The Dressmaker - crew, film crew
The entire team, the film crew of the film "The Dressmaker"
The Dressmaker (2015)
Timing:
1:58 (118 min)
6.99/10
1582
1582
7.345/10
249824
249824
7/10
71000
71000
Film crew
Director
Producer
Sue Maslin
Producer
Executive Producer
Casting
Christine King
Casting
Editor
Jill Bilcock
Editor
Art Direction
Lucinda Thomson
Art Direction
Costume Design
Margot Wilson
Costume Design
Marion Boyce
Costume Design
Stunts
Philli Anderson
Stunts
Production Design
Roger Ford
Production Design
Stunt Coordinator
Chris Anderson
Stunt Coordinator
Set Decoration
Lisa Thompson
Set Decoration
Makeup Artist
Original Music Composer
David Hirschfelder
Original Music Composer
Director of Photography
Camera Operator
David Williamson
Camera Operator
Costume Supervisor
Kerry Thompson
Costume Supervisor
Assistant Art Director
Nicholas Dare
Assistant Art Director
Property Master
Jane Murphy
Property Master
Visual Effects Supervisor
David Booth
Visual Effects Supervisor
Supervising Sound Editor
Glenn Newnham
Supervising Sound Editor
Script Supervisor
Susie Struth
Script Supervisor
Hairstylist
Warren Hanneman
Hairstylist
Helen Magelaki
Hairstylist
Visual Effects Producer
Prue Fletcher
Visual Effects Producer
Armorer
Scott Warwick
Armorer
Screenplay
Novel
Rosalie Ham
Novel
First Assistant Editor
Caitlin Spiller
First Assistant Editor
Sound Designer
Chris Goodes
Sound Designer
Art Department Assistant
Sophie Durham
Art Department Assistant
Das Patterson
Art Department Assistant
Music Supervisor
Bernard Galbally
Music Supervisor
Hair Designer
Shane Thomas
Hair Designer
Casting Associate
Cinzia Coassin
Casting Associate
Amanda Mitchell
Casting Associate
Gaffer
Karl Engeler
Gaffer
Music
David Hirschfelder
Music
Music Editor
Jason Fernandez
Music Editor
Visual Effects Editor
Caitlin Spiller
Visual Effects Editor
ADR & Dubbing
Liesl Pieterse
ADR & Dubbing
Sound Recordist
Andrew Ramage
Sound Recordist
Digital Intermediate
Catherine Armstrong
Digital Intermediate
Second Unit Cinematographer
What's left behind the scenes
- The film is based on the novel of the same name by Australian author Rosalie Ham.
- Kate Winslet and Judy Davis struggled to suppress laughter while filming the scene where Liam Hemsworth undresses to have his measurements taken.
- Kate Winslet specifically learned to sew in order to play her role as authentically as possible. After that, she even helped Margot Wilson choose costumes for her character. Wilson was specially invited as a costume designer for the character played by Winslet.
- The main character uses a '201K2' sewing machine made by 'Singer'. These machines were very durable but expensive, costing the equivalent of six months' salary for a working woman. Professional seamstresses and tailors still consider 'Singer' machines to be the best in the world.
- Production designer Roger Ford wanted to film in a typical town in western Australia, but since none of those available in Victoria suited him, the town of Dungatar had to be built by the set decorators.
- Kate Winslet was expecting a child with her husband Ned Rocknroll, and filming had to be postponed for a year.
- The red dress and coat of Kate Winslet's character are made from silk moiré purchased in Milan 25 years before filming began.
- The pre-production period for the film lasted 13 years.
- The film received enthusiastic applause from the audience at its premiere at Roy Thomson Hall in Toronto during the 2015 international film festival. Roy Thomson Hall, which opened in 1982, seats almost 2400 spectators.
- 179,300 mice were used in the grain silo scene.
- Director Jocelyn Moorhouse described the film as "Unforgiven (Clint Eastwood, 1992) with a sewing machine."
- From time to time, wild emus would run onto the set, and filming had to be interrupted.
- Kate Winslet used the services of the same dialect coach who worked with her on her Australian accent in Jane Campion's drama "Holy Smoke" (1999). After filming, only one scene with her participation had to be redubbed. In the scene where she filmed with New Zealand actress Kerry Fox, Winslet suddenly began to speak like Fox. "I just have trouble with accents," the actress later admitted.
- The second film in Hugo Weaving's acting career in which he plays a cross-dresser living in the Australian outback. In 1994, Stephan Elliott's "The Adventures of Priscilla, Queen of the Desert" was released, where Weaving played a drag performer.
- The wedding dress that her character wears as the plot develops became actress Sarah Snook's favorite costume.
- The number of deaths in the film: 5.
- The film begins with the arrival of Kate Winslet's character in Dungatar, but director Jocelyn Moorhouse intended to tell the backstory of events. Kate dissuaded her from this idea, as she liked the ambiguous opening scene of the film and her line, "Well, bastards. Here I am."
- The main character uses a Singer model 201K2 sewing machine. These machines were very durable, but expensive, costing the equivalent of a working woman's six-month salary. Professional seamstresses and tailors still consider Singer machines the best in the world.
- The film received a standing ovation from the audience at its premiere at Roy Thomson Hall in Toronto during the 2015 international film festival. Roy Thomson Hall, which opened in 1982, seats almost 2400 spectators.
- Kate Winslet used the same dialect coach who worked with her on her Australian accent for Jane Campion’s drama “Holy Smoke” (1999). After filming, only one scene with her participation had to be redubbed. In the scene where she filmed with New Zealand actress Kerry Fox, Winslet suddenly began to speak like Fox. “I just have trouble with accents,” the actress confessed later.
- This is the second film in Hugo Weaving's acting career where he plays a cross-dresser living in the Australian outback. In 1994, Stephan Elliott's "The Adventures of Priscilla, Queen of the Desert" was released, with Weaving playing a drag performer.
- The film begins with the arrival of Kate Winslet's character in Dungatar, but director Jocelyn Moorhouse intended to tell a backstory. Kate dissuaded her from this idea, as she liked the ambiguous opening scene of the film and her line, "Well, bastards. I'm back."
Did you like the film?
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