Crime Story - crew, film crew

The entire team, the film crew of the film "Crime Story"
重案組 (1993)
Timing: 1:47 (107 min)
Crime Story - TMDB rating
6.8/10
202

Film crew

Director

Producer

Leonard Ho
Producer
Photo Chua Lam #85095
Chua Lam
Producer

Executive Producer

Leonard Ho
Executive Producer

Writer

Photo Cheung Chi-Sing #332450
Cheung Chi-Sing
Writer
Tin-Nam Chun
Writer
Man Keung Chan
Writer
Joyee Cheung Lai-Ling
Writer
Chan Lai-Ling
Writer

Editor

Peter Cheung
Editor

Art Direction

Photo Bill Lui Cho-Hung #74491
Bill Lui Cho-Hung
Art Direction
Luk Tsz-Fung
Art Direction
Photo Tony Au Ting-Ping #330422
Tony Au Ting-Ping
Art Direction

Costume Design

Grace Siu Man-Lai
Costume Design
Andia Ng Chui-Wa
Costume Design
Photo Nelson Cheung Hok-Yun #336524
Nelson Cheung Hok-Yun
Costume Design
Thomas Chong Chi-Leung
Costume Design

Makeup Artist

Lo Shui-Lin
Makeup Artist

Sound Re-Recording Mixer

Chow Shao-Lung
Sound Re-Recording Mixer

Original Music Composer

Photo James Wong #64800Photo James Wong #64801

James Wong

James Wong
Original Music Composer
Photo Mark Lui #249062
Mark Lui
Original Music Composer
Photo Mark Lui #316366

Mark Lui

Lui Tsung-Tak
Original Music Composer

Associate Producer

Man Keung Chan
Associate Producer
Kit Lai
Associate Producer
Lai Git
Associate Producer
Barry Chung Man-Keung
Associate Producer

Stunt Double

Photo Ben Lam #108542

Ben Lam

Ben Lam
Stunt Double

Director of Photography

Joe Chan
Director of Photography
Andy Lam Kwok-Wah
Director of Photography
Poon Hang Seng
Director of Photography
Poon Wai-Keung
Director of Photography
Photo Poon Hang-Sang #74039
Poon Hang-Sang
Director of Photography

Costumer

Ho Deng-Ngo
Costumer
Kwok Mei-Ling
Costumer

Assistant Art Director

Eddy Wong Ga-Lang
Assistant Art Director
Joel Chong Kwok-Wing
Assistant Art Director

Script Supervisor

Mak Bing-Wah
Script Supervisor
Pony Mok Fung-Yee
Script Supervisor
Wong Koon-Wah
Script Supervisor
Leung Kam-Fat
Script Supervisor

Hairstylist

Gloria Lam Wai-Lok
Hairstylist

Still Photographer

Tsui Chi-Kwong
Still Photographer
Piggy Chan Kam-Chuen
Still Photographer

Production Manager

Sue Woo Siu-Ling
Production Manager
Suen Ka-Wai
Production Manager
Hui Chung-Ming
Production Manager
Ivy Law Sau-Wai
Production Manager

Screenplay

Man Keung Chan
Screenplay
Joyee Cheung Lai-Ling
Screenplay
Photo Cheung Chi-Sing #332450
Cheung Chi-Sing
Screenplay
Tin-Nam Chun
Screenplay

Props

Yang Shih-Cheng
Props

Location Manager

Paul Au Wai-Keung
Location Manager
Wong So-Han
Location Manager
Tang Siu-Hong
Location Manager

Carpenter

Butt Yiu-Kwong
Carpenter

Gaffer

Wong Chi-Ming
Gaffer
Lee Wai-Kuen
Gaffer
Coffee Hui Tak-Cheung
Gaffer
Chan Chi-Lap
Gaffer

Assistant Director

Photo Matthew Tang #102611
Matthew Tang
Assistant Director
Fong Kam-Lik
Assistant Director
Go Yik-Chun
Assistant Director
Ken Chan Hei-Ban
Assistant Director
Chiu Lo-Kong
Assistant Director
Lau Kwok-Ho
Assistant Director

Wan Fat

Wan Fat
Assistant Director

Music Editor

Yeung Wai-Keung
Music Editor

Focus Puller

Head Chow Kei-Sheung
Focus Puller
Cheung Man-Po
Focus Puller
Patrick Lee Tin-Wai
Focus Puller
Davy Tsou Lin-Yau
Focus Puller
Lai Yiu-Fai
Focus Puller

Post Production Supervisor

Lee Yin-Ping
Post Production Supervisor

Production Coordinator

Catherine Lau
Production Coordinator
Barry Jue Wai-Gwong
Production Coordinator
Anna Chim Wai-Wai
Production Coordinator
Jonathan Chow
Production Coordinator

Post Production Assistant

Lee Ka-Keung
Post Production Assistant

Sound Recordist

Chow Shao-Lung
Sound Recordist

Unit Manager

Lam Kong-Wai
Unit Manager
Kan Kwok-On
Unit Manager
Sing-Hung Chan
Unit Manager
Kwok-On Lau
Unit Manager

Assistant Production Manager

Annie Tung Pui-Ling
Assistant Production Manager
Au-Yeung Hak-Ming
Assistant Production Manager
Cherie Wong Siu-Kwan
Assistant Production Manager
Chow Wing-Han
Assistant Production Manager
Lee Chuen-Hau
Assistant Production Manager

Martial Arts Choreographer

Photo Jackie Chan #7912Photo Jackie Chan #7913Photo Jackie Chan #7914Photo Jackie Chan #7915

Jackie Chan

Jackie Chan
Martial Arts Choreographer

Foley

Ng Kwok-Wah
Foley

Pyrotechnician

Lau Hon-Cheung
Pyrotechnician

Set Runner

Lam Fai-Kuen
Set Runner
Wong Fat-Keung
Set Runner

Dialogue Coach

Photo Ding Yue #170153Photo Ding Yue #170154Photo Ding Yue #170155
Ding Yue
Dialogue Coach

Presenter

Leonard Ho
Presenter

What's left behind the scenes

  • The role of Eddie Chan was originally intended for Jet Li. During pre-production of the film, his agent Jim Choy was shot by people from the triads, so Jet Li refused the leading role in a film about organized crime, fearing to attract unwanted attention to himself.
  • During the filming of the movie, Kirk Wong and Jackie Chan could not get along. Chan believed that Wong envisioned the main character as too gloomy and unwavering. He feared that such an attitude would negatively affect his image as a carefree hero. Eventually, with the support of the producers, Chan took over most of the filming. Kirk Wong was later fired. Despite this, Kirk Wong is still credited as the sole director in the credits.
  • Initially, the script featured Eddie Chan experiencing serious psychological problems, which strongly affected his work performance. However, the protagonist's internal conflicts were softened at the request of Jackie Chan himself. This idea was later used in the film "New Police Story" (2004).
  • During the filming of the chase scene, Jackie Chan was caught while jumping between two cars and broke both legs.
  • In some countries, the film was released under the incorrect title "Police Story 4".
  • In the version of the film released by "Disney/Dimension Films", the protagonist's name was changed from "Eddie Chan" to "Jackie Chan".
  • Following the successful release of "Rumble in the Bronx" (1995) in the United States, Dimension Films wanted to release "Criminal Story" in American theaters. Jackie Chan opposed this, so "Police Story 3: Supercop" (1992) was released instead. Nevertheless, "Criminal Story" was shown in US cinemas just a year later, despite Jackie Chan's protests.
  • Since the film is based on real events, the original version includes additional information on screen. For example, during Wong Yiu-fai's kidnapping, text appears explaining what happened afterward in real life (such as information about a police officer who sustained serious injuries). Furthermore, in the original version, a text appears during a freeze-frame in the final scene explaining what ultimately happened to everyone involved in the case; an apology is also offered on behalf of the filmmakers, who were forced to "simplify" the story, accompanied by statistics on the number of kidnapping victims – the subject of the film. All of this was cut in the Dimension version.
  • Jackie Chan did not dub his character in the American version of the film. An actor imitating Chan's voice, who also dubbed him in the American version of "Project A" (1983) and in several excerpts from "Who Am I?" (2000), performed the dubbing.
  • The following scenes were removed from the Dimension Films version: A conversation between the kidnappers, which takes place immediately after the opening credits and before the first scene, was cut. In one of the final scenes, Wong Yiu-fai's wife asks the driver to stop the car and then runs to Chan to personally thank him. Immediately after she returns, Chan takes Yiu-fai's wallet, containing his identification, burns it, and throws it into the river. Also, a scene where Yiu-fai and his wife are sitting in a car, preparing to leave Hong Kong forever, before Chan takes the envelope (having already burned the wallet) and walks away, was cut from the widescreen American version.
  • A "dubbed" version of the film was released in Singapore, for which three additional scenes were filmed with Jackie Chan and Singaporean television actress Ling Ling Pan. The most complete version of the film can be found on the DVD released by Mega Star. Unlike the Chinese versions and the Dimension version, this disc features the original soundtrack in Cantonese.
  • One of the key episodes of the film was shot in Kowloon, a densely populated district of Hong Kong that was demolished in 1993 under an agreement between the British and Chinese governments. The impending demolition of the area allowed the filmmakers to shoot several spectacular scenes with explosions of the former residential buildings of the walled city.
  • In real life, the kidnapped businessman was never found, but the film opted for a happier ending.
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.