Die Hard 2 - crew, film crew
The entire team, the film crew of the film "Die Hard 2"
Die Hard 2 (1990)
Timing:
2:4 (124 min)
6.968/10
6342
6342
7.778/10
152944
152944
7.2/10
406000
406000
Film crew
Director
Producer
Charles Gordon
Producer
Executive Producer
Lloyd Levin
Executive Producer
Michael Levy
Executive Producer
Casting
Jackie Burch
Casting
Editor
Art Direction
Christiaan Wagener
Art Direction
Costume Design
Marilyn Vance
Costume Design
Stunts
Gilbert B. Combs
Stunts
Kenny Bates
Stunts
Pete Antico
Stunts
Eric Bryson
Stunts
Randy Hall
Stunts
Monty Cox
Stunts
Justin De Rosa
Stunts
Christine Anne Baur
Stunts
Jeff Evans
Stunts
Victor Paul
Stunts
Keii Johnston
Stunts
Frank Lloyd
Stunts
Steve Picerni
Stunts
Jack Lietzke
Stunts
Eddy Donno
Stunts
Eddie L. Watkins
Stunts
Scott Wilder
Stunts
Nick Brett
Stunts
Bennie Moore
Stunts
David M. Graves
Stunts
Gary Maas
Stunts
Marguerite Happy
Stunts
Debby Shively
Stunts
Janet Brady
Stunts
P. Randall Bowers
Stunts
Dwayne McGee
Stunts
Danny Rogers
Stunts
Paul V. Picerni Jr.
Stunts
Laura Lee Kasten
Stunts
Zoe Mauries
Stunts
Steven Chambers
Stunts
Sparky Edmonston
Stunts
James M. Halty
Stunts
Mike Marasco
Stunts
Frank T. Hines
Stunts
Louis Viscolosi
Stunts
Production Design
John Vallone
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Robert Gould
Set Decoration
Makeup Artist
Jim Kail
Makeup Artist
Sound Re-Recording Mixer
Richard Overton
Sound Re-Recording Mixer
Sergio Reyes
Sound Re-Recording Mixer
Kevin F. Cleary
Sound Re-Recording Mixer
Michael Jiron
Sound Re-Recording Mixer
Gary D. Rogers
Sound Re-Recording Mixer
B. Tennyson Sebastian III
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
James Herbert
Unit Production Manager
Co-Producer
Associate Producer
Suzanne Todd
Associate Producer
Orchestrator
Chris Boardman
Orchestrator
William Ross
Orchestrator
Phil Giffen
Orchestrator
Mark Koval
Orchestrator
Ron Gorow
Orchestrator
Set Dresser
Catherine Wilshire
Set Dresser
Second Assistant Director
Michael Alan Kahn
Second Assistant Director
Stunt Double
Monty Jordan
Stunt Double
Director of Photography
Pilot
Fred Lester Austin
Pilot
Frank T. Hines
Pilot
Michael Tamburro
Pilot
Steve Hinton
Pilot
Karl A. Wickman
Pilot
James W. Gavin
Pilot
Kevin Kelly
Pilot
Camera Operator
Stephen St. John
Camera Operator
Bill Roe
Camera Operator
Moshe Levin
Camera Operator
Michael Gershman
Camera Operator
Gregory Lundsgaard
Camera Operator
Steadicam Operator
Stephen St. John
Steadicam Operator
Costumer
Michael Voght
Costumer
Victoria Snow
Costumer
Frank Perry Rose
Costumer
Costume Supervisor
Barry Francis Delaney
Costume Supervisor
Barbara Siebert
Costume Supervisor
Assistant Art Director
Bruce Crone
Assistant Art Director
Gayle Simon
Assistant Art Director
Property Master
Michael Papac
Property Master
Visual Effects Supervisor
Michael J. McAlister
Visual Effects Supervisor
Supervising Sound Editor
Alan Robert Murray
Supervising Sound Editor
Robert G. Henderson
Supervising Sound Editor
Script Supervisor
Annette Haywood-Carter
Script Supervisor
Susana Preston
Script Supervisor
Supervising ADR Editor
James Simcik
Supervising ADR Editor
William C. Carruth
Supervising ADR Editor
Hairstylist
Paul Abascal
Hairstylist
Special Effects Coordinator
Al Di Sarro
Special Effects Coordinator
John McLeod
Special Effects Coordinator
Still Photographer
John R. Shannon
Still Photographer
Sound Mixer
Frank Meadows
Sound Mixer
Visual Effects Producer
Chrissie England
Visual Effects Producer
First Assistant Director
Terry Miller
First Assistant Director
Chief Lighting Technician
James O. Blair
Chief Lighting Technician
Driver
Ron Kunecke
Driver
Roger Spurgeon
Driver
Dave Wright
Driver
Joseph William Lomax
Driver
Sparky Edmonston
Driver
Harold Frank Reinhard
Driver
Michael K. Wacker
Driver
Production Manager
James Herbert
Production Manager
Boom Operator
Todd Bassman
Boom Operator
Costume Designer
Marilyn Vance
Costume Designer
Screenplay
Doug Richardson
Screenplay
Novel
Walter Wager
Novel
Set Designer
Sally Thornton
Set Designer
Nick Navarro
Set Designer
Carol Bentley
Set Designer
Paul McKenzie
Set Designer
Eric W. Orbom
Set Designer
First Assistant Editor
Kevin Stitt
First Assistant Editor
Foley Artist
Ellen Heuer
Foley Artist
Construction Coordinator
Joseph C. Fama
Construction Coordinator
Art Department Coordinator
Leslie Klinger
Art Department Coordinator
Assistant Editor
Paul Wagner
Assistant Editor
David Mann
Assistant Editor
Wade Bartlett
Assistant Editor
Nancy Jencks
Assistant Editor
Best Boy Grip
Michael T. Travers
Best Boy Grip
Brian Holechek
Best Boy Grip
Lighting Technician
Ron Kunecke
Lighting Technician
Roger Spurgeon
Lighting Technician
Foley Editor
Solange S. Schwalbe
Foley Editor
Christopher Flick
Foley Editor
Butch Wolf
Foley Editor
Edward L. Sandlin
Foley Editor
First Assistant "B" Camera
Mike Thomas
First Assistant "B" Camera
First Assistant "A" Camera
Ken Nishino
First Assistant "A" Camera
Transportation Coordinator
Jack Lietzke
Transportation Coordinator
Key Grip
Bob Munoz
Key Grip
Dick Dova
Key Grip
Location Manager
Robbie Goldstein
Location Manager
Greg Lazzaro
Location Manager
Dolly Grip
Donald L. Hartley
Dolly Grip
Assistant Property Master
Edmund E. Villa
Assistant Property Master
Second Second Assistant Director
Todd Grodnick
Second Second Assistant Director
Special Effects
William Aldridge
Special Effects
Michael Meinardus
Special Effects
Jan Aaris
Special Effects
Mark DiSarro
Special Effects
Larry DeUnger
Special Effects
Michael Pedretti
Special Effects
John Bruce Robles
Special Effects
Michael A. Tice
Special Effects
Joe D. Ramsey
Special Effects
Paul Stewart
Special Effects
Patrick R. Gordon
Special Effects
Mike Sasgen
Special Effects
Hans van Wyk
Special Effects
Mike Nichols
Special Effects
Richard M. Lea
Special Effects
Cy Guerrier
Special Effects
James Camomile
Special Effects
Chris Adams
Special Effects
Gary D. Bierend
Special Effects
Jim Guarrera
Special Effects
Timothy 'T.C.' Capps
Special Effects
Andrew Sebok
Special Effects
Damon Allison
Special Effects
Richard S.G. Thompson
Special Effects
Samuel E. Price
Special Effects
Scott Thompson
Special Effects
Steven Kissick
Special Effects
Characters
Roderick Thorp
Characters
Makeup Supervisor
Hair Supervisor
Paul Abascal
Hair Supervisor
Foley Mixer
Greg Orloff
Foley Mixer
Special Effects Makeup Artist
Thomas R. Burman
Special Effects Makeup Artist
Bari Dreiband-Burman
Special Effects Makeup Artist
Production Accountant
Cleve Reinhard
Production Accountant
Jyllel Syage Dickerman
Production Accountant
Casting Associate
Ferne Cassel
Casting Associate
Gaffer
Bob Finley III
Gaffer
"A" Camera Operator
Bill Roe
"A" Camera Operator
Moshe Levin
"A" Camera Operator
ADR Mixer
Charleen Richards
ADR Mixer
Brad Brock
ADR Mixer
Bob Baron
ADR Mixer
Video Assist Operator
Bradford Ralston
Video Assist Operator
ADR Recordist
Rick Canelli
ADR Recordist
Kurt Carpenter
ADR Recordist
Second Unit Director of Photography
Frank M. Holgate
Second Unit Director of Photography
"B" Camera Operator
Stephen St. John
"B" Camera Operator
Gregory Lundsgaard
"B" Camera Operator
Second Assistant "B" Camera
John T. Connor
Second Assistant "B" Camera
VFX Editor
Edgar Burcksen
VFX Editor
Standby Painter
John Hinkle
Standby Painter
Conductor
Stand In
Randy Bowers
Stand In
Production Assistant
Craig A. Pinckes
Production Assistant
Laura Lee Kasten
Production Assistant
Peter Geiger
Production Assistant
Gregg Kovan
Production Assistant
Sound Assistant
Tim Gomillion
Sound Assistant
Unit Publicist
Marcy Bolotin
Unit Publicist
Production Coordinator
Jacqueline George
Production Coordinator
Anna Becker
Production Coordinator
David James
Production Coordinator
Tailor
Jaime Herrera
Tailor
Scoring Mixer
Armin Steiner
Scoring Mixer
Visual Effects Coordinator
Jeffrey A. Okun
Visual Effects Coordinator
Jennifer Knoll
Visual Effects Coordinator
Amy Moore
Visual Effects Coordinator
Visual Effects Editor
Edgar Burcksen
Visual Effects Editor
Second Assistant "A" Camera
Dennis Seawright
Second Assistant "A" Camera
Payroll Accountant
Nancy Wilding
Payroll Accountant
Line Producer
James Herbert
Line Producer
ADR & Dubbing
William C. Carruth
ADR & Dubbing
James Simcik
ADR & Dubbing
ADR Editor
Denise Horta
ADR Editor
Shelley Rae Hinton
ADR Editor
Ronald Sinclair
ADR Editor
Petra Bach
ADR Editor
Extras Casting
Jim Green
Extras Casting
Carl Joy
Extras Casting
Rigging Gaffer
Frank Tobin
Rigging Gaffer
Best Boy Electric
James B. Crawford
Best Boy Electric
Assistant Accountant
Kimberly Jase
Assistant Accountant
Actor's Assistant
Clare Leavenworth
Actor's Assistant
Todd Pflug
Actor's Assistant
Sound Recordist
Robert Renga
Sound Recordist
Carolyn Tapp
Sound Recordist
Supervising Music Editor
Christopher Brooks
Supervising Music Editor
First Assistant "C" Camera
Matthew E. Alper
First Assistant "C" Camera
Second Assistant "C" Camera
Brad Peterman
Second Assistant "C" Camera
Assistant Sound Editor
Brooke Henderson Ward
Assistant Sound Editor
Darrin Martin
Assistant Sound Editor
Joe Mosca
Assistant Sound Editor
Supervising Editor
Visual Effects Art Director
Paul Huston
Visual Effects Art Director
Executive In Charge Of Production
Jim Morris
Executive In Charge Of Production
Rotoscoping Artist
Joanne Hafner
Rotoscoping Artist
Terry Molatore
Rotoscoping Artist
"C" Camera Operator
Michael Gershman
"C" Camera Operator
Transportation Captain
Steve Collins
Transportation Captain
Alan Falco
Transportation Captain
Skip Wilson
Transportation Captain
Paul Klyder
Transportation Captain
Second Unit First Assistant Director
Michael Alan Kahn
Second Unit First Assistant Director
Sound Editor
Bub Asman
Sound Editor
David M. Horton
Sound Editor
Walter Newman
Sound Editor
Virginia Cook-McGowan
Sound Editor
Jayme S. Parker
Sound Editor
Bruce Lacey
Sound Editor
Foley Recordist
Carolyn Tapp
Foley Recordist
ADR Engineer
Ken Stone
ADR Engineer
Dolby Consultant
Douglas Greenfield
Dolby Consultant
Color Timer
David Orr
Color Timer
Craft Service
Rick Chavez
Craft Service
Negative Cutter
Gary Burritt
Negative Cutter
Producer's Assistant
Kellett Tighe
Producer's Assistant
Christopher Mollo
Producer's Assistant
Sam Shapiro
Producer's Assistant
Jennifer Todd
Producer's Assistant
Julie Silverman
Producer's Assistant
Foley
Aerial Coordinator
Michael Tamburro
Aerial Coordinator
Makeup Effects
Thomas R. Burman
Makeup Effects
Bari Dreiband-Burman
Makeup Effects
Projection
Judi Dolan
Projection
Visual Effects Camera
Pat Sweeney
Visual Effects Camera
Selwyn Eddy
Visual Effects Camera
Patrick Myers
Visual Effects Camera
Technical Advisor
Jerry E. Parrott
Technical Advisor
VFX Director of Photography
Kim Marks
VFX Director of Photography
Catering
Anthony Kerum
Catering
Cableman
Michael Georgiades
Cableman
Set Dressing Buyer
Etta Leff
Set Dressing Buyer
Executive In Charge Of Post Production
Ed Jones
Executive In Charge Of Post Production
Second Unit Cinematographer
Frank M. Holgate
Second Unit Cinematographer
Special Effects Best Boy
F.X. Crowley
Special Effects Best Boy
Larry Hunter
Special Effects Best Boy
Thomas Mertz
Special Effects Best Boy
Michael Olague
Special Effects Best Boy
I.J. Van Perre
Special Effects Best Boy
What's left behind the scenes
- The film is based on Walter Wageer's novel "58 Minutes".
- In the original script for "Die Hard" (1988), John McClane only made a few jokes throughout the film. Most of the jokes John delivers were improvised by Bruce Willis. During the filming of the sequel, Bruce Willis was allowed to improvise as much as he deemed necessary.
- Valverde is a fictional Latin American country. The same country name was used in the film "Commando" (1985).
- An elderly woman on the plane is reading a book that resembles the novel "Lethal Weapon." Joel Silver was the producer of "Lethal Weapon" (1987), "Die Hard" (1988), and "Die Hard 2" (1990).
- Black & Decker paid producers to feature a cordless drill in a scene with Bruce Willis. This scene was cut from the film during editing. Black & Decker sued 20th Century Fox, marking the first lawsuit regarding product placement in cinema. The parties settled the dispute out of court.
- The phrase “Yipee-ki-yay, motherfucker!” is used in all five films.
- Filming was originally planned to take place in Minnesota, but there was insufficient snowfall in Minnesota that year, so filming was moved to Michigan.
- During filming in Denver, there was practically no snow, so the filmmakers had to use artificial snow to create the blizzard scenes.
- Renny Harlin was simultaneously editing this film and “Ford Fairlane” (1990) because both films had an extremely short post-production period. The films were released in theaters one month apart.
- John McTiernan wanted to direct a film, but couldn't because he was contractually obligated to direct "The Hunt for Red October" (1990).
- Upon the completion of its theatrical run, "Die Hard 2" became the highest-grossing sequel of all time. This record was broken a year later by "Terminator 2: Judgment Day" (1991).
- The equipment used by the mercenaries for landing planes in the church is largely similar to real equipment used in air traffic control centers. However, it was simplified for the film's more dramatic and dynamic scenes.
- The film's budget grew not by the day, but by the hour. At one point, production costs reached $20,000 per minute.
- In "Die Hard" (1988), Sergeant Powell hummed the song "Let It Snow". The same song plays at the end of this film.
- In the aerial chase scene, the airliner and helicopter were real, only the snow was made of soap flakes.
- The film was the first in history to use computer-generated backgrounds instead of traditional painting on canvas. This technology will be fully developed in the third film.
- General Esperanza arrives at the airport on a Fairchild C-123 Provider military transport aircraft. For the filming, the standard piston engines were removed from the C-123 and replaced with four 'jet engines' – mock 'barrels' that were 'fitted' directly onto the wing.
- Renny Harlin suggested that William Sadler be nude in the scene where he first appears in the film. According to Harlin, it was an effective, but unusual way to introduce the main villain to the audience.
- It took several nights to film the fight scene between Bruce Willis and William Sadler on the wing of the plane. Large fans spraying artificial snow were used for filming this scene.
- The scene of John being ejected was filmed against a blue screen using a motion control camera system, significantly improved since its use in "Star Wars". The image of McClane was separated from the background using a "traveling matte" and combined with footage of an explosion on an optical printer.
- The plane that McClane's wife is flying on is an L-1011 TriStar, while the crashed Flight 114 was operated on a Douglas DC-8.
- Combat weapons cannot use blank cartridges without special attachments or a specially designed barrel: the weapon's mechanism simply won't function. Therefore, the scene of swapping magazines from live to blank and back looks completely unnatural.
- The grenades thrown at McClane on the plane are M30 grenades – a training version of the M26 grenade (they are marked on the body with RFX55). The detonation delay of the M26 is 4-5 seconds. The first grenade would have detonated before the last one was even thrown.
- When the terrorists land the plane, lowering the horizon line by 60m, they choose a plane with almost empty fuel tanks ("its tanks are as dry as a martini"). Nevertheless, upon impact with the runway, the liner almost immediately explodes, as if it had full fuel tanks.
- Filming took place from December 14, 1989, to May 14, 1990.
- John McTiernan wanted to direct the film, but was unable to because he was contractually obligated to direct "The Hunt for Red October" (1990).
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