San Andreas - crew, film crew
The entire team, the film crew of the film "San Andreas"
San Andreas (2015)
Timing:
1:54 (114 min)
6.2/10
8954
8954
6.217/10
135425
135425
6.1/10
275000
275000
Film crew
Director
Brad Peyton
Director
Producer
Beau Flynn
Producer
Executive Producer
Tripp Vinson
Executive Producer
Richard Brener
Executive Producer
Michael Disco
Executive Producer
Samuel J. Brown
Executive Producer
Casting
Deborah Aquila
Casting
Nina Henninger
Casting
Kirsty McGregor
Casting
Editor
Bob Ducsay
Editor
Special Effects Supervisor
Julian Summers
Special Effects Supervisor
Art Direction
Michael E. Goldman
Art Direction
Tom Nursey
Art Direction
Matthew Putland
Art Direction
Supervising Art Director
Charlie Revai
Supervising Art Director
Costume Design
Wendy Chuck
Costume Design
Stunts
Sean Button
Stunts
Monika Sloan
Stunts
Chantelle Slee
Stunts
Brittany Morris
Stunts
Glenn Ruehland
Stunts
Charlie Estepp
Stunts
Production Design
Barry Chusid
Production Design
Stunt Coordinator
Paul Jennings
Stunt Coordinator
Allan Poppleton
Stunt Coordinator
Jon Devore
Stunt Coordinator
Second Unit Director
Paul Jennings
Second Unit Director
Set Decoration
Lisa Thompson
Set Decoration
Michael Westerman
Set Decoration
Makeup Artist
Jennifer Stanfield
Makeup Artist
Andrea Pino
Makeup Artist
Maria O'Reilly
Makeup Artist
Desiree Vogelsang
Makeup Artist
Key Makeup Artist
Gretchen Davis
Key Makeup Artist
Sound Re-Recording Mixer
Gregg Landaker
Sound Re-Recording Mixer
Tim LeBlanc
Sound Re-Recording Mixer
Original Music Composer
Andrew Lockington
Original Music Composer
Unit Production Manager
Anne Bruning
Unit Production Manager
Co-Producer
Hiram Garcia
Co-Producer
Production Supervisor
Vanessa Mendoza
Production Supervisor
Associate Producer
Wendy Jacobson
Associate Producer
Second Assistant Director
Guy Campbell
Second Assistant Director
Director of Photography
Pilot
Alan D. Purwin
Pilot
Frédéric North
Pilot
Ben Skorstad
Pilot
David Alan Hughes
Pilot
Ted Stallings
Pilot
Camera Operator
Greg Baldi
Camera Operator
Stephen Buckingham
Camera Operator
Brian Bernstein
Camera Operator
Peter Gulla
Camera Operator
Steadicam Operator
Mark Goellnicht
Steadicam Operator
Costume Supervisor
Elly Kamal
Costume Supervisor
Sound Effects Editor
Christopher Assells
Sound Effects Editor
Jon Title
Sound Effects Editor
Dan Hegeman
Sound Effects Editor
Assistant Art Director
Tony Williams
Assistant Art Director
Susan Alegria
Assistant Art Director
Jodie Whetter
Assistant Art Director
Property Master
Justine Dunn
Property Master
Stephanie Furr
Property Master
Visual Effects Supervisor
Katherine Renee Jones
Visual Effects Supervisor
Bruce Woloshyn
Visual Effects Supervisor
Allan Magled
Visual Effects Supervisor
Nordin Rahhali
Visual Effects Supervisor
Bryan Grill
Visual Effects Supervisor
Martyn Culpitt
Visual Effects Supervisor
Maggie Balaco
Visual Effects Supervisor
Maggie Evans
Visual Effects Supervisor
Supervising Sound Editor
Per Hallberg
Supervising Sound Editor
Script Supervisor
Victoria Sullivan
Script Supervisor
Set Costumer
Samantha Walker
Set Costumer
Amanda Ramirez
Set Costumer
Tanya Woelfle
Set Costumer
Aerial Director of Photography
Dylan Goss
Aerial Director of Photography
Hairstylist
Karen Kelly
Hairstylist
Robert Mrazik
Hairstylist
Special Effects Coordinator
Joe Pancake
Special Effects Coordinator
Leanne Brooks
Special Effects Coordinator
Geoff Heron
Special Effects Coordinator
Still Photographer
Lead Animator
Mike Mulock
Lead Animator
Animation Supervisor
Greg Fisher
Animation Supervisor
Eric Petey
Animation Supervisor
Visual Effects Producer
Crys Forsyth-Smith
Visual Effects Producer
Eric A. Kohler
Visual Effects Producer
Sarah Swick
Visual Effects Producer
Dane Allan Smith
Visual Effects Producer
Jeff Atherton
Visual Effects Producer
Robert E. Evans
Visual Effects Producer
Anna-Louise Gordon
Visual Effects Producer
Roopesh Gujar
Visual Effects Producer
Randy Starr
Visual Effects Producer
Andy Fowler
Visual Effects Producer
First Assistant Director
Simon Warnock
First Assistant Director
Assistant Costume Designer
Margaret Robbs
Assistant Costume Designer
Chief Lighting Technician
Bob Finley III
Chief Lighting Technician
Driver
Ryan Makepeace
Driver
Screenplay
Carlton Cuse
Screenplay
First Assistant Editor
Sam Bollinger
First Assistant Editor
Foley Artist
Ellen Heuer
Foley Artist
Sound Designer
Ann Scibelli
Sound Designer
Peter Staubli
Sound Designer
Construction Coordinator
Vincent DeSantis
Construction Coordinator
Ross Clarke
Construction Coordinator
Ben Nichols
Construction Coordinator
Art Department Coordinator
John Higgins
Art Department Coordinator
Sara Ghaffar
Art Department Coordinator
Sherman Kew
Art Department Coordinator
David Hendrickson
Art Department Coordinator
Dialogue Editor
Daniel Saxlid
Dialogue Editor
Assistant Editor
Brett McManus
Assistant Editor
Shaun Aprahamian
Assistant Editor
Lighting Technician
Sophie Shellenberger
Lighting Technician
David Tilburey
Lighting Technician
Mark Bills
Lighting Technician
James Kennedy
Lighting Technician
Nathan Frost
Lighting Technician
Foley Editor
Jessie Pariseau
Foley Editor
Rigging Grip
Brook Johnson
Rigging Grip
Michael Best
Rigging Grip
Gregory Collis
Rigging Grip
Key Grip
Dave Childers
Key Grip
Sean Aston
Key Grip
Adam Kuiper
Key Grip
Ager/Dyer
Sharon Fauvel
Ager/Dyer
Dolly Grip
Don L. Henderson
Dolly Grip
David Shaw
Dolly Grip
Gregory M. Childers
Dolly Grip
Key Hair Stylist
Yvette Rivas
Key Hair Stylist
Set Production Assistant
Ryan Makepeace
Set Production Assistant
Story
Jeremy Passmore
Story
Andre Fabrizio
Story
3D Artist
Philip Trieu
3D Artist
Makeup Designer
Rick Findlater
Makeup Designer
Casting Associate
Sarah Kliban
Casting Associate
Stevie Ray
Casting Associate
Gaffer
Reg Garside
Gaffer
Cristofer Adrian
Gaffer
Assistant Director
Marieke Spence
Assistant Director
Music Editor
Tom Kramer
Music Editor
Second Unit Director of Photography
David Burr
Second Unit Director of Photography
Jaron Presant
Second Unit Director of Photography
VFX Editor
Jason Cooper
VFX Editor
William Marshall Wilkinson
VFX Editor
Unit Publicist
Amanda Brand
Unit Publicist
Production Coordinator
Nicholas Copping
Production Coordinator
Rajanikant Arya
Production Coordinator
Orlando R. Gonzales
Production Coordinator
Visual Effects Coordinator
Shelley Andagan
Visual Effects Coordinator
Suzanne Evans-Booth
Visual Effects Coordinator
Anna Guseva
Visual Effects Coordinator
Megan Galbraith
Visual Effects Coordinator
CJ Cole
Visual Effects Coordinator
Gemma Office
Visual Effects Coordinator
Leanna Kruse
Visual Effects Coordinator
Sara Bold
Visual Effects Coordinator
Jamie Erickson
Visual Effects Coordinator
Jason Bradford
Visual Effects Coordinator
Shannon Y.F. Lum
Visual Effects Coordinator
Philip Cabana
Visual Effects Coordinator
Sonia Gilmore
Visual Effects Coordinator
Simran Khalsa
Visual Effects Coordinator
Philip Marvin
Visual Effects Coordinator
Kristin Patterson
Visual Effects Coordinator
Melanie Marlar
Visual Effects Coordinator
Ryan Flick
Visual Effects Coordinator
Mohan Sangeeth
Visual Effects Coordinator
Andrea Schimpl
Visual Effects Coordinator
Visual Effects Editor
Mark Edward Wright
Visual Effects Editor
Ayse Dedeoglu
Visual Effects Editor
Kyle Sironen
Visual Effects Editor
Esther Sokolow
Visual Effects Editor
Evan Salusbury
Visual Effects Editor
Production Secretary
Angela Barac
Production Secretary
Visual Effects
Animation Director
Marlene Chazot
Animation Director
CG Supervisor
Joel Sevilla
CG Supervisor
Rhys Claringbull
CG Supervisor
Eric Clement
CG Supervisor
Remy Torre
CG Supervisor
Lighting Supervisor
Jeff Ranasinghe
Lighting Supervisor
Yuji Yagasaki
Lighting Supervisor
ADR Editor
Kerry Dean Williams
ADR Editor
Laura Graham
ADR Editor
VFX Supervisor
Holger Voss
VFX Supervisor
Mohsen Mousavi
VFX Supervisor
Max Wood
VFX Supervisor
ADR Voice Casting
Mark Sussman
ADR Voice Casting
Patty Connolly
ADR Voice Casting
ADR Supervisor
Chris Jargo
ADR Supervisor
Rigging Gaffer
James Kumarelas
Rigging Gaffer
Pre-Visualization Supervisor
Monty Granito
Pre-Visualization Supervisor
J. Todd Constantine
Pre-Visualization Supervisor
Title Designer
Alphonse Swinehart
Title Designer
Christopher Billig
Title Designer
VFX Production Coordinator
Graham Martin
VFX Production Coordinator
Melyssa Forget Turcotte
VFX Production Coordinator
Digital Intermediate
Philip Beckner
Digital Intermediate
Jeff Halsey
Digital Intermediate
Foley
Alex Ullrich
Foley
Data Wrangler
Stephen Smart
Data Wrangler
Aerial Coordinator
Frédéric North
Aerial Coordinator
3D Generalist
Andres Martinez
3D Generalist
Jordan Fast
3D Generalist
Tilo Spalke
3D Generalist
3D Modeller
Lenora Acidera
3D Modeller
Daniel Perez
3D Modeller
2D Supervisor
Nicolas Cadorette Vigneau
2D Supervisor
Makeup Effects
Marine Coordinator
Burke Beardsley
Marine Coordinator
Dialogue Coach
Peter Kent
Dialogue Coach
Helicopter Camera
Richard Roles
Helicopter Camera
Compositors
Chris O'Connell
Compositors
Brian N. Bentley
Compositors
Underwater Camera
Simon Christidis
Underwater Camera
What's left behind the scenes
- San Andreas is the name of a tectonic fault line that runs through much of California. The fault is associated with earthquakes reaching a magnitude of 8.1 and causing surface displacements of up to 7 meters. The most well-known are the San Francisco earthquake (1906) and the Loma Prieta earthquake (1989).
- Some scenes were filmed in Bakersfield, California.
- Although in the film Dwayne Johnson and Alexandra Daddario play father and daughter, the age difference between the actors is only 14 years.
- Following the devastating earthquake in Nepal in April 2015, the film's marketing campaign was adjusted to include information on emergency assistance, as well as advice on how to prepare for natural disasters.
- The actors did most of their stunts themselves because director Brad Peyton wanted the audience to see the real emotions on their faces. For example, at the beginning of the film there is a scene where Dwayne Johnson descends on a cable from a helicopter at an altitude of about 45 meters to save a girl whose car is stuck on a cliff, about 15 meters above the ground. The director wanted Johnson to complete the entire journey from the helicopter to the car himself, with the scene being filmed in one take, and the camera following the actor on a 45-meter crane. To the director's delight, Johnson agreed to this, and ultimately his vision was realized.
- Director Brad Peyton invited Thomas Jordan, a professor at the University of Southern California who is also the director of the Southern California Earthquake Center, to review the film's script for accuracy. While both Peyton and Dwayne Johnson claimed the scientific facts presented in the film were accurate, Thomas Jordan stated that he consulted with the filmmakers, but much of his advice was ignored. In particular, Jordan noted that a magnitude of 9 is too high for the San Andreas Fault, and such an earthquake could not cause a large tsunami.
- In preparation for his role, Dwayne Johnson consulted with emergency response specialists and also spent time with helicopter pilots from the Los Angeles Fire Department's search and rescue unit.
- The building housing Riddick's headquarters in San Francisco, where Blake, Ben, and Ollie meet, is the Bank of America building located at 555 California Street. The same building was used in the disaster film 'The Towering Inferno' (1974).
- Dwayne Johnson was in Budapest filming 'Hercules' (2014) when he was given the script for 'San Andreas'. Johnson started reading it that same day and finished it by 3:30 AM. The actor really liked the script and immediately wrote to producer Beau Flynn to say he was in.
- It is actually possible for an earthquake in Nevada to trigger an earthquake in Los Angeles, and for an earthquake in Los Angeles to trigger an earthquake in San Francisco. This has even happened before, but in reverse. In 1992, the Landers earthquake with a magnitude of 7.3 occurred in the Mojave Desert of California and caused a 5.3 magnitude earthquake in Nevada the following day. And in 1906, the San Francisco earthquake caused 5-magnitude earthquakes in Santa Monica, Oregon, and Nevada the next day.
- Some of the footage of the flooding shown in the news after the Hoover Dam was destroyed is footage of a major flood that occurred in 2011 in Queensland, Australia.
- Ray and Emma steal a plane from a skydiving school. When the engine is started, the sound of a piston engine is heard, and smoke is also visible. However, the plane they are starting has a turboprop engine, which has a completely different sound and does not emit any smoke during startup.
- Ray's fingernails are noticeably longer at the beginning of the film.
- When Ray and Emma steal the car from the looters, the rear tailgate is open. A few seconds after they drive away, the tailgate is already closed. Furthermore, Ray starts the car using jumper cables, but when they stop at the rift, he turns off the engine with the key.
- When Emma climbs onto the roof of a building for Ray to pick her up in a helicopter, you can see her run the same section of the roof twice.
- In several shots during the destruction of San Francisco, some buildings that had begun to collapse or had already collapsed in previous shots are shown intact again.
- In the scene where Daniel and Blake are in the parking garage and the shaking begins, the cars next to them trigger their alarms, however, when they try to leave the parking garage, the alarms on all the other cars do not go off.
- When the limousine driver stops, he only presses the brake, however, when he starts moving again, it is visible that the gearshift is in park.
- When Ray tells Ben to break the window, you can notice that Ben's watch strap is sand-colored, but before and after this scene the strap is black.
- When Ray and Emma return to the elderly couple, the camera operator can be seen reflected in the old man's glasses and in the car window.
- In the scene where the crowd is running down a San Francisco street, a sign for the Australian bank Bendigo is visible on one side of the street.
- The most direct route from Los Angeles to San Francisco does not run near Bakersfield. Furthermore, people traveling from Bakersfield to the San Francisco Bay Area would not encounter the earth fissure shown in the film.
- When Blake and Daniel land at the airport in Oakland, two errors can be noticed. First, Oakland Municipal Airport no longer exists; it is now Oakland International Airport. Second, the old control tower of San Francisco International Airport is visible in the wide shot of the airport.
- When Blake first meets Ben, a steel bridge can be seen in the background, but such bridges do not exist in San Francisco. In fact, it is the Story Bridge, located in Brisbane, Australia.
- Many of the views of San Francisco are unrealistic. For example, the Golden Gate Bridge cannot be seen from Chinatown.
- After leaving the electronics store in Chinatown, the heroes head towards Coit Tower. To do this, they walk north along Hyde Street, taking a detour of almost a kilometer. Moreover, they refer to Lombard Street as Lombard Avenue.
- When Ray and Emma fly to San Francisco, they fly over a highway full of cars, and after the highway is left behind, Emma looks out the window and sees SFO airport. This highway is actually located in Brisbane, Australia. And SFO airport is not in San Francisco, but 13 kilometers south of it, in San Mateo.
- During the destruction of San Francisco, the road rises, and subway tunnels become visible with a train inside. During any significant seismic activity, train movement stops, and passengers must evacuate and head to the nearest emergency exits to the surface.
- The tsunami wave approaching the Golden Gate Bridge is incorrectly shaped. Tsunami waves belong to so-called long waves – the distance from crest to crest (wavelength) significantly exceeds the ocean depth. Tsunamis are, in nature, close to tides. Tsunamis and tides differ from ordinary wind (storm) waves and swells. Wind waves only affect the upper layer of the ocean; at a depth of 50 meters, the disturbance is no longer felt. But tides and currents caused by a tsunami involve the movement of the entire water mass – from the bottom to the surface. Visually, this should resemble a rapidly growing wave more than a breaking wave.
- When Ray starts the car using jumper cables, he brings two wires together, they spark, and then he twists them together. In reality, he should have twisted the ignition wires together (which would not have produced any spark), then touched them to the starter wires to start the engine (which would have produced a spark), and then untwisted the wires so the engine would continue to run. Furthermore, since ignition is now located on the steering column in modern cars, starting the car in this way would have meant he wouldn't be able to steer it.
- In one scene, Ray presses the “Hover” button, after which he leaves the pilot's seat to move to the side door and save Emma. In reality, helicopters do not have such a function.
- When Ray and Emma are flying to San Francisco by helicopter, Blake calls them. When Ray answers the call, only he can hear her and talk to her, then he switches the toggle to a position where only Emma can hear Blake and talk to her. But just a moment later, they can both hear her and talk to her, and Ray did not change the toggle position.
- From the start of the earthquake, Ray, while on board the helicopter, never attempts to contact emergency services, nor do they attempt to contact him.
- At the end of the film, the water around the boat remains calm, despite a building collapsing nearby.
- At the end of the film, Ben hands Blake her two-heart pendant and says he found it on the boat. Two minutes earlier, it is clearly visible that the pendant is on Blake’s neck and has not disappeared.
- When Ray performs CPR, he makes a mistake by not pinching the nose.
- The probability of the Hoover Dam collapsing during a major earthquake is very low.
- Director Brad Peyton invited Thomas Jordan, a professor at the University of Southern California who is also the director of the Southern California Earthquake Center, to review the film's script for accuracy. While both Peyton and Dwayne Johnson claimed that the scientific facts presented in the film were accurate, according to Thomas Jordan, he provided advice to the filmmakers, but they largely disregarded it. In particular, Jordan noted that a magnitude of 9 is too high for the San Andreas Fault, and such an earthquake could not cause a large tsunami.
- The building that serves as Riddick's headquarters in San Francisco, where Blake, Ben, and Ollie meet, is the Bank of America building located at 555 California Street. The same building was used in the disaster film 'The Towering Inferno' (1974).
- Dwayne Johnson was in Budapest filming 'Hercules' (2014) when he received the script for 'San Andreas'. Johnson started reading it that same day and finished it by 3:30 AM. The actor liked the script very much and immediately wrote to producer Beau Flynn to say he was in.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
