Terminator 2: Judgment Day - crew, film crew
The entire team, the film crew of the film "Terminator 2: Judgment Day"
Terminator 2: Judgment Day (1991)
Timing:
2:17 (137 min)
8.1/10
14117
14117
8.421/10
751332
751332
8.6/10
1300000
1300000
Film crew
Director
Producer
Van Ling
Producer
Executive Producer
Mario Kassar
Executive Producer
Writer
Casting
Editor
Richard A. Harris
Editor
Conrad Buff IV
Editor
Special Effects Supervisor
Joe Viskocil
Special Effects Supervisor
Art Direction
Joseph P. Lucky
Art Direction
Costume Design
Marlene Stewart
Costume Design
Stunts
Gilbert B. Combs
Stunts
Peter Kent
Stunts
Bobby Porter
Stunts
Glenn R. Wilder
Stunts
Norman Howell
Stunts
Gene Hartline
Stunts
Doc D. Charbonneau
Stunts
Terry Jackson
Stunts
Perry Barndt
Stunts
Monty Jordan
Stunts
Cotton Mather
Stunts
Lane Leavitt
Stunts
Jack Carpenter
Stunts
Gary Robert
Stunts
Janet Brady
Stunts
Maryellen Aviano
Stunts
David Zellitti
Stunts
Billy Hank Hooker
Stunts
Kevin Larson
Stunts
David Webster
Stunts
Mike Ryan
Stunts
Larry Johnson
Stunts
Production Design
Joseph C. Nemec III
Production Design
Stunt Coordinator
Joel Kramer
Stunt Coordinator
Gary Davis
Stunt Coordinator
Second Unit Director
Glenn R. Wilder
Second Unit Director
Gary Davis
Second Unit Director
Set Decoration
John M. Dwyer
Set Decoration
Makeup Artist
Ed French
Makeup Artist
Steve LaPorte
Makeup Artist
Key Makeup Artist
Jeff Dawn
Key Makeup Artist
Sound Re-Recording Mixer
Original Music Composer
Additional Editing
Dody Dorn
Additional Editing
Unit Production Manager
Dirk Petersmann
Unit Production Manager
Co-Producer
B.J. Rack
Co-Producer
Stephanie Austin
Co-Producer
Set Dresser
William K. Dolan
Set Dresser
Paul Duchemin
Set Dresser
Craig Baron
Set Dresser
Joe Pizzorusso
Set Dresser
Second Assistant Director
Frank Davis
Second Assistant Director
Chip Scott Laughlin
Second Assistant Director
James Lansbury
Second Assistant Director
Dustin Bernard
Second Assistant Director
Tony Perez
Second Assistant Director
Stunt Double
Peter Kent
Stunt Double
Norman Howell
Stunt Double
Larry Linkogle
Stunt Double
Utility Stunts
Mike Justus
Utility Stunts
Bobby Aldridge
Utility Stunts
Director of Photography
Adam Greenberg
Director of Photography
Musician
George Thorogood
Musician
Camera Operator
Randall Robinson
Camera Operator
Lee Redmond
Camera Operator
Mark Gutterud
Camera Operator
Steadicam Operator
László Regos
Steadicam Operator
Costumer
Sue Miller
Costumer
Colin Booth
Costumer
Patricia Moon
Costumer
Costume Supervisor
Bruce R. Hogard
Costume Supervisor
Sound Effects Editor
Richard Hymns
Sound Effects Editor
Tim Holland
Sound Effects Editor
Teresa Eckton
Sound Effects Editor
Nicholas James
Sound Effects Editor
Robert Shoup
Sound Effects Editor
Ken Fischer
Sound Effects Editor
E. Larry Oatfield
Sound Effects Editor
Assistant Art Director
Gary Diamond
Assistant Art Director
Property Master
Charles Stewart
Property Master
Visual Effects Supervisor
Robert Skotak
Visual Effects Supervisor
Craig Barron
Visual Effects Supervisor
Gene Warren Jr.
Visual Effects Supervisor
Supervising Sound Editor
Gloria S. Borders
Supervising Sound Editor
Thierry J. Couturier
Supervising Sound Editor
Script Supervisor
Trudy Ramirez
Script Supervisor
Electrician
David Dunbar
Electrician
James M. Cox
Electrician
Brad Emmons
Electrician
Eric Blum
Electrician
Joe Rowan
Electrician
Jason Gunn
Electrician
David E. Hengstellar
Electrician
Frank Krejsa
Electrician
Darrin Pulford
Electrician
John Smock
Electrician
Donald T. Stanford
Electrician
Mark Shankel
Electrician
Set Costumer
Dawn Y. Line
Set Costumer
Greg Hall
Set Costumer
Aerial Director of Photography
David L. Butler
Aerial Director of Photography
Hairstylist
Robert L. Stevenson
Hairstylist
Special Effects Coordinator
Thomas L. Fisher
Special Effects Coordinator
Still Photographer
Zade Rosenthal
Still Photographer
Animation Supervisor
Steve 'Spaz' Williams
Animation Supervisor
Sound Mixer
Visual Effects Producer
Alison Savitch
Visual Effects Producer
Janet Healy
Visual Effects Producer
Leslie Huntley
Visual Effects Producer
Paul Ashdown
Visual Effects Producer
First Assistant Director
Terry Miller
First Assistant Director
J. Michael Haynie
First Assistant Director
Animation
Pete Kleinow
Animation
Andrew Schmidt
Animation
Amie Slate
Animation
Brett Hisey
Animation
Donna Tracy
Animation
Stereoscopic Supervisor
Daniel Schrepf
Stereoscopic Supervisor
Alex Heffner
Stereoscopic Supervisor
Jeremy P. Carroll
Stereoscopic Supervisor
Chief Lighting Technician
Sal Orefice
Chief Lighting Technician
Gary Tandrow
Chief Lighting Technician
Driver
George Grenier
Driver
Tom Teeple
Driver
Production Manager
Boom Operator
Nicholas R. Allen
Boom Operator
Graphic Designer
Paul Olsen
Graphic Designer
Set Designer
Walter P. Martishius
Set Designer
Carole Lee Cole
Set Designer
First Assistant Editor
Caroline Ross
First Assistant Editor
Clarinda Wong
First Assistant Editor
Jane Kass
First Assistant Editor
Foley Artist
Dennie Thorpe
Foley Artist
Sound Designer
Propmaker
Robert Van Dyke
Propmaker
Peter Flynn
Propmaker
Construction Coordinator
Steve Callas
Construction Coordinator
Location Scout
James Marlowe
Location Scout
Art Department Coordinator
Carla S. Nemec
Art Department Coordinator
Dialogue Editor
Dianna Stirpe
Dialogue Editor
Ewa Sztompke
Dialogue Editor
Marilyn McCoppen
Dialogue Editor
Stacey A. Foiles
Dialogue Editor
Sara Bolder
Dialogue Editor
Paige Sartorius
Dialogue Editor
Assistant Editor
Ron South
Assistant Editor
Clay Rawlins
Assistant Editor
Kelly Tartan
Assistant Editor
Best Boy Grip
Rick Rader
Best Boy Grip
Art Department Assistant
Duncan Kennedy
Art Department Assistant
Lighting Technician
Ron Kunecke
Lighting Technician
Adam Glick
Lighting Technician
Steven C. Hodge
Lighting Technician
Foley Editor
Sandina Bailo-Lape
Foley Editor
Marian Wilde
Foley Editor
Diana Pellegrini
Foley Editor
Clare C. Freeman
Foley Editor
Props
Mike Cameron
Props
Vince Catlin
Props
Rigging Grip
Rodney Veto
Rigging Grip
Transportation Coordinator
Gene R. Johnson
Transportation Coordinator
Key Grip
Robert Gray
Key Grip
Scott M. Robinson
Key Grip
Ager/Dyer
Stanley Moore
Ager/Dyer
Stanley Moore
Ager/Dyer
Location Manager
Richard Klotz
Location Manager
Stephen C. Dawson
Location Manager
Jim Morris
Location Manager
Grip
Richard Crompton
Grip
Hilary Klym
Grip
Bruce Byall
Grip
Bill-Brady Majors
Grip
Tyrone Jackson
Grip
Brian Liberman
Grip
John Nash
Grip
Ryan Russill
Grip
Dolly Grip
Donald L. Hartley
Dolly Grip
Assistant Property Master
Marc Meisels
Assistant Property Master
Linda Waxman
Assistant Property Master
Key Hair Stylist
Peter Tothpal
Key Hair Stylist
Leadman
Barton M. Susman
Leadman
Assistant Location Manager
Robert Foulkes
Assistant Location Manager
Camera Technician
Christopher Duddy
Camera Technician
Scott Dale
Camera Technician
Location Assistant
Andre Gaudry
Location Assistant
Marc Cohen
Location Assistant
Second Second Assistant Director
Grant Gilmore
Second Second Assistant Director
Xochi Blymyer
Second Second Assistant Director
David Fudge
Second Second Assistant Director
Visual Effects Production Manager
Alison Savitch
Visual Effects Production Manager
Painter
Anthony Gaudio
Painter
Special Effects
David Chameides
Special Effects
Beth Hathaway
Special Effects
Hal Miles
Special Effects
Craig Caton
Special Effects
Bruce Spaulding Fuller
Special Effects
Shannon Shea
Special Effects
Mike Trcic
Special Effects
Evan Brainard
Special Effects
John Rosengrant
Special Effects
Mark 'Crash' McCreery
Special Effects
Dan Rebert
Special Effects
J. Alan Scott
Special Effects
David Stinnett
Special Effects
Adam Jones
Special Effects
Frank Charles Lutkus III
Special Effects
Michael Spatola
Special Effects
Greg Figiel
Special Effects
Gary L. King
Special Effects
Rob Burman
Special Effects
Shane Mahan
Special Effects
Christopher Swift
Special Effects
Curt Massof
Special Effects
Paul Sciacca
Special Effects
Andy Schoneberg
Special Effects
Richard J. Landon
Special Effects
Eileen Kastner-Delago
Special Effects
Chris Cowan
Special Effects
Glen Eisner
Special Effects
Brent Baker
Special Effects
Joe Reader
Special Effects
Karen Mason
Special Effects
Len Burge
Special Effects
Jon Curtis Price
Special Effects
J.C. Matalon
Special Effects
Bill Basso
Special Effects
David Beneke
Special Effects
Richard Davison
Special Effects
Mark Goldberg
Special Effects
Armando González
Special Effects
David Grasso
Special Effects
Mark Jurinko
Special Effects
Joseph Kelly
Special Effects
Brad Krisko
Special Effects
Greg Manion
Special Effects
Paul Mejias
Special Effects
Jeff Periera
Special Effects
Sean Rodgers
Special Effects
Ian Stevenson
Special Effects
Michiko Tagawa
Special Effects
Joseph Patrick Todd
Special Effects
Robert E. Watson
Special Effects
N. Brock Winkless IV
Special Effects
Characters
3D Artist
Miriam Alvarez
3D Artist
Special Effects Technician
George Zamora
Special Effects Technician
Bob Ahmanson
Special Effects Technician
Thomas Zell
Special Effects Technician
Steve Sanders
Special Effects Technician
Phillip Hartmann
Special Effects Technician
Production Accountant
Chris Silver Finigan
Production Accountant
Pam Kaye
Production Accountant
Casting Associate
Emily Schweber
Casting Associate
Sculptor
Greg Aronowitz
Sculptor
Bart Mixon
Sculptor
Dan Frye
Sculptor
Dan Platt
Sculptor
Gaffer
George S. Neil
Gaffer
"A" Camera Operator
Michael St. Hilaire
"A" Camera Operator
Mike Benson
"A" Camera Operator
Music Editor
Dan Garde
Music Editor
Additional Still Photographer
Merie Weismiller Wallace
Additional Still Photographer
Video Assist Operator
Rick Dungan
Video Assist Operator
Pete Martinez
Video Assist Operator
Scott Warner
Video Assist Operator
Second Unit Director of Photography
Mike Benson
Second Unit Director of Photography
Storyboard Artist
Iain McCaig
Storyboard Artist
Phillip Norwood
Storyboard Artist
VFX Editor
W. Peter Miller
VFX Editor
Miller Drake
VFX Editor
Michael Gleason
VFX Editor
First Assistant Camera
Horace Jordan
First Assistant Camera
Ted H. Hauser
First Assistant Camera
Bruce Manning
First Assistant Camera
Special Effects Assistant
Bruce Minkus
Special Effects Assistant
Jay King
Special Effects Assistant
Scott R. Fisher
Special Effects Assistant
Mark Lohff
Special Effects Assistant
Tara Meaney-Crocitto
Special Effects Assistant
Roger Hansen
Special Effects Assistant
Terry W. King
Special Effects Assistant
Bob King
Special Effects Assistant
Mark Noel
Special Effects Assistant
Online Editor
Arden Rynew
Online Editor
Post Production Coordinator
Crystal Dowd
Post Production Coordinator
Standby Painter
Bill 'Kauhane' Hoyt
Standby Painter
Concept Artist
Steve Burg
Concept Artist
Iain McCaig
Concept Artist
Post Production Supervisor
Pamela Easley
Post Production Supervisor
On Set Dresser
R. Patrick McGee
On Set Dresser
Digital Intermediate Colorist
Skip Kimball
Digital Intermediate Colorist
Conceptual Illustrator
David Russell
Conceptual Illustrator
Sound Engineer
John Rotondi
Sound Engineer
Stand In
Maryellen Aviano
Stand In
Sound Assistant
Hael Kobayashi
Sound Assistant
Phil Benson
Sound Assistant
Dianna Stirpe
Sound Assistant
J.R. Grubbs
Sound Assistant
Kevin Rose-Williams
Sound Assistant
Claire Sanfilippo
Sound Assistant
Clare C. Freeman
Sound Assistant
Samuel H. Hinckley
Sound Assistant
Susan Sanford
Sound Assistant
Susan Popovic
Sound Assistant
Patti Tauscher
Sound Assistant
Larry Rennick
Sound Assistant
Vanessa James
Sound Assistant
Philip Olbrantz
Sound Assistant
Jim Seymour
Sound Assistant
Pam Uzzell
Sound Assistant
VFX Artist
Harry Walton
VFX Artist
Wade Howie
VFX Artist
Barbara Brennan
VFX Artist
Andrew Kennedy
VFX Artist
James Hagedorn
VFX Artist
Gordon Baker
VFX Artist
Production Coordinator
Jane Prosnit
Production Coordinator
Assistant Director Trainee
Kelly Cantley-Kashima
Assistant Director Trainee
Kelly Cantley-Kashima
Assistant Director Trainee
Scoring Mixer
Tim Boyle
Scoring Mixer
Sound
Kevin Rose-Williams
Sound
Visual Effects Coordinator
Van Ling
Visual Effects Coordinator
Jennifer C. Bell
Visual Effects Coordinator
Gail Currey
Visual Effects Coordinator
Susan Adele Colletta
Visual Effects Coordinator
Visual Effects Editor
Miller Drake
Visual Effects Editor
Michael Gleason
Visual Effects Editor
Visual Effects
Christopher Duddy
Visual Effects
Al Magliochetti
Visual Effects
Jeff Varga
Visual Effects
Elaine Edford
Visual Effects
Chiaki Matsubayashi
Visual Effects
Payroll Accountant
Denyse Rossi
Payroll Accountant
Visual Effects Compositor
Brian N. Bentley
Visual Effects Compositor
Dana Passarella
Visual Effects Compositor
Miguel Basulto
Visual Effects Compositor
Troy Summersett
Visual Effects Compositor
Megan Graham
Visual Effects Compositor
Dipak Tarpara
Visual Effects Compositor
Sandra Duque
Visual Effects Compositor
Glenn Guenette
Visual Effects Compositor
Modelling Supervisor
Michael Joyce
Modelling Supervisor
Animation Director
Sean Applegate
Animation Director
Effects Supervisor
Emmet Kane
Effects Supervisor
Robert Costa
Effects Supervisor
CG Supervisor
Jay Riddle
CG Supervisor
Scott E. Anderson
CG Supervisor
Douglas Smythe
CG Supervisor
George H. Joblove
CG Supervisor
Douglas S. Kay
CG Supervisor
Lincoln Hu
CG Supervisor
ADR Editor
Barbara McBane
ADR Editor
Michele Perrone
ADR Editor
C.J. Appel
ADR Editor
Extras Casting
Abra Edelman
Extras Casting
CG Artist
John C. Wash
CG Artist
Gregory L. McMurry
CG Artist
Richard E. Hollander
CG Artist
Rhonda C. Gunner
CG Artist
Rigging Gaffer
Kevin J. Lang
Rigging Gaffer
Moose Enright
Rigging Gaffer
Christopher J. Lama
Rigging Gaffer
Lee Johnson
Rigging Gaffer
Eldon Hansen
Rigging Gaffer
Best Boy Electric
Steven C. McGee
Best Boy Electric
Steve Hastings
Best Boy Electric
Sound Mix Technician
Picture Car Coordinator
Steve Bonner
Picture Car Coordinator
Post Production Assistant
Joseph Berger-Davis
Post Production Assistant
Lyvonne Klingler
Post Production Assistant
Camera Loader
Stephen Sfetku
Camera Loader
Assistant Production Coordinator
Dean Wright
Assistant Production Coordinator
Key Production Assistant
Supervising Music Editor
Allan K. Rosen
Supervising Music Editor
Second Assistant Camera
Alan Cohen
Second Assistant Camera
Daniel E. Teaze
Second Assistant Camera
Gavin Alcott
Second Assistant Camera
Bruce DeAragon
Second Assistant Camera
Todd M. Gavin
Second Assistant Camera
Sound Supervisor
Gloria S. Borders
Sound Supervisor
Assistant Sound Editor
Jon Null
Assistant Sound Editor
Jonathan Null
Assistant Sound Editor
Visual Effects Art Director
Doug Chiang
Visual Effects Art Director
Publicist
Steve Newman
Publicist
Steve Newman
Publicist
Modeling
David Zen Mansley
Modeling
Dorn Merrill Kennison
Modeling
Jim Davidson
Modeling
Monty Shook
Modeling
Brian McFadden
Modeling
Dwight Shook
Modeling
Bret Alexander
Modeling
Dan Carter
Modeling
Anthony Chaney
Modeling
Tim Conrad
Modeling
Pete Gerard
Modeling
Doug Moore
Modeling
Steve Petruzates
Modeling
Gary Rhodaback
Modeling
Dennis Schultz
Modeling
William Stromberg
Modeling
Joseph Thompson
Modeling
Lou Zutavern
Modeling
Executive In Charge Of Production
Jim Morris
Executive In Charge Of Production
Krystyna Demkowicz
Executive In Charge Of Production
Lighting Artist
Moose Enright
Lighting Artist
Matte Painter
Richard Kilroy
Matte Painter
Rick Rische
Matte Painter
Post-Production Manager
Derek N. Prusak
Post-Production Manager
Rotoscoping Artist
Sandy Houston
Rotoscoping Artist
Tim Scannell
Rotoscoping Artist
Joanne Hafner
Rotoscoping Artist
Terry Molatore
Rotoscoping Artist
Jack Mongovan
Rotoscoping Artist
Pyrotechnic Supervisor
Joe Viskocil
Pyrotechnic Supervisor
Tony Alderson
Pyrotechnic Supervisor
Transportation Captain
Jerry F. Johnson
Transportation Captain
Pete Johnson
Transportation Captain
Second Unit First Assistant Director
Barry K. Thomas
Second Unit First Assistant Director
Randall Badger
Second Unit First Assistant Director
Sound Effects
Gloria S. Borders
Sound Effects
Music Producer
Foley Recordist
Visual Effects Production Assistant
Zeke Morales
Visual Effects Production Assistant
Nelson Broskey
Visual Effects Production Assistant
Leslie Schor
Visual Effects Production Assistant
Geoff Burdick
Visual Effects Production Assistant
Tony Moffett
Visual Effects Production Assistant
Scott Beverly
Visual Effects Production Assistant
Steve Cohen
Visual Effects Production Assistant
James Cook
Visual Effects Production Assistant
Kirby Jones
Visual Effects Production Assistant
Paula Pirok
Visual Effects Production Assistant
Color Timer
Dan Muscarella
Color Timer
Art Tostado
Color Timer
Craft Service
John Moy
Craft Service
Negative Cutter
Mary Nelson-Duerrstein
Negative Cutter
Roberto McGrath
Negative Cutter
Assistant Foley Artist
Marnie Moore
Assistant Foley Artist
Visual Effects Assistant Editor
Jim May
Visual Effects Assistant Editor
Julie J. Webb
Visual Effects Assistant Editor
VFX Production Coordinator
Beth Block
VFX Production Coordinator
Siddhartha Maganti
VFX Production Coordinator
Roto Supervisor
Bret Mixon
Roto Supervisor
Matthew E. Gill
Roto Supervisor
Tom Bertino
Roto Supervisor
Special Props
Michael Possert Jr.
Special Props
Special Effects Manager
Andrew Miller
Special Effects Manager
Assistant Camera
Dennis J. Laine
Assistant Camera
Aerial Coordinator
Compositing Lead
Yael Majors
Compositing Lead
James Clowater
Compositing Lead
Visual Effects Designer
Michael Novotny
Visual Effects Designer
Visual Effects Technical Director
Brian N. Bentley
Visual Effects Technical Director
Stereoscopic Technical Director
Rustin Devendorf
Stereoscopic Technical Director
Stereoscopic Coordinator
Daniel Burridge
Stereoscopic Coordinator
Executive Assistant
Lisa Dennis
Executive Assistant
Additional Camera
Paul C. Babin
Additional Camera
Sound Re-Recording Assistant
Sean Landeros
Sound Re-Recording Assistant
VFX Lighting Artist
Mark A. Shelton
VFX Lighting Artist
George S. Neil
VFX Lighting Artist
Richard Mula
VFX Lighting Artist
CGI Director
Ginger Theisen
CGI Director
Judith Weaver
CGI Director
Makeup Effects Designer
Camera Car
Jack Carpenter
Camera Car
Pyrotechnician
Robert Hutchins
Pyrotechnician
Stereoscopic Editor
Reginald Harber Jr.
Stereoscopic Editor
CG Animator
Stephen Rosenbaum
CG Animator
John Andrew Berton Jr.
CG Animator
Joe Pasquale
CG Animator
Elizabeth Maxwell Keith
CG Animator
Geoff Campbell
CG Animator
Alex Seiden
CG Animator
Richard L. Cohen
CG Animator
Jonathan French
CG Animator
Christian Hogue
CG Animator
Annabella Serra
CG Animator
Set Dressing Artist
Craig Baron
Set Dressing Artist
Visual Effects Camera
Paul Gentry
Visual Effects Camera
Christopher Warren
Visual Effects Camera
Robert Hill
Visual Effects Camera
Michael Karp
Visual Effects Camera
Terry Chostner
Visual Effects Camera
Tim Scannell
Visual Effects Camera
Production Illustrator
George Jenson
Production Illustrator
Additional Visual Effects
Larry Arpin
Additional Visual Effects
Paint Coordinator
Chris Woodworth
Paint Coordinator
Technical Advisor
Michael Albanese
Technical Advisor
VFX Director of Photography
George D. Dodge
VFX Director of Photography
Dennis Skotak
VFX Director of Photography
James Belkin
VFX Director of Photography
Background Casting Director
Paul Cruz
Background Casting Director
Digital Supervisor
Stuart Robertson
Digital Supervisor
Executive in Charge of Finance
Marty Shindler
Executive in Charge of Finance
Cableman
Knox White
Cableman
Assistant Sound Designer
David Slusser
Assistant Sound Designer
Scott Chandler
Assistant Sound Designer
Executive In Charge Of Post Production
Ed Jones
Executive In Charge Of Post Production
Weapons Master
Harry Lu
Weapons Master
Tony Didio Jr.
Weapons Master
Visual Effects Design Consultant
Jeryd Pojawa
Visual Effects Design Consultant
Special Guest Director
Storyboard Assistant
Chris R. Green
Storyboard Assistant
Mechanical Designer
Jon Curtis Price
Mechanical Designer
CG Engineer
Diana Ace
CG Engineer
Ken Beyer
CG Engineer
What's left behind the scenes
- Arnold Schwarzenegger received a fee of $12 million for playing the main role in the film. He uttered approximately 700 words throughout the entire movie. Thus, each word spoken by the future Governor of California was valued at $17,143, and his phrase "Hasta La vista, baby" cost the film studio around $68,000.
- Particularly brutal footage of the scene where Schwarzenegger's character cuts off his own arm was removed.
- While preparing for filming, Linda Hamilton, who played the role of Sarah Connor, underwent special military training under the guidance of former Israeli special forces operative Uzi Gal.
- While working on the film, the special effects team took into account Robert Patrick's injury, who played the role of the T-1000 cyborg. While playing soccer, the actor seriously injured his leg and subsequently developed a slight limp. Since the actor was limping, the computer graphics masters decided that the Terminator's gait should also be uneven.
- Linda Hamilton wasn't the only one to play the role of Sarah Connor in the film. Her identical twin sister, Leslie Hamilton, was involved in the scene at the steel mill and played Sarah Connor as simulated by the T-1000 Terminator. Leslie also appeared in the mirror scene (which was only seen by owners of the extended version of the film released on DVD).
- Twin brothers Don Stanton and Dan Stanton were involved in filming a scene in the hospital. One of them played a hospital guard, and the other played the Terminator T-1000 copying him.
- Almost all of Edward Furlong's lines, who played John Connor, had to be re-recorded during editing. The young man was 13 years old at the time of filming, and his voice, like that of many teenagers at that age, was undergoing significant changes. The only scene that did not undergo re-voicing was the one in which John explains to the Terminator T-800 the reason why people cry. In addition, Edward changed visually. If you look closely, you can notice that he looks much younger in the desert than in the other scenes.
- Three editing specialists were involved in the production of the film. This was due to the tight production schedule. As a result, each of the three worked on their own piece of the film, and these pieces were later merged together.
- During the climactic battle between the two cyborgs, the set was covered in rubber to prevent the actors (Schwarzenegger and Robert Patrick) from getting injured during filming.
- Initially, a team of 6 people was planned to create the special effects related to the transformation of the T-1000 cyborg. However, the team subsequently increased to 36 people. Of the 137 minutes of screen time, about three minutes are the result of the efforts of this group of specialists.
- Arnold Schwarzenegger, during the filming of the movie, promised he would never play a villain again. However, he later broke this promise by playing Mr. Freeze in "Batman & Robin" (1997).
- James Cameron tried to nominate Linda Hamilton for the Academy Award for Best Actress, but the Academy members disagreed.
- Until 2003, the film's opening weekend box office in the US was considered the most successful among films with an R rating ($52,300,000). This lasted until the release of "The Matrix Reloaded" (2003).
- Edward Furlong was chosen from hundreds of candidates to play John Connor. Interestingly, he was invited to the audition after being noticed while standing in line to enter a club.
- Initially, Michael Biehn, who played the lead role in the first film, was considered for the role of the T-1000. This would have effectively switched roles with Arnold (the villain of the first film becomes the hero, and vice versa). However, producers were soon forced to abandon this idea to avoid confusing the audience.
- James Cameron asked special effects creator Stan Winston to direct a teaser trailer. Cameron did not want the teaser to consist only of footage from the film. Having received $150,000, Winston created a video showing the assembly of a T-800 model in a futuristic factory.
- Two takes were required to film the scene where the minivan crashes into the lobby of the Cyberdyne Systems building.
- The name of the explosive (polydichloric euthimal) used to blow up the Cyberdyne Systems building is exactly the same as the name of the drug in the film 'Strange Days' (1981).
- In one scene, the Terminator says, 'I need a vacation.' Arnold Schwarzenegger says the exact same phrase in the film 'Kindergarten Cop' (1990). This line was not in the script and is an improvisation by the actor.
- The metallic ringing from the main musical theme of the film was created by Brad Fidel banging a cast iron skillet against a microphone.
- The sound of a shotgun firing was used as the sound of two cannons firing.
- Linda Hamilton actually learned to pick locks with a paperclip.
- Eleven cameras were used to film the explosion of the Cyberdyne Systems building.
- The scene of the helicopter crashing onto the highway was filmed in only the third take.
- The scene showing the laboratory containing the time machine was never filmed, as building the set would have taken too much time, and furthermore, the scene was not crucial to the plot. Sketches and drafts for this scene were later used in the creation of the space travel device in the film 'Contact' (1997).
- Residents of the Lakeview Terrace district organized a protest outside the medical center when its name was changed to “Pasaderro State Hospital for Criminally Insane.” However, the protest was immediately stopped after the protesters learned that the hospital had been renamed only for the duration of filming.
- It took five hours to apply Terminator’s makeup (as he appears at the end of the film) and another hour to remove it.
- In the scene where John hacks the ATM, he uses an Atari Portfolio handheld computer.
- The forced treatment scene (which can be found on the special edition DVD) was filmed several times. The moment when Ken Gibbel strikes Linda Hamilton with a baton also required numerous takes. In some of them, Gibbel unintentionally delivered real blows to Hamilton’s body. Linda later got her revenge: in the scene where Sarah hits Douglas with a broken mop handle, the blows were real.
- Cameron once had a dog named Wolfie. In the scene where the T-800 speaks to the T-1000 in the guise of John’s stepmother, he asks, “What about Wolfie, I hear him barking?” The dog’s actual name was Max.
- Doomsday was set for August 29, 1997. This may echo the date of August 29, 1949, when the Soviet Union conducted the test of its first atomic bomb.
- The video game John is playing in 'The Gallery' is 'Missile Command'. In this game, the player must stop missiles with nuclear warheads before they reach their target.
- John's adoptive parents are named Todd and Janelle Voight. This means that if John had decided to take their surname, his name would have been John Voight.
- Arnold Schwarzenegger preferred to receive his fee not in money, but in kind: he received a Gulfstream III aircraft as his payment.
- The Terminator's full designation is 'Terminator Series 800 (internal metal endoskeleton) Model 101 (living tissue over metal endoskeleton).'
- The sound heard during the T-1000's transformation was created as follows: a condom was placed over a microphone, and this contraption was then submerged in oatmeal.
- The minigun used in the film was so heavy that the only person on set who could lift it was Arnold Schwarzenegger.
- Stunt coordinator Joel Kramer played a cameo role – as one of the hospital guards.
- Stan Winston and his special effects team spent countless hours reviewing documentary footage of nuclear explosions. After the film was released, several members of the 'Federal Laboratory for Atomic Weapons Testing' unofficially acknowledged that the film contained the most accurate depiction of a nuclear explosion ever shown in a feature film at that time.
- The famous phrase 'Hasta la Vista, baby' was translated as 'Sayonara, baby' in the dubbed Spanish version.
- In the gas station scene, you can notice a sign for "Benthic Petroleum". Benthic Petroleum owned the underwater drilling station in the film "The Abyss" (1989), also directed by James Cameron.
- The computer effects for T-1000's transformation were created on Silicon Graphics IRIS Indigo graphics workstations.
- When John and the T-800 rescue Sarah from the hospital, the Terminator says to Sarah: "Come with me if you want to live." In the first film, Reese says the exact same phrase to Sarah during the shootout at the nightclub.
- Approximately 300 kilometers of film stock were used for filming.
- Around 200 different types of weapons were used during filming.
- The film features around 300 special effects, accounting for approximately 16 minutes of its total runtime.
- This is the first film in the history of cinema to have a budget of 100 million dollars.
- The band Scooter borrowed the main musical theme from the film for their song "The Age of Love".
- To create the computer model of Robert Patrick as the T-1000, he was scanned by a special three-dimensional scanner while naked for 3 days, as a result of which he contracted bronchitis.
- A young employee of "Cyberdyne Systems" who pesters Dyson with questions wears a t-shirt with a coat of arms stylized after the Russian Empire's coat of arms, and the inscription "When Russia was free, a goose cost three kopecks".
- In one scene, the T-1000 chases John Connor in a 1987 Freightliner FLA9642T truck.
- The T-800 shoots at police cars with a Blooper M79 grenade launcher.
- Initially, for the chase scene in the canals, Cameron wanted the truck to be a cab-over model – it looked more spectacular. That's how it appeared in the film's original storyboard. James then abandoned this idea in favor of a conventional cab Freightliner – reportedly because the first film had a scene where the Terminator runs over a similar conventional cab toy truck with the car’s wheel. It became a reference to the first part.
- The scene in the canal where the roof of the truck is blown off appeared by accident. Cameron simply arrived on set and discovered that the truck wouldn't pass under the bridge, and decided to use this circumstance to create an additional spectacular scene.
- Robert Patrick doesn't actually drive the truck – he sits on the right side, while a stunt driver hidden behind the lowered left-hand steering wheel does the driving. This was done so Robert could focus on his acting and not be distracted by driving. During editing, the image was flipped horizontally, so the T-1000 ended up on the left.
- To film the scene where a helicopter crashes into a van, three helicopters and three vans had to be destroyed.
- The scene of reassembling the shattered T-1000 used real mercury, which was herded into a single puddle using industrial hair dryers, with protective equipment and under the watchful supervision of specialists.
- The full name of the machine gun used by the T-800 is the XM214 Microgun – a multi-barrel rotating-block machine gun chambered in 5.56mm.
- The film was the first in the history of cinema to contain key scenes based on computer animation.
- There are three versions of the film: theatrical (137 mins), director's cut (154 mins), and extended (156 mins).
- All weapons were provided for filming by Stembridge Gun Rentals, a company specializing in the manufacture of prop or film-adapted weaponry.
- At the beginning of the film, when the T-800 enters a bar for clothes, he has a conflict with the bar patrons who are unwilling to give up their clothing. During the fight, one of them stabs the T-800 in the abdominal area with a knife, just as in the first film.
- After the hand-to-hand combat between the two Terminators in the technical rooms of the 'Galeria' shopping center, the T-800 flies out onto the street through a stained-glass window and falls onto its back. After lying in this position for several seconds, it gets up and goes back through the opening into the mall, similar to how the T-800 flew out the window of the 'Tech Noir' bar after Kyle Reese shot it with a shotgun and then began pursuing its target for elimination. The man who photographs the Terminator was played by the film's screenwriter, William Wisher Jr. He also played the police officer from whom the Terminator stole a car in the first film. This adds extra meaning to the scene, as it can be assumed that the surprise is caused not only by the Terminator's strange behavior, but also by the fact that the visitor recognizes him.
- After destroying the laboratory, leaving John and Sarah in the elevator, the T-800 repeats the famous phrase from the first part – “I'll be back”.
- At the end of the film, the T-800 limps on its left leg, having sustained injuries after falling from a liquid nitrogen truck. It likely received the same chassis damage as the T-800 in the first film after colliding with a tanker truck.
- As in the first film, in the climax, while pursuing the main characters, the T-1000 climbs a metal staircase, trying to fulfill the task assigned to it.
- In the film's finale, at the steel mill, Sarah Connor, left alone with the T-1000, screams for John to run. Similarly, in the first film, Kyle Reese shouted at Sarah when the T-800 caught them at the factory.
- During the highway chase, both vehicles are disabled: the special forces van and the helicopter. Then, the T-1000 kills the truck driver and races towards the heroes, who narrowly manage to escape in time. The first part featured a similar scene with a car, a motorcycle, and a tanker.
- In the action comedy "Last Action Hero" (1993), starring Arnold Schwarzenegger, the film's poster is parodied. Sylvester Stallone is sitting on the motorcycle with a shotgun instead of Schwarzenegger. Additionally, Robert Patrick makes a cameo appearance as the T-1000 in one of the episodes.
- Robert Patrick played the T-1000 in three more films. In "Terminator 2 3-D" – a short video shot for a stereo attraction. In the comedy "Wayne's World" (1992), where he rides up to the hero on a police motorcycle and shows him a childhood photograph, asking: “Have you seen this boy?”. And in the film "Last Action Hero" (1993).
- The film *Critical Mass* (2001) uses the company name "Cyberdyne Systems," as well as a significant amount of footage from *Terminator 2: Judgment Day* (1991), dedicated to the incident at "Cyberdyne Systems" and the subsequent escape.
- In the anime series *Maid Rosa* (2001), the manufacturer of the robot maids is listed as "Cyberdyne."
- In the anime series *Black Lagoon* (2006-2011), a secondary character pursues the main characters, effectively recreating the chase scene of the T-1000 after the car. The effect is heightened by a joke from one of those fleeing: "She's a killer robot from the future, all we need is Schwarzenegger."
- In the anime series *Aria the Scarlet Ammo* (2007), the head of the Edomae clan is a parody of the T-800.
- One episode of the series *The Simpsons* (1989) features a scene where Homer Simpson uses two golf clubs to cling to Ned Flanders’ departing car, just like the T-1000 when the heroes were fleeing the mental hospital. In the same episode, there is a scene where Homer walks through a hedge, just as the T-1000 went through the bars at the hospital. In another episode, two producers are destroyed in an explosion, but then reassemble from pieces, similar to how the T-1000 did after being frozen in liquid nitrogen, hinting at the inhumanity of these characters.
- In the first episode of the first season of the American animated series "Mars Attacks!" (1993-1996), the Liquidator robot says "Hasta la vista" before chasing the main characters, and at the end of the episode, Drossel arranges for him to fall into molten metal, with the robot saying "I'll be back".
- In the series "The X-Files" (1993-2002), Robert Patrick played an FBI agent. In one episode, Robert Patrick's character asks Agent Scully about a metallic man, to which she gives an answer subtly alluding to the film "Terminator 2: Judgment Day" (1991).
- In the film "The Marine" (2006), one of the passengers in a car fleeing the main character (played by John Cena) addresses Robert Patrick's character, saying the pursuer is "like some kind of Terminator," to which Robert Patrick gives a characteristic look in the rearview mirror, a moment effectively underscored by the music.
- Arnold Schwarzenegger also says the phrase "I'll be back" in the films "Twins" (1988), "The Running Man" (1987), "Commando" (1985), "Last Action Hero" (1993), and others, while in the films "Terminator 3: Rise of the Machines" (2003) and "The Expendables 2" (2012) he says the phrase "I’m back" ("I've returned").
- In the film "The Naked Drummer" (2008), Fish, pursuing his bandmates, hooks onto a car and crawls along it using drumsticks, just like the T-1000 when the heroes were escaping from the mental hospital.
- Charlie Korsmo was offered the role of John Connor, but ultimately chose to star in the film «What About Bob?» (1991).
- Among the weapons in the arsenal, one can see M60 machine guns, pump-action shotguns, a Mac-10 submachine gun, M4 and AK-47 assault rifles.
- During the motorcycle chase, Schwarzenegger rode a Harley-Davidson Fat Boy. This motorcycle became an exhibit at the Harley-Davidson Museum in Milwaukee in 2014.
- In February 2017, as part of the 67th Berlin International Film Festival, a restored version was shown: the film was digitized in 4K resolution and converted to 3D format on the initiative of StudioCanal and DMG Entertainment. Cameron personally supervised the color correction, restoration, and conversion of the film to stereoscopic format.
- Initially, British rock musician Billy Idol was supposed to play the role of the T-1000, but he was involved in a serious motorcycle accident in February 1990.
- The T-1000 says to the helicopter pilot: "Get out!". In the first film, under similar circumstances, the T-800 says the exact same phrase in the truck.
- Arnold Schwarzenegger agreed to star in the film on the condition that his character would not kill anyone.
- The director's cut of the film contains many new scenes. Here are some of them: Sarah Connor dreams of a dream in which Kyle Reese appears. He tells Sarah that their son is in danger and she must save him. They kiss. Sarah wakes up. This is the only scene featuring Michael Biehn. This scene was present in several film trailers. Cameron cut this scene because he believed that viewers who had not seen the first part would be completely confused as to who Kyle is. Another scene in the hospital, which immediately follows Dr. Silberman showing Sarah to students. The doctor tells the orderlies to make sure Sarah has taken her medication. The deleted scene begins when two orderlies enter Sarah's room. They hit her with batons several times, then forcibly make her take pills. Then they hit the pain-writhing Sarah several more times. After the T-1000 kills John's adoptive parents, he goes out into the yard, approaches a dog, kills it, and rips off its collar. The dog's name is written on the collar - Max. The T-1000 realizes he has been tricked, as shortly before, the T-800 referred to the dog as Pup in a phone call. After killing the dog, the T-1000 goes into John's room and tries to find something that might tell him where John is. He walks around the room, feeling the objects on the shelves and walls with his hands, as if 'sensing' them. Eventually, he stops at a poster, looks at it closely, realizes there is something behind it, tears it down and finds a box containing photos and mementos of John. Most likely, using these items, the T-1000 will learn about the location in the desert where Sarah, John and the Terminator have gone. James Cameron decided to cut this scene because viewers might get the impression that the T-1000 is using 'X-ray vision'. At the abandoned gas station, Sarah and John talk to the Terminator about whether he can learn. The Terminator tells them that his microprocessor is switched to 'read-only' mode. Skynet did not want Terminators to be able to evolve independently. John asks the Terminator - can the processor be switched back. The Terminator answers - yes. After that, we see the Terminator telling Sarah what she needs to do to get to the processor. After Sarah manages to get the processor, the Terminator shuts down. Sarah puts the processor on the table, takes a hammer and tries to smash it, but John stops her. He convinces her that they need the Terminator. This is where we see the beginnings of John's future leadership. He says to Sarah: "How can I be a world leader if even my own mother won't listen to me?" Original ending of the film. 2029. Playground. Sarah watches John playing with his daughter. From her monologue, we learn that there was no war between machines and people, and her son became a senator. When two girls tell the T-1000 that John went to the 'Gallery', the T-1000 asks where it is located, and the girls are amused by his ignorance of things obvious to them - they giggle. This forces the T-1000 to justify himself: 'I'm like, new here...' When the T-1000, in the guise of hospital security guard Lewis, drags the corpse of the real Lewis into the storage room, a nurse asks him: "What's that, Lewis?" - "Just some trash" he replies. She continues to type something, and the T-1000 calmly drags the corpse to the storage room, where he takes the keys and gun from him. When the T-1000 approaches Sarah's room, he sees orderly Douglas with a battered face in the window, and he, seeing the guard, shouts that 'the damn bitch' Sarah escaped and demands his release. The T-1000, of course, ignores this request and continues on. A slightly more extended dialogue in the car during the escape from Pescadero. Sarah asks if the T-1000 can be destroyed, and the Terminator replies: "Unknown" (this episode was included in one of the film's trailers). To enter the hospital grounds, the T-800 shoots the guard and opens the gates. As the car passes the wounded guard, John says to him: 'Sorry...' The final dialogue between the T-800 and John was slightly longer. In response to the request to stay, the Terminator said to him: 'It has to end here. Or I am the future...'
- Scenes that were in the script but were not filmed: A conversation between Kyle Reese and John. Sarah is tortured with electroshock therapy. After studying the photos in John's room, the T-1000 concludes that after escaping from the hospital, John fled into the desert. The T-1000 follows. As the cyborg approaches, Salceda’s dog begins to bark, and he runs out with a gun, trying to shoot the T-1000, but misses. The T-1000 uses his finger, turning into a blade, and, piercing Salceda’s shoulder, asks: “Where is John Connor?” Salceda “sends” the T-1000, his hand gropes the ground, and next to some boxes he finds grenades. He blows himself up, hoping to kill the T-1000. The T-1000's head is blown off, but then it returns to its place through a boot - as in the episode of escaping from the hospital. Yolanda sees all this and hugs the child as the T-1000 approaches. He picks up the child and gets information from her about where John and everyone else went. Grant's Ranch. This part mentions Travis Grant, a “crazy former Green Beret” whom John remembers before his mother was captured. After Sarah, John and the T-800 escaped, the T-1000, disguised as Grant’s mistress, easily gets to him and gets answers to all his questions, after which he kills him. Dyson's Vision. Before Dyson died and activated the detonator, he had a vision of his family before the nuclear explosion turned everything to ashes. He sees his family running, and then - the sun. By means of morphing, it turns into the eye of the dying Dyson, which closes, and Dyson activates the detonator.
- The voice of James Cameron himself was used for the dying screams of the T-1000.
- After John Connor steals money from an ATM, his friend accidentally pulls a Polaroid photograph of Sarah Connor out of his backpack, a photograph that appeared at the end of the first film.
- At the end of the first film, Sarah blindly activates a hydraulic press from a control panel, similar to the one that crushed the T-800. At the end of the second film, Sarah also activates a lifting mechanism from a control panel, lowering the T-800 into molten metal.
- The T-800 carries a "Winchester Model 1887" in a flower box. In the film “The Godfather” (1972), caporegime Peter Clemenza also carries a "Winchester Model 1887" in a flower box to kill Don Stracci. The same technique is used in the game “Hitman: Contracts”.
- When the T-800 throws the biker, a mechanical ramp can be seen underneath him.
- In the scene where the T-800 cuts the flesh from his arm, you can see that the actor’s real arm is hidden under clothing in the stomach area. When his arm is crushed by a gear, his real limb is hidden in a black sleeve under a leather jacket. You can even make out the outline of a watch on it.
- Sarah lowers the T-800, pressing the 'Up' button.
- The shockwave from the nuclear explosion, burning flesh from bone, has absolutely no effect on the little rocking horse.
- The light from the camera is reflected in Dyson's glasses, as he comes into Sarah's crosshairs.
- Judging by John's watch, he spent nearly an hour and a half (from 10:35 to 12:00) trying to dissuade his mother from killing Dyson.
- When the T-800 emerges from the time portal, hair is visible on its body. In the next frame, it is already cleanly shaven.
- Sarah asks for a date with her son and tells the doctor she has been well-behaved for six months. He agrees. Earlier, he tells students that Sarah stabbed his knee with a pen three weeks ago.
- The license plate of the car Sarah and John used to escape the psychiatric hospital changes six times.
- During the chase in the canal, almost immediately after the truck drives off the bridge into the canal, the reflection shows the light from the camera and even the silhouette of the operator when the truck is shown.
- When the truck falls into the canal, the truck's cabin windshields fall out, but seconds later the windshields are back in place and only cracked, revealing the T-1000 behind them.
- In the scene where the T-1000 jumps onto a motorcycle from a building and into a helicopter, he breaks the helicopter's glass with his helmet and enters. In the next scene, the helicopter's glass is clearly intact.
- At the end of the director's cut of the film, Sarah Connor says that Michael Jackson turned 40 in August 1997. In reality, he turned 39 in 1997.
- When the Terminator shoots at the police cars from the laboratory window, the cylinder of the revolver rotates, but no ammunition is fed.
- Filming took place from October 9, 1990, to March 29, 1991, in California and New Mexico. Most of the scenes were shot in Los Angeles.
- At the 29th minute of the film, when the T-800 shields John with his body, the T-1000 shoots him in the back, leaving bullet holes in his leather jacket. When the Terminator fight moves into a clothing store, and the T-1000 throws the T-800 into a glass display case, the bullet holes are no longer visible.
- Arnold Schwarzenegger received a fee of $12 million for playing the main role in the film. He uttered approximately 700 words throughout the entire movie. Thus, each word spoken by the future governor of California was valued at $17,143, and his phrase 'Hasta La vista, baby' cost the film studio around $68,000.
- James Cameron asked special effects creator Stan Winston to direct the teaser trailer. Cameron did not want the teaser to consist only of footage from the film. Having received $150,000, Winston created a video showing the assembly of a T-800 model in a futuristic factory.
- The metallic ringing in the main musical theme of the film was created by Brad Fidel hitting a cast iron frying pan against a microphone.
- The scene showing the laboratory containing the time machine was never filmed, as building the set would have taken too much time. Furthermore, this scene was not important for the plot's development. Sketches and drafts for this scene were later used in the creation of the space travel device in the film 'Contact' (1997).
- Residents of the Lakeview Terrace neighborhood organized a protest outside the medical center when its name was changed to “Pascadero State Hospital for Criminally Insane.” However, the protest was immediately halted after the demonstrators learned that the hospital had been temporarily renamed for a film shoot.
- It took five hours to apply the Terminator's makeup (as he appears at the end of the film) and another hour to remove it.
- In the scene where John hacks the ATM, he uses an Atari Portfolio handheld computer.
- The forced therapy scene (found on the special edition DVD) was filmed several times. The moment when Ken Gibbel hits Linda Hamilton with a baton also required many takes. In some of them, Gibbel unintentionally delivered real blows to Hamilton's body. Linda later got her revenge: in the scene where Sarah hits Douglas with a broken mop, the hits were real.
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