The Hateful Eight - crew, film crew

The entire team, the film crew of the film "The Hateful Eight"
The Hateful Eight (2015)
Timing: 3:8 (188 min)
The Hateful Eight - TMDB rating
7.757/10
15163
The Hateful Eight - Kinopoisk rating
8.011/10
595935
The Hateful Eight - IMDB rating
7.8/10
719000

Film crew

Director

Producer

Photo Richard N. Gladstein #25983
Richard N. Gladstein
Producer
Shannon McIntosh
Producer

Executive Producer

Photo Bob Weinstein #15880

Bob Weinstein

Bob Weinstein
Executive Producer
Photo Georgia Kacandes #17269
Georgia Kacandes
Executive Producer

Casting

Editor

Special Effects Supervisor

Stan Parks
Special Effects Supervisor
Mike Edmonson
Special Effects Supervisor

Art Direction

Richard L. Johnson
Art Direction
Benjamin Edelberg
Art Direction

Costume Design

Stunts

Photo Freddie Hice #27774
Freddie Hice
Stunts
Photo Tracy Keehn-Dashnaw #15711
Tracy Keehn-Dashnaw
Stunts

Production Design

Yohei Taneda

Yohei Taneda
Production Design

Stunt Coordinator

Set Decoration

Makeup Artist

Photo Greg Funk #19810
Greg Funk
Makeup Artist
Molly Tissavary
Makeup Artist

Sound Re-Recording Mixer

Christian P. Minkler
Sound Re-Recording Mixer

Michael Minkler

Michael Minkler
Sound Re-Recording Mixer
Seva Solntsev
Sound Re-Recording Mixer

Original Music Composer

Photo Ennio Morricone #67343

Ennio Morricone

Ennio Morricone
Original Music Composer

Unit Production Manager

Marc A. Hammer
Unit Production Manager

Production Supervisor

Louise DeCordoba
Production Supervisor

Associate Producer

William Paul Clark
Associate Producer
Coco Francini
Associate Producer

Set Dresser

Bart Barbuscia
Set Dresser
Alex Brandenburg
Set Dresser
Keith Price
Set Dresser
Genelle Ciccarelli
Set Dresser
Don Varley
Set Dresser

Stunt Double

Photo John Casino #10553
John Casino
Stunt Double

Director of Photography

Photo Robert Richardson #3968

Robert Richardson

Robert Richardson
Director of Photography

Costume Supervisor

Jonny Pray
Costume Supervisor

Makeup Department Head

Photo Heba Thorisdottir #11276
Heba Thorisdottir
Makeup Department Head

Sound Effects Editor

Sylvain Lasseur
Sound Effects Editor
Photo Hector C. Gika #15370
Hector C. Gika
Sound Effects Editor
Photo Lauren Hadaway #18305
Lauren Hadaway
Sound Effects Editor

Assistant Art Director

Kil Won Yu
Assistant Art Director

Visual Effects Supervisor

Darren Poe
Visual Effects Supervisor
Laurent Gillet
Visual Effects Supervisor

Supervising Sound Editor

Photo Harry Cohen #11069
Harry Cohen
Supervising Sound Editor
Photo Wylie Stateman #15369
Wylie Stateman
Supervising Sound Editor

Script Supervisor

Martin Kitrosser
Script Supervisor

Hair Department Head

Camille Friend

Camille Friend
Hair Department Head

Set Costumer

Carole Zacek
Set Costumer
Tricia Yoo
Set Costumer
Joshua Coleman
Set Costumer
Bob Moore Jr.
Set Costumer
Marina Marit
Set Costumer

Special Effects Coordinator

Bruno Van Zeebroeck
Special Effects Coordinator

Still Photographer

Andrew Cooper
Still Photographer

Sound Mixer

Nerses Gezalyan
Sound Mixer

Visual Effects Producer

Lisa Goldberg
Visual Effects Producer
Mark Webb
Visual Effects Producer

Armorer

Robert 'Rock' Galotti
Armorer
Robert 'Rock' Galotti
Armorer

First Assistant Director

William Paul Clark
First Assistant Director

Screenplay

Set Designer

Marco Rubeo
Set Designer
Iain McFadyen
Set Designer

Sound Designer

Photo Wylie Stateman #15369
Wylie Stateman
Sound Designer
Photo Mark Ulano #68319

Mark Ulano

Mark Ulano
Sound Designer
Matt Lange
Sound Designer

Construction Coordinator

Michael Diersing
Construction Coordinator

Art Department Coordinator

Sara Ghaffar
Art Department Coordinator

Dialogue Editor

Michael Hertlein
Dialogue Editor
Photo Lauren Hadaway #18305
Lauren Hadaway
Dialogue Editor

Art Department Assistant

Jen R. Clark
Art Department Assistant
Holly E. McCarthy
Art Department Assistant

Grip

Photo Bruce Del Castillo #22041
Bruce Del Castillo
Grip
Michael Guthrie
Grip
Krystina Figg
Grip
Robert Ikeda
Grip
John Curran
Grip
Hugh McCallum
Grip
Mike Byrd
Grip
Sean Frohardt
Grip
Andrew Williams
Grip
Shannon Summers
Grip
James Pat Whelan
Grip

Key Hair Stylist

Barbara Cantu
Key Hair Stylist

Second Second Assistant Director

Brendan Lee
Second Second Assistant Director
Melinda Johnson
Second Second Assistant Director

Music Supervisor

Photo Mary Ramos #25988
Mary Ramos
Music Supervisor

Sculptor

Nick Marra
Sculptor

Gaffer

Ian Kincaid
Gaffer

Music Editor

Bill Abbott
Music Editor

Production Sound Mixer

Photo Mark Ulano #68319

Mark Ulano

Mark Ulano
Production Sound Mixer

First Assistant Camera

Gregor Tavenner
First Assistant Camera

Post Production Supervisor

Tina Anderson
Post Production Supervisor

Digital Intermediate Colorist

Photo Yvan Lucas #2583Photo Yvan Lucas #326693Photo Yvan Lucas #326694

Yvan Lucas

Yvan Lucas
Digital Intermediate Colorist

Visual Effects Coordinator

Lara Perez Takagi
Visual Effects Coordinator
Brittany Montero
Visual Effects Coordinator
Megan Louise Smith
Visual Effects Coordinator
Ashley Bradford
Visual Effects Coordinator

Visual Effects Editor

Andrew S. Eisen
Visual Effects Editor
Michael Harden
Visual Effects Editor
Shawn Broes
Visual Effects Editor

Assistant Sound Editor

Photo Jackie Zhou #90240Photo Jackie Zhou #90241
Jackie Zhou
Assistant Sound Editor

Wigmaker

Diana Choi
Wigmaker

Digital Intermediate

Patrick Ready
Digital Intermediate
Billy Hobson
Digital Intermediate

Foley

Rick Owens
Foley

Makeup Effects

Main Title Designer

Jay Johnson
Main Title Designer

What's left behind the scenes

  • This is the first film since the release of "Jihad" (1966) to be shot using Ultra Panavision 70 technology (65mm film, anamorphic format, aspect ratio of 2.76:1), developed over half a century ago. The same format was used in filming some films in the 1950s and 1960s, in particular "Raintree County" (1957), "Ben-Hur" (1959), and "Mutiny on the Bounty" (1962), "It's a Mad, Mad, Mad, Mad World" (1963) and "The Greatest Story Ever Told" (1965). In addition, "The Hateful Eight" will be the second film after "Jackie Brown" (1997) by Tarantino not shot in 2.35 format.
  • A zero temperature was specifically maintained on the set.
  • The film is set in the same universe as the plot of "Django Unchained", however these two films are not connected in any way.
  • Quentin Tarantino refused to continue working on the film when the script fell into the hands of the press. After reading the script in Los Angeles, all the actors became so enthusiastic about completing the film that Tarantino, under their pressure and especially under the pressure of Samuel L. Jackson, agreed to return to filming.
  • The film is set during a terrible blizzard several years after the American Civil War. It is quite likely that Tarantino was referring to the Great Blizzard of 1888. It was one of the strongest blizzards in the country's history, which swept across the northern states and cost the lives of hundreds of people, including military personnel from privates to generals.
  • This is the sixth film that Tarantino and Samuel L. Jackson have worked on together. Jackson appeared in a cameo role in the second part of "Kill Bill," and his voice was featured off-screen in "Inglourious Basterds."
  • The role ultimately played by Jennifer Jason Leigh was initially offered to Katie Sackhoff. Sackhoff even rehearsed it with the director. It was believed she would get the part, but the filmmakers decided she was too young to convincingly play Daisy Domergue.
  • Of the entire cast, only Jennifer Jason Leigh, Demian Bichir, Jean Jones, and Channing Tatum had never worked with Quentin Tarantino before.
  • The film's plot provides a fairly accurate depiction of life in the years following the Civil War and the realities of that era. In particular, the film shows the animosity and constant rivalry between Federalists and Confederates, their differing attitudes towards the abolition of slavery and the granting of rights to Black people on par with whites, the economic problems of the Southern states, and the assassination of Abraham Lincoln.
  • This is director Quentin Tarantino's eighth film, and its title includes the number "8." Similarly, Federico Fellini's famous film "8½" is named after being his "eight and a half" film (prior to this, Fellini had directed 6 feature films, 2 shorts, and one film jointly with Alberto Lattuada). Thus, Tarantino pays homage to the great director's film. This trend can also be seen in Tarantino's previous works, such as "Pulp Fiction" (1994).
  • Samuel L. Jackson and Tim Roth starred in Tarantino's "Pulp Fiction" (1994). Roth and Michael Madsen appeared together in "Reservoir Dogs" (1992), and Madsen and Jackson – in the second part of "Kill Bill" (2004). Before "The Hateful Eight," Jackson had appeared in five Tarantino films, while Roth and Madsen each appeared in three. These are Quentin Tarantino's three favorite actors, however "The Hateful Eight" is the first film where all three star together.
  • Samuel L. Jackson's character, "Major Marquis Warren," is named after director Charles Marquis Warren.
  • On September 26, 2014, officials in the state of Colorado signed documents allocating $5 million for the production of the film. Filming was to take place in the southwestern part of the state. A plateau ranch and 900 acres of adjacent land were allocated as a filming location. On October 16, a meeting was held with the county planning commission, and a decision was made to set up a temporary film set. Filming began on December 8, 2014, at the Schmid Ranch near Telluride, Colorado.
  • "The Hateful Eight" (2015) brought Kurt Russell and Jennifer Jason Leigh together on set for the first time since the release of "Backdraft" (1991).
  • Viggo Mortensen was in negotiations to appear in the film (he was intended for the role of Jody Domergue), but commitments to other projects prevented the actor from working with Tarantino.
  • On the shelves of Minnie's shop, you can find Red Apple cigarettes – a brand invented many years ago by Quentin Tarantino as a protest against advertising in cinema. Red Apple cigarettes are smoked by characters in his films “Pulp Fiction,” “Kill Bill,” and “Inglourious Basterds,” as well as characters in Robert Rodriguez's films “From Dusk Till Dawn” and “Planet Terror.”
  • Tim Roth confirmed in an interview that his character – the executioner Oswaldo Mobrey – is an ancestor of Archie Hicox, a British lieutenant from Tarantino’s film “Inglourious Basterds.” Hicox, like Mobrey, was originally also supposed to be played by Roth, but due to his commitments at the time, the role went to Michael Fassbender.
  • The word “nigger” is uttered 58 times in the theatrical release of the film and 65 times in the extended version, which includes one additional scene. Michael Madsen is the only member of the main cast who does not utter this word at all in the film.
  • The music used in the film was originally written by Ennio Morricone for the film “The Thing” (1982).
  • In the final script that was leaked to the press, all the characters in the film were either already dead or on the verge of death. During a public reading of the script, Quentin Tarantino stated that the ending would be rewritten.
  • According to Quentin Tarantino himself, the idea for the film was inspired by television Westerns such as "Bonanza" (1959), "The Virginian" (1962), and "High Chaparral" (1967). Tarantino said: "A couple of times a season, these series would invariably include an episode where bandits take one of the main characters hostage. What I like about Westerns is that you can watch half the series before you figure out if a character is good or bad. It only becomes clear from their past. For example, when a few scoundrels gather in one place and start telling stories about their past. And try to figure out if it's true or not. But if you lock such guys somewhere, so that a snowstorm rages outside, and give them weapons, it will be interesting to see what happens."
  • This is the first film since the release of 'Jihad' (1966) to be shot using Ultra Panavision 70 technology (65mm film, anamorphic format, aspect ratio of 2.76:1), developed over half a century ago. The same format was used in filming some films in the 1950s and 1960s, in particular 'Raintree County' (1957), 'Ben-Hur' (1959), 'Mutiny on the Bounty' (1962), 'It's a Mad, Mad, Mad, Mad World' (1963) and 'The Greatest Story Ever Told' (1965). In addition, 'The Hateful Eight' will be the second Tarantino film after 'Jackie Brown' (1997) not shot in 2.35 format.
  • The film is set in the same universe as the plot of 'Django Unchained', however, these two films are not connected to each other.
  • This is the sixth film that Quentin Tarantino and Samuel L. Jackson have worked on together. Jackson appeared in a cameo role in the second part of "Kill Bill", and his voice was heard off-screen in "Inglourious Basterds".
  • This is director Quentin Tarantino's eighth film, and the number "8" is present in its title. Similarly, Federico Fellini's famous film "8½" was named in honor of being his "eighth and a half" film (before that, Fellini had directed 6 feature films, 2 short films, and one film jointly with Alberto Lattuada). Thus, Tarantino pays tribute to the film by the great director. This trend can also be seen in Tarantino's previous works, for example, in "Pulp Fiction" (1994).
  • Samuel L. Jackson and Tim Roth starred in Tarantino’s “Pulp Fiction” (1994). Roth and Michael Madsen starred together in “Reservoir Dogs” (1992), and Madsen and Jackson – in the second part of “Kill Bill” (2004). Before “The Hateful Eight”, Jackson had appeared in five Tarantino films, while Roth and Madsen had each appeared in three. These are Quentin Tarantino's three favorite actors, however, “The Hateful Eight” is the first film where all three play together.
  • Samuel L. Jackson's character, "Major Marquis Warren," is named after director Charles Marquis Warren.
  • “The Hateful Eight” (2015) brought Kurt Russell and Jennifer Jason Leigh together on set for the first time since the release of “Highway 61” (1991).
  • On the shelves of Minnie's shop, you can find Red Apple cigarettes – a brand invented by Quentin Tarantino many years ago as a protest against advertising in cinema. Red Apple cigarettes are smoked by characters in his films “Pulp Fiction”, “Kill Bill”, and “Inglourious Basterds”, as well as characters in Robert Rodriguez’s films “From Dusk Till Dawn” and “Planet Terror”.
  • Tim Roth confirmed in an interview that his character – the hangman Oswaldo Mobrey – is an ancestor of Archie Hicox, the British lieutenant from Tarantino’s film “Inglourious Basterds”. Hicox was also originally supposed to be played by Roth, but due to his prior commitments, the role went to Michael Fassbender.
  • The word “nigger” is spoken 58 times in the theatrical version of the film and 65 times in the extended version, which includes one additional scene. Michael Madsen is the only member of the main cast who does not utter this word once in the film.
  • The music used in the film was originally composed by Ennio Morricone for the film “The Thing” (1982).
  • According to Quentin Tarantino himself, the idea for the film was inspired by television westerns such as “Bonanza” (1959), “The Virginian” (1962), and “High Chaparral” (1967). Tarantino said: “A couple of times a season, these series would invariably include an episode where bandits take one of the main characters hostage. What I like about westerns is that you can watch half of a series before you realize whether a character is good or bad. It only becomes clear from their past. For example, when several villains gather in one place and start telling stories about their past. And how are you supposed to tell if it's true or not? But if you lock such guys somewhere, while a snowstorm rages outside, and give them weapons, it will be interesting to see what happens.”
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