Sorry, Wrong Number - crew, film crew
The entire team, the film crew of the film "Sorry, Wrong Number"
Sorry, Wrong Number (1948)
Timing:
1:29 (89 min)
6.754/10
203
203
7.544/10
2378
2378
7.3/10
14000
14000
Film crew
Director
Producer
Art Direction
A. Earl Hedrick
Art Direction
Costume Design
Set Decoration
Bertram C. Granger
Set Decoration
Original Music Composer
Director of Photography
Screenplay
Lucille Fletcher
Screenplay
Grip
Fred True
Grip
Special Effects
Gordon Jennings
Special Effects
Makeup Supervisor
Assistant Director
Richard McWhorter
Assistant Director
Visual Effects
Farciot Edouart
Visual Effects
Sound Recordist
Gene Merritt
Sound Recordist
Walter Oberst
Sound Recordist
Supervising Editor
Radio Play
Lucille Fletcher
Radio Play
What's left behind the scenes
- Lucille Fletcher wrote the film's screenplay based on her own radio play. Hollywood censorship initially opposed those moments in Fletcher's script that touched on drug trafficking; as a result, the script was significantly edited compared to the radio version.
- The large emerald engagement ring worn by Barbara Stanwyck’s character (1907-1990) was a real – and very expensive – piece of jewelry that the studio borrowed temporarily from the Los Angeles jewelry company Harry Winston Jewelers. At the end of each shooting day, the ring was locked in Paramount Pictures’ safe.
- The jeweled cigarette case that Barbara Stanwyck’s character hands to the character played by Burt Lancaster (1913-1994) belonged to the actress herself. It was a gift from her close friend Joan Crawford (1904-1977).
- Barbara Stanwyck insisted that she started to gray so early precisely because of the terror she portrayed in the bedroom scenes.
- Director Anatole Litvak (1902-1974) and Burt Lancaster regularly argued about how the role of Henry should be played. Lancaster even threatened to leave the project altogether. On that occasion, Litvak and Lancaster resolved their differences, but they never worked with each other again.
- Former CIA Director Richard Helms (1913-2002) served as a consultant on Robert Redford’s role.
- The only feature film shot in the World Trade Center.
- The film is set in winter, but it was shot in autumn. Before filming began, the leaves had to be stripped from the trees on the streets. Robert Redford personally oversaw this process to ensure that the plants were not harmed.
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