The Chronicles of Narnia: Prince Caspian - crew, film crew
The entire team, the film crew of the film "The Chronicles of Narnia: Prince Caspian"
The Chronicles of Narnia: Prince Caspian (2008)
Timing:
2:30 (150 min)
6.63/10
6717
6717
6.947/10
174710
174710
6.5/10
239000
239000
Film crew
Director
Producer
Mark Johnson
Producer
Philip Steuer
Producer
Executive Producer
Casting
Liz Mullane
Casting
Gail Stevens
Casting
Pippa Hall
Casting
Editor
Sim Evan-Jones
Editor
Josh Campbell
Editor
Art Direction
Jules Cook
Art Direction
Stuart Kearns
Art Direction
Matthew Gray
Art Direction
David Allday
Art Direction
Elaine Kusmishko
Art Direction
Jill Cormack
Art Direction
Jason Knox-Johnston
Art Direction
Phil Sims
Art Direction
Supervising Art Director
Frank Walsh
Supervising Art Director
Costume Design
Isis Mussenden
Costume Design
Stunts
Sean Button
Stunts
Petr Horáček
Stunts
Tim Wong
Stunts
Raicho Vasilev
Stunts
Production Design
Roger Ford
Production Design
Second Unit Director
John Mahaffie
Second Unit Director
Dean Wright
Second Unit Director
Set Decoration
Kerrie Brown
Set Decoration
Original Music Composer
Unit Production Manager
Philip Steuer
Unit Production Manager
Richard E. Chapla Jr.
Unit Production Manager
Tim Coddington
Unit Production Manager
Co-Producer
Douglas Gresham
Co-Producer
K.C. Hodenfield
Co-Producer
Associate Producer
Matthew Stillman
Associate Producer
Tom Williams
Associate Producer
Orchestrator
Geoff Stradling
Orchestrator
Jennifer Hammond
Orchestrator
Larry Rench
Orchestrator
Second Assistant Director
Jakub Dvorak
Second Assistant Director
Jeff Okabayashi
Second Assistant Director
Jane McCurdy
Second Assistant Director
Stephanie Weststrate
Second Assistant Director
Director of Photography
Karl Walter Lindenlaub
Director of Photography
Camera Operator
Jakub Dvorský
Camera Operator
Rob Marsh
Camera Operator
Jiří Málek
Camera Operator
Gregory Lundsgaard
Camera Operator
Steadicam Operator
Cameron McLean
Steadicam Operator
Costume Supervisor
Hana Kučerová
Costume Supervisor
Nicola Clegg
Costume Supervisor
Visual Effects Supervisor
Wendy Rogers
Visual Effects Supervisor
Script Supervisor
Alexa Alden
Script Supervisor
Set Costumer
Jenny Rushton
Set Costumer
Maria Hubackova
Set Costumer
Samantha Morley
Set Costumer
Simon Ward
Set Costumer
Supervising ADR Editor
Still Photographer
Phil Bray
Still Photographer
Steve Unwin
Still Photographer
Murray Close
Still Photographer
Taylor Tulip-Close
Still Photographer
Animation Supervisor
Paul Story
Animation Supervisor
Visual Effects Producer
Andy Fowler
Visual Effects Producer
Armorer
Joe Dunckley
Armorer
Jenny Morgan
Armorer
First Assistant Director
K.C. Hodenfield
First Assistant Director
Martin Sebik
First Assistant Director
Michaela Strnadová
First Assistant Director
Frantisek Rezek
First Assistant Director
Jen Butcher
First Assistant Director
Animation
Daniel Fotheringham
Animation
Production Manager
Simon Ambridge
Production Manager
Belindalee Hope
Production Manager
Jana Hrbková
Production Manager
Frenk Celarc
Production Manager
Janusz B. Czech
Production Manager
Screenplay
Christopher Markus
Screenplay
Novel
Art Department Coordinator
Janelle Hope
Art Department Coordinator
Jennifer Lewicki
Art Department Coordinator
Bára Barová
Art Department Coordinator
Compositing Supervisor
Mark Bakowski
Compositing Supervisor
Second Second Assistant Director
Ludek Vomacka
Second Second Assistant Director
Martina Götthansova
Second Second Assistant Director
Emma Hinton
Second Second Assistant Director
Visual Effects Production Manager
Aaron Cowan
Visual Effects Production Manager
Drew Jones
Visual Effects Production Manager
Special Effects
Hauk Olafsson
Special Effects
Third Assistant Director
Vlastimil Kadeřábek
Third Assistant Director
Amand Weaver
Third Assistant Director
Gabriel Reid
Third Assistant Director
Casting Associate
Kelly Valentine Hendry
Casting Associate
Gaffer
Eddie Knight
Gaffer
Petr Konrád
Gaffer
Václav Čermák
Gaffer
Mark Gillings
Gaffer
Assistant Director
Jakub Dvorak
Assistant Director
Richard Matthews
Assistant Director
Bryan Lee Hudkins
Assistant Director
Music Editor
John Warhurst
Music Editor
Kirsty Whalley
Music Editor
Meri Gavin
Music Editor
Digital Compositor
Pedro Lara
Digital Compositor
Concept Artist
Chris Rosewarne
Concept Artist
Co-Executive Producer
Cary Granat
Co-Executive Producer
Post Production Supervisor
Jessie Thiele
Post Production Supervisor
Greensman
Dan King
Greensman
VFX Artist
Alexander Nowotny
VFX Artist
Visual Effects
Line Producer
Marianna Rowinska
Line Producer
Diego Zanco
Line Producer
Conceptual Design
Paul Tobin
Conceptual Design
Rigging Gaffer
Ronnie Phillips
Rigging Gaffer
Unit Manager
Jiří Husák
Unit Manager
Silvie Janculová
Unit Manager
Modeling
Matsune Suzuki
Modeling
Techno Crane Operator
Evan Pardington
Techno Crane Operator
Executive In Charge Of Production
Douglas Jones
Executive In Charge Of Production
Action Director
Allan Poppleton
Action Director
Production Executive
Micheal Flaherty
Production Executive
Assistant Production Manager
Marek Czpak
Assistant Production Manager
Filip Jacobson
Assistant Production Manager
Marta Komorowska
Assistant Production Manager
Krzysztof Warwas
Assistant Production Manager
Compositing Lead
Christian Kaestner
Compositing Lead
Senior Animator
Graham Binding
Senior Animator
Compositing Artist
Matthew Twyford
Compositing Artist
Helicopter Camera
Steve Koster
Helicopter Camera
Adam Dale
Helicopter Camera
Underwater Camera
Manning Tillman
Underwater Camera
Sets & Props Artist
Executive In Charge Of Post Production
Jonas Thaler
Executive In Charge Of Post Production
Second Unit Cinematographer
Milan Chadima
Second Unit Cinematographer
Brad Shield
Second Unit Cinematographer
What's left behind the scenes
- The film is based on C.S. Lewis's novel “Prince Caspian” (Prince Caspian: The Return to Narnia, 1951).
- The total number of wardrobe items sewn for the lead actors: 1042.
- The total number of wardrobe items, including helmets, masks, footwear, and gloves, made for King Miraz, his lords, and the warriors of the Telmarine army – 3722.
- The number of metal rings used to create one chainmail for a Telmarine warrior – 2184. A total of 850,000 such rings were used.
- 70 people worked on the costumes. The actors and crew of “Prince Caspian” came from 15 different countries, including the Czech Republic, New Zealand, the USA, the United Kingdom, Australia, Canada, Germany, Poland, Slovenia, Spain, Mexico, Italy, and France.
- The number of continents that director Andrew Adamson visited when choosing locations for filming is 5. The main filming locations are New Zealand, the Czech Republic, Slovenia, and Poland.
- The Barrandov Studios in Prague, where the main sets for 'Prince Caspian' were built, has in recent years become a popular location for filming Hollywood movies such as 'Casino Royale' and 'The Bourne Identity'.
- Richard Taylor from the New Zealand Weta Workshop designed nearly 600 pieces of weaponry for the defenders of Narnia and the Telmarine warriors. This number includes 200 halberds and spears, 200 rapiers, 100 swords, 250 shields, and 55 crossbows. Taylor also designed soft shields and special harnesses for use in key battle scenes involving horses.
- The production designer for 'Prince Caspian', Roger Ford, has been working in film for over forty years, but the sets for King Miraz’s castle, built at the Barrandov Studios, are the largest he has ever constructed. The castle sets covered 1858 square meters, and its appearance was partially based on images of the French castle of Pierrefonds, located near Paris. 200 carpenters, plasterers, and painters spent 15 weeks building this castle. In the final version of the scenes with the castle, computer graphics specialists tripled the size of the image. The wooden bridge where one of the final battle scenes of 'Prince Caspian' unfolds was built on the Soča River, in the resort town of Bovec, Slovenia. 20 engineers and builders participated in the construction of the bridge, working on it for an entire month. Roger Ford, when designing the bridge, was based on drawings of the bridge that Julius Caesar built across the Rhine during the war with the Germans. To realize Ford's plan, engineers temporarily changed the course of the Soča River.
- The London Underground station from which the Pevensie children begin their journey in 'Prince Caspian' is not actually in London. Ford built realistic sets of the London Underground at the Henderson Studios, in northern New Zealand.
- Makeup artist Howard Berger worked with a team of 50 makeup artists and conducted 4,600 individual makeup sessions during filming.
- Actor Warwick Davis spent three and a half hours each day applying makeup to transform into the black dwarf Nikabrik.
- Warwick Davis is the only actor to have played in two versions of 'The Chronicles of Narnia' adaptations. In 'Prince Caspian' he plays the black dwarf Nikabrik, and in the 1989 BBC television adaptation of 'Prince Caspian,' he played the valiant mouse Reepicheep. In the new film 'The Chronicles of Narnia: Prince Caspian,' Reepicheep is entirely created using computer graphics.
- Director Andrew Adamson searched for over a year for the right actor for the role of Prince Caspian, and he found 26-year-old British actor Ben Barnes just 3 weeks before filming began.
- Throughout the filming of 'Prince Caspian,' 1,100 lunches were prepared daily for the actors and crew. The total number of lunches prepared during filming was 200,000.
- Cornell John, who played the centaur Glenstorm, had to master spring stilts, which were later transformed into horse legs using computer graphics.
- In the book, Caspian is 13 years old, in the film he is 17, and the actor who played Caspian was 26 years old.
- The film is based on C.S. Lewis's novel "Prince Caspian" (Prince Caspian: The return to Narnia, 1951).
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
