The Duellists - crew, film crew
The entire team, the film crew of the film "The Duellists"
The Duellists (1977)
Timing:
1:40 (100 min)
7.284/10
524
524
7.639/10
9241
9241
7.4/10
30000
30000
Film crew
Director
Producer
David Puttnam
Producer
Casting
Editor
Pamela Power
Editor
Art Direction
Bryan Graves
Art Direction
Costume Design
Tom Rand
Costume Design
Stunts
Richard Graydon
Stunts
Production Design
Peter J. Hampton
Production Design
Makeup Artist
Sue Barradell
Makeup Artist
Original Music Composer
Howard Blake
Original Music Composer
Associate Producer
Ivor Powell
Associate Producer
Set Dresser
Second Assistant Director
David Wimbury
Second Assistant Director
Patricia Eberhard
Second Assistant Director
Fight Choreographer
William Hobbs
Fight Choreographer
Director of Photography
Camera Operator
Property Master
Mike Fowlie
Property Master
Script Supervisor
Kay Fenton
Script Supervisor
Hairstylist
Paul Nix
Hairstylist
Still Photographer
Sound Mixer
Derrick Leather
Sound Mixer
First Assistant Director
Terry Marcel
First Assistant Director
Boom Operator
Bill Burgess
Boom Operator
Screenplay
Gerald Vaughan-Hughes
Screenplay
Novel
Assistant Editor
Peter Hollywood
Assistant Editor
Roy Burge
Assistant Editor
Les Healey
Assistant Editor
Grip
Ray Hall
Grip
Third Assistant Director
Peter Kohn
Third Assistant Director
Focus Puller
Production Assistant
Carolyn Pfeiffer
Production Assistant
Assistant Hairstylist
Sheila Thomas
Assistant Hairstylist
Assistant Makeup Artist
Elaine Carew
Assistant Makeup Artist
ADR Editor
Terry Rawlings
ADR Editor
Supervising Editor
Michael Bradsell
Supervising Editor
Title Designer
Property Buyer
John Lanzer
Property Buyer
Clapper Loader
Stephen Barron
Clapper Loader
Dressing Prop
Les Benson
Dressing Prop
What's left behind the scenes
- After scouting various areas in southwestern France, Ridley Scott chose Sarlat, a Périgord town favored by many producers, and its surroundings (Commarque Castle) as locations for his film.
- Due to limited financial resources, the film was shot entirely on location in France, England, and Scotland. No sets were built. All the buildings shown in the film already existed.
- According to Ridley Scott, Paramount Pictures provided him with a list of four actors from whom he was to choose two for the lead roles (this was a prerequisite for project funding). Scott chose Keith Carradine and Harvey Keitel, and spent the next several months persuading them to agree to star in these roles.
- The rapiers were connected to batteries (this was necessary for them to spark), and Harvey Keitel later claimed that he was repeatedly electrocuted.
- According to Ridley Scott, Keith Carradine and Harvey Keitel insisted on using real, not prop, rapiers in the fight and duel scenes. In the first part of the film, the French hussars use light cavalry sabers of the 1798 model.
- The filmmakers’ financial resources were so limited that one of the carriages had its rear painted red and the front black, so that it could be mistaken for another carriage.
- After the duel, Harvey Keitel throws away his pistol, so Ridley Scott had to place a mattress on the ground there and position a special person (off-camera) to immediately pick up the pistol. The dueling pistols were the most expensive items among all the props; they were genuine antiques worth $17,000 each.
- The prototypes for the main characters were two historical figures – Pierre Dupont de l'Étan (Armand) and François Fourier Sarloveze (Gabriel). Their first duel took place in 1794, and over the following 19 years, around 30 more encounters occurred. They fought with swords, and Dupont made every effort to avoid pistols, as it was claimed that Fourier never missed. Contrary to what is shown in the film, Dupont and Fourier treated each other warmly between duels, and even had lunch together after them. After 19 years, Dupont decided it was time to end the duels and agreed to a pistol duel for the first time. As in the film, the duelists tracked each other in the forest, each carrying two pistols and having the right to shoot when ready. Dupont tricked Fourier into wasting his bullets on two dummies he had created from readily available materials. After that, he approached Fourier with loaded pistols and declared that if he challenged him to a duel again, they would shoot, and Dupont would shoot first, from a distance of one meter. Fourier permanently withdrew the challenge.
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