The Shawshank Redemption - crew, film crew

The entire team, the film crew of the film "The Shawshank Redemption"
The Shawshank Redemption (1994)
Timing: 2:22 (142 min)
The Shawshank Redemption - TMDB rating
8.718/10
30100
The Shawshank Redemption - Kinopoisk rating
9.111/10
1120447
The Shawshank Redemption - IMDB rating
9.3/10
3200000

Film crew

Director

Producer

Niki Marvin
Producer

Executive Producer

David V. Lester
Executive Producer
Photo Liz Glotzer #13997

Liz Glotzer

Liz Glotzer
Executive Producer

Casting

Photo Deborah Aquila #13991
Deborah Aquila
Casting
Julie Lichter
Casting

Editor

Art Direction

Peter Landsdown Smith
Art Direction

Costume Design

Elizabeth McBride
Costume Design

Stunts

Daniel W. Barringer
Stunts
Mickey Guinn
Stunts
Dick Hancock
Stunts
Photo A. Michael Lerner #13999
A. Michael Lerner
Stunts
Photo Ben Scott #2369
Ben Scott
Stunts

Production Design

Photo Terence Marsh #13996

Terence Marsh

Terence Marsh
Production Design

Stunt Coordinator

Jerry Gatlin
Stunt Coordinator

Set Decoration

Michael Seirton
Set Decoration

Makeup Artist

Monty Westmore
Makeup Artist
Kevin Haney
Makeup Artist

Original Music Composer

Photo Thomas Newman #2033Photo Thomas Newman #2034

Thomas Newman

Thomas Newman
Original Music Composer

Unit Production Manager

David V. Lester
Unit Production Manager

Production Supervisor

Sue Bea Montgomery
Production Supervisor
Kokayi Ampah
Production Supervisor
Margaret J. Orlando
Production Supervisor

Orchestrator

Thomas Pasatieri
Orchestrator

Stunt Double

Photo Tom Morga #13998
Tom Morga
Stunt Double

Director of Photography

Photo Roger Deakins #12749Photo Roger Deakins #327489

Roger Deakins

Roger Deakins
Director of Photography

Pilot

Robert 'Bobby Z' Zajonc
Pilot

Steadicam Operator

Gerrit Dangremond
Steadicam Operator

Costumer

Donnie McFinely
Costumer

Key Costumer

Paul Wells
Key Costumer
Kris Kearney
Key Costumer

Assistant Art Director

Jack Evans
Assistant Art Director

Property Master

Tom Shaw Jr.
Property Master

Supervising Sound Editor

John Stacy
Supervising Sound Editor

Script Supervisor

Sioux Richards
Script Supervisor
James Ellis Deakins
Script Supervisor
James Ellis
Script Supervisor

Electrician

Kurt Dale Hartman
Electrician

Hairstylist

Roy Bryson
Hairstylist

Still Photographer

Michael P. Weinstein
Still Photographer

Visual Effects Producer

Melissa Taylor
Visual Effects Producer

Thanks

Dennis Baker
Thanks
Kzar Torres
Thanks
Lee Tassef
Thanks
Eve Lapolla
Thanks
Richard Hall
Thanks
Manny Centeno
Thanks

Driver

Robert Conrad
Driver
Chip Vincent
Driver
David Turner
Driver
J.D. Thomas
Driver
Donald Snyder
Driver
Scott Ruetenik
Driver
David Smith
Driver

Boom Operator

Marvin E. Lewis
Boom Operator

Screenplay

Novel

Set Designer

Antoinette J. Gordon
Set Designer

First Assistant Editor

Patricia A. Galvin
First Assistant Editor

Foley Artist

Kevin Bartnof
Foley Artist

Propmaker

Earl F. Betts
Propmaker

Construction Coordinator

Sebastian Milito

Sebastian Milito
Construction Coordinator

Assistant Editor

Robert C. Lusted
Assistant Editor

Best Boy Grip

Keith Bunting
Best Boy Grip

Art Department Assistant

Rhonda Yeater
Art Department Assistant

Rigging Grip

Rex Buckingham
Rigging Grip

Transportation Coordinator

David Marder
Transportation Coordinator

Key Grip

Don Cerrone
Key Grip

Location Manager

Kokayi Ampah
Location Manager

Grip

Brian 'Buzz' Buzzelli
Grip

Dolly Grip

Bruce Hamme
Dolly Grip

Key Hair Stylist

Philip Ivey
Key Hair Stylist

Set Production Assistant

Photo Jesse V. Johnson #4402

Jesse V. Johnson

Jesse V. Johnson
Set Production Assistant
David McQuade
Set Production Assistant

Location Assistant

Chris Cozzi
Location Assistant

Second Second Assistant Director

Michael Greenwood
Second Second Assistant Director

Seamstress

Carol Buckler
Seamstress

Construction Foreman

Dixwell Stillman
Construction Foreman

Painter

Blair Gibeau
Painter

Special Effects

Bob Williams
Special Effects

Casting Assistant

Julie Weiss
Casting Assistant

Foley Mixer

Marilyn Graf
Foley Mixer

Third Assistant Director

Photo Jesse V. Johnson #4402

Jesse V. Johnson

Jesse V. Johnson
Third Assistant Director

Production Accountant

Ramona Sánchez-Waggoner
Production Accountant

Gaffer

Bill O'Leary
Gaffer

Assistant Director

Thomas Schellenberg
Assistant Director
Photo John R. Woodward #13978
John R. Woodward
Assistant Director
Robert Barnett
Assistant Director

Music Editor

Bill Bernstein
Music Editor

Production Sound Mixer

Willie D. Burton
Production Sound Mixer

ADR Mixer

Thomas J. O'Connell
ADR Mixer

Video Assist Operator

Van Scarboro
Video Assist Operator

ADR Recordist

Rick Canelli
ADR Recordist

First Assistant Camera

Robin Brown
First Assistant Camera

Standby Painter

Todd Hatfield
Standby Painter

In Memory Of

Allen Greene
In Memory Of

Conductor

Colorist

Keith Shaw
Colorist

Production Assistant

Unit Publicist

Ernie Malik
Unit Publicist

Scoring Mixer

Dennis S. Sands
Scoring Mixer

Loader

Hope A. Nielsen
Loader

Additional Second Assistant Camera

David Moenkhaus
Additional Second Assistant Camera

ADR & Dubbing

Paul J. Zydel
ADR & Dubbing

ADR Editor

Shelley Rae Hinton
ADR Editor

ADR Voice Casting

Tom Lent
ADR Voice Casting
Photo Barbara Harris #1681

Barbara Harris

Barbara Harris
ADR Voice Casting

ADR Supervisor

Petra Bach
ADR Supervisor

Production Office Assistant

Ramona Sánchez-Waggoner
Production Office Assistant
Joe Schultz
Production Office Assistant
Saxon Eldridge
Production Office Assistant
Michael Vasquez
Production Office Assistant
Amie Tschappat
Production Office Assistant

Rigging Gaffer

Richie Ford
Rigging Gaffer

Best Boy Electric

Jeremy Knaster
Best Boy Electric

Picture Car Coordinator

Mario Simon
Picture Car Coordinator

Actor's Assistant

Tom Cotter
Actor's Assistant
Sophia Xixis
Actor's Assistant

Sound Recordist

Jack Keller
Sound Recordist

Wardrobe Supervisor

Taneia Lednicky
Wardrobe Supervisor

Second Assistant Camera

Andy Harris
Second Assistant Camera

Assistant Sound Editor

Lori Martino
Assistant Sound Editor

Publicist

Ernie Malik
Publicist

Transportation Captain

Fred Culbertson
Transportation Captain

Sound Editor

Bruce Bell
Sound Editor

Foley Recordist

Ron Grafton
Foley Recordist

Aerial Camera

Robert 'Bobby Z' Zajonc
Aerial Camera

Color Timer

David Orr
Color Timer

Craft Service

Brian Boggs
Craft Service
Don Speakman
Craft Service
Mark Moelter
Craft Service

Finance

Jane Estocin
Finance

Wardrobe Assistant

Cookie Beard
Wardrobe Assistant

Executive Music Producer

Dan Goldwasser
Executive Music Producer

Music Consultant

Arlene Fishbach
Music Consultant

Extras Casting Assistant

Linda Weaver
Extras Casting Assistant

Aerial Coordinator

Robert 'Bobby Z' Zajonc
Aerial Coordinator

Animal Wrangler

Therese Amadio
Animal Wrangler

Projection

Alan Jacques
Projection

Set Dressing Artist

Jack Hering
Set Dressing Artist

Additional Soundtrack

Tommy Morgan
Additional Soundtrack

Production Office Coordinator

Beth Hickman
Production Office Coordinator

Executive in Charge of Finance

Ramona Sánchez-Waggoner
Executive in Charge of Finance
Karin Mercurio
Executive in Charge of Finance
Kelley Baker
Executive in Charge of Finance

Camera Department Production Assistant

Tim.L.armstutz
Camera Department Production Assistant

What's left behind the scenes

  • The film is based on Stephen King's novella "Rita Hayworth and Shawshank Redemption," published as part of the collection "Different Seasons" (1982).
  • Filming took place at the Mansfield Correctional Institution in Ohio. The prison was in such a dilapidated state that it had to be brought up to standard.
  • Stephen King's original novella, according to the author himself, was the culmination of all his impressions from various prison films he watched as a child.
  • Stephen King agreed to sell the rights to his work for almost nothing, as he and Frank have a long-standing, close friendship. This happened after Frank had quite successfully adapted King's story "The Woman in the Room".
  • The American Society for the Prevention of Cruelty to Animals criticized the film, in which the only representative of the fauna was the crow of Old Brooks. The film contains a scene of feeding the bird a worm found during lunch in the main character's plate. The society insisted that a dead larva, which had died naturally, be used. After such an individual was found, the scene was filmed.
  • Tommy Williams' role was originally written for Brad Pitt.
  • The film the prisoners are watching is 'Gilda'.
  • Warden Norton whistles the hymn 'Eine feste Burg ist unser Gott,' which translates roughly to 'A Mighty Fortress Is Our God.'
  • The photographs of a young Morgan Freeman on the documents are actually photographs of his son, Alfonso Freeman, who also appeared in one of the film's episodes.
  • Despite not making much money in theaters, the film became one of the most successful video releases, and subsequently on DVD.
  • The film is dedicated to Allen Greene, a close friend of the director. Allen passed away shortly before the film's release due to complications from AIDS.
  • Dennis Baker, the former warden of Mansfield Prison, where the film was shot on location, played the role of an elderly inmate sitting in the prison bus behind Tommy Williams.
  • Frank Darabont's screenplay was greatly admired by another director who had successfully adapted the works of Stephen King – Rob Reiner, director of 'Stand by Me' (1986) and 'Misery' (1990). Reiner was so captivated by the material that he offered Darabont $2.5 million for the rights to the screenplay and to direct the film. Darabont seriously considered the offer, but ultimately decided that this project was a 'chance to do something truly great' and directed the film himself.
  • Rob Reiner envisioned Harrison Ford and Tom Cruise in the roles of Red and Andy Dufresne, respectively.
  • The role of Andy Dufresne was initially offered to Tom Hanks. He was very interested, but unable to accept the offer as he was already committed to the project 'Forrest Gump' (1994). Subsequently, Tom Hanks starred in the lead role in Frank Darabont’s prison drama 'The Green Mile' (1999), also based on a novel by Stephen King.
  • The role of Andy Dufresne was also offered to Kevin Costner, but the actor declined, and later greatly regretted it.
  • In Stephen King's original novella, Red is Irish. Despite Morgan Freeman, who is Black, playing Red in the film adaptation, it was decided to leave in the line "Maybe it's because I'm Irish" as a successful joke.
  • Although almost all the residents of Mansfield expressed a desire to participate in the film's mass scenes, most were too busy with their work to film. The extras had to be recruited from a local almshouse, and some of its inhabitants were former prisoners.
  • When close-ups of Andy Dufresne's hands are shown on screen – when he loads the revolver at the beginning of the film and when Andy carves his name on the wall of his cell – those are actually the hands of director Frank Darabont. These shots were filmed during post-production.
  • Two of the Shawshank prisoners are named Heywood and Floyd. This is a reference to Arthur C. Clarke's *Space Odyssey* trilogy, whose connecting character is Dr. Heywood Floyd.
  • Andy Dufresne's prison number is 37927.
  • Red's cell number is 237. These same numbers appear in both film adaptations of Stephen King's novel 'The Shining' (the 1980 film and the 1997 miniseries) – there, it's the number of the hotel room inhabited by the ghost of a woman. These numbers also appear in the film 'Stand by Me' (1986), based on Stephen King's novella 'The Body' – there, it's the amount of change collected by the four young heroes ($2.37).
  • A portrait of Albert Einstein appears on the wall in Andy Dufresne's cell. This is a reference to the fact that Tim Robbins, who played Andy Dufresne, was simultaneously filming the romantic comedy 'IQ' (1994), in which Albert Einstein (played by Walter Matthau) was one of the main characters.
  • Filming took place at the Mansfield Correctional Institution in Ohio. The prison was in such a dilapidated state that it had to be brought up to standard.
  • Stephen King agreed to sell the rights to his work for almost nothing, as he and Frank had a long-standing and close friendship. This happened after Frank had quite successfully adapted King's story "The Woman in the Room."
  • The American Society for the Prevention of Cruelty to Animals criticized the film, in which the only representative of the fauna was the crow of Old Man Brooks. The film includes a scene of feeding the bird a worm found in the main character's plate during lunch. The society insisted that a pre-deceased larva, which had died naturally, be used. Once such an individual was found, the scene was filmed.
  • The film the prisoners are watching is "Gilda."
  • The photographs of a young Morgan Freeman on the documents are actually photographs of his son, Alfonso Freeman, who also appeared in one of the film's episodes.
  • Despite not earning much money in theaters, the film became one of the most successful video releases, and subsequently on DVD.
  • Frank Darabont's screenplay greatly appealed to another director who had successfully adapted the works of Stephen King – Rob Reiner, the director of "Stand by Me" (1986) and "Misery" (1990). Reiner was so captivated by the material that he offered Darabont $2.5 million for the screenplay rights and to direct the film. Darabont seriously considered the offer, but ultimately decided that this project was a "chance to do something truly great" and directed the film himself.
  • The role of Andy Dufresne was initially offered to Tom Hanks. He was very interested, but couldn't accept the offer because he was already committed to the "Forrest Gump" (1994) project. Later, Tom Hanks starred in the lead role in Frank Darabont's prison drama "The Green Mile" (1999), also based on a novel by Stephen King.
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