Pirates of the Caribbean: At World's End - crew, film crew
The entire team, the film crew of the film "Pirates of the Caribbean: At World's End"
Pirates of the Caribbean: At World's End (2007)
Timing:
2:49 (169 min)
7.266/10
15313
15313
8.071/10
642364
642364
7.2/10
740000
740000
Film crew
Director
Producer
Eric McLeod
Producer
Peter Kohn
Producer
Pat Sandston
Producer
Jack Kney
Producer
Executive Producer
Bruce Hendricks
Executive Producer
Mike Stenson
Executive Producer
Eric McLeod
Executive Producer
Casting
Denise Chamian
Casting
Editor
Craig Wood
Editor
Special Effects Supervisor
John Frazier
Special Effects Supervisor
Art Direction
John Dexter
Art Direction
William Ladd Skinner
Art Direction
Bruce Crone
Art Direction
William Hawkins
Art Direction
Supervising Art Director
John Dexter
Supervising Art Director
Costume Design
Liz Dann
Costume Design
Penny Rose
Costume Design
Stunts
Jim Palmer
Stunts
Jay Caputo
Stunts
Mark De Alessandro
Stunts
Geo Corvera
Stunts
Víctor Quintero
Stunts
Steve Tartalia
Stunts
Jayson Dumenigo
Stunts
Randall Huber
Stunts
Denney Pierce
Stunts
Greg Wayne Elam
Stunts
Zach Hudson
Stunts
Brian Duffy
Stunts
Augie Davis
Stunts
Samuel Le
Stunts
Jesse James Youngblood
Stunts
Joey Anaya
Stunts
Richard Bucher
Stunts
Steve Upton
Stunts
Tom Morga
Stunts
Azmyth Kaminski
Stunts
John Dixon
Stunts
Michael Li
Stunts
Mark Norby
Stunts
Kofi Yiadom
Stunts
Danny Le Boyer
Stunts
Kurt D. Lott
Stunts
J. Mark Donaldson
Stunts
David Wald
Stunts
Mark Vanselow
Stunts
Anthony Kramme
Stunts
Darin Fujimori
Stunts
Alex Chansky
Stunts
Dan Brown
Stunts
Aaron Toney
Stunts
Richard L. Blackwell
Stunts
Norman Mora
Stunts
Brycen Counts
Stunts
Paul Eliopoulos
Stunts
Richie Gaona
Stunts
Greg Anthony
Stunts
Tsuyoshi Abe
Stunts
Brian Collins
Stunts
Charles Grisham
Stunts
Christopher Leps
Stunts
Lincoln Simonds
Stunts
Jim Stephan
Stunts
Sebastiano Cartier
Stunts
Noby Arden
Stunts
Mark McDaniels
Stunts
Marty Murray
Stunts
Norb Phillips
Stunts
Webster P. Whinery Jr.
Stunts
Johnny Sullivan
Stunts
Production Design
Rick Heinrichs
Production Design
Stunt Coordinator
George Marshall Ruge
Stunt Coordinator
Second Unit Director
Charles Gibson
Second Unit Director
George Marshall Ruge
Second Unit Director
Set Decoration
Cheryl Carasik
Set Decoration
Stunt Driver
J. Armin Garza II
Stunt Driver
Makeup Artist
Robin Beauchesne
Makeup Artist
Richard Alonzo
Makeup Artist
Kris Evans
Makeup Artist
David Dupuis
Makeup Artist
Gabriel De Cunto
Makeup Artist
Steven E. Anderson
Makeup Artist
Leslie Devlin
Makeup Artist
Elena Arroy
Makeup Artist
Belinda Bryant
Makeup Artist
Original Music Composer
Associate Producer
Peter Kohn
Associate Producer
Pat Sandston
Associate Producer
Second Assistant Director
Amy Schmidt
Second Assistant Director
Stunt Double
Ray Lykins
Stunt Double
Russell Towery
Stunt Double
Marc Schaffer
Stunt Double
Rob Mars
Stunt Double
Theo Kypri
Stunt Double
Buddy Sosthand
Stunt Double
Tony Angelotti
Stunt Double
Kirk Maxwell
Stunt Double
Jack West
Stunt Double
Gregg Sargeant
Stunt Double
Erica Grace
Stunt Double
Utility Stunts
Webster Whinery
Utility Stunts
Sam Looc
Utility Stunts
Keii Johnston
Utility Stunts
Kevin Abercrombie
Utility Stunts
Hugh Aodh O'Brien
Utility Stunts
Shawn Crowder
Utility Stunts
Director of Photography
Musician
Natalie Leggett
Musician
Makeup Department Head
Sound Effects Editor
Addison Teague
Sound Effects Editor
Visual Effects Supervisor
Vincent Cirelli
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Pamela Alch
Script Supervisor
Sharron Reynolds-Enriquez
Script Supervisor
Karen Golden
Script Supervisor
Hairstylist
Hazel Catmull
Hairstylist
Barbara Cantu
Hairstylist
Catherine Childers
Hairstylist
Natasha Allegro
Hairstylist
Roxanne Ferguson
Hairstylist
Monique DeSart
Hairstylist
Special Effects Coordinator
Allen Hall
Special Effects Coordinator
Animation Supervisor
Hal Hickel
Animation Supervisor
Sound Mixer
First Assistant Director
David H. Venghaus Jr.
First Assistant Director
Assistant Costume Designer
John Norster
Assistant Costume Designer
Chief Lighting Technician
Rafael E. Sánchez
Chief Lighting Technician
Screenplay
Sound Designer
Art Department Assistant
Megan Blake
Art Department Assistant
Lighting Technician
Isaac McKee
Lighting Technician
Compositing Supervisor
Lou Pecora
Compositing Supervisor
Key Hair Stylist
Gloria Pasqua Casny
Key Hair Stylist
Second Second Assistant Director
Jeffrey Schwartz
Second Second Assistant Director
Steven F. Beaupre
Second Second Assistant Director
Characters
Music Supervisor
Bob Badami
Music Supervisor
Makeup Supervisor
Ken Diaz
Makeup Supervisor
Hair Designer
Martin Samuel
Hair Designer
Music Editor
Melissa Muik
Music Editor
Barbara McDermott
Music Editor
Katie Greathouse
Music Editor
ADR Recordist
Robert Edwards
ADR Recordist
Researcher
Prosthetics
Steve Buscaino
Prosthetics
Visual Effects Coordinator
Damien Carr
Visual Effects Coordinator
Jen Underdahl
Visual Effects Coordinator
Amber Kirsch
Visual Effects Coordinator
Visual Effects
Charles Gibson
Visual Effects
Conceptual Design
Production Executive
Brigham Taylor
Production Executive
Tattoo Designer
Ken Diaz
Tattoo Designer
Compositing Lead
Compositing Artist
Marc D. Rienzo
Compositing Artist
VFX Lighting Artist
Dan Cox
VFX Lighting Artist
Character Modelling Supervisor
Geoff Campbell
Character Modelling Supervisor
Production Director
Makeup & Hair Assistant
Jed Dornoff
Makeup & Hair Assistant
Lyricist
CGI Supervisor
Dottie Starling
CGI Supervisor
Facial Setup Artist
Leslie Devlin
Facial Setup Artist
What's left behind the scenes
- During the "three on three" meeting on the sandbar, an adapted version of Ennio Morricone's composition, used in Sergio Leone's 1968 film "Once Upon a Time in the West," sounds. In the original film, this composition played during the final shootout.
- Filming of the second and third films in the pirate franchise took place simultaneously. This was done specifically to save time (to avoid repeatedly visiting exotic filming locations) and money. Nevertheless, in the fall of 2006, the film crew gathered again to complete filming (by that point, only a third of the material had been shot).
- The overall budget for the third installment amounted to a substantial $300 million USD. In its year of release, it was the most expensive film in Hollywood history.
- By setting the release date for the end of May 2007, the project's producers boxed themselves into a corner – practically all work on the third installment was carried out under severe time constraints. In particular, the script was not yet finished when filming began.
- The world premiere of the official trailer in March 2007 was jeopardized due to the fault of domestic distributors. Two days before the trailer's premiere on the official Disney website, the Russian-language trailer leaked online.
- Each installment of the franchise features a small bonus scene after the credits for the most patient viewers. The third film was no exception.
- As per tradition, copies for cinemas were encrypted and distributed to theater owners under the fake title “Rummy 3” (Rummy = rum).
- The moment the screen in the hall goes completely dark and the entire team sent to help Jack finds itself at the Edge of the World, voices and music used in the “pirate” attraction at Disneyland can be heard, thanks to which the franchise gained cinematic life.
- In the first film of the trilogy, Captain Barbossa’s name was not mentioned (only in DVD commentary). This time, Barbossa’s name (Hector) is mentioned as the plot develops.
- As of now, the film holds two North American box office records: the widest release (4362 theaters) and the best Memorial Day weekend start (the final weekend of May, $139.8 million for 4 days).
- The third installment broke the tradition of previous films in the franchise, which began with opening credits. This time, a scene before the credits can be seen.
- For the shooting of the scene in which Jack’s monkey shivers from the cold, a real monkey was placed on a vibrating box.
- The Pirate Council was held in real life, but it happened only once in history.
- A green flash is a real optical phenomenon (though it happens extremely rarely). This phenomenon can be observed during sunset or sunrise, and it's best to do so from the sea.
- On the eve of filming in the salt desert, rain suddenly poured down, and the desert instantly turned into a sea.
- The Council of the Pirate Brotherhood did indeed exist, but it was called the Brotherhood of the Coast.
- 3500 candles were needed to illuminate the Bay of Shipwrecks.
- The downpour in the shot is 100,000 liters of water per minute poured onto the ships.
- When Johnny Depp finished filming and was about to leave, the film crew gifted him with a huge cake adorned with a multitude of marzipan ships and the inscription 'Dear Captain Jack, may your compass always lead you back to us. Thank you.' Depp was moved to tears.
- Filming took place in the Bahamas, Bermuda, Los Angeles, and Singapore, where the project’s creators filmed eastern landscapes for the movie.
- Ennio Morricone’s composition during the ‘three-way meeting’ was adapted by none other than… Gore Verbinski. He is a proficient guitar player.
- This film was the first to fully computer-generate a water surface.
- At the end of the film, a ship with a Russian coat of arms on the stern can be noticed at Tortuga's pier. This is the Russian schooner "Saint Peter," which has been in the Caribbean Sea since 1994.
- Keith Richards, guitarist for "The Rolling Stones," played an episodic role as Jack Sparrow's father in the film. Johnny Depp has repeatedly noted that while working on the image of Jack Sparrow, he copied Richards' mannerisms, so inviting the rock legend to one of the franchise installments was only a matter of time. It wasn’t possible to do this while working on the sequel, but all formalities were finally settled by the time of the third installment.
- Jack Sparrow appears on screen only at the 33rd minute of the film.
- The "Pirate Code" is a Talmud, 50 by 70 cm in size and weighing about 35 kg, containing a thousand parchment pages. In the frame, it is carried by pirate librarians who look like 90-year-old musicians from the band ZZ Top. A 4.5 kg copy of the "Code" had to be made for the Keeper of the "Code" (Keith Richards).
- The battle between the pirates and the East India Company's armada was filmed in a huge hangar built in 1983 for 100 bomber aircraft.
- In the third part of "Pirates," there's a scene where thousands of small crabs crash onto the deck of the "Black Pearl," sweeping everything in their path. The computer-generated crabs were created based on 175,000 blue plastic balls that were thrown onto the deck during filming. Filming had to be stopped for an hour because the actors and crew immediately grabbed the balls and started throwing them at each other.
- Davy Jones is a 3D model created using computer technology, but for 20 seconds in the third film, Jones appears as a human, played by Bill Nighy in costume.
- Madam Ching, who refers to herself at the pirate court, was a real person – the Chinese pirate Zheng Shi.
- In the film, Singapore is depicted as a major port city inhabited by Chinese people. However, in reality, before 1819, the site of the city was a small Malay fishing village, and after 1819 – a British colony.
- During the 'three-on-three' meeting on the sandbar, an adapted version of Ennio Morricone’s composition, used in Sergio Leone’s 1968 film "Once Upon a Time in the West" (C'era una volta il West), is heard. In the original film, this composition was played during the final shootout.
- The Ennio Morricone composition during the 'three-on-three' meeting was adapted by none other than... Gore Verbinski. He is a professional guitar player.
- At the end of the film, a ship with a Russian coat of arms on the stern can be noticed at Tortuga’s pier. This is the Russian schooner "Saint Peter", which has been in the Caribbean Sea since 1994.
- The Rolling Stones guitarist Keith Richards played an episodic role as Jack Sparrow’s father in the film. Johnny Depp repeatedly noted that while working on the image of Jack Sparrow, he copied Richards’ mannerisms, so inviting the rock legend to one of the franchise’s installments was only a matter of time. It wasn’t possible to do this while working on the sequel, but all formalities were finally settled by the time of the third film.
- The "Pirate Code" is a Talmud, 50 by 70 cm in size and weighing about 35 kg, containing a thousand parchment pages. In the frame, it is carried by pirate librarians who look like 90-year-old musicians from the band ZZ Top. A 4.5 kg copy of the "Code" had to be made for the Keeper of the "Code" (Keith Richards).
Did you like the film?
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