Fear and Loathing in Las Vegas - crew, film crew
The entire team, the film crew of the film "Fear and Loathing in Las Vegas"
Fear and Loathing in Las Vegas (1998)
Timing:
1:58 (118 min)
7.206/10
4969
4969
7.615/10
187018
187018
7.4/10
317000
317000
Film crew
Director
Producer
Patrick Cassavetti
Producer
Laila Nabulsi
Producer
Stephen Nemeth
Producer
Executive Producer
Harold Bronson
Executive Producer
Richard Foos
Executive Producer
Casting
Margery Simkin
Casting
Editor
Lesley Walker
Editor
Special Effects Supervisor
Ray Svedin
Special Effects Supervisor
Art Direction
Costume Design
Stunts
Kelly Joe Dugan
Stunts
Production Design
Alex McDowell
Production Design
Stunt Coordinator
Noon Orsatti
Stunt Coordinator
Second Unit Director
Bruce Logan
Second Unit Director
Set Decoration
Nancy Haigh
Set Decoration
Makeup Artist
Lisa Rocco
Makeup Artist
Key Makeup Artist
Cheryl Ann Nick
Key Makeup Artist
Sound Re-Recording Mixer
Dominic Lester
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Mark Indig
Unit Production Manager
Co-Producer
Elliot Lewis Rosenblatt
Co-Producer
Associate Producer
John Jergens
Associate Producer
Set Dresser
Paige Augustine
Set Dresser
Second Assistant Director
Christina Fong
Second Assistant Director
Stunt Double
Director of Photography
Musician
Camera Operator
Frank Perl
Camera Operator
Steadicam Operator
Costumer
Bryan Birge
Costumer
Costume Supervisor
Eden Clark Coblenz
Costume Supervisor
Key Costumer
John Linsmeier
Key Costumer
Property Master
Will Blount
Property Master
Visual Effects Supervisor
Kent Houston
Visual Effects Supervisor
Supervising Sound Editor
Peter Pennell
Supervising Sound Editor
Script Supervisor
Karon May
Script Supervisor
Electrician
Reynaldo Barrera
Electrician
Set Costumer
Linda S. Cormany
Set Costumer
Hairstylist
Bridget Cook
Hairstylist
Special Effects Coordinator
Steve Galich
Special Effects Coordinator
Still Photographer
Peter Mountain
Still Photographer
First Assistant Director
Philip A. Patterson
First Assistant Director
Assistant Costume Designer
Driver
Pedro Amaya
Driver
Boom Operator
Randy Smith
Boom Operator
Graphic Designer
Martin Charles
Graphic Designer
Screenplay
Tod Davies
Screenplay
Novel
Set Designer
Lynn Christopher
Set Designer
Propmaker
Earl F. Betts
Propmaker
Construction Coordinator
Dan Pemberton
Construction Coordinator
Art Department Coordinator
Andrea Carter
Art Department Coordinator
Dialogue Editor
Alan Paley
Dialogue Editor
Assistant Editor
Jeremy Hume
Assistant Editor
Best Boy Grip
Vidal Cohen
Best Boy Grip
Art Department Assistant
Dianne Chadwick
Art Department Assistant
Foley Editor
Bob Risk
Foley Editor
First Assistant "A" Camera
Steve Itano
First Assistant "A" Camera
Transportation Coordinator
James Lowder
Transportation Coordinator
Key Grip
Peter Chrimes
Key Grip
Ager/Dyer
Rebeka L. Roberts
Ager/Dyer
Location Manager
Molly Allen
Location Manager
Grip
Michael Mick Armstrong
Grip
Dolly Grip
Carlos M. Gallardo
Dolly Grip
Leadman
Mark Weissenfluh
Leadman
Assistant Location Manager
R. Scott Poole
Assistant Location Manager
Set Production Assistant
Jimmy Bennett
Set Production Assistant
Location Assistant
Serena Baker
Location Assistant
Second Second Assistant Director
Seth Edelstein
Second Second Assistant Director
Seamstress
Olga Ishkhanova
Seamstress
Construction Foreman
Tom Lifsey
Construction Foreman
Painter
Ronald Day
Painter
Casting Assistant
Sculptor
Glen Hanz
Sculptor
Gaffer
Christopher Lyons
Gaffer
Music Editor
Kevin Lane
Music Editor
Production Sound Mixer
Jay Meagher
Production Sound Mixer
ADR Mixer
J.R. Westen
ADR Mixer
Video Assist Operator
Ian Kelly
Video Assist Operator
ADR Recordist
Paul Carr
ADR Recordist
First Assistant Camera
Łukasz Bielan
First Assistant Camera
Special Effects Assistant
Joe Barden
Special Effects Assistant
Standby Painter
Mark Blumenthal
Standby Painter
Post Production Supervisor
Michael Solinger
Post Production Supervisor
Researcher
Deborah Ricketts
Researcher
Stand In
Matt Langenbach
Stand In
Production Assistant
Keli Craig
Production Assistant
Greensman
Frank McEldowney
Greensman
Unit Publicist
Michael Singer
Unit Publicist
Production Coordinator
Pearl A. Lucero
Production Coordinator
Visual Effects Coordinator
Michael Cooper
Visual Effects Coordinator
Utility Sound
Scenic Artist
Maureen Kropf
Scenic Artist
Camera Production Assistant
Sonja Rom
Camera Production Assistant
Payroll Accountant
Kristen Felan
Payroll Accountant
ADR Editor
Joe Gallagher
ADR Editor
ADR Supervisor
Stephen Bridgewater
ADR Supervisor
Best Boy Electric
James Babineaux
Best Boy Electric
Picture Car Coordinator
Randy Benjamin
Picture Car Coordinator
Post Production Assistant
Roanne Moore
Post Production Assistant
Camera Loader
Lila Byall
Camera Loader
Assistant Production Coordinator
Nancy Restuccia
Assistant Production Coordinator
Alisa Moeller
Assistant Production Coordinator
Second Assistant Accountant
Jenni Wieland
Second Assistant Accountant
Second Assistant Camera
Warren Feldman
Second Assistant Camera
Choreographer
JoAnn Fregalette Jansen
Choreographer
Assistant Sound Editor
Martin Cantwell
Assistant Sound Editor
Wigmaker
Bill Fletcher
Wigmaker
Swing
P. Scott Bailey
Swing
First Assistant Accountant
Susan Giordano
First Assistant Accountant
Set Medic
Gloria M. Fujita
Set Medic
Color Timer
David Rees
Color Timer
Craft Service
Gary Gingold
Craft Service
Wardrobe Assistant
Amy Gilliam
Wardrobe Assistant
Makeup Effects
Intern
Sav Akyüz
Intern
Transportation Co-Captain
Pat Stubbs
Transportation Co-Captain
Production Illustrator
Tani Kunitake
Production Illustrator
Catering
Jose Gonzales
Catering
What's left behind the scenes
- The film is based on Hunter S. Thompson’s novel “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream” (1971).
- The film and the book are set in 1971, and the book was based on real events from Hunter's life. Raul Duke is modeled after Hunter S. Thompson himself.
- Johnny Depp and Hunter were acquainted before Depp accepted the offer to play Raul Duke in the film adaptation of his book.
- Director Terry Gilliam was brought onto the project after Alex Cox declined to direct following a meeting with Thompson.
- For a time, Depp lived in Hunter’s house and diligently 'absorbed' his mannerisms.
- Some of Hunter’s personal belongings, preserved from the time the book was written, were used during the filming of the movie.
- No drugs were used on set; Johnny Depp sniffed milk powder instead of cocaine, but, according to him, "sniffing cocaine would have been more humane."
- Hunter personally shaved the "iconic" bald spot on Depp's head.
- Benicio Del Toro also had to make a sacrifice for the sake of art – gain a couple of dozen kilograms for the film.
- The film features several very successful cameos, and in one scene you can see Thompson himself.
- Johnny Depp spent several months getting rid of Hunter Thompson's gait and mannerisms after filming wrapped.
- In the scene where the Duke is under the influence of adrenochrome, he whispers “el llama es un quadrupedo.” This is a quote from the television series “Monty Python’s Flying Circus” (1969-1984), which Gilliam once contributed to.
- The character played by Benicio Del Toro is named Doctor Gonzo. This is a reference to so-called “gonzo journalism,” whose founder is considered to be Hunter S. Thompson himself.
- At the nineteenth minute, a piece breaks off Duke’s cigarette. After Raoul turns in his chair, that piece is back in place.
- The character played by Benicio Del Toro is named Doctor Gonzo. This is a reference to so-called "gonzo journalism," whose founder is considered to be Hunter S. Thompson himself.
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