Godzilla - crew, film crew

The entire team, the film crew of the film "Godzilla"
ゴジラ (1954)
Timing: 1:36 (96 min)
Godzilla - TMDB rating
7.634/10
1090

Film crew

Director

Producer

Executive Producer

Iwao Mori
Executive Producer

Editor

Kazuji Taira
Editor

Art Direction

Takeo Kita

Takeo Kita
Art Direction
Satoru Chûko
Art Direction

Production Design

Takeo Kita

Takeo Kita
Production Design
Satoru Chûko
Production Design

Original Music Composer

Photo Akira Ifukube #67690

Akira Ifukube

Akira Ifukube
Original Music Composer

Second Assistant Director

Susumu Takebayashi
Second Assistant Director

Director of Photography

Masao Tamai

Masao Tamai
Director of Photography

Sound Effects Editor

Ichirô Minawa
Sound Effects Editor

Property Master

Kyuzo Yamamoto
Property Master

First Assistant Director

Photo Kôji Kajita #142181
Kôji Kajita
First Assistant Director

Assistant Costume Designer

Photo Masao Yagi #353190
Masao Yagi
Assistant Costume Designer
Photo Yoshio Suzuki #340690
Yoshio Suzuki
Assistant Costume Designer

Production Manager

Teruo Maki
Production Manager

Costume Designer

Teizô Toshimitsu
Costume Designer

Kanju Yagi

Kanju Yagi
Costume Designer

Yasuei Yagi

Yasuei Yagi
Costume Designer
Kaimai Eizo
Costume Designer
Fuminori Ōhashi
Costume Designer
Photo Eizo Kaimai #396959Photo Eizo Kaimai #396960

Eizo Kaimai

Eizo Kaimai
Costume Designer
Photo Masao Yagi #353190
Masao Yagi
Costume Designer
Photo Yoshio Suzuki #340690
Yoshio Suzuki
Costume Designer

Screenplay

Photo Takeo Murata #108786
Takeo Murata
Screenplay

Novel

Photo Shigeru Kayama #108787Photo Shigeru Kayama #108788
Shigeru Kayama
Novel

Lighting Technician

Photo Kuichiro Kishida #338184
Kuichirô Kishida
Lighting Technician
Chōshirō Ishii
Lighting Technician

Visual Effects Production Manager

Yasuaki Sakamoto
Visual Effects Production Manager

Special Effects

Photo Yôichi Manoda #338218
Yôichi Manoda
Special Effects
Photo Motoyoshi Tomioka #346678
Motoyoshi Tomioka
Special Effects
Fumio Nakadai
Special Effects
Shoji Ogawa
Special Effects
Photo Masakatsu Asai #353357
Masakatsu Asai
Special Effects

Story

Sculptor

Teizô Toshimitsu
Sculptor

Assistant Director

Photo Kôji Kajita #142181
Kôji Kajita
Assistant Director

Special Effects Assistant

Photo Masakatsu Asai #353357
Masakatsu Asai
Special Effects Assistant

Additional Music

Photo Sei Ikeno #265540

Sei Ikeno

Sei Ikeno
Additional Music

Sound Assistant

Nobuyuki Tanaka
Sound Assistant

Visual Effects

Fuminori Ōhashi
Visual Effects
Hiroshi Mukoyama
Visual Effects
Sadao Iizuka
Visual Effects
Hidesaburo Araki
Visual Effects
Taka Yuki
Visual Effects
Photo Masakatsu Asai #353357
Masakatsu Asai
Visual Effects

Original Story

Photo Shigeru Kayama #108787Photo Shigeru Kayama #108788
Shigeru Kayama
Original Story

Sound Recordist

Hisashi Shimonaga
Sound Recordist
Norio Tone
Sound Recordist

Visual Effects Director

Photo Eiji Tsuburaya #108785

Eiji Tsuburaya

Eiji Tsuburaya
Visual Effects Director
Photo Masakatsu Asai #353357
Masakatsu Asai
Visual Effects Director

Visual Effects Art Director

Photo Akira Watanabe #340641Photo Akira Watanabe #340642
Akira Watanabe
Visual Effects Art Director
Photo Tohl Narita #353188Photo Tohl Narita #353189
Tohl Narita
Visual Effects Art Director
Photo Yasuyuki Inoue #338216Photo Yasuyuki Inoue #338217

Yasuyuki Inoue

Yasuyuki Inoue
Visual Effects Art Director
Yoshio Irie
Visual Effects Art Director

Modeling

Teizô Toshimitsu
Modeling
Photo Masao Yagi #353190
Masao Yagi
Modeling
Photo Yoshio Suzuki #340690
Yoshio Suzuki
Modeling

Sound Effects

Ichirô Minawa
Sound Effects

Assistant Camera

Yuzuru Aizawa
Assistant Camera

VFX Lighting Artist

Photo Kuichiro Kishida #338184
Kuichirô Kishida
VFX Lighting Artist

Assistant Gaffer

Shinji Kojima
Assistant Gaffer
Seishichi Kojima
Assistant Gaffer

Author

Lyricist

Photo Shigeru Kayama #108787Photo Shigeru Kayama #108788
Shigeru Kayama
Lyricist

Visual Effects Camera

Photo Sadamasa Arikawa #316364Photo Sadamasa Arikawa #332074

Sadamasa Arikawa

Sadamasa Arikawa
Visual Effects Camera
Photo Yôichi Manoda #338218
Yôichi Manoda
Visual Effects Camera
Photo Hajime Tsuburaya #308757Photo Hajime Tsuburaya #308758

Hajime Tsuburaya

Hajime Tsuburaya
Visual Effects Camera
Photo Motoyoshi Tomioka #346678
Motoyoshi Tomioka
Visual Effects Camera

VFX Director of Photography

Photo Sadamasa Arikawa #316364Photo Sadamasa Arikawa #332074

Sadamasa Arikawa

Sadamasa Arikawa
VFX Director of Photography

Underwater Camera

Yuzuru Aizawa
Underwater Camera

Scientific Consultant

Hiroshi Ozaki
Scientific Consultant
Tokio Shikama
Scientific Consultant

Costume Consultant

Fuminori Ōhashi
Costume Consultant

What's left behind the scenes

  • The idea for a film about a radioactive monster came to producer Tomoyuki Tanaka after he was forbidden from filming a project based on the real-life story of Japanese fishermen aboard the “Lucky Dragon 5,” who were exposed to a serious dose of radiation in the area of American nuclear tests. Meanwhile, the beginning of “Godzilla” is a direct reference to this story.
  • Initially, Godzilla was going to be named Angirus. The idea didn't work out, but the creature Angirus appeared in the second film as Godzilla's rival.
  • Eiji Tsuburaya, responsible for the special effects, originally envisioned Godzilla as a giant octopus. This octopus, named Oodako, was created and even appeared in some films later on. Another early version of Godzilla was a creature with a mushroom-shaped head.
  • The name Gojira (Godzilla) is a combination of the Japanese words 'gorira' (gorilla) and 'kujira' (whale). A hybrid of a gorilla and a whale was also an early prototype of Godzilla, proposed by Tomoyuki Tanaka himself. But after Tanaka watched the American film 'The Beast from 20,000 Fathoms', he concluded that Godzilla should be a dinosaur. The old name of the monster, however, remained.
  • Stop-motion animation of a Godzilla model (as in the old American 'King Kong') was rejected due to its cost. Moreover, Eiji Tsuburaya stated that at that time there simply weren't any masters in this field of animation in Japan.
  • The first Godzilla suit weighed 91 kilograms, which caused significant discomfort for the stuntman (Haruo Nakajima) while moving. Haruo could only walk about ten meters in it, after which it became impossible to stay inside Godzilla due to the weight and heat. Subsequently, the suits were made somewhat lighter.
  • Godzilla's eyes and mouth in the first film were controlled using three cables run along his back. In the second film, separate batteries were built into the suit for this purpose, making it even heavier.
  • To create Godzilla's roar, film composer Akira Ifukube ran a thick leather glove along the strings of a double bass, and then a reverberation effect was added to the recorded sound. Godzilla's footsteps were created by hitting an iron cauldron with a rope.
  • The first two ships destroyed by Godzilla were named 'Eiko-Maru' and 'Bingo-Maru'.
  • Originally, it was planned that when Godzilla first appeared on screen, he would hold a bloodied cow in his mouth. The scene was filmed, but Ishiro Honda disliked it and reshot the scene without the cow.
  • The power transmission towers that Godzilla melted with his radioactive breath were made of wax and melted by shining spotlights on them and blowing hot air.
  • The soldiers heading to the coast to fight Godzilla are real Japanese troops who happened to be conducting maneuvers during filming and were fortunately captured on camera.
  • The film was nominated for the Japanese Academy Prize for Best Film (the only time in the entire franchise's history), but lost to Akira Kurosawa's 'Seven Samurai.' However, it won in the category of Best Visual Effects.
  • The original Japanese version of 'Godzilla' with English subtitles was officially released in the USA only half a century later – in 2004. In the same year, Godzilla received his well-deserved star on the Hollywood Walk of Fame.
  • Simultaneous filming of 'Godzilla' and 'Seven Samurai' nearly bankrupted the Toho company.
  • Director Ishiro Honda himself appeared as the operator pulling the lever to electrocute Godzilla with 300,000 volts. And right before this scene, Haruo Nakajima himself can be seen in the room, who also appeared in the film as one of the reporters.
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