The Sacrifice - crew, film crew
The entire team, the film crew of the film "The Sacrifice"
Offret (1986)
Timing:
2:29 (149 min)
7.701/10
608
608
7.818/10
16886
16886
7.8/10
35000
35000
Film crew
Director
Producer
Anna-Lena Wibom
Producer
Casting
Françoise Menidrey
Casting
Editor
Michał Leszczyłowski
Editor
Costume Design
Inger Pehrsson
Costume Design
Production Design
Anna Asp
Production Design
Director of Photography
Sound Effects Editor
Lars C. Lundberg
Sound Effects Editor
Property Master
Kicki Ilander
Property Master
Jan Andersson
Property Master
Script Supervisor
Anne von Sydow
Script Supervisor
Electrician
Hans Wallin
Electrician
Kent Högberg
Electrician
Kjell Sundquist
Electrician
Still Photographer
Arne Carlsson
Still Photographer
Sound Mixer
Christin Loman
Sound Mixer
Thanks
Henri Colpi
Thanks
Driver
Göran Andersson
Driver
Thure Ljunggren
Driver
Production Manager
Screenplay
Key Grip
Daniel Bergman
Key Grip
Location Manager
Göran Lindberg
Location Manager
Grip
Ocki Hansson
Grip
Carpenter
Jan Eriksson
Carpenter
Martti Malkamaa
Carpenter
Leif Nilsson
Carpenter
Håkan Nilsson
Carpenter
Painter
Teddy Holm
Painter
Gunilla Bandolin
Painter
Bengt Svedberg
Painter
Special Effects
Lars Höglund
Special Effects
Lars Palmqvist
Special Effects
Assistant Director
Michał Leszczyłowski
Assistant Director
Kerstin Eriksdotter
Assistant Director
Makeup & Hair
Kjell Gustavsson
Makeup & Hair
Florence Fouquier D'Herouel
Makeup & Hair
Other
Peter Schildt
Other
Jan Lindeström
Other
Stig Björkman
Other
Harald Stjerne
Other
Caterina Åhlander
Other
Production Assistant
Agneta J. Bergenstråhle
Production Assistant
Sound
Owe Svensson
Sound
Production Office Assistant
Sophie Lundberg
Production Office Assistant
Sound Recordist
Lasse Ulander
Sound Recordist
Bo Persson
Sound Recordist
Willie Peterson-Berger
Sound Recordist
Costume Assistant
Carina Dalunde
Costume Assistant
Construction Manager
Harry Klava
Construction Manager
Translator
Layla Alexander Garrett
Translator
Lars Erik Blomqvist
Translator
Håkan Lövgren
Translator
Assistant Director of Photography
Dan Myhrman
Assistant Director of Photography
Lars Karlsson
Assistant Director of Photography
Technical Supervisor
Kaj Larsen
Technical Supervisor
Paint Coordinator
Rolf Persson
Paint Coordinator
Catering
Puck Jansson
Catering
Assistant Production Design
Cecilia Iversen
Assistant Production Design
Film Processor
Nils Melander
Film Processor
Key Carpenter
Percy Nilsson
Key Carpenter
What's left behind the scenes
- The postman Otto, as a character in the painting, is a kind of tribute from Tarkovsky to one of his regular acting talismans, Anatoly Solonitsyn, who died of lung cancer in 1982.
- The idea for the film was taken from the screenplay "The Witch" by the Strugatsky brothers.
- During filming, cinematographer Sven Nykvist long couldn't understand why Andrei Tarkovsky was constantly looking into the camera. He was even offended until Andrei explained to him that, only by looking through the camera lens, he could visualize the mise-en-scène.
- For the final scene, Tarkovsky made the following demands regarding the weather: it had to be cloudy; it would be good to have white, fluffy clouds and for the sun to suddenly appear. The effect seen in the frame is precisely this: the sun reflecting in the water and heavy white clouds crawling across the sky.
- The film's aesthetics largely influenced Western intellectuals. For example, the music video for the American rock band R.E.M.'s "Losing My Religion" contains direct quotes from the film, as well as repeats its visual style.
- Tarkovsky spent several days searching for a location for the scene of the atomic catastrophe, the panic. He found it, and it was a tunnel, a staircase, and a small square in front of them. That's where this terrible and beautiful scene was filmed. And shortly after, Swedish Prime Minister Olof Palme was killed. The killer stood in the very place where the camera was during filming.
- The scene of the house burning was filmed twice – the first time, the Arriflex camera's intermittent mechanism failed, and the film stopped. The house burned down for nothing. A week later, the house set was rebuilt, and the shooting was done again. This time with three cameras.
- The film's idea was taken from the screenplay “The Witch” by the Strugatsky brothers.
- The film's aesthetics significantly influenced Western intellectuals. For example, the music video for the American rock band “R.E.M.’s” song “Losing My Religion” contains direct quotes from the film and repeats its visual style.
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