Cop Land - crew, film crew
The entire team, the film crew of the film "Cop Land"
Cop Land (1997)
Timing:
1:44 (104 min)
6.782/10
1501
1501
6.887/10
12651
12651
7/10
115000
115000
Film crew
Director
Producer
Cathy Konrad
Producer
Cary Woods
Producer
Ezra Swerdlow
Producer
Executive Producer
Meryl Poster
Executive Producer
Writer
Casting
Todd M. Thaler
Casting
Editor
Craig McKay
Editor
Special Effects Supervisor
Wilfred Caban
Special Effects Supervisor
Art Direction
Costume Design
Ellen Lutter
Costume Design
Stunts
Production Design
Lester Cohen
Production Design
Stunt Coordinator
Jery Hewitt
Stunt Coordinator
Second Unit Director
Set Decoration
Karin Wiesel
Set Decoration
Makeup Artist
Judy Lovell
Makeup Artist
Steven Lawrence
Makeup Artist
Key Makeup Artist
Lori Hicks
Key Makeup Artist
Michele Paris
Key Makeup Artist
Sound Re-Recording Mixer
Reilly Steele
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Christopher Goode
Unit Production Manager
Co-Producer
Kerry Orent
Co-Producer
Production Supervisor
Craig Markey
Production Supervisor
Michele Carmel Long
Production Supervisor
Associate Producer
Kevin King Templeton
Associate Producer
Richard Miller
Associate Producer
Christopher Goode
Associate Producer
Set Dresser
David Scott Gagnon
Set Dresser
Michael Leather
Set Dresser
Second Assistant Director
Christopher Swartout
Second Assistant Director
Rebecca Strickland
Second Assistant Director
Stunt Double
Mark De Alessandro
Stunt Double
Director of Photography
Eric Alan Edwards
Director of Photography
Steadicam Operator
Rick Raphael
Steadicam Operator
Sound Effects Editor
Lewis Goldstein
Sound Effects Editor
Glenfield Payne
Sound Effects Editor
Assistant Art Director
Nicholas Lundy
Assistant Art Director
Charles E. McCarry
Assistant Art Director
Property Master
Sandy Hamilton
Property Master
Supervising Sound Editor
Script Supervisor
Wendy Lee Roberts
Script Supervisor
Hairstylist
Ilona Herman
Hairstylist
Judi Goodman
Hairstylist
Joseph Coscia
Hairstylist
Still Photographer
Sam Emerson
Still Photographer
Sound Mixer
Allan Byer
Sound Mixer
First Assistant Director
Vebe Borge
First Assistant Director
Boom Operator
Linda Murphy
Boom Operator
Graphic Designer
Addison Pettit
Graphic Designer
First Assistant Editor
May Kuckro
First Assistant Editor
Foley Artist
Marko Costanzo
Foley Artist
Construction Coordinator
Glen Pangione
Construction Coordinator
Dialogue Editor
Magdaline Volaitis
Dialogue Editor
Fred Rosenberg
Dialogue Editor
Best Boy Grip
Pedro Hernández
Best Boy Grip
Foley Editor
Kam Chan
Foley Editor
Frank Kern
Foley Editor
Jac Rubenstein
Foley Editor
Steven Visscher
Foley Editor
Key Grip
Gary Martone
Key Grip
Dolly Grip
Dustin Smith
Dolly Grip
Assistant Property Master
James R. Bilz
Assistant Property Master
Key Hair Stylist
Francesca Paris
Key Hair Stylist
Leadman
Gus Papadopoulos
Leadman
Second Second Assistant Director
Amy Lynn
Second Second Assistant Director
Marlene Arvan
Second Second Assistant Director
Assistant Set Decoration
Harriet Zucker
Assistant Set Decoration
Lisa Nilsson
Assistant Set Decoration
Music Supervisor
Michelle Kuznetsky Silverman
Music Supervisor
Mary Ramos
Music Supervisor
Foley Supervisor
Bruce Pross
Foley Supervisor
Production Accountant
Kathi Scharer
Production Accountant
Casting Associate
Gayle Keller
Casting Associate
"A" Camera Operator
Lukasz Jogalla
"A" Camera Operator
Music Editor
David Carbonara
Music Editor
Video Assist Operator
Bob Balzarini
Video Assist Operator
Second Unit Director of Photography
Igor Sunara
Second Unit Director of Photography
First Assistant Camera
Richard Rutkowski
First Assistant Camera
Post Production Coordinator
Andrew Zolot
Post Production Coordinator
Post Production Supervisor
Anthony Gore
Post Production Supervisor
Greensman
Amy Safhay
Greensman
ADR Editor
Kenton Jakub
ADR Editor
Extras Casting
Meredith Jacobson Marciano
Extras Casting
Assistant Accountant
J.R. Craigmille
Assistant Accountant
Wardrobe Supervisor
Roseann Milano
Wardrobe Supervisor
Lynne Maureen Curtis
Wardrobe Supervisor
Second Assistant Camera
Adam Gilmore
Second Assistant Camera
Executive In Charge Of Production
Tracy Lee McGrath
Executive In Charge Of Production
Transportation Captain
Kevin Keefe
Transportation Captain
Color Timer
Mark Ginsberg
Color Timer
Script
Valerie Desjardins
Script
Transportation Co-Captain
Henry S. Avelin
Transportation Co-Captain
Kevin Flynn
Transportation Co-Captain
Underwater Director of Photography
Pete Romano
Underwater Director of Photography
Sound Effects Designer
Ron Bochar
Sound Effects Designer
Trainee Production Coordinator
What's left behind the scenes
- Sylvester Stallone gained 40 pounds specifically for this film, increasing his waist size from 31 to 39 inches. During the weight gain process, he developed sciatica, palpitations, bile reflux, digestive problems, and headaches.
- Miramax had high hopes for this film, as did actor Sylvester Stallone, who dreamed of ending a slump in his career. Critics' reviews were generally positive, but box office receipts were not particularly impressive; according to Stallone, he found working on the film interesting and enjoyable, but it did nothing to help his career (rather the opposite).
- The credits state that the events shown in the film are a work of fiction, but director James Mangold himself grew up in a small town in New York State, which was home to many families of police officers. In one interview, Mangold mentioned that the plot was based on his own memories of growing up among the children of police officers.
- The film was originally intended to be shown at the 1997 Cannes Film Festival, but reshoots of many scenes were required, and these reshoots took place in May (the month when the film festival is traditionally held), so the idea of showing the film in Cannes had to be abandoned.
- At the end of the film, when the characters played by Sylvester Stallone and Ray Liotta escort Michael Rapaport's character to hand him over to the authorities, a character played by Robert De Niro appears leaving a building with a longer mustache than usual. This was the result of a reshoot, as De Niro was already filming with Quentin Tarantino on the thriller 'Jackie Brown' (1977), where his character wore a long mustache.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
