The Godfather Part II - crew, film crew
The entire team, the film crew of the film "The Godfather Part II"
The Godfather Part II (1974)
Timing:
3:22 (202 min)
8.571/10
13911
13911
8.533/10
233206
233206
9/10
1500000
1500000
Film crew
Director
Producer
Casting
Jane Feinberg
Casting
Maurizio Lucci
Casting
Editor
Barry Malkin
Editor
Peter Zinner
Editor
Richard Marks
Editor
Art Direction
Angelo P. Graham
Art Direction
John Dapper
Art Direction
Costume Design
Theadora Van Runkle
Costume Design
Stunts
George Robotham
Stunts
Phil Adams
Stunts
Tony Amato Sr.
Stunts
Production Design
Set Decoration
George R. Nelson
Set Decoration
Makeup Artist
Dick Smith
Makeup Artist
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Gray Frederickson
Co-Producer
Fred Roos
Co-Producer
Production Supervisor
Valerio De Paolis
Production Supervisor
Associate Producer
Mona Skager
Associate Producer
Second Assistant Director
Michael Kusley
Second Assistant Director
Burt Bluestein
Second Assistant Director
Alan Hopkins
Second Assistant Director
Henry J. Lange Jr.
Second Assistant Director
Charles Myers
Second Assistant Director
Director of Photography
Musician
Israel Baker
Musician
Hoyt Bohannon
Musician
Mahlon Clark
Musician
John Ellis
Musician
Carl Fortina
Musician
Pamela Goldsmith
Musician
Max Gralnick
Musician
Ralph Grierson
Musician
Alton Hendrickson
Musician
Milt Holland
Musician
Louis Kaufman
Musician
Raphael Kramer
Musician
Bernard Kundell
Musician
Michael Lang
Musician
Abe Luboff
Musician
Alfred Lustgarten
Musician
Peter Mercurio
Musician
Dick Noel
Musician
Jack Pepper
Musician
Richard Perissi
Musician
Reinie Press
Musician
David Schwartz
Musician
Thomas Z. Shepard
Musician
Ray Sherman
Musician
Haim Shtrum
Musician
David Speltz
Musician
Manuel Stevens
Musician
Sheridon Stokes
Musician
Louise Di Tullio
Musician
Abraham Weiss
Musician
Bob Zimmitti
Musician
Camera Operator
Ralph Gerling
Camera Operator
Key Costumer
Ray Summers
Key Costumer
Sound Effects Editor
James Fritch
Sound Effects Editor
Howard Beals
Sound Effects Editor
James J. Klinger
Sound Effects Editor
Property Master
Douglas E. Madison
Property Master
V.R. Bud Shelton
Property Master
Jerry Graham
Property Master
Script Supervisor
John Franco
Script Supervisor
B.J. Bjorkman
Script Supervisor
Serena Canevari
Script Supervisor
Electrician
Lloyd Gowdy
Electrician
Larry Keys
Electrician
Hairstylist
Naomi Cavin
Hairstylist
Dee-Dee Petty
Hairstylist
Still Photographer
Bruce McBroom
Still Photographer
Thanks
Production Manager
Michael S. Glick
Production Manager
Boom Operator
Patrick Mitchell
Boom Operator
Screenplay
Novel
Foley Artist
Kitty Malone
Foley Artist
Assistant Editor
George Berndt
Assistant Editor
Lisa Fruchtman
Assistant Editor
Bobbe Kurtz
Assistant Editor
Best Boy Grip
Carl R. Gibson Jr.
Best Boy Grip
Props
Nick Caparelli
Props
Key Grip
Bob Rose
Key Grip
Location Manager
Ronald Colby
Location Manager
Dolly Grip
Pat Campea Sr.
Dolly Grip
Assistant Property Master
Gary F. Kieldrup
Assistant Property Master
Leadman
Matty Azzarone
Leadman
Location Assistant
Mona Houghton
Location Assistant
Randy Carter
Location Assistant
Jesse Wayne
Location Assistant
Carpenter
Gary Fettis
Carpenter
Construction Foreman
Claude F. Powell
Construction Foreman
Assistant Set Decoration
Joe Chevalier
Assistant Set Decoration
Painter
Eugene Acker
Painter
Special Effects
Joe Lombardi
Special Effects
A.D. Flowers
Special Effects
Gaffer
George Holmes
Gaffer
Assistant Director
Newt Arnold
Assistant Director
Tony Brandt
Assistant Director
Music Editor
George Brand
Music Editor
John C. Hammell
Music Editor
ADR Recordist
Mel Zelniker
ADR Recordist
First Assistant Camera
Robert D. McBride
First Assistant Camera
Additional Music
Carmine Coppola
Additional Music
Conductor
Carmine Coppola
Conductor
Researcher
Deborah Fine
Researcher
Production Assistant
Stephen A. Glanzrock
Production Assistant
Unit Publicist
Eileen Peterson
Unit Publicist
Production Secretary
Nanette Siegert
Production Secretary
ADR Voice Casting
Maurice Schell
ADR Voice Casting
Best Boy Electric
Larry D. Howard
Best Boy Electric
Location Coordinator
Jack English
Location Coordinator
Sound Recordist
Nathan Boxer
Sound Recordist
Charles M. Wilborn
Sound Recordist
Unit Manager
Mario Cotone
Unit Manager
Transportation Captain
James D. Brubaker
Transportation Captain
Title Designer
Wayne Fitzgerald
Title Designer
Sound Editor
Wardrobe Master
Sandy Berke Jordan
Wardrobe Master
Nancy McArdle
Wardrobe Master
George Newman
Wardrobe Master
Marie Osborne
Wardrobe Master
Marilyn Putnam
Wardrobe Master
Eric Seelig
Wardrobe Master
Thomas Welsh
Wardrobe Master
Frances Kandelin Harrison
Wardrobe Master
Kent James
Wardrobe Master
Cliff Langer
Wardrobe Master
Sound Montage Associate
Mark Berger
Sound Montage Associate
Pat Jackson
Sound Montage Associate
What's left behind the scenes
- According to Coppola, the second film was not conceived as a sequel in the Hollywood sense of the word. The script was presented as a second part of the novel. This influenced the production methods of the film. The same equipment used on the first "Godfather" was used during filming, although more modern technologies were available in 1974.
- Even before the first "Godfather," Coppola wanted to make a film in which he would show a father and son at the same age. He wanted to see the traits of his future son in the father, and the traits of the father in the son.
- In one of the deleted scenes, included in the DVD version of the film, Vito, Jenko, and Clemenza meet in a store owned by a certain Signor Coppola. Clemenza asks Coppola to have his son Carmine play the clarinet. It is believed that the director dedicated this scene to his father, Carmine Coppola, who composed additional music for the first two "Godfather" films.
- James Caan agreed to play the cameo role of Sonny Corleone in the scene celebrating Vito Corleone's 50th birthday, demanding a fee equal to what he received for the entire film 'The Godfather'.
- 'The Godfather Part II' was the first sequel to win an Oscar for 'Best Picture'.
- Marlon Brando initially agreed to appear in the birthday celebration episode, but then, due to disagreements with Paramount, refused the single day of shooting that had been planned, and Coppola rewrote the script for that episode.
- Richard S. Castellano, who played Pete Clemenza in the first film, refused to appear in the second part due to disagreements with the producers. The role of the young Clemenza was played by Bruno Kirby.
- Producer and director Roger Corman, and writer and screenwriter Richard Matheson, can be seen in cameo roles as senators at the committee hearing.
- An early version of the script featured a storyline in which Tom Hagen developed a romance with Sunny Corleone's widow. These scenes were later cut, but Michael Corleone's line mentioning Hagen's mistress remained.
- According to Coppola's vision, Michael was supposed to kill Fredo. The novel's author and co-screenwriter, Mario Puzo, initially opposed this, but then agreed – on one condition: the murder could only happen after the death of the heroes' mother.
- At the beginning of the film, when Don Corleone's mother rushes to the body of her murdered son lying on the stones, you can see 'killed' Paolo (Don Corleone's older brother) move his arm into a more comfortable position the moment Vito's mother leans over him and cradles his head.
- The film is based on Mario Puzo's novel "The Godfather" (1969).
- James Caan agreed to play the episodic role of Sonny Corleone in the scene celebrating Vito Corleone's 50th birthday, demanding a fee equal to what he received for the entire film "The Godfather".
- At the beginning of the film, when Don Corleone's mother runs to the body of her murdered son lying on the stones, it is visible that "killed" Paolo (Don Corleone's older brother) moves his arm into a more comfortable position at the moment when Vito's mother leans over him and embraces his head.
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