Anatomy - crew, film crew

The entire team, the film crew of the film "Anatomy"
Anatomie (2000)
Timing: 1:43 (103 min)
Anatomy - TMDB rating
6.08/10
313
Anatomy - Kinopoisk rating
0/10
44
Anatomy - IMDB rating
5.8/10
42

Film crew

Director

Producer

Photo Jakob Claussen #205237Photo Jakob Claussen #205238Photo Jakob Claussen #205239
Jakob Claussen
Producer
Andrea Willson
Producer
Thomas Wöbke
Producer

Executive Producer

Norbert Preuss
Executive Producer

Casting

Nessie Nesslauer
Casting

Editor

Ueli Christen
Editor

Special Effects Supervisor

Joachim Grüninger
Special Effects Supervisor
Birger Laube
Special Effects Supervisor

Costume Design

Nicole Fischnaller
Costume Design

Production Design

Ingrid Henn
Production Design

Stunt Coordinator

Photo Mac Steinmeier #70957
Mac Steinmeier
Stunt Coordinator

Makeup Artist

Stephanie Hilke
Makeup Artist
Nanni Gebhardt-Seele
Makeup Artist
Fatima Mousli
Makeup Artist

Original Music Composer

Marius Ruhland
Original Music Composer

Orchestrator

Benjamin Köthe
Orchestrator
Marius Ruhland
Orchestrator

Set Dresser

Harald Rüdiger
Set Dresser
Lars Pilar von Pilchar
Set Dresser

Stunt Double

Carolin Pfänder
Stunt Double

Director of Photography

Photo Peter von Haller #112313
Peter von Haller
Director of Photography

Steadicam Operator

Mike Bartlett
Steadicam Operator
Michael Reinecke
Steadicam Operator

Hairstylist

Jeanette-Nicole Latzelsberger
Hairstylist

Still Photographer

Kerstin Stelter
Still Photographer

Sound Mixer

Michael Kranz
Sound Mixer

Chief Lighting Technician

Eckard Knuth
Chief Lighting Technician

Production Manager

Photo Ulrike Putz #205240Photo Ulrike Putz #205241Photo Ulrike Putz #205242
Ulrike Putz
Production Manager
Filip Hering
Production Manager
Burgi Ehrhardt
Production Manager
Ursula Schlieper
Production Manager

Costume Designer

Anna Heinzeller
Costume Designer

Screenplay

Set Designer

Andreas Donhauser
Set Designer
Renate Martin
Set Designer

Sound Designer

Friedrich M. Dosch
Sound Designer

Location Scout

Helga Berthold
Location Scout

Dialogue Editor

Claudia Enzmann
Dialogue Editor

Assistant Editor

Bernd Schlegel
Assistant Editor
Katja Birklein
Assistant Editor
Margit Wiltschko
Assistant Editor
Christine Zech
Assistant Editor
Andrea Dvorak
Assistant Editor

Lighting Technician

Robert Assinger
Lighting Technician
Markus Thiermeyer
Lighting Technician
Christian Schmitt
Lighting Technician
Claus Mayan
Lighting Technician

Props

Jochen Proske
Props
Anette Ingerl
Props

Location Manager

Lancelot von Naso
Location Manager

Grip

Christian Paschoud
Grip
Nicholas Zabo
Grip

Assistant Property Master

Christina Ginter
Assistant Property Master
Sonja Möginger
Assistant Property Master

Special Effects

Photo Gerd Nefzer #10795Photo Gerd Nefzer #327434

Gerd Nefzer

Gerd Nefzer
Special Effects

Casting Assistant

Kristin Brands
Casting Assistant

Accountant

Christine Kottermaier
Accountant

Gaffer

Michael Beitz
Gaffer

Assistant Director

Anton Maria Aigner
Assistant Director

Music Editor

Uli Auer
Music Editor

Video Assist Operator

Ann-Kristin Wecker
Video Assist Operator

ADR Recordist

Kai Medinger
ADR Recordist

Second Unit Director of Photography

Photo James Jacobs #374862

James Jacobs

James Jacobs
Second Unit Director of Photography
Estela Sanz Posteguillo
Second Unit Director of Photography

Assistant Unit Manager

Britta Knöller
Assistant Unit Manager

Conductor

Johannes Schild
Conductor

Post Production Supervisor

Renate Roth
Post Production Supervisor
Andreas Lietz
Post Production Supervisor
Peter Dress
Post Production Supervisor
Patricia Fladda
Post Production Supervisor

Music Coordinator

Georg Naschke
Music Coordinator

Sound Assistant

Stephan Michalik
Sound Assistant
Alexander Kaiser
Sound Assistant
Günter Schönbein
Sound Assistant

Production Coordinator

Uschi Rohwedder
Production Coordinator

Scoring Mixer

Uli Auer
Scoring Mixer

Sound

William Edouard Franck
Sound
Steffen Graubaum
Sound

Visual Effects

Wolfgang Niedermeier
Visual Effects
Stephan Trojansky
Visual Effects
Jan Krupp
Visual Effects
Christian Pokorny
Visual Effects

Line Producer

Bernd Krause
Line Producer
Anja Giessing
Line Producer

VFX Supervisor

Stefanie Stalf
VFX Supervisor
Thomas Zauner
VFX Supervisor

ADR Supervisor

Karin Hoppe
ADR Supervisor

Extras Casting

Dagmar Reimer
Extras Casting
Erwin Nowak
Extras Casting

Sound Recordist

Sören Blüthgen
Sound Recordist

Unit Manager

Anja Giessing
Unit Manager
Dirk Engelhard
Unit Manager

Modeling

Jan Ptassek
Modeling
Saskia Stoever
Modeling
Colin Shulver
Modeling
Jan Ott
Modeling
Connie Oettl
Modeling
Michael Wahl
Modeling
Christian Ahlers
Modeling
Mara Knuth
Modeling
Florian “Floh” Aubauer
Modeling
Jürgen “Zimbo” Zimmermann
Modeling
Veronika “Locke” Dimcke
Modeling
Jean Brauner
Modeling
Harald Pannrucker
Modeling
Dodie Da Silva
Modeling
Michel Lazarus
Modeling
Axel Bahro
Modeling
Mortimer Warlimont
Modeling

Costume Assistant

Petra Hermanns
Costume Assistant

Assistant Production Manager

Thomas Rathfelder
Assistant Production Manager

Sound Editor

Christoph von Schönburg
Sound Editor

Music Producer

Wardrobe Master

Line Weichmann
Wardrobe Master
Ines Köhler
Wardrobe Master

Special Props

Andreas Murr
Special Props

Wardrobe Assistant

Kristin Pektor
Wardrobe Assistant

Assistant Camera

Helmfried Kober
Assistant Camera
Daniel Lindlbauer
Assistant Camera
Rudi Mittendorfer
Assistant Camera
Tony Hofmann
Assistant Camera

Continuity

Caroline Fischer
Continuity
Karin Hartl
Continuity

Assistant Director of Photography

Armin Golisano
Assistant Director of Photography

Makeup Effects Designer

Gregor Eckstein
Makeup Effects Designer
Reza Karim
Makeup Effects Designer

Digital Film Recording

Ismat Zaidi
Digital Film Recording

Assistant Grip

Florian Schneider
Assistant Grip

Assistant Production Design

Silke Buhr
Assistant Production Design

What's left behind the scenes

  • The creation of the mannequins used in the film was inspired by the popular Body Works exhibition by German anatomist Gunther von Hagens, where real corpses covered in plastic served as exhibits. The mannequins looked so realistic that the film's consultants even suggested using them as teaching aids.
  • The door that in the film leads to a room in the morgue lined with stainless steel actually opened into the cafeteria of the Munich University of Technology.
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