Hard Target - crew, film crew
The entire team, the film crew of the film "Hard Target"
Hard Target (1993)
Timing:
1:37 (97 min)
6.481/10
1316
1316
7.074/10
43421
43421
6.2/10
61000
61000
Film crew
Director
Producer
Sean Daniel
Producer
James Jacks
Producer
Executive Producer
Casting
Valerie McCaffrey
Casting
Nancy Nayor
Casting
Editor
Bob Murawski
Editor
Art Direction
Costume Design
Karyn Wagner
Costume Design
Stunts
Gilbert B. Combs
Stunts
Jophery C. Brown
Stunts
Glynn Rubin
Stunts
Henry Kingi Jr.
Stunts
Dick Hancock
Stunts
Pete Antico
Stunts
Richard Epper
Stunts
Clifford Happy
Stunts
Anthony Cecere
Stunts
John Borland
Stunts
Chris Branham
Stunts
Tobi Allyn
Stunts
John Hateley
Stunts
Randy Hall
Stunts
Eddie Matthews
Stunts
Bill McIntosh
Stunts
Steve Picerni
Stunts
Blumes Tracy
Stunts
Rudy Ugland
Stunts
Production Design
Phil Dagort
Production Design
Stunt Coordinator
Second Unit Director
Makeup Artist
Zoltan Elek
Makeup Artist
Key Makeup Artist
Anne Hieronymus
Key Makeup Artist
Sound Re-Recording Mixer
Michael C. Casper
Sound Re-Recording Mixer
James Bolt
Sound Re-Recording Mixer
Original Music Composer
Tim Simonec
Original Music Composer
Unit Production Manager
Daryl Kass
Unit Production Manager
Production Supervisor
Patricia Serafina Madiedo
Production Supervisor
Associate Producer
Eugene Van Varenberg
Associate Producer
Second Assistant Director
Stunt Double
Director of Photography
Camera Operator
Michael St. Hilaire
Camera Operator
Peter Krause
Camera Operator
Philip Lee
Camera Operator
Steven Scaffidi
Camera Operator
Randy Walsh
Camera Operator
Steadicam Operator
Randy Nolen
Steadicam Operator
Jeff Mart
Steadicam Operator
Costumer
Renee Dodson
Costumer
Costume Supervisor
Marisa Aboitiz
Costume Supervisor
Assistant Art Director
Monroe Kelly
Assistant Art Director
Property Master
Steven Melton
Property Master
Supervising Sound Editor
George Simpson
Supervising Sound Editor
John Dunn
Supervising Sound Editor
Script Supervisor
Faith Conroy
Script Supervisor
Electrician
Glenn E. Moran
Electrician
Adam Santelli
Electrician
Andrew Rawson
Electrician
Cougar Easley
Electrician
Chris Milani
Electrician
Mike 'Chewie' Pappas
Electrician
Chris McGuire
Electrician
Christian Martinez
Electrician
Jordy Valenti
Electrician
Aerial Director of Photography
Frank M. Holgate
Aerial Director of Photography
Supervising ADR Editor
Curt Schulkey
Supervising ADR Editor
Hairstylist
Donna Spahn
Hairstylist
Special Effects Coordinator
Dale L. Martin
Special Effects Coordinator
Still Photographer
Melissa Moseley
Still Photographer
Sound Mixer
Kenny Delbert
Sound Mixer
Al Rizzo
Sound Mixer
Armorer
Steven Melton
Armorer
First Assistant Director
Dennis Maguire
First Assistant Director
Driver
Roy A. Grace
Driver
Al Sens
Driver
Herbert Colar
Driver
Greg Collins
Driver
Rodney Theard
Driver
Lionel C. Johnson
Driver
Boom Operator
Michael Faba
Boom Operator
Skip Godwin
Boom Operator
John P. Scott
Boom Operator
Screenplay
Chuck Pfarrer
Screenplay
Set Designer
Michele Poulik
Set Designer
Foley Artist
Ellen Heuer
Foley Artist
Kevin Bartnof
Foley Artist
Construction Coordinator
Bill Ballou
Construction Coordinator
Art Department Coordinator
Kelly Curley
Art Department Coordinator
Dialogue Editor
David A. Whittaker
Dialogue Editor
Curt Schulkey
Dialogue Editor
Assistant Editor
Paul Hart
Assistant Editor
Michael Jonascu
Assistant Editor
Gus Medina
Assistant Editor
Jody Cleveland
Assistant Editor
Best Boy Grip
Eugene B. Kerry
Best Boy Grip
Foley Editor
Mary Ruth Smith
Foley Editor
Transportation Coordinator
Michael McDuffee
Transportation Coordinator
Key Grip
Lloyd Moriarity
Key Grip
Location Manager
Gerrit V. Folsom
Location Manager
Dolly Grip
Doug Chartier
Dolly Grip
Assistant Property Master
Randolph W. Andell
Assistant Property Master
Set Production Assistant
Batou Chandler
Set Production Assistant
Elston Howard
Set Production Assistant
Vincent J. Burns
Set Production Assistant
Christi Alexander
Set Production Assistant
Sal Maggiore
Set Production Assistant
Ashley Nolan
Set Production Assistant
Second Second Assistant Director
Nancy Blewer
Second Second Assistant Director
Construction Foreman
Nick Rippon
Construction Foreman
Assistant Set Decoration
Alice Baker
Assistant Set Decoration
Painter
Philbert Olivier
Painter
Michelle Kelsey
Painter
Special Effects
Gary Jones
Special Effects
Joe Quinlivan
Special Effects
Blumes Tracy
Special Effects
Leo Leoncio Solis
Special Effects
Dean R. Brown
Special Effects
Dale Jones
Special Effects
Foley Mixer
Linda Corbin
Foley Mixer
Accountant
Don Orlando
Accountant
Gaffer
Vojislav Mikulic
Gaffer
Music Editor
Dick Bernstein
Music Editor
ADR Mixer
Alan Holly
ADR Mixer
Second Unit Director of Photography
Billy Bragg
Second Unit Director of Photography
Storyboard Artist
First Assistant Camera
Michael Gfelner
First Assistant Camera
Todd Dos Reis
First Assistant Camera
Marc Margulies
First Assistant Camera
Post Production Supervisor
Doreen A. Dixon
Post Production Supervisor
Production Assistant
David Pollison
Production Assistant
Sound Assistant
Oscar Mitt
Sound Assistant
Josephine Nericcio
Sound Assistant
Unit Publicist
David Chute
Unit Publicist
Production Coordinator
Michelle Schluter-Ford
Production Coordinator
Scenic Artist
Dave Kelsey
Scenic Artist
ADR Editor
Cliff Latimer
ADR Editor
Assistant Production Coordinator
Jennifer Birchfield-Eick
Assistant Production Coordinator
Second Assistant Camera
Kirk Bloomberg
Second Assistant Camera
Transportation Captain
Jerry Henry
Transportation Captain
Sound Editor
Donald Flick
Sound Editor
Elliott Koretz
Sound Editor
Lou Kleinman
Sound Editor
Color Timer
William Pine
Color Timer
Negative Cutter
Sandy Brundage
Negative Cutter
Kevin Henry
Negative Cutter
Wardrobe Assistant
Dena Matranga
Wardrobe Assistant
Foley
Ellen Heuer
Foley
Kevin Bartnof
Foley
Supervising Sound Effects Editor
John Pospisil
Supervising Sound Effects Editor
Dresser
Christine Weckx
Dresser
Best Boy Electrician
Carlo Papica
Best Boy Electrician
Security Coordinator
John Schluter
Security Coordinator
Dialogue Coach
Helicopter Camera
Frank M. Holgate
Helicopter Camera
Special Sound Effects
John Pospisil
Special Sound Effects
What's left behind the scenes
- The final action scene of the film was supposed to be a boat chase, but due to Jean-Claude Van Damme's interference in the creative process, director John Woo made adjustments, and the boat chase ultimately became the finale for another of Woo’s films – *Face/Off* (1997).
- John Woo's first American film, and the first major Hollywood film directed by an Asian filmmaker.
- The surname of Pike Van Cleef is a tribute to actor Lee Van Cleef, known for playing cold and laconic villains.
- The film initially received an 'NC-17' rating from the MPAA for scenes of excessive violence. John Woo re-edited the film 7 times to obtain an 'R' rating.
- The rough cut of the film is 127 minutes long.
- The director's cut of the film is 117 minutes long.
- Among the scenes present in the working version of the film was a love scene between Chance and Natasha (only a kissing scene remained in the final version). Also, the shootout scene at the abandoned factory (at the end of the film) was much longer.
- Lance Henriksen's pistol is a Thompson Center Contender.
- Kurt Russell was considered for the lead role.
- In one of the final scenes, already at the abandoned factory, the coat of the character played by Lance Henriksen catches fire due to an explosion, and special gel, applied to stunt performers to avoid burns, is clearly visible in his hair and on his neck.
- The management of the film company “Universal Pictures” feared that director John Woo’s poor knowledge of English would be a problem during filming, so Sam Raimi was constantly nearby just in case. Among other things, he was always ready to replace Woo in the director’s chair if necessary.
- Kurt Russell was originally planned for the lead role, but his schedule was so tight that they would have had to wait two years for an opening. That’s why they decided to give the role to Jean-Claude Van Damme, whom John Woo knew from working together on the action film “Double Impact” (1991) in Hong Kong.
- John Woo didn't speak English very well, so the film crew and actors had to get used to it. When Woo couldn’t explain to cinematographer Russell Carpenter how he wanted a particular shot or frame to be filmed, he would resort to simple statements like “It’s like (director) Sam Peckinpah,” and Carpenter would instantly understand what was required.
- At the 59th minute, Chance Boudreaux notices that his motorcycle’s fuel tank is punctured and fuel is leaking from the holes. Throughout the following scene, up to the head-on collision with the car, it is clearly visible that there are no bullet holes in the motorcycle’s tank.
- At the 59th minute, Chance Boudreaux rides towards a car on a motorcycle. When the camera briefly moves to the car's interior, it becomes apparent that a stuntman is operating the motorcycle instead of Jean-Claude Van Damme. From this angle, it's also visible that the motorcycle is using additional supports near the rear wheel for increased stability.
- The final action scene of the film was supposed to be a boat chase, but due to Van Damme's interference in the creative process, director John Woo made adjustments, and ultimately the boat chase became the finale for another of Woo’s films – “Face/Off” (1997).
- Initially, the film received an "NC-17" rating from the MPAA for scenes of excessive violence. John Woo re-edited the film 7 times to obtain an "R" rating.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
