Terminator 3: Rise of the Machines - crew, film crew
The entire team, the film crew of the film "Terminator 3: Rise of the Machines"
Terminator 3: Rise of the Machines (2003)
Timing:
1:49 (109 min)
6.2/10
7173
7173
6.769/10
191808
191808
6.3/10
436000
436000
Film crew
Director
Producer
Mario Kassar
Producer
Hal Lieberman
Producer
Joel B. Michaels
Producer
Matthias Deyle
Producer
Colin Wilson
Producer
Executive Producer
Dieter Nobbe
Executive Producer
Guy East
Executive Producer
Moritz Borman
Executive Producer
Volker Schauz
Executive Producer
Aslan Nadery
Executive Producer
Casting
Randi Hiller
Casting
Editor
Nicolas De Toth
Editor
Neil Travis
Editor
Special Effects Supervisor
Keith Marbory
Special Effects Supervisor
Art Direction
Shepherd Frankel
Art Direction
Beat Frutiger
Art Direction
Andrew Menzies
Art Direction
Costume Design
April Ferry
Costume Design
Stunts
Kenny Alexander
Stunts
Charlie Brewer
Stunts
Wade Allen
Stunts
Mark De Alessandro
Stunts
Tim Trella
Stunts
Theo Kypri
Stunts
Peter Weireter
Stunts
Marc Cass
Stunts
Terry Jackson
Stunts
David Hugghins
Stunts
Ray De-Haan
Stunts
Steve Holladay
Stunts
Sandy Berumen
Stunts
Dickey Beer
Stunts
Rex Reddick
Stunts
Chuck 'Chaz' Hosack
Stunts
Scott Wilder
Stunts
Jack Carpenter
Stunts
Richard Burden
Stunts
Brycen Counts
Stunts
Christopher J. Tuck
Stunts
Damien Moreno
Stunts
Cris Thomas-Palomino
Stunts
Mike Justus
Stunts
Production Design
Jeff Mann
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Jay Hart
Set Decoration
Stunt Driver
Makeup Artist
Steve LaPorte
Makeup Artist
Key Makeup Artist
Louis Lazzara
Key Makeup Artist
Original Music Composer
Unit Production Manager
Sharon Mann
Unit Production Manager
Production Supervisor
Gregory Alpert
Production Supervisor
Orchestrator
Pete Anthony
Orchestrator
Set Dresser
Tammy Banal
Set Dresser
Don Elliott
Set Dresser
Michael O'Donnell
Set Dresser
Second Assistant Director
Emily McGovern
Second Assistant Director
Stunt Double
Joey Box
Stunt Double
Utility Stunts
Director of Photography
Musician
Kevin Connolly
Musician
Steadicam Operator
Kenji Luster
Steadicam Operator
Costumer
Becky Gelbart
Costumer
Costume Supervisor
Dan Moore
Costume Supervisor
Donna Marcione Pollack
Costume Supervisor
Makeup Department Head
Jeff Dawn
Makeup Department Head
Sound Effects Editor
Peter Brown
Sound Effects Editor
Assistant Art Director
Greg Berry
Assistant Art Director
Property Master
Hope M. Parrish
Property Master
Visual Effects Supervisor
Kenneth Nakada
Visual Effects Supervisor
Dion Hatch
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Luca Kouimelis
Script Supervisor
Hair Department Head
Peter Tothpal
Hair Department Head
Electrician
Darren Langer
Electrician
Set Costumer
Bob Moore Jr.
Set Costumer
Supervising ADR Editor
Susan Dudeck
Supervising ADR Editor
Hairstylist
Lisa M. Cubero
Hairstylist
Special Effects Coordinator
Allen Hall
Special Effects Coordinator
Still Photographer
Robert Zuckerman
Still Photographer
Lead Animator
Scott Wirtz
Lead Animator
Digital Effects Supervisor
Don Lee
Digital Effects Supervisor
Sound Mixer
Ray Cymoszinski
Sound Mixer
Visual Effects Producer
Kim Boyle
Visual Effects Producer
Gretchen Libby
Visual Effects Producer
Armorer
Michael Papac
Armorer
First Assistant Director
Bruce Moriarty
First Assistant Director
Thanks
Csilla Somogyi
Thanks
Driver
Roger Bojarski Jr.
Driver
Boom Operator
Cary Weitz
Boom Operator
Graphic Designer
David E. Scott
Graphic Designer
Screenplay
Set Designer
Maria Baker
Set Designer
First Assistant Editor
Todd Busch
First Assistant Editor
Foley Artist
Nancy Parker
Foley Artist
Sound Designer
Buck Sanders
Sound Designer
Propmaker
Mark Bialuski
Propmaker
Construction Coordinator
Greg John Callas
Construction Coordinator
Art Department Coordinator
Laura J. DeRosa
Art Department Coordinator
Dialogue Editor
Michael J. Benavente
Dialogue Editor
Assistant Editor
Cedric Nairn-Smith
Assistant Editor
Best Boy Grip
Steve Ball
Best Boy Grip
Art Department Assistant
Erica Callas
Art Department Assistant
Lighting Technician
Anthony D. Guzman
Lighting Technician
Rigging Grip
Jason Andrew
Rigging Grip
Transportation Coordinator
Denny Caira
Transportation Coordinator
Compositing Supervisor
Gregory Oehler
Compositing Supervisor
Key Grip
Michael J. Coo
Key Grip
Ager/Dyer
Carol Demarti
Ager/Dyer
Location Manager
Colleen Gibbons
Location Manager
Michael J. Burmeister
Location Manager
Grip
Nico Bally
Grip
Dolly Grip
Brian Rosso
Dolly Grip
Bobby Foster
Dolly Grip
Assistant Property Master
Eric Dennis
Assistant Property Master
Key Hair Stylist
Cydney Cornell
Key Hair Stylist
Leadman
Wayne Shepherd
Leadman
Additional First Assistant Camera
Brandon Margulies
Additional First Assistant Camera
Assistant Location Manager
Martin Allen
Assistant Location Manager
Set Production Assistant
Angela Athayde
Set Production Assistant
Location Assistant
Paige Wilbanks
Location Assistant
Second Second Assistant Director
Mark S. Constance
Second Second Assistant Director
Visual Effects Production Manager
Jodi Birdsong
Visual Effects Production Manager
Construction Foreman
Sean Clouser
Construction Foreman
Painter
Francesco Franco Ferrara
Painter
Story
Tedi Sarafian
Story
Characters
Casting Assistant
Scott D. Moore
Casting Assistant
Foley Supervisor
Matthew C. Beville
Foley Supervisor
Special Effects Technician
Brian Barnhart
Special Effects Technician
Makeup Designer
Terry Wolfinger
Makeup Designer
Foley Mixer
Brian Ruberg
Foley Mixer
Production Controller
Nour Dardari
Production Controller
Production Accountant
Maryjane Layani
Production Accountant
Casting Associate
Courtney Gross
Casting Associate
Sculptor
Fred Arbegast
Sculptor
Gaffer
James M. McEwen
Gaffer
Rafael E. Sánchez
Gaffer
Assistant Director
Christian Pichler
Assistant Director
Music Editor
Bill Abbott
Music Editor
Production Sound Mixer
William B. Kaplan
Production Sound Mixer
ADR Mixer
Howard London
ADR Mixer
Video Assist Operator
Mauriece Jacks Jr.
Video Assist Operator
ADR Recordist
Nick Foley
ADR Recordist
Second Unit Director of Photography
Ben Seresin
Second Unit Director of Photography
Storyboard Artist
Robert Consing
Storyboard Artist
Chris Buchinsky
Storyboard Artist
First Assistant Camera
Raimund Almanza
First Assistant Camera
Special Effects Assistant
Parry Willard
Special Effects Assistant
Digital Compositor
Robert Hoffmeister
Digital Compositor
Conductor
Pete Anthony
Conductor
Post Production Supervisor
Michael Tinger
Post Production Supervisor
Researcher
Max Chen
Researcher
Prosthetics Sculptor
Clinton Wayne
Prosthetics Sculptor
Music Coordinator
Marylou Eales
Music Coordinator
Stand In
Bert Beatson
Stand In
Production Assistant
Graham DuBose
Production Assistant
Unit Publicist
Sheryl Main
Unit Publicist
Production Coordinator
Tina Bennett
Production Coordinator
Visual Effects Coordinator
Gayle Busby
Visual Effects Coordinator
Elaine Essex Thompson
Visual Effects Coordinator
Key Set Production Assistant
Kayce Brown
Key Set Production Assistant
Utility Sound
Philip A. Schwartz
Utility Sound
Visual Effects Editor
Gian Ganziano
Visual Effects Editor
Anthony Pitone
Visual Effects Editor
Additional Second Assistant Camera
Mark 'Boylee' Boyle
Additional Second Assistant Camera
Production Secretary
Jana Lundy
Production Secretary
Visual Effects
Bill Coffin
Visual Effects
Camera Production Assistant
Marc Lulkin
Camera Production Assistant
Payroll Accountant
Cecilia Escobar
Payroll Accountant
Line Producer
Oliver Hengst
Line Producer
Animation Director
Danny Gordon Taylor
Animation Director
CG Supervisor
Richard McBride
CG Supervisor
ADR Editor
Andrea Horta
ADR Editor
Joe Dorn
ADR Editor
ADR Voice Casting
Wendy Hoffmann
ADR Voice Casting
Conceptual Design
Constantine Sekeris
Conceptual Design
Extras Casting
Tina Kerr
Extras Casting
CG Artist
Dániel Bukovec
CG Artist
Picture Car Coordinator
Robert K. Johnson
Picture Car Coordinator
Post Production Assistant
Stewart Maclennan
Post Production Assistant
Assistant Accountant
Kelley Baker
Assistant Accountant
Camera Loader
Heather Green
Camera Loader
Assistant Production Coordinator
Edward Hunt
Assistant Production Coordinator
Second Assistant Accountant
Carlo Pratto
Second Assistant Accountant
Sound Recordist
Sean Landeros
Sound Recordist
Richard Jay
Sound Recordist
Security
Howard Velasco
Security
Second Assistant Camera
Giselle Brewton
Second Assistant Camera
Assistant Sound Editor
Joseph Bonn
Assistant Sound Editor
Ann Ducommun
Assistant Sound Editor
Matthew P. Hanson
Assistant Sound Editor
Tricia Linklater
Assistant Sound Editor
Visual Effects Art Director
Peter Mitchell Rubin
Visual Effects Art Director
Motion Capture Artist
Tom Armbruster
Motion Capture Artist
Publicist
Shery Mann
Publicist
Sequence Supervisor
Philippe Rebours
Sequence Supervisor
Modeling
Matte Painter
Shannan Burkley
Matte Painter
Rotoscoping Artist
Grace Cheney
Rotoscoping Artist
Transportation Captain
Mike Shannon
Transportation Captain
Production Executive
Tobin Armbrust
Production Executive
Assistant Production Manager
Tony Schwartz
Assistant Production Manager
Sound Editor
Paula Fairfield
Sound Editor
Set Medic
Jason Inman
Set Medic
Costume Illustrator
Jacqueline Wazir
Costume Illustrator
Digital Intermediate Producer
Hilda Saffari
Digital Intermediate Producer
Visual Effects Production Assistant
Jill E. Hughes
Visual Effects Production Assistant
Dolby Consultant
Andy Potvin
Dolby Consultant
Craft Service
Ted Yonenaka
Craft Service
Lea Anderson
Craft Service
Negative Cutter
Gary Burritt
Negative Cutter
Executive Music Producer
Joel Sill
Executive Music Producer
Lead Painter
Giovanni Ferrara
Lead Painter
3D Supervisor
Assistant Camera
Ron Peterson
Assistant Camera
Andrew Shulkind
Assistant Camera
Extras Casting Assistant
Ford Austin
Extras Casting Assistant
Aerial Coordinator
Robert 'Bobby Z' Zajonc
Aerial Coordinator
Creature Technical Director
William Clay
Creature Technical Director
Executive Assistant
Alexander Yves Brunner
Executive Assistant
Set Painter
John Bugarcic
Set Painter
Digital Intermediate Editor
Amy Tompkins
Digital Intermediate Editor
Software Engineer
Ryan Kautzman
Software Engineer
Apprentice Sound Editor
Stewart Maclennan
Apprentice Sound Editor
Layout
John Trujillo
Layout
Makeup Effects
Arjen Tuiten
Makeup Effects
John Rosengrant
Makeup Effects
Digital Compositors
Jamie Baxter
Digital Compositors
Projection
Kent Hayward
Projection
Systems Administrators & Support
General Manager
Donald Fly
General Manager
Production Illustrator
Matt Codd
Production Illustrator
Digital Effects Producer
Rod Park
Digital Effects Producer
Digital Color Timer
Michael Eaves
Digital Color Timer
Additional Production Assistant
Doug Meyer
Additional Production Assistant
Prosthetic Supervisor
Clinton Wayne
Prosthetic Supervisor
Head Greensman
Frank Cappiello
Head Greensman
Set Dressing Supervisor
Egan Gauntt
Set Dressing Supervisor
Presenter
Mechanical Designer
Richard J. Landon
Mechanical Designer
Quality Control Supervisor
Timothy Michael Cairns
Quality Control Supervisor
What's left behind the scenes
- At the time of its theatrical release, 'Terminator 3: Rise of the Machines' was the most expensive film with an officially confirmed budget. Although other films cost more, their budgets were not officially confirmed.
- Initially, filming was planned to take place in Vancouver (Canada), but at the last moment it was decided to film in Los Angeles (USA). One of the reasons for the change of location was the sharply increased criticism from American film companies filming outside the United States. In addition, at the same time, Arnold Schwarzenegger launched his political campaign for the governorship of California. The official reason for the change of location was the last-minute availability of production facilities at a film studio in Los Angeles, necessary for filming this movie.
- Early versions of the script featured a Terminator named 'T-1G'. It was initially intended to be a male role.
- The role of the T-X could have gone to Joanie Loreer, Vin Diesel, Shaquille O'Neal, Famke Janssen, Carrie-Anne Moss, or Jeri Ryan.
- Claire Forlani could have played the role of Kate Brewster.
- Shane West, Ben Curtis, and Chris Klein were considered for the role of John Connor.
- After the first week of filming, Sophia Bush, who played Kate Brewster, was replaced by Claire Danes, as the director believed Sophia was too young to play John Connor's lover.
- James Cameron was not involved in the making of this film.
- Ang Lee could have directed this film, but he chose to direct "Hulk" (2003) instead.
- The film's original tagline was "The War Begins 2003." However, this tagline had to be abandoned due to the political situation at the time and the start of the war in Iraq.
- Toyota Motor provided seven Toyota Tundra trucks for filming. All of them were wrecked during the shooting.
- Arnold Schwarzenegger donated $1.4 million of his fee to ensure a scene was filmed where a crane crashes into a glass building. Jonathan Mostow was unsure about filming this scene, fearing it would exceed the initial budget and extend the film's shooting schedule beyond its original timeframe.
- The initial script featured a character – Detective Vukovich (from the 1984 film 'The Terminator,' intended to be played by Lance Henriksen). This character was to be confined to a wheelchair due to events depicted in the first film of the trilogy. Ultimately, the filmmakers abandoned this idea.
- Kristanna Loken gained 15 pounds (approximately 6.8 kg) of muscle mass specifically for the role of the T-X. She also took special mime lessons, as her character speaks very rarely and needed to learn to communicate through facial expressions and gestures.
- For promotional purposes, Indian Motorcycle provided eight 'Chief' motorcycles for use in the film, which were used as patrol motorcycles.
- In this film, Arnold Schwarzenegger does not utter his signature phrase, “I’ll be back.” However, in this film he says “She’ll be back” and “I’m back.”
- The famous phrase “Get out!” is used in all three films. This film also features a similar phrase: when the Terminator takes a police motorcycle, he says, “Get off!”
- James Cameron declined to direct, as he believed the story was concluded in the second film.
- Ridley Scott could have directed the film, but he chose to make “Black Hawk Down” (2001) instead.
- At one point, John McTiernan was considered for the director’s position.
- Initially, Kate Brewster's fiancé was named Scott Petersen. However, due to the trial of Scott Petersen, who was accused of murdering his pregnant wife, Kate's fiancé's name was changed to Scott Mason. But in the final credits, he is listed as Scott Petersen.
- The shot of the Terminator getting on a motorcycle, starting it, and then turning right is filmed from the same angle in all three films.
- The man yelling at John Connor after the latter crashed into his car is Billy Dee Lucas, Arnold Schwarzenegger’s stunt double.
- The exact time of Judgment Day is 6:18 PM on July 24, 2004.
- Linda Hamilton was offered to play Sarah Connor for the third time, but she declined the offer.
- The first week of filming was dedicated to shooting the scene where the Terminator crashes a truck into T-X. The last day of filming was the scene where T-X emerges from a time portal.
- During the filming of the scene where Scott Mason / Peterson transforms into T-X, both actors precisely mirrored each other's movements. Notably, Mark Famiglietti, who played Scott, was forced to wear platform shoes because Kristanna Loken is significantly taller than him.
- In the scene where the Terminator reboots his system to eliminate data corruption caused by T-X's interference, you can notice which elements of his system he is rebooting: Remote Access, Sound, Memory, Software Update, QuickTime Player, Date and Time, Multiple Users, Keychain Access, Location Manager, Energy Saver, Add Application Program, MP3.com. All of these elements, with the exception of MP3.com, are part of Apple Macintosh operating systems, most likely Mac OS 9. A similar joke was present in the first film: if you look closely at the Terminator's commands during the POV shot, you can conclude that it uses a Motorola 6502 microprocessor. At the time of filming “Terminator” (1984), this processor was used in Apple II computers.
- Among the listing of airbase names over which Skynet established control, one can notice “Moron Airfield” and “Batman Air Base”. These are real, existing airbases. The first is located in Spain, the second in Turkey.
- The first draft of the script differed significantly from the finished film. For example, John Connor was a successful programmer who was partially responsible for activating Skynet. Sarah Connor was also supposed to return in the film. The evil Terminator could change its shape and also take on a gaseous form.
- A scene explaining why the Terminators look like Arnold was cut from the film. In this scene, Sergeant Candy, played by Schwarzenegger, talks about how his appearance will be used to create the Terminators. This scene can be found on the DVD release of the film.
- Before filming began, Arnold Schwarzenegger worked out every day for 6 months. Each workout lasted about three hours. When filming started, Arnold was in the same physical shape as he was during the filming of 'Terminator 2: Judgment Day' (1991).
- Three full-size T-1 models were used during the filming of the hangar scene, in which we see dozens of T-1s. Their number was multiplied using computers during editing.
- Tedi Sarafian wrote one of the early script drafts. If the film had been shot according to this script, the film's budget would have exceeded $200 million, as the script contained several scenes of colossal scale: for example, a scene in which a 'Boeing' crashes in downtown Los Angeles, destroying almost half the city. However, some of Sarafian's ideas were used in the film (the female Terminator, Sarah Connor does not appear in the film), so he is credited as the story author.
- In some shots, the crane hook is not real, but computer-generated.
- The chase scene took six months to assemble.
- For a long time, Arnold Schwarzenegger agreed to star in the film only if James Cameron directed it. As is known, Cameron refused to direct the film under any circumstances. Eventually, Cameron advised Schwarzenegger to reprise his role as the Terminator for a third time, but to demand a huge sum of money from the studio as a fee. Arnie did just that – his fee was $30 million.
- When Arnold Schwarzenegger asks Claire Danes where John Connor is, he promises to let her go if she tells him, then he says – 'I lied...' He says the same thing in the film *Commando* (1985) when he throws a guy off a cliff.
- Kristanna Loken delivers all of her lines in the first twenty-five minutes of the film.
- Shortly before the end of the film, the inscription “Blue 478” appears on the computer console screen, and John says: “Dakota 775”. These code numbers are references to sockets for Intel Pentium 4 microprocessors: Socket 478 and LGA 775.
- Three video games were released based on this film. "Terminator 3: War of the Machines" (2003) is a multiplayer game that did not use the film's plot, but only some details, such as locations and cyborg models. "Terminator 3: Rise of the Machines" (2003) and "Terminator 3: The Redemption" (2004) follow the film's plot and also expand upon it with events from the future. In the latter two games, the T-800 was also voiced by Arnold Schwarzenegger.
- The method of time travel remained traditional – through an energy sphere formed by the time machine. Since the second film, it remains unclear how polyalloy robots travel. According to the version voiced in the first Terminator, only living matter or what is contained within it can travel, hence the situations with finding clothes. If the appearance of the T-1000 in the second film remained off-screen (most likely the robot did not have its own form before contacting the police officer), then in this film, the T-X, being a polyform robot that does not need other people's clothes and faces, still emerges from the sphere naked (presumably to maintain continuity) and takes not only a car but also clothes from the first woman she encounters, although she could easily mimic any that fit her, as was shown later. At the same time, the inconsistencies regarding the need for some kind of organic shell that allows robots to travel through time were completely forgotten.
- When the Terminator goes to a bar for clothes, he breaks the arm of a stripper who refused to give up his clothes, just as the T-800 breaks the arm of one of the bikers in the second film.
- Upon meeting John Connor at the veterinary clinic, the Terminator says, "Come with me if you want to live," just as he says to Sarah Connor in the second film, and Kyle Reese says to Sarah Connor in the first film.
- After the first escape from the T-X, John asks the Terminator about the T-X, "Will you destroy her?" – the same phrase Sarah Connor asks Kyle Reese about the T-800 in "The Terminator."
- The scene where Kate Brewster shoots the Terminator with a pistol, after which he spits out the bullet and tells her “Don’t do that.” Kyle Reese also says to Sarah Connor in the first film when Sarah bites his arm during their escape from the T-800.
- The screams of T-X before her destruction are the screams of predatory velociraptors from Steven Spielberg's film “Jurassic Park” (1993).
- The first and only appearance of the T-X robot. This model does not appear in subsequent films.
- In this film, the T-800 uses the following weapons: A hunting shotgun – an attempt to save John Connor and Kate Brewster from the T-X. A modified “Browning M2” machine gun – shooting up police cars. An RPG-7 – blowing up the T-X in the cemetery. A “Protecta” rifle (formerly known as “Striker”) – several shots at the T-X. A “Minigun” torn from the T-1 – a shootout with another T-1. An “HK G36” assault rifle – an attempt to destroy the flying hunter-killer.
- At the end of the film, before the destruction of the T-X and the Terminator by a fuel cell, the Terminator says “You have been terminated,” just as Sarah Connor says before destroying the T-800 at the end of the first film.
- In the Russian dub, when John crawls past the Terminator holding the door at the end of the film and says "Thank you" – the Terminator replies: "I'll hold it." In the original, the Terminator replied "We'll meet again."
- Filming took place from April 15 to September 8, 2002.
- Upon its theatrical release, "Terminator 3: Rise of the Machines" was the most expensive film with an officially confirmed budget. Although other films cost more, their budgets were not officially confirmed.
- In the Russian dub, when John crawls past the Terminator holding the door at the end of the film and says “Thank you,” the Terminator replies: “I’ll hold it.” In the original, the Terminator responded “We'll meet again.”
- At the 8th minute of the film, T-X dials a phone number and, during the call, gathers information about its targets, future allies of John Connor. However, the phone screen shows an indicator that there is no connection to the cellular network.
- When, at the 26th minute of the film, T-850 in a pickup truck hits T-X and crashes into a building, the car's cab remains outside. At the 27th minute, when John climbs out of the cage, the pickup truck is almost completely inside the building.
- At the 28th minute of the film, T-850 puts John Connor in a veterinary clinic van and orders him to leave. John quickly starts the engine and drives off, although when Kate tried to escape in the same van from T-X at the 25th minute, she dropped the car keys, not having time to insert them into the ignition.
- During the chase episode that begins at the 31st minute of the film, a car crane inconsistently changes its configuration with scene changes. Thus, the boom is sometimes retracted, sometimes extended to the side or forward. Also, the side supports change their position: they are either hidden or extended to the side. Similarly, the hook hangs freely during some scenes, but in neighboring frames it is secured with a cable in front of the cab.
- At the 34th minute of the film, two police cars box in John's van from both sides. When John brakes at the intersection, in one of the frames, a driver's door appears on his van, which T-X tore off in the parking lot in front of the veterinary clinic at the 25th minute.
- At the 52nd minute of the film, Kate grabs a pistol and points it at the T-850 standing before her. After a cut, the Terminator straightens up and stands at a half-turn, with his left shoulder forward. In the next shot, he is already standing with his right shoulder forward.
- At the 56th minute of the film, a SWAT team bursts into the mausoleum to capture John and the T-850. However, when the Terminator emerges and opens fire on the remaining special forces officers on the street, the team that previously ran in disappears and does not participate in the battle.
- When John, Kate, and the T-850 flee in a hearse from the T-X at the 60th minute of the film, the vehicle loses all its wheel covers during the chase. When the Terminator stops at a tourist parking lot in one of the subsequent scenes, a wheel cover reappears on the front left wheel in one shot, and then on the rear right wheel in the next angle.
- At the 70th minute of the film, when John and Kate are sitting at a table and talking, a large amount of explosives is lying on it. In one of the shots, all the explosives disappear from the table, replaced by a pistol.
- At the 90th minute of the film, John and Kate board a plane with tail number N3035C. In the next shot, as they fly over the desert, the number displayed on the aircraft changes to N3973F.
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