Ordinary People - crew, film crew

The entire team, the film crew of the film "Ordinary People"
Ordinary People (1980)
Timing: 2:4 (124 min)
Ordinary People - TMDB rating
7.459/10
679
Ordinary People - Kinopoisk rating
7.245/10
6971
Ordinary People - IMDB rating
7.7/10
62000

Film crew

Director

Producer

Ronald L. Schwary
Producer

Casting

Penny Perry
Casting

Editor

Art Direction

Photo J. Michael Riva #15701
J. Michael Riva
Art Direction
Phillip Bennett
Art Direction

Costume Design

Bernie Pollack
Costume Design

Set Decoration

Jerry Wunderlich
Set Decoration
William B. Fosser
Set Decoration

Makeup Artist

Gary Liddiard
Makeup Artist

Sound Re-Recording Mixer

Bill Varney
Sound Re-Recording Mixer
Steve Maslow
Sound Re-Recording Mixer
Gregg Landaker
Sound Re-Recording Mixer

Original Music Composer

Photo Marvin Hamlisch #83635

Marvin Hamlisch

Marvin Hamlisch
Original Music Composer

Orchestrator

Jack Hayes
Orchestrator

Second Assistant Director

Michael Britton
Second Assistant Director

Director of Photography

Photo John Bailey #74519

John Bailey

John Bailey
Director of Photography

Camera Operator

Photo James Glennon #77090

James Glennon

James Glennon
Camera Operator

Property Master

Edward Aiona
Property Master

Supervising Sound Editor

Kay Rose
Supervising Sound Editor

Script Supervisor

Julie Pitkanen
Script Supervisor

Hairstylist

Jean Burt Reilly
Hairstylist
Kathe Swanson
Hairstylist
Joel Israel
Hairstylist

Still Photographer

Marcia Reed
Still Photographer

Sound Mixer

Dan Wallin
Sound Mixer
Charles M. Wilborn
Sound Mixer

First Assistant Director

Steve Perry

Steve Perry
First Assistant Director

Production Manager

Ronald L. Schwary
Production Manager

Boom Operator

Kenneth Schwarz
Boom Operator

Screenplay

Novel

Construction Coordinator

Herman Lowers
Construction Coordinator

Assistant Editor

Marilyn Madderom
Assistant Editor
Carol Ann Jackson
Assistant Editor

Key Grip

Clyde Hart
Key Grip
Robert McLain
Key Grip

Location Manager

Patrick Markey
Location Manager

Construction Foreman

Chuck Stein
Construction Foreman

Painter

William Powley
Painter

Production Accountant

Rusty Warren
Production Accountant

Gaffer

Ronald W. McLeish
Gaffer
John Credidio
Gaffer

Music Editor

Scott Grusin
Music Editor

First Assistant Camera

Lou Noto
First Assistant Camera

Additional Writing

Nancy Dowd

Nancy Dowd
Additional Writing

Greensman

Richard Boris
Greensman

Unit Publicist

Jack Hirshberg
Unit Publicist

Production Coordinator

Mary Cay Hollander
Production Coordinator

Assistant Accountant

Dennis Park
Assistant Accountant

Second Assistant Camera

Tommy Magglos
Second Assistant Camera

Assistant Sound Editor

Kathleen Korth
Assistant Sound Editor

Title Designer

Phill Norman
Title Designer

Sound Editor

Victoria Rose Sampson
Sound Editor
Jerry Rosenthal
Sound Editor

Wardrobe Coordinator

Rita Salazar
Wardrobe Coordinator
Robert M. Moore
Wardrobe Coordinator

Head Carpenter

Willie Marceau
Head Carpenter

What's left behind the scenes

  • Filming took place from October 9, 1979, to January 10, 1980.
  • The film is based on the novel of the same name by writer Judith Guest.
  • For Timothy Hutton and Elizabeth McGovern, this film was their first work in cinema.
  • Timothy Hutton's father, actor Jim Hutton, died shortly before filming began.
  • Gene Hackman was considered for the role of Dr. Berger, and Lee Remick for the role of Beth Jarrett. Bruce Dern and Ken Howard auditioned for the role of Calvin.
  • While filming was underway, Elizabeth McGovern attended the Juilliard School. With the permission of the school administration, she was allowed to film only on Saturdays – the girl would leave school on Friday evening and return on Sunday morning.
  • Michael J. Fox auditioned for the role of Conrad.
  • It took Robert Redford a year and a half to write the first draft of the script and another year to refine it, as the original novel by Judeth Guest consisted only of dialogue and lacked descriptions of the characters' inner experiences.
  • The Jerrett family's house is located around the corner from another house that would be used in the filming of 'Risky Business' two years later.
  • The composition that became the main theme of the film – Johann Pachelbel's 'Canon in D major' – played a very important role. The canon is heard performed by a choir at the very beginning of the film and an instrumental version during the end credits.
  • While filming, Elizabeth McGovern was studying at Juilliard. She was allowed to continue her studies on the condition that she leave for Chicago every Friday evening and return on Sunday, filming only on Saturdays. It was the first time a student at that institution had been allowed to film during the school semester.
  • It took Robert Redford a year and a half to write the first draft of the screenplay and another year to refine it, as the original novel by Judith Guest consisted only of dialogue and lacked descriptions of the characters’ internal experiences.
  • Richard Dreyfuss was initially considered for the role of the psychiatrist, but he experienced a nervous breakdown around that time.
  • The final scene in the dining room with characters played by Donald Sutherland and Mary Tyler Moore was originally shot on location. However, during editing, Sutherland disliked his own performance, so he and director Robert Redford reshot the scene on a dining room set in a studio pavilion. Moore was performing in theater in New York, so Redford had to read her lines aloud.
  • Gene Hackman was initially cast as Dr. Berger, but he was unable to participate in the project due to reshoots for Richard Lester’s science fiction action film “Superman 2” (1980). Judd Hirsch took on the role, but on the condition that he would film all his scenes in 9 days, as he was then scheduled to work on the “Taxi” series (1978-1983).
  • During the scene describing the death of his son, Donald Sutherland’s character stumbles slightly over his words. The stumble happened accidentally, but when Robert Redford reviewed the footage for the day, he liked this nuance so much that he decided to leave it in the film.
  • Dina Manoff’s filming took only one day. Costume designer Bernie Pollack saw her in a store, decided she would look perfect in the role of Karen, and immediately offered her $20 to buy whatever she wanted in the store.
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