Revenge of the Ninja - crew, film crew

The entire team, the film crew of the film "Revenge of the Ninja"
Revenge of the Ninja (1983)
Timing: 1:30 (90 min)
Revenge of the Ninja - TMDB rating
6.3/10
133
Revenge of the Ninja - Kinopoisk rating
6.33/10
2409
Revenge of the Ninja - IMDB rating
6/10
6500

Film crew

Director

Producer

Editor

Art Direction

Paul Staheli
Art Direction

Stunts

Stunt Coordinator

Photo Steven Lambert #12366

Steven Lambert

Steven Lambert
Stunt Coordinator

Original Music Composer

Photo Robert J. Walsh #258542

Robert J. Walsh

Robert J. Walsh
Original Music Composer
Photo W. Michael Lewis #257882

W. Michael Lewis

W. Michael Lewis
Original Music Composer
Laurin Rinder
Original Music Composer

Associate Producer

David Womark
Associate Producer

Stunt Double

Director of Photography

Photo David Gurfinkel #76410

David Gurfinkel

David Gurfinkel
Director of Photography

Screenplay

James R. Silke
Screenplay

Supervising Editor

Michael J. Duthie
Supervising Editor

What's left behind the scenes

  • Initially, the film was planned to be shot in Los Angeles, however, various filming permits, police and fire department fees, as well as complex logistics and numerous associated payments would have "eaten up" a significant portion of the project's budget. The relevant structure of the Utah state administration had long been courting the "Cannon Films" studio in the hope that they would move filming to Utah, and furthermore promised that no fees would be required for permits on state territory, and local residents working on the film could be paid less than anywhere else. Ultimately, the management of "Cannon Films" was persuaded to move filming to Salt Lake City.
  • Sho Kosugi genuinely practices ninjutsu, and during the making of the film he also served as a technical advisor and fight choreographer.
  • Many of the weapons shown in the film owe their existence to Sho Kosugi.
  • Two weeks were spent filming the final battle between the character played by Sho Kosugi and the main antagonist. According to director Sam Firstenberg, this was due to the large number of special effects, the organization of numerous explosions, the debugging of technical devices, safety considerations, and the careful setup of cameras, not to mention hanging on the wall of a building at the height of the 20th floor and filming from a helicopter.
  • Steven Lambert had to play some scenes entirely on his own because Arthur Roberts was simply physically unable to perform what the script required. Additionally, Lambert and Sho Kosugi rehearsed the fight scenes together, and Lambert also played several ninjas at the beginning of the film.
  • Initially, the film was supposed to be shot in Los Angeles, however, various permits for filming, payments to the police and fire departments, as well as complex logistics and numerous associated payments would have consumed a significant portion of the project's budget. The relevant structure of the Utah state administration had long been courting the “Cannon Films” studio in the hope that it would move filming to Utah, and in addition, promised that no fees would be required for permits on the state’s territory, and local residents employed on the film could be paid less than elsewhere. As a result, the management of “Cannon Films” was persuaded to move filming to Salt Lake City.
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