Twilight Zone: The Movie - crew, film crew
The entire team, the film crew of the film "Twilight Zone: The Movie"
Twilight Zone: The Movie (1983)
Timing:
1:41 (101 min)
6.479/10
778
778
6.719/10
8470
8470
6.5/10
44000
44000
Film crew
Director
Producer
Executive Producer
Writer
Casting
Jane Feinberg
Casting
Marci Liroff
Casting
Editor
Malcolm Campbell
Editor
Howard E. Smith
Editor
Special Effects Supervisor
Michael Wood
Special Effects Supervisor
Kevin Pike
Special Effects Supervisor
Paul Stewart
Special Effects Supervisor
Art Direction
James H. Spencer
Art Direction
Richard Sawyer
Art Direction
Costume Design
Stunts
Gene Hartline
Stunts
Joseph Hieu
Stunts
Production Design
Stunt Coordinator
Bill Couch
Stunt Coordinator
Set Decoration
Jackie Carr
Set Decoration
Barbara Krieger
Set Decoration
Makeup Artist
Bob Westmoreland
Makeup Artist
John M. Elliott Jr.
Makeup Artist
Melanie Levitt
Makeup Artist
Sound Re-Recording Mixer
Bill Varney
Sound Re-Recording Mixer
Steve Maslow
Sound Re-Recording Mixer
Gregg Landaker
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Dan Allingham
Unit Production Manager
Dennis E. Jones
Unit Production Manager
Associate Producer
George Folsey Jr.
Associate Producer
Jon Davison
Associate Producer
Michael Finnell
Associate Producer
Orchestrator
Alexander Courage
Orchestrator
Second Assistant Director
Andy House
Second Assistant Director
Stunt Double
Terry James
Stunt Double
Director of Photography
John Hora
Director of Photography
Stevan Larner
Director of Photography
Camera Operator
Jamie Anderson
Camera Operator
Arnold L. Rich
Camera Operator
Steadicam Operator
Garrett Brown
Steadicam Operator
Costumer
Dan Moore
Costumer
Susan Patricia Dugan
Costumer
Sound Effects Editor
Duane Hartzell
Sound Effects Editor
Warren Hamilton Jr.
Sound Effects Editor
David E. Stone
Sound Effects Editor
Property Master
Michael Milgrom
Property Master
Craig Raiche
Property Master
Larry Clark Bird
Property Master
Supervising Sound Editor
David Lewis Yewdall
Supervising Sound Editor
Script Supervisor
Katherine Wooten
Script Supervisor
Hairstylist
Cheri Ruff
Hairstylist
Ellen Powell
Hairstylist
Virginia Kearns
Hairstylist
Still Photographer
Morgan Renard
Still Photographer
Ralph Nelson
Still Photographer
Animation Supervisor
Sound Mixer
William B. Kaplan
Sound Mixer
Thomas Causey
Sound Mixer
First Assistant Director
Pat Kehoe
First Assistant Director
Elie Cohn
First Assistant Director
Production Manager
Dennis E. Jones
Production Manager
Dan Allingham
Production Manager
Costume Designer
Deborah Nadoolman
Costume Designer
Screenplay
Melissa Mathison
Screenplay
Set Designer
Construction Coordinator
Ernie Depew
Construction Coordinator
Dialogue Editor
Ken Sweet
Dialogue Editor
Kendrick P. Sweet
Dialogue Editor
Assistant Editor
Zach Staenberg
Assistant Editor
Steven Kemper
Assistant Editor
William J. Meshover
Assistant Editor
Miriam Weeks
Assistant Editor
Jill Demby
Assistant Editor
Special Effects
Paul Stewart
Special Effects
James Camomile
Special Effects
Story
Special Effects Makeup Artist
Craig Reardon
Special Effects Makeup Artist
Michael McCracken
Special Effects Makeup Artist
Music Editor
Kenneth Hall
Music Editor
First Assistant Camera
Richard Benda
First Assistant Camera
Eric Engler
First Assistant Camera
Norman Cattell
First Assistant Camera
Special Effects Assistant
Gene Grigg
Special Effects Assistant
Kevin Pike
Special Effects Assistant
Sound Engineer
Jon Evans
Sound Engineer
Visual Effects
Peter Kuran
Visual Effects
David Allan
Visual Effects
David Allen
Visual Effects
Second Assistant Camera
Rick Fee
Second Assistant Camera
Don Cropper
Second Assistant Camera
John C. Moulds
Second Assistant Camera
Creature Design
Ed Verreaux
Creature Design
Color Timer
Aubrey Head
Color Timer
Negative Cutter
Donah Bassett
Negative Cutter
Makeup Effects Designer
Michael McCracken
Makeup Effects Designer
Craig Reardon
Makeup Effects Designer
What's left behind the scenes
- In the opening credits, when discussing another dimension of sound, vision, and imagination, an image of Rod Sterling – the creator of the original series – can be seen in a large eye.
- The scene filmed during the death of Vic Morrow (1929-1982) was added to the script to show his character, Bill Connor, in a more positive light: while fleeing an American attack on a Vietnamese village, he sees two orphaned children, decides to save them at all costs, and carries them across the river to safety. He then finds himself back in Nazi-occupied France, and the children have traveled through time with him. The Nazis are about to execute the children, and Bill is sent to a train. Due to an accident involving a helicopter crash, in which Morrow and both children, aged 7 and 6, perished, all scenes with the children were cut from the film. The initially scripted final scene with Bill remained.
- John Lithgow always carefully considers his scenes, and here too he meticulously planned his actions in the scene in the airplane seat with lightning flashing outside. Unfortunately, during filming, the crew member responsible for simulating the lightning flashes was either turning on the lighting too early or too late, constantly throwing Lithgow off rhythm. Initially, this angered him greatly, but after watching the film, he concluded that it was actually better, as it fully reflects his character's state and reaction to the lightning flashes outside the window.
- Actor Vic Morrow died during filming when the rotating helicopter blades, which went out of control of the technical crew during a special effects explosion, decapitated him at full speed. Two child actors – Mick Dean Lee (7 years old) and Rene Chen (6 years old) – also perished during this tragic episode. This event became a catalyst for the review and amendment of US legislation regarding child labor and safety measures on film sets.
- Actor Vic Morrow died during filming. Rotating helicopter blades, which went out of control during an explosion, severed his head. During this tragic episode, two child actors – Myca Dinh Lee (7 years old) and Renee Chen (6 years old) – also died. This event became a catalyst for the review and revision of US legislation regarding child labor and safety measures used on film sets.
- The scene filmed at the time of Vic Morrow's death was added to the script to somehow portray his character, Bill Connor, in a positive light: fleeing during an American attack on a Vietnamese village, he sees two orphaned children, decides to save them at all costs, and carries them across the river to safety. He then finds himself again in Nazi-occupied France, and the children time-traveled with him. The Nazis are about to execute the children, while Bill is sent to a train. Due to a helicopter crash that killed Morrow and both children, all scenes with the children were cut from the film. The originally scripted final scene with Bill remained.
- In the opening credits, when it comes to another dimension of sound, sight, and imagination, the image of Rod Sterling – the creator of the original series – can be seen in the large eye.
- John Lithgow carefully considered his actions in the scene in the airplane seat with lightning flashing outside. During filming, the technician responsible for simulating the lightning flash would turn on the lighting either too early or too late, constantly throwing Lithgow off rhythm. Initially, this angered him greatly, but after watching the film, he decided it was even better, as it reflected the nervous state of his character.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
