Mixer
Peter Gleaves
ADR Mixer
Colin Cooper
ADR Mixer
Video Assist Operator
Robert Hamilton
Video Assist Operator
ADR Recordist
Alexander Beddow
ADR Recordist
Second Unit Director of Photography
Storyboard Artist
Cristiano Donzelli
Storyboard Artist
Camera Trainee
Charlie Herranz
Camera Trainee
First Assistant Camera
Ben Wilson
First Assistant Camera
Glyn Williams
First Assistant Camera
Special Effects Assistant
David Brighton
Special Effects Assistant
Digital Compositor
Murray Barber
Digital Compositor
Natalie MacDonald
Digital Compositor
Giuliano Dionisio Vigano
Digital Compositor
Julian Gnass
Digital Compositor
Alessandro Cioffi
Digital Compositor
Post Production Coordinator
David McKimmie
Post Production Coordinator
Additional Music
Stephen Barton
Additional Music
Conductor
Researcher
Kathy Heaser
Researcher
Digital Intermediate Colorist
Skip Kimball
Digital Intermediate Colorist
Stand In
Abdellah Achir
Stand In
Production Assistant
Kamal Ounejjar
Production Assistant
Ángel de la Serna
Production Assistant
Ángel de la Serna
Production Assistant
Greensman
Fatiha Aitbadi
Greensman
Contact Lens Technician
Jemma Scott-Knox-Gore
Contact Lens Technician
Script Consultant
Sam Chouia
Script Consultant
Unit Publicist
Quinn Donoghue
Unit Publicist
Production Coordinator
Patricia Nieto
Production Coordinator
Visual Effects Coordinator
Claudia Dehmel
Visual Effects Coordinator
Natalie Lovatt
Visual Effects Coordinator
Key Set Production Assistant
Nicole Luther
Key Set Production Assistant
Visual Effects Editor
Ian Differ
Visual Effects Editor
Production Secretary
Mandi Dillin
Production Secretary
Visual Effects
Owen E. Williams
Visual Effects
Payroll Accountant
Jill Anderson
Payroll Accountant
Line Producer
José Luis Escolar
Line Producer
Karim Abouobayd
Line Producer
CG Supervisor
Gary Brozenich
CG Supervisor
ADR & Dubbing
Paul Conway
ADR & Dubbing
ADR Voice Casting
Abigail Barbier
ADR Voice Casting
Extras Casting
Hamid Ait Timaghrit
Extras Casting
CG Artist
Helena Masand
CG Artist
Rigging Gaffer
Dean Brkic
Rigging Gaffer
Sound Mix Technician
Esther Smith
Sound Mix Technician
Post Production Assistant
Carmen Ruiz de Huidobro
Post Production Assistant
Assistant Accountant
Khalid Bachra
Assistant Accountant
Camera Loader
Lewis Hume
Camera Loader
Assistant Production Coordinator
Lola Belsito
Assistant Production Coordinator
Second Assistant Accountant
Samantha Quinn
Second Assistant Accountant
Sound Recordist
Daniel Urdiales
Sound Recordist
Second Assistant Camera
Robert Palmer
Second Assistant Camera
Ciro Candia
Second Assistant Camera
Assistant Sound Editor
David Mackie
Assistant Sound Editor
Dialect Coach
Clifford De Spenser
Dialect Coach
Roisin Carty
Dialect Coach
Motion Capture Artist
Gary Roberts
Motion Capture Artist
Publicist
Steve Newman
Publicist
Sequence Supervisor
Adam Gascoyne
Sequence Supervisor
Unit Manager
Alex Corven Caronia
Unit Manager
Lighting Artist
Shawn Walsh
Lighting Artist
Senior Modeller
Stuart Penn
Senior Modeller
Stuart Penn
Senior Modeller
Matte Painter
Arnaud Pecqueur
Matte Painter
Costume Assistant
Lahcen Abbana
Costume Assistant
Angela Pledge
Costume Assistant
Post-Production Manager
Patrick Esposito
Post-Production Manager
Rotoscoping Artist
Alex Mein Smith
Rotoscoping Artist
Transportation Captain
El Mahjoub Najma
Transportation Captain
Production Executive
Fred Baron
Production Executive
Production Runner
David Roker
Production Runner
Sound Editor
Christopher Assells
Sound Editor
Draughtsman
James Foster
Draughtsman
First Assistant Accountant
Beatrice Giraud
First Assistant Accountant
Head of Production
Michael Elson
Head of Production
Digital Intermediate Producer
Zara Park
Digital Intermediate Producer
Wardrobe Master
Rob Brown
Wardrobe Master
ADR Engineer
Derek Casari
ADR Engineer
Negative Cutter
Steve Farman
Negative Cutter
Wardrobe Assistant
Abdeliah Bidari
Wardrobe Assistant
Assistant Camera
Kevin Haverty
Assistant Camera
Data Wrangler
Andrew Baggarley
Data Wrangler
Aerial Coordinator
Marc Wolff
Aerial Coordinator
Visual Effects Technical Director
Richard Gomes
Visual Effects Technical Director
Compositing Artist
Gruff Owen
Compositing Artist
Executive Assistant
Additional Camera
Brahim Ait Belkas
Additional Camera
Digital Intermediate Editor
Roger Ames Berger
Digital Intermediate Editor
Head of Research
Julian Mann
Head of Research
Additional Sound Re-Recording Mixer
2D Supervisor
Adrian Banton
2D Supervisor
Digital Compositors
Judy Barr
Digital Compositors
Production Illustrator
Lora E. Revitt
Production Illustrator
Digital Color Timer
Paul Ensby
Digital Color Timer
2D Artist
Jonathan Fawkner
2D Artist
CGI Supervisor
John Harvey
CGI Supervisor
Supervising Armorer
Steve Cummings
Supervising Armorer
Weapons Master
Simon Atherton
Weapons Master
Key Dresser
Sophie Norinder
Key Dresser
Prosthetics Painter
Julie Wright
Prosthetics Painter
What's left behind the scenes
- Specifically for the filming, Orlando Bloom gained an extra 9 kg of weight. During the work on the film, Orlando caught a cold and was ill for about a month. The unfortunate actor also suffered a serious hand injury while filming the battle scenes.
- In reality, Baldwin, the leper king, died in 1185 at the age of 24, a year before the events of the film began to unfold.
- The film's screenplay consists of 260 pages. This volume is approximately twice the average Hollywood screenplay.
- Approximately 14,000 costumes were sewn for the filming of the picture. Chainmail was produced in China, and clothing was sewn in Thailand and Turkey.
- Three siege towers were built, each weighing 17 tons. And 4 catapults were also constructed.
- Around 800 visual effects were used in the film (for comparison: the movie “Star Wars: Episode III – Revenge of the Sith” (2005) had about 2200).
- With the permission of the King of Morocco – Mohammed VI – filmmakers hired approximately one and a half thousand Moroccan soldiers as extras.
- Initially, Hans Zimmer was supposed to compose the music for the film, but he was replaced by Harry Gregson-Williams. Notably, a couple of weeks later, Gregson-Williams was replaced by Zimmer to compose the music for "Madagascar" (2005).
- In the film, Saladin’s army attacks only one part of the wall of Jerusalem. However, in reality, Saladin’s troops first besieged the northwest and then the north side.
- All scenes featuring Edward Norton were filmed in two weeks.
- William Monahan borrowed many ideas and metaphors for "Kingdom of Heaven" from his unproduced screenplay "Tripoli".
- January 12, 2004 – official start of filming.
- Initially, Edward Norton was offered the role of René de Châtillon, but he declined, preferring to play King Baldwin. As the king wears a mask, Edward requested that his name be removed from the final credits. However, his name was still included in the final credits, but only with the film's release on video and DVD.
- For filming Kerak, slightly rebuilt Jerusalem sets were used, which saved approximately $5 million.
- From the very beginning of the project's development, the studio positioned it as a historical adventure film, not a historical epic. Therefore, when studio executives saw the initial version of the film, they considered it too long and demanded that Ridley Scott reduce the film to two hours and twenty minutes. Ultimately, the studio's calculation did not pay off: the film grossed $211 million at the box office, which was considered a failure. In 2006, a special edition of the film was released on DVD, which included the original version of the film, titled the director's cut.
- Several shots for the shipwreck scene were taken from Ridley Scott's film 'White Squall' (1996).
- The runtime of the director's cut is 189 minutes.
- A Wilhelm Scream can be heard when the first catapult projectile hits Saladin's army's siege tower.
- During the final day of the siege of Jerusalem, a burning siege tower can be seen, which unfortunately caught fire during filming.
- During the scene of King Baldwin's funeral, the composition Vide Cor Meum – an aria set to words from Dante Alighieri's "The New Life" – plays, written by Patrick Cassidy in collaboration with Hans Zimmer for one of Ridley Scott's previous films, "Hannibal" (2001).
- Initially, Hans Zimmer was supposed to compose the music for the film, but was replaced by Harry Gregson-Williams. Notably, a couple of weeks later, Gregson-Williams was replaced by Zimmer to compose the music for "Madagascar" (2005).
- The Wilhelm scream sounds when the first catapult projectile hits the siege tower of Saladin’s army.
- The composition Vide Cor Meum – an aria set to words from Dante Alighieri's "La Vita Nuova" – plays during the scene of King Baldwin's funeral, and was written by Patrick Cassidy in collaboration with Hans Zimmer for one of Ridley Scott’s earlier films, "Hannibal" (2001).
Did you like the film?
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