The Game - crew, film crew

The entire team, the film crew of the film "The Game"
The Game (1997)
Timing: 2:9 (129 min)
The Game - TMDB rating
7.57/10
7250
The Game - Kinopoisk rating
8.254/10
492057
The Game - IMDB rating
7.7/10
468000

Film crew

Director

Producer

Executive Producer

Photo Jonathan Mostow #71291

Jonathan Mostow

Jonathan Mostow
Executive Producer

Writer

Casting

Don Phillips
Casting

Editor

Art Direction

Photo Steve Saklad #70641
Steve Saklad
Art Direction

Supervising Art Director

James J. Murakami
Supervising Art Director

Costume Design

Stunts

Photo Tim Trella #4322
Tim Trella
Stunts

Production Design

Photo Jeffrey Beecroft #70224
Jeffrey Beecroft
Production Design

Stunt Coordinator

Set Decoration

Jackie Carr
Set Decoration

Makeup Artist

Bridget Bergman
Makeup Artist

Sound Re-Recording Mixer

Photo Gary Rizzo #1903Photo Gary Rizzo #1904Photo Gary Rizzo #65623

Gary Rizzo

Gary Rizzo
Sound Re-Recording Mixer
Todd Boekelheide
Sound Re-Recording Mixer
Photo Michael Semanick #5089Photo Michael Semanick #5090

Michael Semanick

Michael Semanick
Sound Re-Recording Mixer
Photo David Parker #14557
David Parker
Sound Re-Recording Mixer

Original Music Composer

Photo Howard Shore #10259

Howard Shore

Howard Shore
Original Music Composer

Unit Production Manager

R. Anthony Brown
Unit Production Manager

Co-Producer

Production Supervisor

Joel Hatch
Production Supervisor

Stunt Double

Utility Stunts

Photo Jimmy Hart #6654

Jimmy Hart

Jimmy Hart
Utility Stunts

Director of Photography

Photo Harris Savides #22134Photo Harris Savides #22135

Harris Savides

Harris Savides
Director of Photography

Musician

Bryan Pezzone
Musician

Camera Operator

Martin Schaer
Camera Operator

Costumer

Amy J. Smith
Costumer

Costume Supervisor

Linda Matthews
Costume Supervisor

Makeup Department Head

Julie L. Pearce

Julie L. Pearce
Makeup Department Head

Assistant Art Director

Christopher S. Nushawg
Assistant Art Director

Property Master

Roy 'Bucky' Moore
Property Master

Visual Effects Supervisor

Kevin Tod Haug
Visual Effects Supervisor
Alex Frisch
Visual Effects Supervisor

Supervising Sound Editor

Richard Hymns
Supervising Sound Editor

Script Supervisor

Photo Jamie Babbit #72413

Jamie Babbit

Jamie Babbit
Script Supervisor

Electrician

Spencer Anderson
Electrician

Set Costumer

Meg Matthews
Set Costumer

Supervising ADR Editor

Kimberly Lambert
Supervising ADR Editor

Hairstylist

Patricia Miller
Hairstylist

Special Effects Coordinator

Cliff Wenger
Special Effects Coordinator

Still Photographer

Photo Tony Friedkin #72416
Tony Friedkin
Still Photographer

Sound Mixer

Willie D. Burton
Sound Mixer

Visual Effects Producer

Jenny Bright
Visual Effects Producer

First Assistant Director

Photo Yudi Bennett #72417
Yudi Bennett
First Assistant Director

Assistant Costume Designer

Photo Trish Summerville #463
Trish Summerville
Assistant Costume Designer

Driver

Manny Demello
Driver

Boom Operator

Marvin E. Lewis
Boom Operator

Screenplay

Set Designer

Alan S. Kaye
Set Designer

Foley Artist

Hilda Hodges
Foley Artist

Sound Designer

Photo Ren Klyce #4821
Ren Klyce
Sound Designer

Propmaker

Steve Burnes
Propmaker

Construction Coordinator

Pete Bowman
Construction Coordinator

Location Scout

Jack Robinson
Location Scout

Art Department Coordinator

Lara Kelly
Art Department Coordinator

Dialogue Editor

Elizabeth Kenton
Dialogue Editor

Assistant Editor

Babette Dickerson
Assistant Editor

Best Boy Grip

Craig Kohtala
Best Boy Grip

Art Department Assistant

Karman Graham
Art Department Assistant

Lighting Technician

Chris Weigand
Lighting Technician

Foley Editor

Malcolm Fife
Foley Editor

Rigging Grip

Ronald A. Miller
Rigging Grip

Transportation Coordinator

James Thornsberry
Transportation Coordinator

Key Grip

Michael J. Coo
Key Grip

Location Manager

Flint Maloney
Location Manager

Grip

Nico Bally
Grip

Dolly Grip

Michael Brennan
Dolly Grip

Leadman

Jim Poynter
Leadman

Key Rigging Grip

Larry J. Aube
Key Rigging Grip

Set Production Assistant

Tora Chung
Set Production Assistant

Location Assistant

Thomas M. Harrigan
Location Assistant

Second Second Assistant Director

Matt Rebenkoff
Second Second Assistant Director

Visual Effects Production Manager

Michael Luciano
Visual Effects Production Manager

Carpenter

Jeff Khachadoorian
Carpenter

Construction Foreman

Robert L. Thompson
Construction Foreman

Special Effects

Photo Eric Roberts #72126

Eric Roberts

Eric Roberts
Special Effects
Gregg Bond
Special Effects

Music Supervisor

Dawn Soler
Music Supervisor

Casting Assistant

Rachel Flanagan
Casting Assistant

Foley Mixer

Mary Jo Lang
Foley Mixer

Production Accountant

Sue Bokobza
Production Accountant

Gaffer

Michael Katz
Gaffer

Music Editor

Tod Holcomb
Music Editor

ADR Mixer

Scott Brose
ADR Mixer

Video Assist Operator

Wayne Tidwell
Video Assist Operator

ADR Recordist

Derek Sample
ADR Recordist

Storyboard Artist

Robert Consing
Storyboard Artist

First Assistant Camera

Julian Whatley
First Assistant Camera

Standby Painter

Anthony Gaudio
Standby Painter

Additional Music

David Gleeson
Additional Music

Conductor

Sandy DeCrescent
Conductor

Post Production Supervisor

Glenn Kiser
Post Production Supervisor

Researcher

Earl McDaniel III
Researcher

Production Assistant

David Auge
Production Assistant

Greensman

Larry Misselhorn
Greensman

VFX Artist

Alex Frisk
VFX Artist

Unit Publicist

Marsha Robertson
Unit Publicist

Production Coordinator

Liz Newman
Production Coordinator

Visual Effects Coordinator

Josa Leah 'SDB' Porter
Visual Effects Coordinator

Key Set Production Assistant

Mark Trapenberg
Key Set Production Assistant

Additional Second Assistant Camera

John-Paul Beeghly
Additional Second Assistant Camera

Visual Effects

Robert Ikeda
Visual Effects

Post Production Accountant

Karen Chalk Wheeler
Post Production Accountant

Payroll Accountant

Kirsten Anderson
Payroll Accountant

Extras Casting

Sande Alessi
Extras Casting

Rigging Gaffer

Jeffrey De La Rosa
Rigging Gaffer

Best Boy Electric

Michael S. Adler
Best Boy Electric

Post Production Assistant

Michelle Mendenhall
Post Production Assistant

Second Assistant Accountant

Christa Vausbinder
Second Assistant Accountant

Supervising Music Editor

Michael Jacobi
Supervising Music Editor

Second Assistant Camera

Assistant Sound Editor

Yin Cantor
Assistant Sound Editor

Executive In Charge Of Production

Photo Tim Clawson #72414
Tim Clawson
Executive In Charge Of Production

Transportation Captain

Louis Rodriguez
Transportation Captain

Title Designer

Richard 'Dr.' Baily
Title Designer

Swing

Dean Backer
Swing

First Assistant Accountant

Samuel Bokebza
First Assistant Accountant

Foley Recordist

Carolyn Tapp
Foley Recordist

Aerial Camera

Photo Dylan Goss #6616
Dylan Goss
Aerial Camera

Color Timer

David Orr
Color Timer

Key Set Costumer

Cynthia Black
Key Set Costumer

Craft Service

Raymond Bulinski
Craft Service

Assistant Camera

Daniel Page McDonough
Assistant Camera

Mix Technician

Jurgen Scharpf
Mix Technician

Music Arranger

Chris Boardman
Music Arranger

Sign Painter

Craig Nycz
Sign Painter

Set Dressing Artist

Janine Cavoto
Set Dressing Artist

Transportation Co-Captain

George Hrivnak
Transportation Co-Captain

Production Illustrator

Patrick Janicke
Production Illustrator

Additional Production Assistant

Brian Dettor
Additional Production Assistant

Cableman

Michael Meier
Cableman

Underwater Camera

Michael Ferris
Underwater Camera

Accounting Supervisor

Ellen Hofstadter
Accounting Supervisor

What's left behind the scenes

  • David Fincher revealed in an interview with the English magazine Empire that tripe (haggis) is present in every scene of the film. This is due to the nickname of the film's cinematographer, Harris Savides – Haggis.
  • Jodie Foster planned to participate in the filming of the movie, but was unable to due to a busy work schedule.
  • The plot of the film is based on a real-life role-playing game popular in the United States. The idea for this game originates from the 1980 film 'Midnight Madness'. 'The Game' also contains reminiscences of John Fowles' novel 'The Magus'.
  • The main character wears gold Patek Philippe watches.
  • Spike Jonze played a cameo role as a medical worker shining a light in Nicholas's eye at the end of the film.
  • When Nicholas enters the Nikko hotel room, a pornographic film featuring the well-known adult film actor Tony Tedesco can be seen on the television.
  • Besides the 'actual' decoding of the abbreviation CRS (Consumer Recreation Services), other instances appear in the film. This includes a dashboard card in a speeding taxi in which Nicholas is riding (California Regal Sedans) and lettering on a van parked near Christine's house, from which armed men later open fire on the building (Cable Repair Specialists).
  • The green book that Michael Douglas's character brings to the hotel, searching for his brother, is Harper Lee's 'To Kill a Mockingbird'.
  • When the protagonist wants to call an ambulance, he picks up the phone and says 'the battery is dead,' and the call fails. By the time he is in the elevator, his phone is working again, as he takes it out and says 'there's no signal'.
  • When the protagonist notices a blue pen has leaked in his shirt pocket, the shirt he is wearing is light blue. In the next scene, when he is trying to wash out the stain, the shirt is already a small check pattern. Then, when he gets into the car, the stained shirt is light blue again.
  • During filming, Deborah Kara Unger suffered a bone fracture (in her leg) and also jumped into a dumpster with rats.
  • Initially, Jodie Foster was going to play the sister of the main character, played by Michael Douglas, but she soon changed her mind and stated that she would like to play his daughter. Douglas and the film's director, David Fincher, were strongly opposed to this, so the plot introduced the main character's younger brother (played by Sean Penn). Foster even filed a lawsuit against "PolyGram" demanding a penalty of $54.5 million, but the issue was resolved out of court. Douglas and Foster are friends, and Douglas admitted that the thought of playing Foster's father did not appeal to him at all, as the age difference between them is only 18 years.
  • The main character's house in San Francisco is actually the historic Filoli Villa in Woodside, California, 40 km from San Francisco. Due to the condition of the kitchen, all scenes there were shot with dim and muted lighting. For the scenes showing the graffiti-covered interiors of the mansion, the wooden walls were covered with a special coating. All scenes at the villa were filmed over one shooting day.
  • The film showcases the so-called Penrose triangle (one of the classic impossible figures). This optical illusion is attributed to English psychiatrist Lionel Penrose and his son, Sir Roger Penrose, a Nobel laureate mathematician.
  • The scene where Michael Douglas's character regains consciousness in a crypt in Mexico is a reference to Sam Peckinpah’s thriller “Bring Me the Head of Alfredo Garcia” (1974), in which the protagonist, played by Warren Oates, is buried alive and has to dig his way out. The kidnappers of the main character even dressed him in the same clothes as Oates’ character.
  • The green book that the hero Michael Douglas brings to the hotel, in search of his brother, is "To Kill a Mockingbird" by Harper Lee.
  • When the main character wants to call an ambulance, he picks up the phone and says "the battery is dead," and is unable to make the call. In the elevator, his phone works again, as he takes it out and says, "There is no signal."
  • In the 38th minute of the film, when Christina accidentally spills wine on Nicholas in a restaurant, red stains are visible on her blouse. With each shot change, the stains on her shirt disappear and reappear.
Did you like the film?

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