Mary and Max - crew, film crew

The entire team, the film crew of the film "Mary and Max"
Mary and Max (2009)
Timing: 1:32 (92 min)
Mary and Max - TMDB rating
7.872/10
2219
Mary and Max - Kinopoisk rating
7.913/10
43913
Mary and Max - IMDB rating
8.1/10
201000

Film crew

Director

Producer

Melanie Coombs
Producer

Executive Producer

Bryce Menzies
Executive Producer
Mark Gooder
Executive Producer
Paul Hardart
Executive Producer
Tom Hardart
Executive Producer
Photo Dale Cornelius #116253
Dale Cornelius
Executive Producer
Jonathan Page
Executive Producer

Writer

Casting

Brooke Howden
Casting

Editor

Bill Murphy
Editor

Art Direction

Craig Fison
Art Direction

Production Design

Photo Adam Elliot #116252

Adam Elliot

Adam Elliot
Production Design

Set Decoration

Isabel Peppard
Set Decoration
Claire Tennant
Set Decoration

Sound Re-Recording Mixer

Andrew McGrath
Sound Re-Recording Mixer
Laurent Boudaud
Sound Re-Recording Mixer
Doron Kipen
Sound Re-Recording Mixer

Original Music Composer

Photo Dale Cornelius #116253
Dale Cornelius
Original Music Composer

Associate Producer

Leanne Smith
Associate Producer
Pauline Piechota
Associate Producer
Joni Rubin
Associate Producer

Director of Photography

Gerald Thompson
Director of Photography

Musician

Alison Booth
Musician
Conrad Nilsson
Musician
Danielle Arcaro
Musician
Davin Holt
Musician
Duncan Allen
Musician
Jason Bunn
Musician
Jodie Upton
Musician
Lisa-Maree Amos
Musician
Paul McMillan
Musician
Rohan De Korte
Musician
Sarah Cuming
Musician
Tim Hook
Musician
Alyssa Conrau
Musician
Anna McAlister
Musician
Cathy Shugg
Musician
Ceridwen Jones
Musician
David McSkimming
Musician
Grania Burke
Musician
Hugh Ponnuthurai
Musician
Matthew Hassall
Musician
Philip Nixon
Musician
Prudence Glenn
Musician
Rachael Hunt
Musician
Susannah Ng
Musician

Camera Operator

Jon Billington
Camera Operator
Benjamin P. Speth
Camera Operator
Robin Plunkett
Camera Operator

Sound Effects Editor

Michael Carden
Sound Effects Editor
Frank Lipson
Sound Effects Editor
Erin McKimm
Sound Effects Editor

Still Photographer

Suzy Wood
Still Photographer

First Assistant Director

Sue Collins
First Assistant Director

Animation

Darcy Prendergast
Animation
Sophie Raymond
Animation
Darren Burgess
Animation
Daniel Agdag
Animation
Lindsay Cox
Animation
Pierce Davison
Animation
Jonathan Daw
Animation
Dick Jarman
Animation
Anthony Lawrence
Animation
John Lewis
Animation
Jason Lynch
Animation
Al Oldfield
Animation
Craig Ross
Animation

Thanks

Michael James Rowland
Thanks
Beth Frey
Thanks
Ross Matthews
Thanks
Benjamin Webster
Thanks
Jonathan Chissick
Thanks
Scott Meek
Thanks
Photo David Alpert #72765
David Alpert
Thanks
Jamie Peterson
Thanks
Robert Styles
Thanks
Trish Lake
Thanks
Hugo Grumbar
Thanks
Photo Andrew Fitzpatrick #47682
Andrew Fitzpatrick
Thanks
Richard Girvan
Thanks
Cris Jones
Thanks
Tom Hollis
Thanks
Gabrielle Parker
Thanks
Dan Doherty
Thanks
Pete Whyte
Thanks
Michael Redfern
Thanks
Simon Wilmot
Thanks
Monika Gehrt
Thanks
Graham Bennett
Thanks
Lauren Bergman
Thanks
Marcus Baumgart
Thanks
Kevin Blair
Thanks
Sophie Coombes
Thanks
Mark Duke
Thanks
Joshua Elliot
Thanks
Luke Elliot
Thanks
Sarah Fargo
Thanks
Sarah Fforde
Thanks
Dave Friedlander
Thanks
Madeline Getson
Thanks
Craig Hall
Thanks
Glen Hunwick
Thanks
Geoff Brown
Thanks
Lissa Kennedy
Thanks
Photo Thomas Lauderdale #116256
Thomas Lauderdale
Thanks
Lindsay Lipson
Thanks
Judy Matthews
Thanks
David McCrae
Thanks
Mick McGrath
Thanks
Crystal Miles
Thanks
Brian Millard
Thanks
Anna Morgan
Thanks
Pauline Perry
Thanks
Reginald Peterson
Thanks
Dan Rabinow
Thanks
Aaron Robertson
Thanks
Karl Schmid
Thanks
Chris Schmidt
Thanks
Barry Schuler
Thanks
Nicole Sexton
Thanks
Amber Sinclair
Thanks
Andrew Skeoch
Thanks
Joyce Smith
Thanks
Julie Strachan
Thanks
Miriam Stein
Thanks
Jeanette Taylor
Thanks
Ben Turner
Thanks
Michael Wagner
Thanks
Emily Westmore
Thanks
Rob Wicksteed
Thanks
Madeleine Wild
Thanks
Kim L. Wilson
Thanks
Emily Ziff Griffin
Thanks

First Assistant Editor

Glen Whelan
First Assistant Editor

Dialogue Editor

Peter Walker
Dialogue Editor

Special Effects

Isabel Peppard
Special Effects

Music Supervisor

Leanne Smith
Music Supervisor

Production Accountant

Monika Gehrt
Production Accountant

Assistant Director

Jemima Daly
Assistant Director

Music Editor

William Larsen
Music Editor
Louise Woodward
Music Editor

Co-Executive Producer

Andrew Mackie
Co-Executive Producer
Richard Payten
Co-Executive Producer
Iain Canning
Co-Executive Producer

Conductor

William Larsen
Conductor

Sound Engineer

Marcus Ingram
Sound Engineer
Robin Gray
Sound Engineer

VFX Artist

Darren A. Bell
VFX Artist
Curt Sundberg
VFX Artist
Giselle Hunter
VFX Artist
Leath Mattner
VFX Artist
Reece Sanders
VFX Artist

Scoring Mixer

Christian Scallan
Scoring Mixer

Line Producer

Tom Wild
Line Producer

VFX Supervisor

Michael J. Allen
VFX Supervisor

ADR Supervisor

Peter Walker
ADR Supervisor

Legal Services

Bryce Menzies
Legal Services
Shaun Miller
Legal Services

Title Designer

Melanie Etchell
Title Designer

Sound Editor

Erin McKimm
Sound Editor

Digital Intermediate

Rachel Knowles
Digital Intermediate

Foley

John Simpson
Foley

What's left behind the scenes

  • When Max imagined himself on a deserted island in the middle of the ocean, it took 2,400 teaspoons of lubricant to create the ocean.
  • The first animated film in history to open the national American Sundance Film Festival of independent cinema.
  • Screenwriter and director Adam Benjamin Elliot explained that the image of Max reflects his own pen pal from New York, with whom he maintained contact for over 20 years.
  • Philip Seymour Hoffman, who voiced Max, and Adam Benjamin Elliot never met face to face. Hoffman worked in London and recorded all his lines there.
  • Next to the tombstone on the grave of Max Ivy's neighbor is a headstone with the name of director Adam Benjamin Elliott inscribed on it.
  • 2,400 teaspoons of lubricant were used to create the ocean.
  • The first animated film to open the Sundance Film Festival.
  • The actor who voiced Max, Philip Seymour Hoffman, and Adam Benjamin Eliot never met in person. Hoffman worked in London and recorded all his lines there.
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