Paranormal Activity - crew, film crew

The entire team, the film crew of the film "Paranormal Activity"
Paranormal Activity (2007)
Timing: 1:26 (86 min)
Paranormal Activity - TMDB rating
6.045/10
5381
Paranormal Activity - Kinopoisk rating
6.556/10
119098
Paranormal Activity - IMDB rating
6.3/10
271000

Film crew

Director

Photo Oren Peli #13117
Oren Peli
Director

Producer

Photo Oren Peli #13117
Oren Peli
Producer
Amir Zbeda
Producer

Executive Producer

Photo Steven Schneider #13119
Steven Schneider
Executive Producer

Writer

Photo Oren Peli #13117
Oren Peli
Writer

Casting

Photo Oren Peli #13117
Oren Peli
Casting

Editor

Photo Oren Peli #13117
Oren Peli
Editor

Costume Design

Photo Oren Peli #13117
Oren Peli
Costume Design

Stunts

Chris J. King
Stunts

Set Decoration

Photo Oren Peli #13117
Oren Peli
Set Decoration

Associate Producer

Toni Taylor
Associate Producer
Amir Zbeda
Associate Producer

Utility Stunts

Craig Jensen
Utility Stunts

Director of Photography

Photo Oren Peli #13117
Oren Peli
Director of Photography

Costumer

Ahmedwael
Costumer

Sound Effects Editor

Nick Shaffer
Sound Effects Editor

Supervising Dialogue Editor

Nick Shaffer
Supervising Dialogue Editor

Still Photographer

Photo Dale Robinette #4746
Dale Robinette
Still Photographer

Thanks

Wesley Cannon
Thanks
Michael Decaire
Thanks
Daniel Di Mond
Thanks
Avery Guerra
Thanks
Darcie Pendry
Thanks

Screenplay

Photo Oren Peli #13117
Oren Peli
Screenplay

Set Designer

Photo Oren Peli #13117
Oren Peli
Set Designer

Sound Designer

David Barbee
Sound Designer
Mark Binder
Sound Designer
Edmond J. Coblentz Jr.
Sound Designer

Story

Photo Oren Peli #13117
Oren Peli
Story

Special Effects Makeup Artist

Crystal Cartwright
Special Effects Makeup Artist

ADR Mixer

Photo Mark DeSimone #4040
Mark DeSimone
ADR Mixer

Post Production Coordinator

Phillip Dawe
Post Production Coordinator

Colorist

Faust Pierfederici
Colorist

Post Production Supervisor

Danielle Daly
Post Production Supervisor
Richard Stirling
Post Production Supervisor

Digital Intermediate Colorist

Michael Underwood
Digital Intermediate Colorist

Production Assistant

Robert Cedric Bowden
Production Assistant
Kailey Marsh
Production Assistant

Line Producer

Jeanette Volturno
Line Producer
Rick Osako
Line Producer

Publicist

Ngoc Nguyen
Publicist

Rotoscoping Artist

Amit Raj
Rotoscoping Artist

Post Producer

Mark Graziano
Post Producer

Digital Intermediate Producer

Jay Warren
Digital Intermediate Producer

Color Timer

Tricia Chiarenza
Color Timer
Lee Wimer
Color Timer

Additional Casting

Photo Ricki Maslar #77069
Ricki Maslar
Additional Casting

Idea

Photo Oren Peli #13117
Oren Peli
Idea

Makeup Effects Designer

Crystal Cartwright
Makeup Effects Designer

Recording Supervision

Mark Binder
Recording Supervision
Jim Fitzpatrick
Recording Supervision

Business Affairs Coordinator

Alana Crow
Business Affairs Coordinator

What's left behind the scenes

  • One of the most profitable films in the history of cinema. It earned 13,000 times its budget.
  • The actors were not given scripts; they were simply told how to behave and what to talk about.
  • Screenwriter and director Oren Peli later stated that he liked the original ending the most. Audiences at test screenings did not like it, the studio allocated an additional budget for reshooting the finale and shared its considerations on the matter. According to Peli, he tried – unsuccessfully – to persuade management to leave the original ending, but he has no objections to the resulting finale.
  • All members of the film's creative team were required to wear only black clothing during filming so that other colors would not be reflected in the walls or on the wooden floor.
  • A real paranormal investigator named Spencer Marks was cast for one of the roles. He was filmed to provide explanations for some of the phenomena shown in the film, but the scenes with Marks were ultimately cut during editing.
  • Oren Peli used his own computer to create all the special effects in the film.
  • Before filming began, Oren Peli changed the appearance of his own home for a whole year. Before the renovation, all the rooms were white, and there was no banister on the stairs.
  • In the 1990s, producer Jason Blum worked at Miramax as a distributor and missed the opportunity to acquire the rights to Daniel Myrick and Eduardo Sánchez's film "The Blair Witch Project" (1999). He soon regretted this, as the film became one of the most profitable low-budget films in history. The market was already saturated with films that were simply made to "make a quick buck" and failed at the box office. At one point, Blum himself released a low-budget film (which became "Paranormal Activity"), and used the money earned from it to found Blumhouse Productions.
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